Chef’s Speciality 3D Impressions

Une nouvelle fois partenaire du magazine Fricote, nous vous présentons « Statues d’Auto-Entrepreneurs », une série produite avec l’aide de Leblox pour la réalisation d’impressions 3D de chefs, et leurs plats signatures. Une direction artistique signée par William Roden et Richard Banroques de WAF Agency.


Pierre Hermé – L’Ispahan

Paul Bocuse – La Soupe aux Truffes noires « V.G.E. »

Michel Bras – Le Capucin

Alain Ducasse – Cookpot de légumes

Jean-François Piège – Le Blanc-Manger

Cette série photographique est à découvrir dans le nouveau Fricote Magazine n°14 dont la couverture a été réalisée par le talentueux duo Zim&Zou. Retrouvez aussi dans ce numéro sur le thème « ConforTable » un article « Comfy At Home » signé par l’équipe de Fubiz. Magazine disponible depuis le 13 février.

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Synthetic materials can “behave like living cells”

Dezeen and MINI Frontiers: scientists are combining non-living chemicals to create materials with the properties of living organisms, says the creator of a self-repairing shoe made from protocells.

Shamees Aden portrait copyright Dezeen
Shamees Aden. Copyright: Dezeen

Protocells, as the chemical cocktails are known, are made by mixing basic non-living molecules in lab conditions. These then combine to create substances that exhibit some of the characteristics of living cells: the ability to metabolise food, to move and to reproduce.

Shamees Aden Amoeba protocell running shoes
Shamees Aden’s Amoeba protocell running shoes

In this movie Dezeen filmed at the Wearable Futures conference in December, designer and materials researcher Shamees Aden explains how “scientists are now mixing together groups of chemicals [to make] them behave like living cells. They are able to reconfigure, they are able to adapt to light, pressure and heat.”

Shamees Aden's Amoeba protocell running shoe
Shamees Aden’s Amoeba protocell running shoe

The synthetic production of living materials is so far limited to basic applications – modifying the behaviour of oil droplets in a water solution, for example – but Aden has developed a proposal that uses protocells to make self-regenerating soles for a pair of running shoes.

Shamees Aden Amoeba protocell running shoes
Shamees Aden’s Amoeba protocell running shoe

The Amoeba running shoes designed by Aden use protocells’ capabilities of responding to pressure, and inflates or deflates according to the texture of ground the wearer is running on to provide more or less cushioning.

Shamees Aden Amoeba protocell running shoes
Amoeba running shoe in its storage cylinder containing protocell fluid

Photocells, which have a limited life span, would be replenished after each run, explains Aden. “Your shoe box would be a vessel which would hold the [protocell] liquid inside. You could buy your protocell liquid and it would be dyed any colour you like and you would pour that in and as the shoe is rejuvenated the colours would emerge.”

Shamees Aden Amoeba protocell running shoes: visualisation of protocells forming
Visualisation of protocells forming

The speculative project is the result of a collaboration with chemist Dr Michael Hanczyc of the Institute of Physics and Chemistry and the Center for Fundamental Living Technology (FLinT) in Denmark, who has worked extensively on protocells.

“At this point it is a speculative design project but it is grounded in real science and it could be in production by 2050,” says Aden.

Shamees Aden Amoeba protocell running shoes: visualisation of protocells forming
Visualisation of protocells forming

This is the third movie from the two-day Wearable Futures conference that explored how smart materials and new technologies are helping to make wearable technology one of the most talked-about topics in the fields of design and technology.

Shamees Aden Amoeba protocell shoes - visualisation of protocell production
Visualisation of protocell production

In the first movie, designer of Dita von Teese’s 3D-printed gown Francis Bitonti explained how advances in design software mean “materials are becoming media”. In the second, Suzanne Lee explained how she makes clothes “grown using bacteria.”

The music featured in the movie is a track by DJ Kimon. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

Dezeen and MINI Frontiers

The post Synthetic materials can
“behave like living cells”
appeared first on Dezeen.

Steelcase Gesture Chair: Inspired by new ergonomic research and designed for the way technology is used in today’s workplace

Steelcase Gesture Chair


The way we sit at our desks has changed over the years, which is no surprise considering the increased range and form of our daily tools. Desktop computer screens are bigger, laptops are smaller and now there are tablets and mobile phones in…

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La Chasse | The Hunt: The home décor brand launches two new elegant lines that showcase true textile artistry

La Chasse | The Hunt


There’s a rich, masculine beauty to the two new lines of decorative pillows from home décor brand La Chasse | The Hunt. Having gained attention for developing custom products for interior design, architecture and development firms,…

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Literal Movie Posters

Basé à Delhi, l’artiste Danish Ahmed s’est amusé à refaire les affiches de films de manière littérale. On voit donc effectivement un loup au milieu de la rue Wall, du sel pour incarner le personnage d’Angelina Jolie dans Salt, deux avatars de profils pour le film Avatar et un codage HTML pour le film Source Code.

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Freundorf Villa by Project A01

L’agence d’architecture Project A01 a imaginé, en 2012, la villa Freundorf située en Autriche à Judenau. Au milieu de verdure, l’architecture ultra-moderne présente des formes géométriques qui donnent un style épuré. Les photos ont été prises par Brigida Gonzalez et sont à découvrir dans la suite.

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Zaha Hadid and Hopkins among architects to design London water fountains

Six British architecture studios including Zaha Hadid Architects, Hopkins Architects and Studio Weave have come up with designs for water fountains for different sites across London.

The six studios, which also included Eric Parry Architects, ADAM Architecture and Allford Hall Monaghan Morris (AHMM), were asked to design water dispensing structures for sites in Kensington, Soho and on the South Bank.

Kiosk by Hopkins Architects
This image: Hopkins Architects. Main image: Zaha Hadid

Each fountain incorporates contemporary Turkish ceramics, referencing the Ottoman-inspired marble kiosks that could be found across Turkey during the seventeenth century.

The fountain by Zaha Hadid Architects features a large cantilevered canopy that extends up from the water collection pool.

“Traditional Ottoman fountain kiosks became meeting points, gathering places for a community to connect,” said project architect Saffet Kaya Bekiroglu. “With large protective cantilevers, the fountains often include ceramic tiling and our proposal translates these characteristics to contemporary use within a design informed by the continuous loop of the water cycle.”

Kiosk by Studio Weave
Studio Weave

Studio Weave‘s design comprises a series of colourful Watering Poles that can accommodate plants. Studio co-founder Maria Smith explained: “In marking points around the city from which free drinking water can be collected, the Watering Poles also create wayfinding markers and new informal gathering spots for London.”

Kiosk sketch by Eric Parry Architects
Eric Parry Architects

Eric Parry Architects proposes a structure that can also host a news stand or drinks vendor, while Hopkins Architects has designed a structure that curves over to form a shelter.

“Our kiosk aims to make the dispensing of water a celebrated urban event which will draw people together and add drama to the public realm in London,” said Ken Hood of Hopkins.

Kiosk by AHMM
Allford Hall Monaghan Morris

The design by AHMM is for a dispenser that would source free water from the mains beneath the ground and the fountain by ADAM Architecture is conceived as a mural of patterned tiles.

Kiosk by ADAM Architecture
ADAM Architecture

All six designs will be on show at the Building Centre in London from 21 February to 14 March. The project was organised by the Architects’ Journal in partnership with Turkishceramics.

The post Zaha Hadid and Hopkins among architects
to design London water fountains
appeared first on Dezeen.

The Gap Typography

Le directeur artistique allemand Daniel Sax s’est inspiré d’une vidéo de David Shiyang Liu reprenant la voix du journaliste Ira Glass dans une interview où il explique l’écart qu’il y a entre les goûts de quelqu’un et ses compétences. Avec « The Gap », Daniel Sax a donc mis en image de manière conceptuelle les paroles d’Ira Glass, mot-clef par mot-clef.

La vidéo de David Shiyang Liu.

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Cajal sofas and armchair by Gunilla Allard balance seats on thin metal frames

Stockholm 2014: Swedish designer Gunilla Allard’s Cajal sofas and armchairs feature slender tubular steel frames that support chunky upholstered seats (+ slideshow).

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Allard designed the collection for Swedish furniture brand Lammhults, and said the line of steel that forms the frame was influenced by a cosmetic called kajal (or kohl) which is often used as an eyeliner.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

“My process began with the small sofa,” said Allard. “A petite sofa with a visible tube frame that wraps around the back like the stroke of a pen, or why not a kajal pencil?”

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Lammhults asked Allard to design a collection that was “slender, contemporary and restful”, and particularly suited to use in offices, restaurants or waiting rooms.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The resulting pieces are developed around the minimal steel frame, which follows the shape of the armrests and back and can be specified in colours that complement or contrast with the upholstery.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Its slim profile provides a visually lightweight base for the seat, which seems to balance on slanting rods that connect the back legs to a bar running along the front of the frame.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The shell of the seat is made from glass-fibre reinforced polyurethane covered in foam that can be upholstered in fabric or leather.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The range comprises an easy chair and a sofa in large and small variations. The armchair and large sofa feature a deeper seat cushion than the less imposing small sofa.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Lammhults launched the Cajal collection at the Stockholm Furniture Fair earlier this month.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The post Cajal sofas and armchair by Gunilla Allard
balance seats on thin metal frames
appeared first on Dezeen.

Contemporary Residence by Arthur Casas

Situé dans un quartier particulièrement pittoresque de Rio de Janeiro, la maison d’ Alex Lerner conçu par le célèbre architecte brésilien Arthur Casas, est à la fois contemporaine et remplie de culture. C’est une création à couper le souffle qui s’élève sur ce dôme de granite. Une série de photographies époustouflantes est à découvrir ci dessous.

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