by Bridget Harrington Rector The understated but stunning Carpenter Collection by Analog Watch Co. consists of four wooden watches with soft, flexible straps. Several contradictions might be identified in these timepieces: They are classic yet…
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Dezeen Watch Store: London watch brand Uniform Wares has launched the 104 Series, which is available now in black, blue and orange.
The 104 Series is an update of Uniform Wares’ popular 100 Series collection. The new series retains the straightforward simplicity of the original 100 Series design, but now incorporates Swiss-made 5-jewel Ronda movement, bringing the 104 in line with the rest of the Uniform Wares collection.
Contemporary touches including hand-applied batons, slimmer hands and raised hour markers update the design, resulting in a wearable, unisex style. The watch is finished with a rubber strap and hardened mineral crystal lens.
The 104 Series is characterised by colour blocking and texture; each timepiece incorporates subtly different shades and contrasting materials on the case, bezel, dials and markers.
The 100 Series was originally inspired by the minimal and utilitarian design of factory wall clocks and British manufacturers including Smiths Sectric and Gents’ of Leicester.
Visit Dezeen Watch Store to see the full Uniform Wares collection.
You can buy all of our watches online and you can also visit our watch shop in Stoke Newington, north London – contact us to book an appointment.
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at Dezeen Watch Store appeared first on Dezeen.
News: the #milanuncut debate that exposed the poor royalties designers earn has inspired the launch of Crowdyhouse, a new crowdfunding platform that helps designers find funding for their products.
CrowdyHouse, which will launch next week at Dutch Design Week, has been developed by Mark Studholme and Suzan Claesen to provide an alternative to the traditional royalties system, which Studholme says provides “an awful deal for the designers”.
“Our platform means that designers don’t have to take their product to Milan, stand next to it for a week, convince someone to buy it and then only receive 5 percent in royalties of the wholesale price,” Studholme told Dezeen.
Studholme says the #milanuncut project, which engaged dozens journalists and designers during Milan 2011, focused his attention on the difficulties faced by young designers trying to sell their work.
Coordinated by Dezeen and facilitated by an identity and a mobile app developed by London graphic designers Zerofee, #milanuncut was an open-source discussion on Twitter about the way designers are paid for their work in the furniture and product design industry. It drew attention to the paltry royalties and unfavourable contractual terms that are typical when young designers develop products for well-known brands.
“I’m very surprised that, since #milanuncut two years ago, no solutions have really been proposed,” he points out. “The conversation just died down, so hopefully we can ignite it again.”
During the Milan Furniture Fair in 2011, journalists including Kieran Long, Max Fraser, Justin McGuirk, Julie Taraska and Dezeen’s Marcus Fairs contributed to the #milanuncut debate, which set the international agenda for the fair. McGuirk focused on the issue in his Milan review in UK newspaper The Guardian and publications including Abitare, Form magazine and Architects Journal reported on the topic.
“The #milanuncut story was really just a symptom of the unsustainable state of the furniture industry,” said McGuirk this week. “As design manufacturing is forced to reinvent itself, crowdfunding platforms are an obvious step in a new direction, potentially giving designers direct access to markets of their own making.”
Using a similar crowdfunding principle to the one popularised by companies such as Kickstarter, designers are able to raise money upfront by inviting funding for products which investors eventually receive once they have been produced. The designers retain 90 percent of the funding total, with CrowdyHouse taking the other 10 percent.
“Crowdyhouse is actually the first crowd-funded platform specifically for design,” says Studholme. “We realised the traditional Kickstarter model doesn’t favour designers so we thought there was a need for a design-specific platform that really allows the designers to focus on the designs.”
CrowdyHouse offers contemporary products and furniture ranging in price from €65-3000. Designs have to reach a minimum order number before the designer begins to manufacture the product and distribute it to investors.
Details about the designers and the story behind the products, how the funds will be used, and the progress of funding and product development are listed on the website.
Some of the products featured include pressed-clay vessels by Studio Floris Wubben and a concrete, wood and leather lamp by Tim Vinke. Design studio Vilt aan Zee plans to use the funds generated on CrowdyHouse to buy a sheep to supply wool for its felt-shaded table lamp.
The designers listed on the site are currently all based in CrowdyHouse’s home nation of The Netherlands but Studholme and Claesen plan to expand the roster to include designers from other countries.
Here’s a full press release about the launch of CrowdyHouse:
CrowdyHouse stimulates unique design
Launch of innovative crowdfunding and sales platform on October 21st
A new Dutch concept to stimulate innovative design: CrowdyHouse. This platform is a unique combination of crowdfunding and retail. Giving designers the possibility to self-produce their work and allowing consumers to buy unique design in a transparent manner. CrowdyHouse is launching during the Dutch Design Week, October 21st, in Eindhoven.
When you have a good design as a designer, it’s surprisingly difficult to get financing for the production of it. What CrowdyHouse does is loosely based on the popular crowdfunding principle, but adds a dimension. Investors are also aspiring buyers. Their funding enables the designer to start producing. In return for funding the product upfront they will get the design they helped put into production.
On CrowdyHouse.com, the renowned designer Marc de Groot offers his Helix Light, a strongly geometrical shaped ceiling lamp, which splits a line of light into the shape of a three-dimensional Helix. Rebob offers a sympathetic porcelain birdhouse, shaped like a bird’s head. Renate Vos designed a table lamp of concrete, which sounds heavy but appears fragile and subtly spreads light.
‘The idea for CrowdyHouse began at the Salone del Mobile in Milan, says Mark Studholme who, together with Suzan Claesen, founded the platform. ‘We were surprised about how little a designer earns if his design is taken into production by a large manufacturer. It can be just 5 percent of the wholesale price that goes to the designer.’
Democratic design for an honest price, is one of the principles of CrowdyHouse. Democratic because the consumer decides which design gets produced by funding it. And honest because the money that is earned fully benefits the designer. CrowdyHouse’s role is limited to being a mediator. The initiative for the new design platform arrives at a time where the creative industry boils of good ideas, but all sources of financing have been depleted. The government is handing out increasingly less innovation grants. Banks don’t spend any money on young entrepreneurs. ‘CrowdyHouse can be a crowbar, a party that fills the void between a good idea and the lover of design’, according to Studholme.
The dozens of products being offered on CrowdyHouse.com are mostly meant for home interior use and vary in price from 65 to 3000 euro. Those who like the product and its story deposits their funding upfront. The site can then be used to track the popularity of a product, how long it will take before production starts and what the money will be used for.
The designers at Vilt aan Zee want to use the investment to purchase a sheep which they can use to produce wool for a lamp. Carpet designer Lizan Freijsen needs a small storage space before she can close a good deal with a textiles lab which produces carpets made from lichen. Each designer needs a small push. Design consumers can provide this small push on CrowdyHouse.
Stimulating unique design through crowdfunding, is the core of what this new platform does. ‘We offer products with a story from the designer’, says Studholme. ‘This gives funding and ordering at CrowdyHouse a very special dimension.’
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designers avoid “awful” royalties appeared first on Dezeen.
Japanese design studio Nendo has come up with a range of transformable accessories for dogs (+ slideshow).
Nendo‘s three-piece Heads or Tails collection consists of a dog bed, dishes and toys, all of which can be used in two ways.
“As a result of looking for a form that could be stable in two different shapes, the collection is constructed of triangular panels connected in polygon mesh,” said the designers.
The artificial leather bed pops up to become a little hut or can simply be used as a cushion.
Ceramic dishes have a larger bowl for water on one side and present a smaller saucer for food when flipped over.
A lightweight silicone toy bone made from a skeleton of triangles can be reshaped into a ball by folding the two ends back on themselves.
The black and white collection was designed for Japanese lifestyle magazine Pen.
Nendo isn’t the only team to have created objects for canines. Japanese designer Kenya Hara rounded up architects and designers including Kengo Kuma, Toyo Ito and Shigeru Ban to create architecture for dogs shown at Design Miami last year.
We recently compiled all the projects we’ve featured by Nendo onto a dedicated Pinterest board.
Photos are by Akihiro Yoshida.
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by Nendo appeared first on Dezeen.
L’artiste Joao Loureiro a reproduit avec ces créations « Zootechnical » des animaux à taille réelle grâce à l’accumulation de tranches en mousse de couleur grise. L’artiste brésilienne a ainsi créé un rat, un loup, un éléphant ou encore un rhinocéros au design très intéressant. A découvrir en images dans la suite.
Product news: a collection of kitchenware by Danish designer Ole Jensen is now in production with design brand Room Copenhagen.
Jensen‘s collection for Room Copenhagen includes a family of products for storage, cooking and serving that includes containers, bowls, cups, jugs and plates.
The plastic and wooden kitchenware is characterised by rounded shapes in bright yellow and muted tones.
The series includes classic Ole Jensen designs such a tilting colander he designed in 1995, which works as a combined sieve and serving dish.
A range of curved storage containers with grey lids also features.
The products will be available in stores across Europe this autumn and in the USA by early 2014.
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for Room Copenhagen appeared first on Dezeen.
Less than three years ago we watched the budding Dutch designer Dirk Vander Kooij explain his graduation project to a packed house at Cape Town’s Design Indaba conference. The Design Academy Eindhoven alumnus humbly presented…
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Avec du papier et surtout énormément de talent, l’artiste canadien Calvin Nicholls offre des créations sculpturales absolument incroyables. Des compositions époustouflantes, représentant principalement des animaux d’un grand réalisme à découvrir dans la suite dans une sélection d’images.
Pensato dallo studio olandese Macura. Il piccione segnalibro stampato in 3D non vi farà perdere il punto.
Many of us have experienced the rush of finding the perfect wallet—only to discover one feature that breaks the final decision, whether it’s an ostentatious logo or machine-stitched threading, promising to unravel. When a car designer decides to take matters into his own…
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