Nike Pro TurboSpeed

AeroSwift fabric, zero distraction and air tripping in Team USA’s track and field kit

nike-trackfield2.jpg nike-trackfield-1.jpg

Nike‘s latest take on the track and field uniform could be easily equated to the perfect waiter—at your service but, at the same time, so seamless in execution it seems invisible, so you can focus on what’s before you. The culmination of 12 years of research and more than 1,000 hours of wind tunnel testing, the new streamlined Olympic kit is what Nike calls a “zero distraction” garment.

“This is the most minimal way we’ve had to finish a garment,” explains Scott Williams, Nike’s creative director of Olympics and innovation. “When you have an athlete there, you don’t even want them to think about apparel.” The super smooth trim means no potentially scratchy stitching and no zippers, and, best of all, more simplified construction. “In Beijing it took eight pattern pieces to make the sleeve, here it only takes two,” Williams adds.

nike-trackfield3.jpg

The Nike Pro TurboSpeed kit is also the fastest uniform to date, using what the company calls “Zoned Aerodynamics” to redirect air in targeted areas. Working in the manner of a golf ball, the dimpled swaths of the “AeroSwift” fabric “trip” air on the limbs, which can reach speeds of up to 47 MPH while sprinting. “It’s counter-intuitive to most people that skin is actually very slow. explains Williams, in describing the full-body track suit. “Nike studied hundreds of textures when fashioning the uniforms, the aesthetic and aerodynamic benefit derived from their results.” Williams adds that the marriage of form and function is “truly an expression of data-informed and body-led.” Scanning technology maps of athletes’ bodies to the nearest millimeter, ensuring that the uniforms, once built, will fit like a second skin.

Aesthetically, the kit makes athletes and their enhanced dimensions look like larger-than-life superheroes. Spectators will be able to see the uniforms’ white swaths on the arms and legs and the “flicker” effect they create when the wearer is running at full tilt. As HD viewing becomes increasingly commonplace, the progressive look and seamless fabrics promise to transform accomplished athletes into national idols.

Nike boldly claims that the speed differential in the new track suits could be the difference between a medalist and an also-ran. After launching the USA kit last night, Nike will continue to roll out the rest of the nations’ as the games approach. While colors will of course vary by country, the construction of the garments is identical for a thoroughly level playing field.


Heineken Open Design Explorations: The Club

The future of nightlife as conceived by a cross-disciplinary team of club-going creatives

Heineken-ODE-Club-13.jpg

“We wanted to show design in action, not on a pedestal,” said Heineken’s Global Head of Design Mark van Iterson as he walked us through “The Club”, the first project of their Open Design Explorations, a pop up nightclub in the Tortona district during Milan’s Design Week. He wasn’t kidding around. The culmination of a year’s work, it represents an ambitious collaborative research and design project that he led with a hand-picked team of 19 club-going young designers from São Paolo, Tokyo, New York and Milan.

The cross-discipline team, mostly students and young professionals, includes interior, product and fashion designers, architects and graphic designers. The crowd-sourced finalists were invited to present their ideas at Pecha Kucha events, at the end of which the team was selected. The team visited clubs in all four of those cities (we participated in the Tokyo tour), and shared and collaborated on ideas, leading to the design elements brought to life in the pop up club. Van Iterson coached the group along with Professor Buijs and six industry experts.

Heineken-ODE-Club-4.jpg

“It was new for everybody to co-create cross-disciplines, cross-cultures, cross-time-zones,” says van Iterson. “We collaborated in an online hub, a kind of virtual creative lab. Some were more comfortable in the open ideas phase, others more in the detailing phase, some fueled the overall concept, others stayed within their discipline. But that’s the beauty of diversity.”

The hub served to mediate ideas while the designers worked remotely. “The portal was the open lab where we all came together,” says van Iterson. “It was bridging all continents and timezones, stimulating cross fertilization and kept the creative juices flowing through new progress, new insights, new briefs.” Heineken sought to create the perfect club—the rare combination of place, space and crowd that makes for a good time. “If you get the energy, the interaction and the vibe right, the club is a great club,” relates van Iterson. “And design can play a crucial role in facilitating that.”

Heineken-ODE-Club-12.jpg

Similar to how car companies use concept cars to have a dialog with their fans and customers, Heineken sought to create a physical place to express new ideas, and to present them to the world’s largest gathering of design professionals during Milan’s Design Week, with the goal of having a conversation around innovation in the club space. Van Iterson’s expectations are realistic: “For sure, certain elements will never make it to ‘real clubs’, but other elements might impact on club design or Heineken design worldwide for future years.”

Heineken-ODE-Club-8.jpg

Uniting The Club’s three spaces—which include a lounge, bar and dance area—is an origami theme that is applied to every element, reflecting the “changing perspectives” concept that fueled the project. The layout takes a cue from the team’s logical sequence of a typical night out: Connecting, getting a drink, discovering, dancing, cooling down and ending the night.

Heineken-ODE-Club-10.jpg

Walking through the completed concept, we found innovative details throughout. A video-mapped DJ booth pumps out killer beats as waitresses in extravagant origami uniforms and custom-designed shoes serve Heinekens from an origami-shaped tray that rests comfortably on the arm and holds up to eight bottles securely so that servers can use their free hand to open the bottles with a matching opener. An interactive bar features video display counters that lets you order another round with the tap of a finger, and a massive display made from more than 2,500 Heineken bottles features programmed images interspersed with live feeds from the dance floor. A wall on the dance floor has numbered shelves to place your drink while you dance, and a black origami wall glows with graffiti from the attached chalk pens, allowing club goers to get graphic in a harmless way.

Open Design Explorations is one of several crowd sourced design initiatives Heineken is leading, which live at Heineken’s Ideas Brewery.

Heineken-ODE-Club-11.jpg

The Club will be exhibited until 20 April 2012 from 13:00 – 23:00 daily at Via Privata Gaspare Bugatti 3, Zona Tortona, Milan. Even the club’s construction was important. Because the club was designed to be easily transportable, assembled and broken down in a cost-effective and sustainable manner, it’s likely that you’ll see it an event near you soon. See more images of the concept club in our gallery.


Levi’s Wardrobe for Saison

The heritage brand builds a uniform to outfit a San Francisco restaurant

by Yale Breslin

LevisSaison4.jpg

Orondava Mumford, Global Design Director at Levi’s, was in charge of creating the uniforms for the staff at San Francisco eatery Saison. We dug through his sketchbook leading up to the unveiling of the restaurant’s new sartorial choices and spoke with Mumford about the inspiration behind his heritage-focused design process, and his grand plans for the U.S. Postal Service.

LevisSaison2c.jpg LevisSaison2b.jpg
How did this design collaboration between Saison and Levi’s come about?

The Levi’s brand has partnered with San Francisco’s acclaimed Saison restaurant to create a functional workwear wardrobe for the modern pioneers of this unique, open-kitchen environment. With this collaboration we are proud to celebrate chef Joshua Skenes and sommelier Mark Bright, who not only embody the pioneering spirit of the Levi’s brand but the most relevant expression of innovation, localism and craftsmanship.

LevisSaison3.jpg

You designed the uniforms, but what inspired the design and workmanship?

Actually we refer to it as a wardrobe rather than uniforms. When Aylin Beyce (co-designer on the uniforms) and I went on our initial research dinner date at Saison, we were impressed by the intimacy of the experience of having a meal there. While the wardrobe was designed with a singular aesthetic, we offered variations on fit for the cooks—if you normally rock skinny jeans, why should you have to come to work in loose, ill-fitting chinos?. The female servers were offered a tunic, a dress and two different pant styles, whereas the partners, Josh and Mark, have completely custom-made garments based on their respective trades and day-to-day functions.

LevisSaison1.jpg

What elements did you draw upon for the men’s design and the women’s design?

We based both the men’s and women’s designs on a coupling between our brand’s workwear heritage and the modern approach to function needed in a restaurant of Saison’s caliber. Consistent details were used such as a trupunto stitch detail, natural horn and corozo nut buttons, and a fabric and color scheme that reflected the restaurants interior. In maintaining the highest quality of fabrics, which we felt reflected the high quality of ingredients on the menu, we chose selvedge fabrics from Italy, Japan, England and the US.

LevisSaison5.jpg

What is it about this collaboration that you were most drawn to?

I am extremely passionate about Levi’s being involved in projects such as these. Saison is a local San Francisco-based concept started by young entrepreneurs innovating within their fields. Levi’s is an original San Francisco-based brand, which through the creation of the 501 supported the pioneers of the early 1800s migrating west during the Gold Rush in pursuit of the American dream. It’s what we do. If anyone from the U.S. Postal Service is reading this, I am dying to redesign their uniforms too.

LevisSaison6a.jpg LevisSaison6b.jpg
Tell me a little bit about what it is you do at Levi’s.

I have the dream job. My official title is Global Design Director. I focus specifically on all menswear products below the waist as well as our iconic “trucker” jacket and versions of it. I manage a team of some of the industry’s best designers hailing from all over the world. My main responsibilities are to inspire and lead the design team in creating a compelling, yet commercially viable global product that supports and deepens the brand’s values and identity while challenging and pushing the boundaries of modern American design through craft, sustainability and innovation. I love my job.

LevisSaison7.jpg

What is it about the cuisine that you were drawn to?

It was the balance of familiarity and pure innovation. The menu never fails to thrill the palate and the execution, delivery and atmosphere surrounding each plate was such a lasting impression. We went about creating the wardrobe as such. We even went as far as to have a custom-made wardrobe unit built of reclaimed local redwood and steel to house the wardrobe, which now stands inside the restaurant. No detail was left un-challenged, as I’m sure Josh wouldn’t craft a menu any other way.