Formwork by Industrial Facility for Herman Miller

London Design Festival 2013: London studio Industrial Facility has created a range of stacking containers to store desktop items for American office furniture manufacturer Herman Miller.

Formwork desk storage by Industrial Facility for Herman Miller

Sam Hecht and Kim Colin of Industrial Facility designed the Formwork plastic boxes with a non-slip silicone base to stack in any combination, lining up horizontally or stacking vertically.

Formwork desk storage by Industrial Facility for Herman Miller

The products grew out of a project by the duo last year, in which they closely examined the analogue and digital items that tend to populate a desk.

Formwork desk storage by Industrial Facility for Herman Miller

“It became clear that the modern desk is an amalgamation of not just the office, but also the kitchen, the workshop and the bathroom,” they said, explaining how they found that alongside stationery, workstations tend to accommodate items like fruit, mugs, tissue boxes and toiletries.

Formwork desk storage by Industrial Facility for Herman Miller

The Formwork storage system for Herman Miller keeps some of these items on show and in easy reach, while hiding others from view. Some pieces include cantilevered ledges that act as a little tray, elevating important objects and keeping them to hand.

Formwork desk storage by Industrial Facility for Herman Miller

Components of the system include a pencil pot that a roll of masking tape will fit around, small and large trays, a tissue box, a media stand and paper trays.

“The idea is that with forms that are pluralistic and stackable, the range of use is far broader than in the office, and can be used in the home, the workshop and many other places too,” said the designers.

Formwork desk storage by Industrial Facility for Herman Miller

Hecht and Colin will preview the range as part of a pop-up shop by Retail Facility, the arm of their company set up to sell their products, at 20 Britton Street, London EC1M 5UA from 17 to 20 September as part of the London Design festival.

They’ll also show lighting for OLuce and a stool for Mattiazzi, which we reported on when they were first shown in Milan in April 2013.

Formwork desk storage by Industrial Facility for Herman Miller

Earlier this year Industrial Facility unveiled an office furniture system for Herman Miller that promotes interaction in the workplace.

See more design by Industrial Facility »
See more stories about office furniture from Herman Miller »
See more stationery »

Formwork desk storage by Industrial Facility for Herman Miller

Here’s some more information from the designers:


Formwork

Herman Miller’s Formwork modular desk accessories have been designed by Sam Hecht and Kim Colin to help people bring order to their papers, tools, and artifacts. The approach aligns itself with Herman Miller’s recent trajectory of extending its reach beyond furniture and into personal tools and accessories that serve the users’ individual needs and preferences, enhancing their experience for both home and work life.

With shapes and sizes that were rigorously considered to relate an intuitive sense of utility, Formwork™ may be stacked and combined in any way the user sees fit. In varying permutations they allow for some items to be kept out of view, while others to remain within reach. The simple yet sophisticated forms, material production, and color palette indicate a level of thoughtfulness rarely brought to desktop goods.

Formwork is made from ABS Plastic with a non-slip Silicone Base. The collection ranges from a Pencil to Small and Large Trays, Small and Large Boxes, a Tissue Box, a Media Stand, and Paper Tray. The idea is that with forms that are pluralistic and stackable, the range of use is far broader than in the office, and can be used in the home, the workshop and many other places too.

Background

Formwork™ was first commissioned in 2012 as an affirmation that the things we have around us are now a mixture of the analogue and the digital. Hecht and Colin approached the project by examing the items themselves that were populating our lives and our desks, rather than the environements where these items are found. Most research and documentation in these areas are photographs from a distance which merely presents visual complexity and disorder.

By looking more closely at the actual items on the desk themselves, it became clear that the modern desk is an amalgamation not just the office, but also the kitchen, the workshop and the bathroom. Not only were there stationary items, but fruit, sugar packets, spoons and mugs; tissue boxes, ear buds and plasters; tapes, glues and staplers.

Because of the sheer breadth of these items to be stored and used, the simplest of forms – the box – was chosen. The box sizes realte to the dimensions of these commonly found items. For instance pen cups share the same diameter as the internal roll of masking tape; boxes share the same size as tissue boxes; and paper trays are the share the sizes of assorted papers and magazines. Hecht and Colin promoted the idea of a collection of simple boxes that could be arranged horizontally or stacked vertically, with each accessory being multi-dimensional in where they could be used and what they could contain and allowing for a hierarchy of usefulness.

Some things can be hidden away, while others can be kept visible. Several of the accessories have cantilivered surfaces that act as a tray to help with this type of hierachical organization – instead of digging for a USB stick, it can stay at a higher level.

Retail Facility pop-up shop

17th – 20th September 2013
20 Britton Street,
London EC1M 5UA

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Shadow Type

Steve Heller et Louise Fili reprennent des typographies du début de siècle et en présente une collection en 3D dans ce livre intitulé Shadow Type. Des enseignes de magasins aux titres de films, tout y passe. Leur livre est un voyage dans le temps au travers des lettrages d’époque. En images dans la suite.

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Looks Like Music by Yuri Suzuki

Five little robots travel along lines drawn in felt-tip-pen and turn coloured scribbles into music in this installation by Japanese designer Yuri Suzuki (+ movie).

Looks Like Music by Yuri Suzuki

The Looks Like Music project by sound artist and designer Yuri Suzuki features robots that are programmed to follow a black line drawn on white paper. They each respond with specific sounds as they pass over coloured marks laid down across the track by visitors.

Looks Like Music by Yuri Suzuki
Colour Chasers

“The public is invited to actively contribute to the development of the installation in the exhibition space by extending the circuit drawn on paper,” said Suzuki. “Visitors thus participate in the creation of a large-scale artwork and enrich a collectively composed sound piece.”

Looks Like Music by Yuri Suzuki

Called Colour Chasers, the devices are each designed with different shapes and translate the colours they encounter into sounds including drums, deep bass, chords and melody.

Looks Like Music by Yuri Suzuki

The robots are produced by London technology firm Dentaku, which Suzuki co-founded with sound programmer Mark McKeague this year, and are a development of Suzuki’s earlier project focussing on dyslexia.

Looks Like Music by Yuri Suzuki

“I am dyslexic and I cannot read musical scores,” Suzuki told Dezeen. “However, I have a passion to play and create new music and I always dream to create new notation of music.”

Looks Like Music by Yuri Suzuki

“In this installation people can interact with robots and discover the new method to create music,” he added.

Looks Like Music by Yuri Suzuki

The interactive project was hosted by Mudam museum in Luxembourg last month.

Looks Like Music by Yuri Suzuki

We’ve featured a number of Suzuki’s other designs on Dezeen, including a radio with a circuit board arranged like the London Tube map, a set of pens that record and play back sounds and a vinyl globe that plays music and national anthems from around the world.

See all stories about Yuri Suzuki »
See all stories about music »

Photographs are by Hitomi Kai Yoda, courtesy of Yuri Suzuki.

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V&A museum acquires first 3D-printed gun

News: London’s V&A Museum has added the world’s first 3D-printed gun to its permanent collection and will exhibit it along with four other newly acquired design objects during the London Design Festival.

Cody Wilson fires the Liberator 3D-printed gun
Cody Wilson fires the Liberator 3D-printed gun

The V&A, the world’s largest museum of the decorative arts, has acquired two prototype Liberator guns, which were developed and successfully fired by Texan law student Cody Wilson earlier this year.

The gun sparked widespread concern over the ease with which weapons can now be produced on inexpensive printers, and the acquisition of such a controversial object marks a curatorial shift by the museum, which has traditionally focussed on hand-crafted items.

“Ugly and sinister objects demand the museum’s attention just as much as beautiful and beneficial ones do,” wrote Kieran Long, the V&A’s senior curator of contemporary architecture, design and digital, in an opinion column for Dezeen earlier this week. “Museums should be topical, responding quickly to world events when they touch our areas of expertise.”

Wilson made the guns available for anyone to download and produce on a 3D printer via his company, Defense Distributed.

In a statement about the gun, the museum said: “The invention of this so called ‘wiki weapon’ sparked intense debate and upended discussions about the benefits of new manufacturing technologies and the unregulated sharing of designs online.”

In May this year the US government forced Wilson to remove the blueprints for the gun from the internet. In the same month, the police commissioner for New South Wales in Australia warned of the dangers posed by printed guns after his force downloaded and test-fired one of the weapons. “Make no mistake, not only are these things undetectable, untraceable, cheap and easy to make, but they will kill,” the commissioner said.

The gun is one of five new purchases made thanks to The Design Fund to Benefit the V&A, which was set up in 2011 to allow the museum to acquire contemporary design items. Until now, the purchases have all been pieces of furniture.

The other four items bought this year are vessels from the Botanica series by Formafantasma, The Toaster Project by Thomas Thwaites, Ear Chairs by Studio Makkink & Bey, and the George chest of drawers by Gareth Neal – see below for full details.

Last year the fund purchased items by furniture makers Joris Laarman, Yuya Ushida and Boris Dennler while in 2011 it bought furniture by Nendo, Fredrikson Stallard and BCXSY.

See all our stories about 3D printing and read our feature about how 3D printing is changing the face of weaponry and warfare.

Here’s the full statement from the V&A:


The Design Fund to Benefit the V&A Announces New Contemporary Acquisitions

The Design Fund to Benefit the V&A has this year enabled the Museum to acquire five contemporary design projects ranging from a series of vessels made of natural polymers to a 3D printed gun. They will all go on display at the V&A for the first time during London Design Festival (14-22 September).

Martin Roth, Director of the V&A, said: “The generosity of supporters of the Design Fund ensures that the V&A is able to acquire for our permanent collections some of the best and most exciting design projects of our time. This year’s acquisitions reflect an interesting combination of new technologies working with traditional crafts.”

Yana Peel, Founder of the Design Fund to Benefit the V&A, said: “We are thrilled that in its third year, the Design Fund to Benefit the V&A has continued to enable the acquisition of such meaningful works for the Museum. With 17 exceptional contemporary design projects now acquired through the collective generosity of the Fund’s donors, a legacy is being built to represent the leading trends in design and society of today.”

The Design Fund was set up in March 2011 by arts patron Yana Peel, to bring together design enthusiasts with a shared passion for contemporary design and an interest in supporting the V&A’s aim to enrich people’s lives by promoting knowledge, understanding and enjoyment of the designed world. Over the last two years supporters of the Fund have enabled the V&A to buy a number of pieces by such international designers as Fredrikson Stallard, Joris Laarman and nendo. Some of the pieces are now on permanent display in the V&A’s new Dr. Susan Weber Gallery for Furniture, while others will go into future exhibitions.

These new acquisitions significantly enhance the V&A’s holding of contemporary design, a collection which reflects what is new, influential, innovative or experimental, and what is representative of current trends in design and society. The collection spans all aspects of design and art including fashion, furniture, craft objects, product and graphic design, digital media, architecture, photography, prints and drawings.


Details of the new acquisitions

Liberator 3D-printed gun by Cody Wilson
Liberator 3D-printed gun by Cody Wilson

Defense Distributed (Cody Wilson)

Gun: Liberator, 2013

Texan law student Cody Wilson developed and fired the world’s first 3D-printed gun, the ‘Liberator’, in May this year. His company, Defense Distributed, created designs for guns and gun components that can be downloaded by anyone anywhere in the world and printed out on a 3D printer. The invention of this so called ‘wiki weapon’ sparked intense debate and upended discussions about the benefits of new manufacturing technologies and the unregulated sharing of designs online. The V&A has acquired two Liberator prototypes, one disassembled gun and a number of archive items to enhance its collection of 3D printed objects and represent a turning point in debates around digital manufacturing. www.defdist.org

George chest of drawers by Gareth Neal
George chest of drawers by Gareth Neal

Gareth Neal

Chest of Drawers: George, 2008/2013 – artist’s proof from an edition of five

Neal is passionately interested in the history of furniture, and believes that designers must ‘look to the past to understand the future’. This 2013 chest of drawers made from ash is a development from an oak model made in 2008 and exhibited at the V&A. In certain positions the viewer can see the outline of a 1780s George III commode emerging from the rectilinear, contemporary chest of drawers. The idea for the surface of this piece came about when Neal made an error while learning computer drawing. To make George, Neal combines computer controlled routing machines, hand carving techniques, traditional craft and contemporary design. www.garethneal.co.uk

Botanica by Studio Formafantasma
Botanica by Studio Formafantasma

Studio Formafantasma (Andrea Trimarchi and Simone Farresin)

Botanica, 2012 – four prototypes and material samples

The vessels of the Botanica series are created as if in an era before oil was commonly used. The designers experimented with natural polymers extracted from plants and animals, aiming to develop a new aesthetic for a post-industrial world. Based on meticulous historic research, the objects challenge our current understanding of plastic materials and suggest new approaches towards sustainable alternatives. This project was commissioned by Plart, an Italian foundation dedicated to scientific research and technological innovation in the recovery, restoration and conservation of works of art and design produced in plastic. www.formafantasma.com

Ear Chairs by Studio Makkink and Bey
Ear Chairs by Studio Makkink and Bey

Studio Makkink & Bey (Rianne Makkink and Jurgen Bey)

Ear Chairs, 2003 – prototypes

These chairs were designed for an office reception space. Paired together, they form a mini-environment – the ‘ears’ can create privacy or define space and the arm-rest functions as a small table. The designers combined the chairs with carpet and wall panelling that referenced the Sunday-room of a Dutch farmhouse. Despite this nod to history, the chairs aim to introduce a radical new way of working and living. They have been widely imitated in a range of seating designs in recent years. www.studiomakkinkbey.nl

The Toaster Project by Thomas Thwaites
The Toaster Project by Thomas Thwaites

Thomas Thwaites

The Toaster Project, 2009

British designer Thomas Thwaites decided to build from scratch a simple household appliance that cost £3.49 at Argos. He extracted and processed the raw materials himself using homemade tools and built a crude, but functioning, toaster that he admits “will bear a very imperfect likeness to the ones that we buy – a kind of half-baked, hand made pastiche of a consumer appliance”. If it were to go on sale it would cost £1187.54 – showing the vast economies of scale of large manufacturers. www.thomasthwaites.com

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Solar Umbrella House

Créée par Lawrence Scarpa et Angela Brooks, la Solar Umbrella House est à la fois éco-responsable et moderne, construite à base de matériaux recyclés et performants. Utilisant des techniques de récupération d’énergie solaire passives et actives, cette création est aussi esthétique que technique.

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World Basics pop-up store by Schemata Architects

Tokyo firm Schemata Architects has created an expandable changing room inside furniture made from shipping crates in this Paris boutique (+ slideshow).

World Basics pop-up store by Schemata Architects

The furniture by Jo Nagasaka, Ryosuke Yamamoto and Miku Watanabe of Schemata Architects has been created for a pop-up World Basics fashion boutique at Merci in the French capital this month.

World Basics pop-up store by Schemata Architects

Large wooden packing crates have been customised into display units for clothes and accessories. One of the crates has been made into a fitting room for the store and features a zip-up cocoon of sponge material on the front to provide additional room.

World Basics pop-up store

Shelves, clothing racks and hanging rails are made of wood and the tops of display tables are made of sponge.

World Basics pop-up store by Schemata Architects

“Unlike conventional hard display tables, these softer display tables give a soft and soothing touch, instead of pressing pain in the stomach when a customer leans on them to take a close look at clothes,” Watanabe told Dezeen.

World Basics pop-up store by Schemata Architects

The World Basics pop-up shop will be open until 21 September 2013. 

Other retail projects that we’ve featured recently include a shop with shelves made from wooden chairs piled on top of one another and a fashion boutique in Brussels with cacti, gravel and a wooden bridge.

See more design from Schemata Architects »
See more retail design »

World Basics pop-up store by Schemata Architects

Photographs are by Kenta Hasegawa.

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Snow Vases by Maxim Velčovský

Czech designer Maxim Velčovský presents a series of porcelain vases cast from snow at the London Design Festival, which starts today.

Snow Vase by Maxim Velčovský

Velčovský produced the Snow Vases by moulding snow into vase forms and then casting them in plaster – a technique he describes as “lost-snow casting”.

Snow Vase by Maxim Velčovský

The vases were created over three winters, from 2010 to 2012, using different types of snow collected at different locations.

Snow Vase by Maxim Velčovský

Velčovský, founder of Prague design studio Qubus, describes making vases out of snow as “a casting of water that we perpetually try to close into containers”.

Snow Vase by Maxim Velčovský

“I took snow and modelled the vases,” Velčovský explained to Dezeen. “Then you pour plaster on the snow. Plaster gets warm when hardening, so the snow melts and you get the mould. Into the mould I poured porcelain slip, so by slip casting I got the shape of the snow.”

Snow Vase by Maxim Velčovský

“This technique can be called ‘lost-snow casting’,” he adds. “It is limited edition as the mould breaks after several casts.”

Velčovský made one vase each winter and produced a limited edition of fifteen vases from each mould.

The vases, created for Prague gallery Křehký, will be shown at west London design store Mint from today until 30 September as part of the London Design Festival.

Mint, part of the Brompton Design District, is exhibiting work by many designers as part of its Cabinets of Curiosity exhibition during the festival. You can find the exhibition plus other key shows in the Brompton district on our online map of the London Design Festival.

Here’s some more info about the vases from Velčovský:


Snow Vase for Křehký Gallery

Maxim Velčovský molded vases from snow and casted their shape in plaster for three consecutive years (2010, 2011, 2012). Thus, various types of snow from various locations gave birth to a unique collection of vases.

Their molds are imprinted with time, plus solidification and melting processes that often counteracted. Designed exclusively for the Křehký gallery, the Snow Vase limited edition of 15 pieces has just been presented there.

“I am more and more interested in the moment of ephemerality. I thought that frozen water would be an ideal material for exploring that moment,” says Maxim Velčovský. “You wait for the material to fall down from the sky and then model a shape. You are cold, your hands are freezing, and then the vase melts and vanishes or you manage to capture it in a different form of water combined with plaster. The entire process and all its aspects are very fascinating.

“For instance, the fact that you can mold a vase from snow only in a specific moment and in a specific part of the planet, or water circulation that is ever-present in the process even after the process is over and the vase becomes a water container. Initially, I only wanted to make an abstract object, but then I thought it would be more interesting to make an object in the context of design that would, in essence, be a casting of water that we perpetually try to close into containers.”

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Dezeen Watch Store relaunches

We’ve having a busy month… Dezeen Watch Store has relaunched with a new look, a blog and an expanded collection of designer watches.

Dezeen Watch Store home page
The new Dezeen Watch Store home page

The new and improved store includes larger product images and an easy-to-navigate menu, with watch collections grouped by style or category. You can still search by brand or designer, and if you’re looking for some watch inspiration there’s the option to browse all watches.

Dezeen Watch Store relaunches
The “All watches” category on Dezeen Watch Store

There’s also a brand new blog, which will bring you regular, watch-related content, including interviews with designers, features about trends and much more.

Dezeen Watch Store on Facebook
Dezeen Watch Store on Facebook

Dezeen Watch Store is also now on Facebook (above), Twitter and Pinterest (below), and you can subscribe to our newsletter for regular updates on watches, offers, pop-ups and more.

Dezeen Watch Store on Pinterest
Dezeen Watch Store on Pinterest

We currently offer free shipping on UK, EU and international orders above £60.

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Water Tower

L’artiste américain Tom Fruin a construit ce château d’eau fait de plexiglas coloré. L’étrange structure est un hommage à New York et ces « water towers » qui habillent le toit de ses immeubles. Une façon originale de repenser un élément emblématique de la ville en utilisant une technique qui rappelle les vitraux des églises.

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Totora Furniture at Maison & Objet 2013: Juan Fernando Hidalgo Cordero’s designs embody the juncture of modernity and tradition

Totora Furniture at Maison & Objet 2013


by Dora Haller Totora is a thick, hollow grass that grows along lakeshores high in South America’s Andes Mountains. This indigenous plant has been used for generations to build everything from houses to floors, hats and even boats. Ecuadorian architect and designer Continue Reading…