With a background in architecture, Daniel Widrig’s designs employ cutting-edge technology and 3D modeling to create a surreal landscape of avant-garde couture, bluring…
A recent graduate from Antwerp’s esteemed Royal Academy of Fine Arts, Pierre Renaux has already amassed a transformative body of work. Renaux’s debut collection—also his Master’s thesis—”);…
Si à première vue la série Vanishing Beauty du photographe Fabian Oefner semble immortaliser des fleur de coton, il n’en est rien. L’artiste suisse crée une illusion d’optique faisant exploser des ballons remplis d’amidon de maïs, pour un résultat pour le moins bluffant. De belles et étranges photographies à découvrir en images.
3D-printed guitars, food, and fashion will be displayed and discussed at Mediabistro’s Inside 3D Printing Conference & Expo next week, September 17-18 in San Jose, California. Join us there and network with leaders in the Silicon Valley tech community.
Design-oriented sessions include “Tools of Creation” and “The Future of Retail and Materials for 3D Printing,” which will be led by Isaac Katz of Electronic Art Boutique and David L. Bourell of Laboratory for Freeform Fabrication. continued…
The futuristic film classic, “Blade Runner,” promised a race “more human than human.” Transforming this slice of science-fiction into reality, Dr. Sabine Seymour (the woman behind ,…
Le designer et illustrateur Spiros Halaris, bien connu des médias et des marques de hautes coutures, présente sa dernière série d’illustrations superbement réussie sur les parfums. Réalisée en partie pour Citizen K International, on y retrouve des fragances Prada, Dior ou encore Tom Ford. A découvrir en images.
For years now we’ve been obsessed with all things gingham. This classic plaid print comes around in full force every fall. Right now, Topshop, the phenomenal British retailer, has partnered with Nordstrom. You can find this adorable button down without having to leave the country! Gingham button-downs are all about rocking that tomboy, casual look that is so cute and so in right now. Tuck this cotton blouse into a pair of ripped skinnies and you’ll instantly look feminized with an edgy flare.
Looks from the Narciso Rodriguez resort 2014 collection.
“I was raised in a very rococo, gold-leaf, crushed-velvet, red environment….And my bedroom was the bone of contention in this Mediterranean, French-villa dream. It was white. It had a very brilliant royal-blue rug and black-and-white furniture. One wall had a very graphic black-and-white op-art thing going on. And it was strange for a kid to live in an environment like that….I was always fascinated by graphic art and typography and architecture. And so I was constantly cutting things and making blocks and making buildings out of shoeboxes.
I came from a lower-middle-class situation in Newark. It was humble. But I think from those humble beginnings, I was able to create my own world. And I really loved things that were black and white. It wasn’t until recently that I made a connection through the early years, through different points in my career, where everything is about blocking a sihouette or an environment or a situation….I realize that I live in the same environment I did as a kid, but with less junk and better art.”
–Narciso Rodriguez interviewed by artist Rachel Feinsteinfor Interview. He’ll show his spring 2014 collection this evening at SIR Stage37 in New York.
New York architecture studio Bureau V showed its debut menswear collection based on theories by German architect Gottfried Semper during New York Fashion Week.
Bureau V centred its first foray into fashion design around Semper’s nineteenth-century Stoffwechseltheorie, which describes the replication of old construction techniques when implementing new materials.
With this in mind, the studio used the performance-driven shapes of cycling shorts and fisherman’s waders and created garments in lighter, textured fabrics and a minimal palette.
“We’ve shifted the materials and tweaked the shapes to migrate some of the forms of this clothing outside of sport and into a more formal setting,” Bureau V’s Peter Zuspan told Dezeen.
Oxford shirts with mesh vents under the arms and bibbed long johns feature in the 12-piece collection, along with felt T-shirts and tweed shorts.
White and light grey tones help to emphasise the textures such as waffle cotton knit and quilted cellulose fabric, plus diverge from the overuse of black in architect’s clothes according to Zuspan.
“The original reason we chose the colours was a minor protest to architects’ (and New Yorkers’) longterm obsession with black,” he told Dezeen. “That said, we also appreciate the light colour’s ability to show off the more sculptural details in the clothing with minimal lighting.”
The studio enjoyed the speed of working on a fashion collection compared to drawn-out architecture projects.
“We’re a younger studio and one of our biggest frustrations we find with architecture is that it’s just too slow,” said Zuspan. “A fashion design project that we designed and worked on for 2-3 months was very refreshing.”
Bureau V collaborated with design platform BYCO to produce the garments, which are now for sale. The collection was first shown last Thursday at the Dillon Gallery as part of New York Fashion Week.
Other architects that have tried their hand at fashion design include Jean Nouvel, Zaha Hadid and Oscar Niemeyer, who have all previously created shoe collections.
Bureau V’s capsule collection takes as its point of departure 19th century German architect Gottfried Semper’s Stoffwechseltheorie, a historical theory that describes how forms derived from material-specific practices often shift into other materials, creating valuable lingering forms that bear no material justification.
The collection expands upon this theory from material practices to utility at large. Taking extreme performance-driven forms (such as bicycle bib shorts and fisherman’s waders), the collection shifts both the clothing’s material and its context, removing much of the utility from the work, and thereby re-contextualising material formal artefact as sculptural gesture.
The collection is presented by BYCO, a tech-platform for design, which has an ongoing project to collaborate with designers to create work outside of their respective discipline.
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