Lifted-Garden House by Kazuhiko Kishimoto/acaa

Japanese architect Kazuhiko Kishimoto has combined a doctor’s surgery and a courtyard house in a bulky building with tapered concrete feet (+ slideshow).

Dezeen_Lifted-garden House by acaa_22

Located in Kanagawa, Japan, Lifted-Garden House was designed by Kazuhiko Kishimoto with a two-storey clinic on one side, a first-floor doctor’s apartment opposite and a courtyard and roof terrace inbetween.

Lifted-garden House by acaa

“The clinic and dwelling place are placed across from each other with the inner courtyard in the middle, however the direction of the eyes would not meet since they are on different levels,” says the architect.

Lifted-garden House by acaa

The exterior walls feature a mixture of bare concrete and timber slats, with the solid concrete pillars supporting the overhanging first floor.

Lifted-garden House by acaa

The courtyard beyond is filled with trees and shrubs, while the first-floor terrace is covered in timber decking and features plants that sprout from pockets of gravel.

Lifted-garden House by acaa

This deck can be accessed from both the apartment and the clinic, plus its timber surface continues into the building to create a consistent ground plane.

Lifted-garden House by acaa

White-painted bars divide up the spaces within the residence, continuing the vertical rhythm of the timber slats on the facade.

Lifted-garden House by acaa

The clinic features frosted glass screens that partially cover the windows, creating privacy while allowing views out to the greenery.

Lifted-garden House by acaa

“We expect the trees to grow big and to provide nice leafy shade in summer, making a place of relief for the doctor and patients,” says Kishimoto.

Lifted-garden House by acaa

We previously featured another house by Kazuhiko Kishimoto, with a rear facade that slides open to reveal a graduated terrace with a sweeping view of the sea.

Dezeen_Lifted-garden House by acaa_27

Earlier this year we published a two-storey house that has been combined with a pet shop, also located in Japan.

Dezeen_Lifted-garden House by acaa_27

See all our stories about Japanese houses »
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Lifted-garden House by acaa

Photography is by Hiroshi Ueda.

Here’s a project description from the architect:


This is the complex building with clinic on the first floor and the doctor’s dwelling place on the second floor. With the tree planting that bring better feeling to patients in the inner courtyard, they can be viewed from the lobby and entrance of the clinic.

Dezeen_Lifted-garden House by acaa_7

Furthermore, as the trees can also be seen from outside of the building through the deck, people walking by should also be able to feel the seasons change.

Dezeen_Lifted-garden House by acaa_7

The dwelling place on the second floor is placed as if it is floating above the parking space. The dwelling place is L-shaped opposite to the clinic. The clinic and dwelling place are placed across each other with the inner courtyard in the middle however the directions of the eyes would not meet since they are in the different levels.

Lifted-garden House by acaa

The roof of the clinic is an open area as the rooftop garden. Various types of plants and trees are established on the stair-like wood deck with different levels. The floor of the dwelling place continuing flat to wood deck is the outcome of the careful consideration into details.

Dezeen_Lifted-garden House by acaa_27

The deep and low canopy top makes the proportion of the beautiful building. It also relates immensely to producing the sense of openness to the rooftop. We expect the trees to grow big and to provide nice leafy shade in summer, making a place of relief for the doctor and patients.

Lifted-garden House by acaa
Location plan
Lifted-garden House by acaa
Ground floor plan – click for larger image and key
Lifted-garden House by acaa
First floor plan – click for larger image and key
Lifted-garden House by acaa
Cross section one – click for larger image and key
Lifted-garden House by acaa
Cross section two – click for larger image and key
Lifted-garden House by acaa
Elevations – click for larger image
Lifted-garden House by acaa
Exploded isometric diagram

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Mahani by Studio Toogood

Raw concrete and colourful fabrics are combined in this fashion store in Dubai by London designers Studio Toogood (+ slideshow).

Mahani by Toogood

Studio Toogood designed the boutique for Dubai fashion brand Mahani, introducing cast-concrete and monolithic forms intended as “an antidote” to the glamourous opulence of shops elsewhere in the Emirates.

Mahani by Toogood

Richly coloured drapes divide the space, while stools designed by Faye Toogood are upholstered in bright satin, providing relief from the plain concrete surfaces.

Mahani by Toogood

Garments can be hung from simple black railings that run along the perimeter of the store or suspended from discrete hooks that protrude from the walls.

Mahani by Toogood

Bespoke pieces of furniture constructed from metal mesh are used to display items such as shoes and jewellery.

Mahani by Toogood

A concrete catwalk spans the length of the store, providing opportunities for fashion shows and events, while white animal sculptures are dotted around the edges of the space.

Mahani by Toogood

A chandelier made from bare light bulbs hangs from the ceiling. Elsewhere, angled spotlights are combined with suspended strip lights to add to the store’s raw aesthetic.

Mahani by Toogood

The final addition is an in-store bakery serving tea, coffee and desserts made by food design collective Arabeschi di Latte, who Studio Toogood previously collaborated with on an installation where participants were served black food at midnight in a darkened apartment.

Mahani by Toogood

Other projects we’ve featured by Studio Toogood include a bar where guests selected wine by smelling scented totem poles and an installation featuring boxes decorated with multi-coloured electrical tape.

Mahani by Toogood

See all our stories about Studio Toogood »
See more retail interiors »

Mahani by Toogood

Here’s a description from Studio Toogood:


Studio Toogood’s design for the new Mahani – Dubai’s first concept store – is an antidote to the polished slickness of modern retail in the Emirates.

Mahani by Toogood

The walls and fittings of the store – which opened in May 2013 – are cast in raw concrete, creating a neutral, Modernist-inspired environment to showcase the fashion-forward collections on sale.

Mahani by Toogood

The ascetic qualities of the space are offset by subtle touches of femininity, including richly coloured drapes and satin upholstery on bespoke pieces designed by Faye Toogood; meanwhile, a series of animal sculptures add a playful element.

Mahani by Toogood

Mahani’s in-store “bakery” serves tea, coffee and sweet treats by food designers Arabeschi di Latte, while a dedicated catwalk area running the length of the boutique allows for exclusive shows by cutting-edge and emerging designers.

Mahani by Toogood
Floor plan

The interplay of Studio Toogood’s monolithic modern interior with the soft femininity of the directional clothes makes Mahani an exciting, exclusive and distinctive new fashion destination in Dubai.

Mahani by Toogood
Cross section

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Concrete Paperweight

No in effetti non avevo mai pensato ad un blocco di cemento come fermacarte. Pensato da Kebei Li.

Schanerloch Bridge by Marte.Marte Architects

This gentle twist of concrete bridges an Alpine river on a scenic road between two towns in western Austria.

Schanerloch Bridge by Marte Marte Architects

Designed by Austrian studio Marte.Marte Architects, the bridge crosses the Schanerloch gorge on the road that leads from the city of Dornbirn towards the hamlet of Ebnit to the south.

Schanerloch Bridge by Marte Marte Architects

Referencing the arched stone bridges traditionally constructed in the region, the architects created a solid concrete volume with a gently arching profile and a twist in its middle that responds to the angle of the road.

Schanerloch Bridge by Marte Marte Architects

“The result is a concrete sculpture that might look unspectacular in plan and from the driver’s point of view,” says architect Marina Hämmerle, “but from the shore of the river winding through the gorge it unveils its compelling fascination: it playfully mimes the frozen dynamic of the mountain road and captures the dramatic place in reinforced concrete.”

Schanerloch Bridge by Marte Marte Architects

The Schanerloch Bridge was completed in 2005, but has been seen by few others than the drivers passing through.

Schanerloch Bridge by Marte Marte Architects

A number of bridge designs have been unveiled recently. OMA proposes a bridge for hosting events in Bordeaux, while Thomas Heatherwick has designed a garden to span the River Thames in London.

Schanerloch Bridge by Marte Marte Architects

See more bridges on Dezeen »
See more architecture in Austria »

Schanerloch Bridge by Marte Marte Architects
Site plan

Photography is by Marc Lins.

Here’s a project description from Marina Hämmerle:


Schanerloch Bridge, Ebnit Dornbirn

The bridge through the Schanerloch gorge is part of the impressive road from the city of Dornbirn to the hamlet of Ebnit which picturesquely situated by the well of the river Dornbirner Ache at the foot of scenic mountains. The spectacular route to this ancient settlement area is characterised by a series of natural rock tunnels and stone bridges.

Originating from the well-known typology of the stone arch bridge, modern technology takes the geometry of the arch to its very limits. The reduction of the arch rise to a statically necessary minimum is combined with a twist along one axis. The latter is also responding to the bending road as a curve immediately follows the bridge in both driving directions.

Schanerloch Bridge by Marte Marte Architects
Site section

The result is a concrete sculpture that might look unspectacular in plan and from the driver’s point of view, but from the shore of the river winding through the gorge it unveils its compelling fascination: it playfully mimes the frozen dynamic of the mountain road and captures the dramatic place in reinforced concrete.

Perfect in form, a masterpiece of design and statical calculation precisely fixed in the spectacular scenery.

Schanerloch Bridge by Marte Marte Architects
Bridge section

Client: City of Dornbirn
Location: Ebniter Straße, 6850 Dornbirn
Architecture: Marte.Marte Architekten ZT GmbH, Weiler
(Arch.DI Bernhard Marte, Arch.DI Stefan Marte)
Overall length: approx. 23m
Overall width: 5,50m bis 6,50m
Driving clearance (width): minimum 4,75m
Reinforced concrete arch: minimum thickness 35cm
Conrete volume: approx. 180m3
Footing: directly into the adjacent rock wall

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The Concrete Penthouse

Ancien abri durant la seconde guerre mondiale avant de servir de prison ou encore boîte de nuit, ce penthouse de 500m2 tout en béton située dans le quartier de Mitte à Berlin est le lieu de résidence du couple de collectionneurs Christian & Karen Boros et propose un aménagement intérieur impressionnant.

Pictures by Aline Liefled

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The Concrete Penthouse-8
The Concrete Penthouse-7
The Concrete Penthouse-6
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The Concrete Penthouse-1
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Residence in Kallitechnoupolis by Tense Architecture Network

Athens studio Tense Architecture Network has completed a concrete house that staggers down a hillside in rural Greece (+ slideshow).

Residence in Kallitechnoupolis by Tense Architecture Network

Residence in Kallitechnoupolis is a three-storey building that begins near the top of the slope. As it descends, the building widens to create tiered balconies facing out across the landscape.

Residence in Kallitechnoupolis by Tense Architecture Network

Tense Architecture Network describes the structure as a protective shell that shields the house from its neighbours and concentrates views in only one direction.

Residence in Kallitechnoupolis by Tense Architecture Network

“The inclined prism of the shell follows the natural inclination and descends towards the ground via the intensely oblique cut of its eastern front,” says the studio.

Residence in Kallitechnoupolis by Tense Architecture Network

The base of the building cantilevers outwards, making room for a swimming pool on the lowest level, plus an outdoor staircase climbs down one of the side walls to meet a terrace positioned halfway down.

Residence in Kallitechnoupolis by Tense Architecture Network

The architects used concrete for the entire structure, adding a dark tint to the exterior walls so that they contrast with the pale grey interior surfaces.

Residence in Kallitechnoupolis by Tense Architecture Network

“Earthly dark at the outside, lighter in the inside, its colouring is aiming at the maximum possible tension of the shell’s introvertedness,” say the architects.

Residence in Kallitechnoupolis by Tense Architecture Network

Living and dining rooms can be found on the two upper floors, while bedrooms are located on the bottom floor around a series of curved partitions.

Residence in Kallitechnoupolis by Tense Architecture Network

Tense Architecture Network have completed several residential projects recently, including an angular house with a partially submerged body and a house with a boxy concrete upper floor.

Residence in Kallitechnoupolis by Tense Architecture Network

See more architecture by Tense Architecture Network »
See more architecture in Greece »

Residence in Kallitechnoupolis by Tense Architecture Network
Upper floor plan – click for larger image

Photography is by Filippo Poli.

Here’s a project description from Tense Architecture Network:


Residence in Kallitechnoupolis

The residence’s view is a slope: a naked attic slope. The site is significantly inclined and is accessed only through its narrow upper side. The declivity of the site faces an equally slanted hill –the predominant point of visual reference. As the residence neighbours with two extrovert residences on both sides, it realises enclosure, concentration of the view and an introvert escalating development of its open spaces towards the east. The opposing landscape of the hill is perceived from a distance.

Residence in Kallitechnoupolis by Tense Architecture Network
Middle floor plan – click for larger image

The inclined prism of the shell follows the natural inclination and descends towards the ground via the intensely oblique cut of its eastern front. The cut opens the residence to the opposed microcosmos: the air, the light, the barberries, the horizontal ridge, the long lonely railing of the opposite side. A swimming pool is comprised in the shell’s lowest point, partly in cantilever. At the level of the access an elongated excision of the prism allows for a walled yet unroofed outdoor space that eventually concludes to the open eastern front and the view.

Residence in Kallitechnoupolis by Tense Architecture Network
Lower floor plan – click for larger image

The exterior cortex is constructed by exposed reinforced concrete: the shell is two-coloured. Earthly dark at the outside, lighter in the inside, its colouring is aiming at the maximum possible tension of the shell’s introvertness. The geometric austerity of the prism is violently ruptured in three areas: the shell is ultimately found broken, the rupture of its boundaries is performed from within, the remote nature is allowed in. Yet, only as Actio in Distans: only as view.

Residence in Kallitechnoupolis by Tense Architecture Network
Side elevation – click for larger image

Project Team: Tilemachos Andrianopoulos, Kostas Mavros, Nestoras Kanellos
Structural design: Athanasios Kontizas

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Lavaflow 7 by Craig Steely

A huge concrete beam appears to balance on its edge along the roof of this Hawaiian house by Californian architect Craig Steely (+ slideshow).

Lavaflow 7 by Craig Steely

Constructed on the lava slopes of Hawaii’s most active volcano, the concrete house by Craig Steely is divided into two halves, connected by a long concrete beam that soars overhead.

Lavaflow 7 by Craig Steely

Timber beams and battons make up the roof, which runs beneath the concrete beam.

Lavaflow 7 by Craig Steely

The living areas and master bedroom are separated from two further bedrooms by a lap pool and a veranda, which is partially covered by the overhanging roof.

Lavaflow 7 by Craig Steely

Floor-to-ceiling glass runs the length of one facade, allowing uninterrupted views into the surrounding Ohia forest and out to the ocean beyond.

Lavaflow 7 by Craig Steely

The architect was influenced by the native vegetation when designing the house. “The Ohia’s brilliant red flowers, called the Lehua, are a striking contrast to the ruddy green leaves and shades of gray of the tree’s bark and the black lava” says Steely. “Like the Ohia, the gray concrete house blends into the existing landscape of lava and trees while splashes of colour in the house mimic the Lehua.”

Lavaflow 7 by Craig Steely

The house is deliberately long and narrow so as to increase cross-ventilation, eliminating the need for the mechanical air conditioning.

Lavaflow 7 by Craig Steely

The building incorporates a rainwater catchment system, which provides the house with cold water as well as a solar heating system for hot water.

Lavaflow 7 by Craig Steely

Named Lavaflow 7, the house is the latest addition to a series of residences by Steely, all of which have been constructed on the rocky slopes of Hawaii.

Lavaflow 7 by Craig Steely

Other concrete dwellings we’ve recently featured on Dezeen include a house composed of a cluster of concrete cubes, stacked up on a steep hillside and a rural house raised off the hillside on a pair of gigantic concrete columns.

Lavaflow 7 by Craig Steely

See more stories about concrete design »

Lavaflow 7 by Craig Steely

Here’s some more information from Craig Steely:


Located on five acres of dense Ohia forest, this cast-in-place concrete house frames indoor and outdoor living spaces along with views of the forest, the sky, and the coastline on Hawaii’s Big Island. It continues our exploration of a reductive architecture that enhances the experience of living in this compelling environment.

Lavaflow 7 by Craig Steely
Floor plan – click for larger image and key

The main feature of the house is a concrete beam, 140 foot long, 48 inch tall x 12 inch wide running the length of the building with only three short concrete walls supporting it along its massive span. Laminated beams and wood planks make up the roof that hangs below it. The concrete beam allows for sizable spans of uninterrupted glass and covered outdoor space, which creates a permeable edge between the man-made and nature. These huge expanses of openness amplify the sensation of living in the Ohia forest.

Ohia trees are endemic to Hawaii. They are the first trees to grow on new lava flows. Lavaflow 7 sits on a 1955 lava flow on the slopes of Kilauea crater. The Ohia’s brilliant red flower, called the Lehua, are a striking contrast to the ruddy green leaves and shades of gray of the tree’s bark and the black lava. Like the Ohia, the gray concrete house blends into the existing landscape of lava and trees while splashes of color in the house mimic the Lehua.

Lavaflow 7 by Craig Steely
Axonometric view of cast concrete – click for larger image

The nature of the house is long and thin, with private and public areas divided by a lanai and bisected by a lap pool. The thinness of the house provides passive cooling through cross ventilation allowing for the elimination of mechanical air conditioning, consistent and diffused light quality in the rooms through out the day, and a view of the forest, sky, and ocean from every room. Other sustainable features include a rainwater catchment system that supplies all water used along with a solar heating system for domestic hot water. A loose distribution of spaces around the few solid walls creates a house that is equally open in all directions and welcomes nature in.

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House in Sonvico by Architetti Pedrozzi e Diaz Saravia

This rural house in Switzerland by local studio Architetti Pedrozzi e Diaz Saravia is raised off the hillside on a pair of gigantic concrete columns (+ slideshow).

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

The single-storey House in Sonvico is constructed on a 20-metre long concrete slab, which is elevated above the ground on one side to line up with the highest level of the site.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

“We and the clients both wanted to create a single-storey house,” architect Martino Pedrozzi told Dezeen. “Because of the slope, we invented a level section.”

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

Rather than create an entrance at the point where the building meets the ground, Architetti Pedrozzi e Diaz Saravia designed the house with a hollow centre so that residents climb up from underneath to enter. This arrangement also creates a terrace beneath the building with a swimming pool alongside.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

Timber-framed windows sit within the houses’s chunky concrete frame. White ceramic tiles clad any walls between and feature a mixture of polished and matte finishes.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

The rooms of the house are arranged in sequence around the perimeter, while a corridor runs around the inside. There are also circular rooms inside the columns and one contains a staircases so it can double up as a second entrance.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia

Other houses completed recently in Switzerland include a family home with a corner missing from its roof and a house with vertical seams. See more Swiss houses on Dezeen.

Photography is by Pino Brioschi.

Here’s a project description from Architetti Pedrozzi e Diaz Saravia:


House in Sonvico

A one storey house on a quite steep slope. That was the challenge imposed by topography and client. A most welcome challenge of course: to us one storey architecture is the best condition for good architecture. Its solution stays in the section of the project: a big horizontal prestressed slab of fifteen by twenty metres sitting on the natural land on one hand and laying on two gigantic round pillars on the opposite site. Above twenty pillars sustain the roof. Under a main space is created for outdoor living.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia
First floor plan – click for larger image

The house structure is external and integrally made in concrete. None of its parts penetrate the internal insulated spaces that are organised around a central void, between slab and roof. Ceramic white tiles, shiny and opaque defining a graphic pattern, contrast with concrete and enclose the indoor living spaces.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia
Ground floor plan – click for larger image

Where the house lays on the ground, there is the access. Descending upstream the slope a big porch introduces the house main door. Inside, the square-shaped ground floor is divided between public and private spaces. Public spaces like entrance hall, living room, dining room and studio are placed in the middle of the sides. Private spaces like bedrooms and kitchen find their place in the corners and when it is necessary can be isolated from the rest.

House in Sonvico by Architetti Pedrozzi e Diaz Saravia
Cross section – click for larger image

The central void makes the connection between indoor and outdoor living spaces. A staircase leads down to a paved and partially covered surface integrating a swimming pool, a laying and a dining area, surrounded by an impressive natural environment.

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Architetti Pedrozzi e Diaz Saravia
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Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Architectural sketches and motifs are etched across the concrete walls of the Museum for Architectural Drawing in Berlin by Russian architecture collective SPEECH Tchoban & Kuznetsov.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Architects Sergei Tchoban and Sergey Kuznetsov of SPEECH Tchoban & Kuznetsov designed the building to house the collections of the Tchoban Foundation, which the architect founded in 2009 as an archive of architectural drawings from the twentieth and twenty-first centuries.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Located on the site of a former brewery, the five-storey museum will be the foundation’s first address and comprises a stack of overlapping concrete volumes with a glass penthouse positioned on top.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Architectural reliefs cover all three of the yellowish-grey concrete facades and form repetitive patterns. The surfaces are also broken up into groups of gently angled planes, intended to mimic overlapping sheets of paper.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

“This artistic touch is supposed to emphasise the function and contents of the exposition in the museum’s architectural look,” explain the architects.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

The ground floor of the building accommodates an entrance hall, shop and library. The collections will be housed on the three middle floors and will only be accessible by appointment, while the the glass penthouse and roof terrace will function as an events space.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

The Museum for Architectural Drawing is set to open in June and will present both a permanent drawing collection and loans from international collections.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Architects Sergei Tchoban and Sergey Kuznetsov have worked together on various projects as SPEECH Tchoban & Kuznetsov. Their past collaborations include curating the Russian Pavilion at the 2012 Venice Architecture Biennale.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

See more museums on Dezeen, including the new Design Museum for Barcelona.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Photography is by Patricia Parinejad.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Here’s a project description from SPEECH Tchoban & Kuznetsov:


Museum for architectural drawings of the Tchoban Foundation

The Museum for Architectural Drawings is meant for placing and exposing the collections of the Tchoban Foundation founded in 2009 for the purpose of architectural graphics art popularisation as well as for interim exhibitions from different institutions including such famous as Sir John Soane’s Museum in London or École Nationale Supérieure des Beaux-Arts in Paris.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

For the construction of the Museum, the Foundation purchased a small lot on the territory of the former factory complex Pfefferberg, where the art-cluster is formed. Here are already located the famous architecture gallery AEDES, modern art gallery and artists’ workshops. The Architectural Graphics Museum that is being constructed will become a logical continuation to the development of the new cultural centre in a district Prenzlauer Berg that is very popular among Berlin residents.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

The new Museum building will flank the firewall of the adjacent four-storey residential house. Such neighborhood and the location under the conditions of the current development implied the irregular space-planning arrangement of the Museum. The volume that is compact in terms of design rises up to the mark of the neighboring roof ridge, forming five blocks clearly cut in the building carcass and offset in relation to each other.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

The upper block, made of glass, hang over the whole volume of the building in cantilever. The façades of the four lower blocks are made of concrete and its surfaces are covered with relief drawings with architectural motives, repeating on every level and overlapping each other as sheets of paper. This artistic touch is supposed to emphasise the function and contents of the exposition in the Museum’s architectural look.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

On the first and third floors from the side of Christinenstrasse, the flat surfaces of the massive concrete walls alternate with large glass panes accentuating the building’s main entrance and a recreation room in front of one of the graphic cabinets. On the first floor there will be the entrance hall – library. Two cabinets for drawings exposition and archive are located on the upper floors. The levels are connected by an elevator and stairs.

Museum for Architectural Drawing by SPEECH Tchoban & Kuznetsov

Address: Christinenstraße 18a, 10119 Berlin-Prenzlauer Berg, Germany
Customer: Tchoban Foundation. Museum for Architectural Drawing

Authors: Sergei Tchoban and Sergey Kuznetsov of SPEECH Tchoban & Kuznetsov, Moscow
Planning and project management: nps tchoban voss GmbH & Co. KG, Berlin
Architects: Philipp Bauer, Nadja Fedorova, Katja Fuks, Ulrike Graefenhain, Dirk Kollendt

Start: 2009 – 2011
Construction: 2011 – 2013

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by SPEECH Tchoban & Kuznetsov
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8Kumo by TANK

Unfinished concrete is combined with exposed plywood in this Tokyo apartment renovated by Japanese architecture firm TANK (+ slideshow)

8kumo by TANK

TANK wanted to create a more spacious and flexible layout in the compact Japanese apartment, which was previously divided by a narrow corridor into various cramped rooms.

8kumo by TANK

“I considered that the room should have flexibility and the tenant can arrange it as she likes,” explains the designer.

8kumo by TANK

The team began by making the bathroom much larger and inserting sliding doors on both sides, enabling an extra route between the bedroom and the hallway.

8kumo by TANK

The narrow entrance hall is designed as a “Doma” – a traditional Japanese entranceway – with a bare concrete floor that contrasts with the raised wooden flooring of the living area.

8kumo by TANK

An exposed larch frame extends out beneath a raw concrete ceiling, while vertical batons combine with plywood sheets to form a screen dividing the bedroom from the living area.

8kumo by TANK

The bedroom and adjacent closet are doorless, with walls and ceilings designed to look deliberately incomplete.

8kumo by TANK

“There are no doors for the bedroom or walk-in closet,” explains TANK. “The walls and ceiling have an unfinished look, I leave it to the tenant’s taste as to how to utilise these rooms.”

8kumo by TANK

A clear glass lampshade houses a bare bulb that descends from the ceiling in the bedroom, casting long shadows from the wooden frame.

8kumo by TANK

Other projects we’ve featured by TANK on Dezeen include an apartment with floors and ceilings covered in the same boards and a Tokyo apartment with removable patches of carpet to be used as flip flops.

See more Japanese houses on Dezeen, or see our Pinterest board filled with Japanese residences.

8kumo by TANK
Floor plan – click for larger image
8kumo by TANK
Elevation one – click for larger image
8kumo by TANK
Elevation two – click for larger image
8kumo by TANK
Elevation three – click for larger image
8kumo by TANK
Elevation four – click for larger image

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by TANK
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