Hasta La Ideas

Two of of the seven 2013 Time 100 covers, which feature portraits by Mark Seliger.

Today Time revealed its annual selection of the 100 most influential people in the world, and while we remain suspicious of any list that includes both Christina Aguilera and Elena Kagan, it’s difficult not to enjoy the logistical wonder that is the Time 100 issue. On newsstands tomorrow, the massive editorial effort commissions a diverse group of notable figures—many of them Time 100 alumna—to write a paragraph or two about the chosen influencers. And so this year we get Richard “I know a thing or two about building spaceships” Branson on SpaceX and Tesla founder Elon Musk, Claire Danes‘s clear-eyed look at the uniquely vanity-free and shameless Lena Dunham, and Michael Bloomberg‘s cliché-ridden paen to Jay-Z, who emerges as a 21st century Gatsby that gets the girl–she also made the Time 100–and the American Dream.

Art and design stars that made it onto this year’s Time 100 include Apple’s Jony Ive, Michael Kors, who joins the likes of Uniqlo honcho Tadashi Yanai and Facebook’s Sheryl Sandberg in the “Titans” category; artist Ed Ruscha, who Richard Lacayo likens here to “a SoCal Magritte;” 2012 Pritzker laureate Wang Shu; and Jenna Lyons, executive creative director of J. Crew. “She has made fashion relatable,” writes fashion designer Prabal Gurung of Lyons. “Being fashionable doesn’t mean being trendy; it means having a sense of style. Jenna has made J. Crew more than a brand or a company–it’s a philosophy that believes in style.”

New Career Opportunities Daily: The best jobs in media.

L’artiste américain John Foster nous invite à découvrir « Sparkle Palace Geometric Table », une création de verre avec de multiples réflexions de lumières. La table, pensée sur la base d’une pyramide inversée composée de cristaux de verre colorés propose un rendu coloré des plus réussis à découvrir dans la suite.

A documentary about the life of influential fashion writer and editor Diana Vreeland, directed by her grandaughter-in-law Lisa Immordino Vreeland, topped the fashion category in this year’s Designs of the Year Awards (+ movie).

The film chronicles her rise from columnist at American fashion magazine Harper’s Bazaar to editor-in-chief at Vogue and features interviews with fashion designers including Calvin Klein, Diane von Fürstenberg and Manolo Blahnik. Archive footage shows her reminiscing about key moments in her career and encapsulating highlights: “I wasn’t a fashion editor, I was the one and only fashion editor!” she exclaims in one clip.

Throughout her working life, Vreeland championed an alternative view of beauty by accentuating models’ flaws in editorial campaigns. She kick-started the careers of photographers, models and musicians deemed unconventional at the time such as David Bailey, Twiggy and Mick Jagger.

The cultural shift she instigated is documented through iconic photographs and page spreads from issues of Vogue during her eight years at its helm in the 1960s. Vreeland’s celebrity status and famous companions as well as the strained relationships she had with her family are also touched on in the movie.

The film beat nine other projects including Yayoi Kusama’s collaboration with Louis Vuitton to win the fashion category in the Designs of the Year Awards organised by London’s Design Museum. Winners in other divisions include a folding wheel and the redesign of the UK government website. The overall winner will be announced as the Design of the Year tonight.

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Has To Travel appeared first on Dezeen.

Milan 2013: French architect Jean Nouvel unveiled a pair of leather and rubber boots for Italian shoe brand Ruco Line at the Interni Hybrid Architecture and Design exhibition in Milan this week.

Jean Nouvel’s Pure footwear for Ruco Line reduces the concept of a shoe to its purest form, according to the architect.

The boots have chunky rubber soles and calf leather uppers with a stretchy Lycra lining inside.

The name of the design is printed in abbreviated form – NVL PR 13 – on the top of the boot alongside a serial number, making each pair unique.

They come in white, black, fluorescent yellow and fuchsia and are sold in translucent plastic bags.

The footwear is on show at the University of Milan as part of the Interni Hybrid Architecture and Design exhibition, which runs until 21 April, as well as elsewhere across the city, including at Nouvel’s huge installation of future office environments at SaloneUfficio.

Other fashion launches in Milan this year include Ron Arad’s 3D-printed spectacles and Tom Dixon’s collection for Adidas featuring garments that convert into luggage and camping equipment – see all fashion on Dezeen.

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Here’s more information from Ruco Line:

Ruco Line previews Pure, the capsule collection designed by Jean Nouvel at the 2013 Milan Furniture Fair.

Ruco Line, a company specialised in the making of high quality designer sneakers, presents Pure, the capsule collection created through the collaboration with the French starchitect Jean Nouvel, dedicated to those who love purity of form. It is the first time that Nouvel explores the world of fashion, transferring his creative vision to an accessory that, beyond the standards of quality, functionality and aesthetics, is a true object of desire. A new perspective for the architect, who goes from the macro to the micro, from the designing of large buildings to that of a shoe, for which Nouvel has always had a passion.

The starting point is the architecture of the shoe, the work of taking away that is characteristic of Nouvel and his search for the ultimate essence of things. The result is a sneaker with a strong identity, a tradition with Ruco Line, for which linearity and essentiality are two cornerstones. The basic concept of the design is the monolith, the search for the elementary that is at the foundation of Jean Nouvel’s creative philosophy. The resulting simplicity is only apparent, the fruit of research that aims at the archetype that best expresses the object’s nature. The complexity, therefore, is dissembled and is perceived only when the sneaker is put on: the bottom, highlighted by a double band, is light and the purity of form gives the shoe a versatility that makes it right at any time during the day.

This complexity, or as Nouvel defines it, this contradiction between opposites becomes a creative paradigm. It makes reference to many dichotomies: simple/complex, light/heavy, macro/micro, universal/special.

This last contrast is developed through attention to details, to the personalisation created by means of the graphic elements that make each shoe unique. The graphic element that identifies Pure, which is also the result of the work of taking away in which the vowels are eliminated from the nouns, will be imprinted on the shoe upper together with a serial ID of the sneaker, making it unrepeatable. It is a refusal of standardisation and homologation, bringing the individual and their unique, original being back into the fore.

Pure, which Ruco Line is previewing at the Milan Furniture Fair, is made from the finest leather, emphasising even more the sneaker’s strong identity, in the neutral, white and black variations and in the bright fluorescent yellow and fuchsia colours.

Pure will be presented in Milan, following an itinerary including the symbolic places of fashion and design, two worlds that influence each other more and more often. The first models in the capsule collection will be shown at the Ruco Line stores on Via della Spiga and Corso di Porta Ticinese; in the concept shop 10CorsoComo; at Antonia Uomo on the second floor of the Excelsior; in the Design Supermarket on the basement floor of la Rinascente and in Spazio Rossana Orlandi; at the event Hybrid Architecture & Design organised by interns at the University of Milan; at the Brera Gallery, as part of the Spazio Umbria project and, lastly, at the iSaloni – Salone Ufficio, within the Project: office for living exhibition created by Jean Nouvel himself in Pav. 24.

The capsule collection will be presented in the display case designed by Jean Nouvel, in which one can see once again those elements of clean forms and linearity that have been the guiding thread of his creative opus. The shoes are inside transparent plastic sacks that are hanging inside clear Plexiglas showcases, underlining the importance of arriving immediately at the ultimate essence of the object, the pureness of the shoe.

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for Ruco Line appeared first on Dezeen.