Artcrank

Artists align for a community poster festival celebrating bicycles
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Started in Minneapolis just three years ago, the Artcrank show was a quick, fun way to publicize local artists by inviting them to create posters about bike culture. Since then, the concept has spread with lightning speed to cities like Portland, San Francisco, Des Moines and even London. With new cities taking part every year, “Artcrank is growing roughly 10-15% faster than I can keep up with,” said Charles Youel, Artcrank’s director and curator—not a bad problem to have.

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“Accessibility is a big part of what makes the show unique,” Youel explains. Local works on display each sell for an affordable $30 apiece at each venue. “The more accessible those experiences are, the more diverse and interesting a biking and artistic culture becomes. I see people arriving on bikes, discovering local artists they’ve never heard of and connecting with causes. If free beer and cheap posters are the catalyst for that, it’s cool by me,” continues Youel.

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Another central component to Artcrank is ensuring every show reflects the character of the community. At Portland’s show tonight (7 October 2010) Deschutes Brewery will offer free beer at the Ace Hotel Cleaners, an old laundry facility the Ace Hotel Portland converted into their own event space. “Having local partners and sponsors who support the show is a very important part of making Artcrank a more sustainable proposition,” said Youel.

Local artists featured in Portland’s show include Aaron James of MathDept, Martha Koenig, the husband-and-wife team of Truen and Julia Pence who make up Craft Services Design Co. and numerous others. In many cities, Youel posts an open call for artists on Facebook or Twitter. However, in a more established bike mecca such as Portland, he often contacts the artists personally to request submissions.

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“When we first started entertaining the idea of doing shows beyond Minneapolis, I thought, ‘Well, this will work in places like Portland and San Francisco.’ And I figured that would be it,” said Youel. “Since then, we’ve seen the show catch on very quickly. We’re betting that Artcrank can and will work anywhere that people love bikes and art. So far, it’s a bet we’ve won every single time.”

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Artcrank Portland will take place at the Ace Hotel Cleaners at from 5-11pm. All proceeds from the show will go to Bikes to Rwanda, a nonprofit that provides cargo bicycles to farmers in Rwanda as transportation for basic needs and coffee hauling. Other upcoming shows include Artcrank SFO at the Chrome store, and Bend, Oregon in December.

Also on Cool Hunting: Joy Ride Art Shows


From Quebec

Quebec culls its most innovative designs for an NYC exhibition and shop
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Taking up residence in NYC, the three-week-long exhibit “From Quebec” highlights over 70 innovative designs from our friends to the north. From furniture to fashion, the artfully edited collection showcases the concept Canadians master so well—blending traditional craft with modern ideas.

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With works spanning both emerging and established designers, standouts include Périphère‘s “Pâté Chinois” shelving, M3beton‘s “Coulee dans le Beton” collection and Zoë Mowat Design‘s “Desk Buddy.” Also included is a preview of CH contributor Mike Giles’ wooden cased “Alba Me” alarm clock for Furni Creations, which will hit design stores November 2010 (shown at top).

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An exhibit-and-shop-in-one, limited quantities of most designs are available for purchase, making it easier than ever to take home furniture from Kino Guérin and Olivier Desrochers, or more precious items like ceramic homewares from Porcelaines Bousquet and tiny chair pendants from Bruxe Design.

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“From Quebec” runs through 22 October 2010 at NoHo’s concept shop Relative Space.


Image. Architecture. Now.

A group exhibit honoring architectural photographer Julius Shulman’s legendary contributions
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Known as “one shot Shulman” for his knack for capturing subjects perfectly on the first try, architectural photographer Julius Shulman first entranced the world with his image “Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect.” In honor of his would-be 100th birthday (he passed at an impressive 98-years-old at home in L.A.), Woodbury University will celebrate with a group show of ten photographers whose works explore the intersection of art and the built environment.

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The Woodbury exhibition “Image. Architecture. Now” shows how Shulman’s style inspired an entire generation, and includes not only his own photos but those of acolytes Catherine Opie, Luisa Lambri, David Leventi, Victoria Sambunaris, Jason Schmidt, Chris Mottalini and James Welling (above), as well as Iwan Baan (below), Livia Corona and Tze Tsung Leong.

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Schmidt (below), a contemporary photographer known for his portraits of artists in their environments, tells the story of “a pilgrimage to meet the master architectural photographer.” Showing his 4×5 Polaroids of a Ray Kappe-designed house Shulman himself shot 40 years earlier, the pioneering photographer told Schmidt he should’ve de-cluttered the space to reveal more of the architecture, quipping “you’re not so young any more, maybe it’s too late” and proceeding to flirt with Schmidt’s future wife.

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This discerning eye and virtuosic composition led Shulman to have prolific clients like Frank Lloyd Wright, Charles Eames, Pierre Koenig and Eero Saarinen, among others.

“Image. Architecture. Now” is on view from 9-23 October 2010 and is accompanied by a host of discussions. See the Julius Shulman Institute at Woodbury University website for more information about the celebratory events.


SuperDesign at Victoria House, London

Reverb Wire Chair by Brodie Neill for The Apartment Gallery

Dezeen promotion: Dezeen is media partner for SuperDesign, an exhibition hosting international designers and galleries in London during the Frieze Art Fair next week from 14-17 October.

StudioJob Industry Table for Mitterrand+Cramer

Top: Reverb Wire Chair by Brodie Neill for The Apartment Gallery.  Above: Industry Table by Studio Job for Mitterrand+Cramer

The exhibition, which takes place at Victoria House on Bloomsbury Square, features work by designers including Tom Dixon, Michael Young and the Campana Brothers and galleries including The Apartment, Mitterand+Cramer and Vessel, plus our Dezeen Watch Store pop-up.

Tom Dixon Cast Corti Candle HolderRouge for Mitterrand+Cramer

Above: Tom Dixon Cast Corti Candle Holder Rouge for Mitterrand+Cramer

The public view will take place from 10:00 to 20:00 on Friday 15 October, 10:00 to 18:00 on Saturday 16 October, and 10:00 to 16:00 on Sunday 17 October.

Here’s some text from SuperDesign:


SUPER DESIGN 2010

LONDON’S PREMIER DESIGN ART EXHIBITION RETURNS WITH A POWERFUL LINE-UP OF INTERNATIONAL GALLERIES HELD DURING THE FRIEZE ART FAIR

SuperDesign map

14 – 17 October 2010
Victoria House Bloomsbury Square London WC1 B4DA
Open daily: Free Entry

Now in its fourth year, Super Design has cemented its reputation as London’s most important and innovative exhibition of contemporary design art. Set within the imposing venue of Victoria House, the exhibition will bring together collections from leading international galleries and pioneering designers at a crucial time in the art calendar year.

Issey Miyake Trapezoid watch

Above: Issey Miyake Trapezoid watch at Dezeen Watch Store.

Spread over 1,500 sqm of exhibition space, Super Design will feature specially commissioned, unique and limited edition pieces from world-class international galleries including The Apartment, D&A-Lab, Quadrige, Mitterrand-Cramer, Tom Dixon, Herve Van Der Straeten and Vessel Gallery among others.

Tom Dixon Flamecut series chaise

Above: Tom Dixon Flamecut series chaise

Devised by gallery owner Patrick Brillet, Super Design is a carefully curated event designed to showcase the ingenious capabilities of producers and designers and the inspiring collaborations that exist between the two.

At this year’s Super Design, The Apartment will be premiering two new chandeliers from the lighting series ‘Digit’, developed by Milan based designer Emmanuel Babled. Working with Murano glass and creating extremely dense and chaotic configurations of orbs, Babled breaks free from the conventions of the classic Venetian chandelier with his latest works ‘Digit Superball’ and ‘Digit Linear’.

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Above: Philip Michael Wolfson Origami Chair for The Apartment Gallery

The Apartment will also be launching Michael Young’s new ‘Newspaper Shade’, inspired by his walks through Hong-Kong where he discovered an old paper folding technique which he developed and evolved to create stable forms and structures.

‘Newspaper Shade’ is made from around 10,000 bits of old Chinese newspaper and is the largest item produced using this technique. Also being debuted is Young’s ‘Carbonlite’ floor lamp, inspired by his love of Japanese hanging lights.

New work from Australian designer Brodie Neill will be presented by The Apartment including the seductive ‘Threefold’ light, a never ending aluminium surface in the form of a Mobius strip, radiating soft light from its striking sculptural centerpiece. A re-inter- pretation of Neill’s original solid surfaced ‘Reverb Chair’ will also be on display. This wire frame version, the ‘Reverb Wire Chair,’ amplifies the original’s vortex feel while mirror polished stainless steel rods map the expanding geometry of the overall conical form.

Michael Young for The Apartment

Above: Michael Young for The Apartment

The Apartment will showcase the Origami Mirror Chair (welded & folded mirror stain- less steel) by Philip Michael Wolfson in a new variation of his early works from the Origami series. Wolfson examines the abstraction of penetration, folding, layering and juxtaposition, creating a collision of static versus dynamic forces. The use of mirror finish steel multiplies the characteristics of the Origami Chair thru amplifying both the movement within the piece itself, as well as the surrounding environment.

The Apartment will debut Plug Light by Marcus Tremonto, inspired by French Pop comics of the 60’s. By manipulating and exaggerating size and form, the work forces the viewer to re-examine, question and consider the surroundings in which it exists, reminiscent of a cell in a comic or frame that tells a story.

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Above: Maarteen Baas Secretaire Grey Derivations for Mitterrand Cramer

Geneva based gallery Mitterrand-Cramer, will be exhibiting new pieces from ‘Grey Derivations’, the latest furniture collection from rising global talent, Maarten Bass. Evincing the highest quality craftsmanship, the trademark of this Dutch designer, each piece is made of grey- and red-pigmented resin fixed on a steel frame.

Mitterand-Cramer will debut Paris designer Arik Levy’s luminous new ‘Facet Moon Table’ and pieces from his ‘Abstraction’ sculpture series and the startling ‘Wireflow’ black random light. Furniture from Rotterdam’s multi-disciplinary Studio Makkink and Bey including ‘Kade Chair 1’, ‘de Amersfoot’ chair and ‘Bonsai’ table will be exhibited. Swiss pop artist Sylvie Fleury’s series ‘Miniland-Untitled’ will also be showcased.

Jonathan Monk for D&ALab

Above: Jonathan Monk for D&A Lab

Internationally renowned British designer Tom Dixon will present the Flamecut series, an installation of unfeasibly heavyweight furniture cut from 1inch thick steel using the traditional process of flame cutting. The Cast series, a collection of abstract forms made from aluminium sand casting, and finished with a bright enamel coating will also be shown.

Herve Van der Straeten will present a collection of one-off and limited edition pieces underlining the designer’s explorative approach. The Console collection (including pyschose, kasimir, piercing and cristalloide) a geometric explosion of overlapping cubes will form part of the display. The combination of balanced forms seemingly defies gravity creating the illusion of unattainable stability.

Creative pioneers D&A Lab, will be exhibiting ‘The Low Table 1984’, a new piece from British artist Jonathan Monk, part of its 2010 Designed by Artists Collection: Relative Objects, which challenges contemporary artists to translate their aesthetic vision into functional pieces of design.

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Above: Jonathan Monk for D&A Lab (2)

Monk’s piece was inspired by renowned artist Donald Judd’s iconic metal ‘Bookshelf’ created in 1984. Monk’s reinterpretation was made by laying the bookshelf on the floor, rearranging the individual elements into a low table. The multi- coloured piece uses the same RAL colour palette in which the original bookshelf was made.

At Super Design Vessel Gallery will launch a series of lighting projects from both internationally acclaimed artists – Olgoj Chorchoj to new talents such as Marco Dessi. Each project is produced in a limited edition, focusing on the craftmanship and quality of the work.

In contrast to the lighting Vessel will also showcase a selection of artglass from the greatest artists collaborations they have shown in the last ten years, featuring artists such as Lena Begstrom, Baldwin and Guggisberg, Rony Plesl and Katy Holford.

Esperancaby Campana Brothers for Vessel Gallery

Above: Esperancaby Campana Brothers for Vessel Gallery

Super Design seeks to emphasise the current synergy between design and the visual arts with innovative and ground breaking displays that present modern design in a fresh and invigorating light, in an inspiring location at the heart of the capital.

Visit www.superdesign-london.com for more information

Notes to editor

Patrick Brillet opened his first gallery in London, dedicated to post-war design, in the early eighties. Since then he has curated private and public museum collections throughout the world, acting as a design consultant to a number of major auction houses.

387 consolecristalloide by Herve Van Der Straeten

Above: 387 consolecristalloide by Herve Van Der Straeten

In recent years he has commissioned and produced studio pieces with both established and up-and-coming 21st century designers. In December 2005, he formed The Apart- ment gallery in partnership with Isabelle May. They now work with some of the world’s most renowned designers including Emmanuel Babled, Johanna Grawunder, Brodie Neil, Ross Lovegrove, Marcus Tremonto, Philip Michael Wolfson, Michael Young among others producing stunning and stimulating work and carries an extensive collec- tion of pieces by design luminaries including Ron Arad, Marc Newson, the Campana Brothers, Ettore Sottsass.

The Apartment Gallery Set within an intimate living space, The Apartment is a private gallery showcasing pieces by leading designers and select contemporary of both established and emerging talent, where collectors can buy quietly and privately in situ.

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Above: 367 Consolekasimir Herve Van DerStraeten

Miller-Urey Bong, 2010

Bring your own combustible material to an installation recreating the origin of life
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A scientific art installation involving high-powered lasers and combustive materials, Miller-Urey Bong is a BYOW (Bring Your Own Whatever) exhibition based on the 1952 Miller-Urey experiments that attempted to prove the genesis of life on Earth.

“We really don’t know what the Earth was like three or four billion years ago,” the late scientist Stanley L. Miller said more than forty years later. “So there are all sorts of theories and speculations.”

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Theories and speculation aside, the famous experiment remains a fascinating spectacle when recreated, which the artistic team of Paul B. Davis (of the geek collective/record label Beige) and Aids-3D have rather cheekily done. Visitors to London’s Seventeen Gallery will have their chance to interact with the experiment that uses a searing-hot Class IV laser, injecting energy into the system to simulate “lightning” and “rainfall” and the other theoretical conditions that the Almighty presumably used during his own ill-conceived experiment to create life. Guests can take part by vaporizing their “Whatever” in the device, orally sampling the contents as long—as they also contribute “user provided suction.”

The playfully titled Miller-Urey Bong installation runs from 7 October 2010 through 13 November 2010 at Seventeen Gallery in Shoreditch.


Dead On Holiday

Emerging photographers take on death and tourism in a London show
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Exploring the paradoxical mix of fear and seduction that travel increasingly presents, “Dead On Holiday” is a series of seven striking images depicting dead girls shot by budding photographers Tess Thackara and Andrea DiCenzo on a recent trip to Turkey.

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The project underscores the mismatched emotions of exploring new places, playing off the artificiality of typical vacation photos by using anonymous models in locations that could be almost anywhere. The saturated Kodachrome-esque hues work similarly in contrast to the dark subject matter, suggesting that when removed from the familiar, a “traveler dies a small death of identity,” as Thackara explains.

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While shooting the series on the tranquil island in the Sea of Marmara, Thackara and DiCenzo found that the locals weren’t at all interested in the false deaths they were creating, allowing them to fully immerse themselves in each location and truly speak to their imagined experience of the space.

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Their first collaborative show, “Dead On Holiday” opens at The City Arts and Music Project, London’s multi-functional cafe, bar and gallery space in Shoreditch on 7 October 2010 and runs through 21 October 2010.


You Are Here: Mapping The Pyschogeography of NYC

The neurotic nuances of New Yorkers in a series of interpretive maps
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New Yorkers’ famously overwrought personalities take center stage in the new exhibit You Are Here: Mapping The Pyschogeography of New York City, guest-curated by “The Map as Art” author Katharine Harmon. Currently on display at the Pratt Manhattan Gallery, the show includes an assortment of map-based mediums, each charting NYC through subjective representations of the cityscape.

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Highlights include Liz Hickok‘s 3D Jello-like vision of lower Manhattan, a scratch-and-sniff map made by Edible Geography‘s Nicola Twilley, and Ingrid Burrington‘s “Loneliness Map”—a continuation of her study on Craigslist’s Missed Connections.

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Also on display, a selection of personal maps are the result of an open call by the Hand Drawn Map Association, such as Janine Nichols’ map (above, left) from 1980.

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Both Pakistani artist Asma Ahmed Shikoh’s subway map in Urdu and Maira Kalman and Rick Meyerowitz’s now-famous post-9/11 cover for The New Yorker are included as well.

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The runs through 6 November 2010. For for more info, visit the Pratt Institute site.


Aldo Lanzini at Missoni’s Spring/Summer 2011 Show

From runways to galleries, the philosophical needlework of a rising Italian artist
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Aldo Lanzini‘s beautifully alarming crochet masks most recently made an appearance at Missoni’s Spring/Summer 2011 fashion show when the 30 ushers wore them to seat people. While the riotous colors and fantastical faces make compliment the Italian label’s renowned knitwear well, their bold expressions and strange forms of the maskes are a spectacle of their own.

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Splitting his time between Milan and NYC for the past 15 years, Lanzini has been quietly building a large army of loud characters with his expressive needlework, explaining to Vogue Italia that his pieces are “the condition of contemporary man, some kind of conscious schizophrenia.”

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Lanzini’s work can currently be seen at Milan’s Le Case D’Arte, where he transformed the gallery into visceral experience that amplifies the senses through visual, sonorous, tactile and olfactory elements. Dubbed “The Drop,” the exhibition speaks to Lanzini’s constant investigation of how the process of creation affects the everyday life and is on view through 11 December 2010.


People’s Biennial

A grassroots art campaign takes an exhibit of hidden America on the road
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In an effort to highlight artists from five U.S. cities not typically considered artistic hotbeds, the People’s Biennial features the work of 36 artists from Portland, OR; Rapid City, SD; Winston-Salem, NC; Scottsdale, AZ and Haverford, PA. Presented by non-profit organization Independent Curators International and curated by Harrell Fletcher (of Learning to Love You More fame) and Jens Hoffmann, the traveling exhibition unites overlooked and undiscovered artists alike for a realistic portrait of creativity in America.

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The grassroots art campaign features an array of works spanning photographic documentation of military life in the heartland, video installations of biological activity in urban ecosystems to complex marble-like statues created out of soap bars. Artists were selected through the democratic process of open-calls and events during the past year, where the curators hand-selected the body of work currently on display.

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The exhibit will travel through each of the five communities, stopping first in Portland, OR where it will reside at the Portland Institute for Contemporary Art until 17 Oct 2010. From there, the exhibit will continue to travel around the U.S. through 2 March 2012.

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For more information including the exhibition schedule, visit the People’s Biennial website.

viae-flux


Borstal Spots & Polka Dots

Emerging London talent Richie Culver’s poignant collage work
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Master of manipulation Richie Culver, with his arsenal of old photos and sharp-witted text, creates artwork with the one-two punch of a compelling soundbite that probes into both famous and more intimate historical moments. While the works function as pop homages too, his piece “Have You Ever Really Loved Anyone?”—an iconic image of Jesse Owens with those words plastered across—was the highlight of the May 2010 group show at the Tate Modern and suggests the dual forces at play.

Culver, who had rockstar dreams of his own, turns his song titles and lyrics into paintings and collage, a selection of which is currently on view in his debut solo show “Borstal Spots & Polka Dots.”

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Also included in the exhibit are a smattering of Culver’s own photographs he’s taken over the years. The black-and-white collection is not too different from his textual works though, with each perfectly composed image functioning as one sentence from a much larger conversation.

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A majority of his work seemingly revolves around love and relationships—a concept clearly demonstrated in the painting “I Loved You, You Just Couldn’t See It” but also in collage form. An image of a nun states “One fuck and she was anybody’s,” while the picture of a bride reads “aware of the ways of men.” Culver titles an alarming photo of a pouty-lipped woman with scars up her arm simply, “A love story.”

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With a show dedicated solely to his personal photos planned for late 2010 and a cover shot for the forthcoming I Blame Coco album Constant hitting shelves soon, Culver continues to explore concepts that speak to his roots.

Reviewed on Le Cool as “A small, but moving show,” Culver’s “Borstal Spots & Polka Dots” runs through 26 September at London’s West 11 Gallery.