Heineken Open Design Explorations: The Club

The future of nightlife as conceived by a cross-disciplinary team of club-going creatives

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“We wanted to show design in action, not on a pedestal,” said Heineken’s Global Head of Design Mark van Iterson as he walked us through “The Club”, the first project of their Open Design Explorations, a pop up nightclub in the Tortona district during Milan’s Design Week. He wasn’t kidding around. The culmination of a year’s work, it represents an ambitious collaborative research and design project that he led with a hand-picked team of 19 club-going young designers from São Paolo, Tokyo, New York and Milan.

The cross-discipline team, mostly students and young professionals, includes interior, product and fashion designers, architects and graphic designers. The crowd-sourced finalists were invited to present their ideas at Pecha Kucha events, at the end of which the team was selected. The team visited clubs in all four of those cities (we participated in the Tokyo tour), and shared and collaborated on ideas, leading to the design elements brought to life in the pop up club. Van Iterson coached the group along with Professor Buijs and six industry experts.

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“It was new for everybody to co-create cross-disciplines, cross-cultures, cross-time-zones,” says van Iterson. “We collaborated in an online hub, a kind of virtual creative lab. Some were more comfortable in the open ideas phase, others more in the detailing phase, some fueled the overall concept, others stayed within their discipline. But that’s the beauty of diversity.”

The hub served to mediate ideas while the designers worked remotely. “The portal was the open lab where we all came together,” says van Iterson. “It was bridging all continents and timezones, stimulating cross fertilization and kept the creative juices flowing through new progress, new insights, new briefs.” Heineken sought to create the perfect club—the rare combination of place, space and crowd that makes for a good time. “If you get the energy, the interaction and the vibe right, the club is a great club,” relates van Iterson. “And design can play a crucial role in facilitating that.”

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Similar to how car companies use concept cars to have a dialog with their fans and customers, Heineken sought to create a physical place to express new ideas, and to present them to the world’s largest gathering of design professionals during Milan’s Design Week, with the goal of having a conversation around innovation in the club space. Van Iterson’s expectations are realistic: “For sure, certain elements will never make it to ‘real clubs’, but other elements might impact on club design or Heineken design worldwide for future years.”

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Uniting The Club’s three spaces—which include a lounge, bar and dance area—is an origami theme that is applied to every element, reflecting the “changing perspectives” concept that fueled the project. The layout takes a cue from the team’s logical sequence of a typical night out: Connecting, getting a drink, discovering, dancing, cooling down and ending the night.

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Walking through the completed concept, we found innovative details throughout. A video-mapped DJ booth pumps out killer beats as waitresses in extravagant origami uniforms and custom-designed shoes serve Heinekens from an origami-shaped tray that rests comfortably on the arm and holds up to eight bottles securely so that servers can use their free hand to open the bottles with a matching opener. An interactive bar features video display counters that lets you order another round with the tap of a finger, and a massive display made from more than 2,500 Heineken bottles features programmed images interspersed with live feeds from the dance floor. A wall on the dance floor has numbered shelves to place your drink while you dance, and a black origami wall glows with graffiti from the attached chalk pens, allowing club goers to get graphic in a harmless way.

Open Design Explorations is one of several crowd sourced design initiatives Heineken is leading, which live at Heineken’s Ideas Brewery.

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The Club will be exhibited until 20 April 2012 from 13:00 – 23:00 daily at Via Privata Gaspare Bugatti 3, Zona Tortona, Milan. Even the club’s construction was important. Because the club was designed to be easily transportable, assembled and broken down in a cost-effective and sustainable manner, it’s likely that you’ll see it an event near you soon. See more images of the concept club in our gallery.


Design Indaba: Narratives

Storytelling across four art forms at the Conference on Creativity

The cast of speakers who take the stage at Design Indaba each year always present a range of unique positions on creativity, but a natural theme tends to emerge from among their respective processes. This year the common idea on everyone’s minds is that of the narrative—from food to scent there seems to be an infinite number of ways to artistically tell a story. Below are four standouts that touched upon this concept at Indaba.

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Once cheekily called a “seal fucker” by his peers, Noma head chef René Redzepi has changed the way people view his work over the past few years, opening people up to the true beauty of Nordic cuisine. Redzepi talks about using ingredients as “letters” to create a language that weaves a narrative through food. “Why be happy with just A, B and C?” he asks, obsessively foraging and experimenting in order to build new stories that express his vision on a plate. The innovative chef explained to the Indaba audience that he purposely keeps his warehouse-turned-restaurant slightly barren and painted a muted earthy color so the food can really speak to the few lucky diners who get the chance to eat there each evening.

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Taking her sense of smell beyond its emotional ties, Norwegian sensory linguist Sissel Tolaas travels the world capturing scents as an effective way to communicate a location, object or time. Part chemist, part artist, Tolaas’ wild approach to odors is founded in abstract molecules, which she uses to develop smell codes that then convey a certain meaning when released. The Berlin-based artist works from her SMELL RE_searchLab, where she has more than 2,500 molecules from projects like dissecting David Beckham’s shoes—which are exactly on par with an extremely stinky cheese—or recreating the scent of World War I. Tolaas experiments with aromas because, she says, one’s sense of smell packs an even greater impact than vision, which creates a memorable connection and relays an inexpressible description.

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Filmmaker Chris Milk is interested in creating narrative music videos that can somehow match the emotional relevance of the song they depict. Presenting at Indaba with his frequent collaborator, digital artist Aaron Koblin, Milk produces visual stories that not only coincide with the feeling of a particular track, but are themselves poignant and deeply memorable. His concept for the Johnny Cash song “Ain’t No Grave“—an interactive and communal art project—or the Arcade Fire song “The Wilderness Downtown“—an HTML5-built interactive video that allows you to customize your experience to your own address—reiterate his mission to give people a personalized experience which enables their own narrative around the song.

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Fascinated by the amount of time people put into making a product, Eindhoven-based furniture designer Piet Hein Eek skips the design stage and starts off in production. Though he cites practical reasons—”labor costs nothing, material costs a fortune”—his method of building from scraps is a conceptual move as well. According to Hein Eek, the remnants lay a foundation for a chair’s story more purely than would his own stylistic vision. Therefore, benches are determined by the size of their beams and chairs are covered in fabric found around the derelict buildings near his studio. The names of pieces like the “99.13% cupboard” or “96.7% cupboard” reflect the amount of materials that were not wasted in their production. Hein Eek’s transparent design and simple approach give furniture a personalized narrative that its future owner can continue to build upon.


Cool Hunting Video Presents: Story

We took a drive with the founder of a new retail concept store based in NYC

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In this video we meet Rachel Shechtman, founder of the new retail concept shop, Story. Sponsored by the Range Rover Evoque, we take a ride with Rachel around Manhattan and hear about how she turned her passion for shopping in to a new venture.


Triumph Speed Twin Concept

Two budding designers turn a classic motorcycle into a modern work of art
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For their final year project while studying transport design at Northumbria University in Newcastle, budding English designers Roy Norton and Tom Kasher wanted to create a bike that would borrow from the past while looking to the future. The result—an exceptionally sleek take on the classic Triumph Speed Twin, kitted out with girder forks and signature quilted Barbour fabric on the seat.

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The duo met with Triumph Product Manager Simon Warburton, who not only gave them the utmost support in creating the concept, but sees the project as an inspiring foundation. “Some elements may have an influence on some of our future projects,” he says. Triumph gave Norton and Kasher the frame of a production Bonneville to build from, which they reconstructed for a more contemporary aesthetic before adding Firestone tires, inverted levers, Thruxton brakes and a redesigned filler cap.

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Warburton says Norton and Kasher’s take on the Speed Twin is like “the bike the Bonneville might have evolved into in an alternative universe.” Now graduated and fully employed by bike manufacturer Xenophya, the two are likely to be shaping the future of numerous machines to come.

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Acura NSX Concept

A resurrection of the 90s staple promises to redefine the brand
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Unveiled today at NAIAS in Detroit is the new Acura NSX Concept, a supercar slated for sale in 2014. Sporting a 400 hp engine with a hybrid SH-AWD drivetrain, the sexed-up model is meant to combine green ideology with hedonistic performance. The current NSX is a revival of the suspended version that first established Acura in the luxury scene during the ’90s. Though the original enjoyed pop culture appearances galore, the line faltered in the early 2000s. The brand has long struggled with sales of recent models, but the NSX seems poised to put Acura back on the map.

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The release of a high-performance model has been long in the making, with plans for an even more powerful V10 NSX abandoned as a result of the recession. The current version includes a direct-injected V6, dual clutch transmission and electric motor that work in conjunction for impressive acceleration and efficiency. For cornering ability, the new model uses a Bilateral Torque Adjustable Control System to create positive or negative torque on the front wheels. The rare combination of environmental considerations and next-generation performance aims to anticipate a shift in the expectations of a supercar.

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Many details remain to be seen regarding the final product. The materials used for the lightweight body weren’t specified, and performance specs including fuel economy and acceleration haven’t been released. The NSX is set to be manufactured in Ohio, a move that will hopefully breath some new life into the perpetually troubled American auto industry. This is the sort of brand revival that can potentially be a major game changer within the industry, so we’re anxious to see where Acura takes it from here.


The Thing Quarterly: Issue 16

An epistolary shower curtain from author Dave Eggers

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For their upcoming issue, The Thing Quarterly reached out to literary and cultural icon Dave Eggers of McSweeney‘s and 826 Valencia. The collaboration announced today that the next shipment of quarterly objects will contain an epistolary shower curtain with a message inscribed to the person showering. Partnering with couture Parisian shower curtain manufacturer Izola, The Thing and Eggers aim to liven quotidian demands with a bit of literary wit.

Building on the publication’s history of imbuing common household items with a conceptual twist that adds an element of delight, the love letter is a meditation on showering. The inscription on the curtain bears Eggers’ sweetly self-referential sentimentality and humanism (to wit: “I like it when you like yourself. When you give a moment to your thighs.”) that recently garnered him a TED prize. The success of his charity tutoring program (and adjoining Pirate Supply Store) as well as the addition of Lucky Peach and Grantland to his rapidly expanding publishing house testify to Eggers’ ingenuity, which comes through in his feel-good address to vulnerable bathers.

We love the objects we’ve seen thus far from The Thing’s subscription service, which consistently re-imagines everyday objects in the vein of Marcel Duchamp. This edition is unique in that it’s available for individual purchase as well as with the purchase of a full-blown subscription. Pick up a subscription in our Gift Guide or pre-order Eggers’ Issue 16 from The Thing Quarterly before it ships next week.


LA Design Challenge 2011

Six concept cars channel Hollywood for design inspiration
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As part of the eighth annual Design Los Angeles automobile designer’s conference, this year’s Design Challenge tasked six studios from Germany, Japan and the U.S. to design “Hollywood’s Hottest New Movie Car.” Each team—Honda, Hyundai, Subaru, Mercedes-Benz, Maybach and Smart—presented their idea through sketches, renderings, models and even mock movie trailers.

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As a holistic design challenge—centered around but not exclusive to automotive concept—the competition judged each entry on how the vehicle reflects the brand within the movie plot, how it relates to their target audience, the level of imagination and character development of the vehicle and overall ingenuity of the story, car and character combination.

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Standouts include the post-apocalypse-inspired Honda‘s IH (Intelligent Horse) and Subaru Horizon for their story development, while Mercedes-Benz wowed everyone with a full-scale model of their Silver Lightning—hoop wheels and all—a formula 1 inspired concept drawing a direct connection from past to future achieved through safety and style. Going after the inner child in everyone, Maybach‘s Berline gives Cinderella’s coach a futuristic transformation.

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As the winner of the Challenge, the Smart 341 Parkour is reminiscent of the rocket-shooting, martini-shaking cars of James Bond lore, albeit pared down to tackle more everyday problems like small parking spaces. The Smart design team created the concept for Annie, a fictional investigative journalist in need of a car as curious as she. Thus, the 341 Parkour is capable of driving, flying and even climbing—best illustrated by Smart’s promotional trailer created for the Challenge.

For more information check 2011 LA Design Challenge online.


The Present

Give yourself a gift by supporting this annual clock’s Kickstarter campaign

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With a beautiful color wheel-inspired design that mimics the seasons, filmmaker-cum-designer (and longtime friend of CH) Scott Thrift’s annual clock “The Present” re-imagines a clock to remind us to take a moment to find that ever-elusive state of “being in the now.” Scott tells the backstory of this meditative concept best himself in his Kickstarter campaign video. Check it out and donate to help bring one of the most Zen clocks we’ve seen to fruition.


Slow Tech

Designer Hugo Eccles unveils four smart ways to ensure social downtime in a London Design Week group show

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While many designers are working hard to develop new applications that would foster more streamlined social networking, the group behind the London exhibit Slow Tech are intelligently conceptualizing how to take time off. Created by Wallpaper Magazine editor Henrietta Thompson and Protein, the group show “encourages people to take time off from their little shiny screens,” explains participant Hugo Eccles.

Working with designer Afshin Mehin, Eccles’ eponymous design office created four concepts that “jam the communication channels.” Starting with a friendly egg timer-styled device, Eccles explains the Social Timer is “the kind of thing your mum would use.” Intentionally using iconic forms throughout the project to help illustrate the point, Eccles and Mehin envisioned the Social Timer as a tabletop object that would disable a particular type of communication for a shorter amount of time, such as a family dinner. The timers also have Facebook and Twitter symbols on the top like salt and pepper shakers, as a subtle reminder of their purpose.

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Functioning as an activist, the Social Bomb forces everyone to take a break by covertly cutting off all forms of technology. The bomb works best in places like the cinema, a wedding or other group setting where the social addict refuses to be polite by shutting off their device.

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According to Eccles, the “most representative” concept the duo developed is the wall-mounted Social Thermostat. The variable device could be used in different rooms in the house, allowing the living room to be more socially warm while the bedroom stays socially cold. LED lights along the top of the unit display the room’s social temperature.

The Social Sentinel is undoubtedly a favorite among bosses. The device’s intensity is pre-set before it is mounted on a ceiling, keeping employees from tampering with it. A “watchful eye” lets people know when it is active, cutting them off from Twitter or Facebook during office hours.

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The four Hugoeccles®designoffice concepts are on view along with the products from nine other designers, including Héctor Serrano, Samuel Wilkinson and Nic Roope, during London Design Week. Check them out at the Kiwi & Pom-designed Protein pop-up space 18 Hewett Street.


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