Sirkel / Circle gravestone

‘Circle’ is a minimalistic and religion neutral gravestone. The concept was created for a Norwegian tombstone masonry, who had a wish that it should b..

Meetingtree

This tree is meant to enable a face 2 face chat instead of using facebook, twitter, or MSN. The tree houses birds and has space for plants. It is a ma..

Sound on Intuition

Five instruments that translate your movement into sound. Imagine making a waving motion with your arm would result into a waving sound. When you want..

Five Reasons To Flash A Smile

A camera is best described as a device that records images that can be stored directly and transmitted to another location, or both. We have seen it evolve through the years in both technology and in design. This brings to mind the question, what is the future of a camera in say about five to ten years from now. Will it be minimal or elaborate? One thing is for sure, the cameras of the future will be high on technology but their designing may get radically unconventional. Here is a look at five futuristic concept cameras that give you a reason to flash those pearly whites!

Designers: Various


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Five Reasons To Flash A Smile was originally posted on Yanko Design)

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Mondial de l’Automobile 2012: Concept Cars

European dreams from the Paris Motor Show

Mondial de l'Automobile 2012: Concept Cars

The 2012 Paris Motor Show featured several auto makers flexing their design muscles on both production and concept vehicles. Here are our seven favorite models representing the best of imaginative European design. Peugeot Onyx A true concept car—one created to inspire and provoke conversation, and not likely to see…

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Pop up Hair Salon

« Pop up Hair Salon » est le nom de cet espace conçu par Zaha Hadid Architects en collaboration avec la marque Fudge Hair à l’occasion de la London Design Festival. Dans cette boutique temporaire, chaque chaise pour coiffer est placée au milieu de la pièce définie par des contours polygonaux au design très réussi.

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Pop up Hair Salon
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Ten Innovative Award Winning Concepts at A’ Design Awards

Innovation is a very relative term and can resonate differently to people. One of the definitions I learnt was that innovations should be something new; should generate curiosity and debate; and lastly should be doable. Barring the doable criteria, I guess most of what is defined is true. When we chart the course of the A’ Design Awards, we see some really innovative concepts showcased that have generated enough traction to warrant a conversation.

Here is a look at ten innovative award winning concepts that have won the A’ Design Awards.

Handishred by Yen Lau

The Booklight by Kahyun Kim

Ni Ji Jing 11.5m Sports Trimaran Yacht by Benjamin Eddy

Kitchen Train Kitchen Accesories by Ahmad Abedini

Frohne Eclip Usb Flash Drive by Derrick Frohne

Prevue Wearable Pregnancy Ultrasound by Melody Yi-Yun Shiue

Flyvolt G 208 Eletrically Powered Aircraft by Bruno Giardino

Sunflower Solar Povered Lunchbox by Edita Barabas

Unpredictable Teapot by Zhizhong Huang

Vespeo Automatic Espresso MacHine by Stefan Radev


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Ten Innovative Award Winning Concepts at A’ Design Awards was originally posted on Yanko Design)

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The Enlightenment Series by Boris

Swedish designers in Hong Kong explore sustainability as religion

It’s easy to become “design blind” at the world’s biggest design exhibition, I Saloni, and those rushing around to see the blockbuster names run the risk of missing the small gems hidden throughout. One such discovery for us was Boris, a Hong Kong-based company born of Swedish ex-pats trying to live as close to their suppliers and manufacturers as possible. Founders Katarina Ivarsson and Anna Karlsson started the company in 2009 and have since developed a unique style of work blending design, sustainability and technology in a way which is fast becoming the signature hallmark of Scandinavian output—even if it is based in another country.

This year the company presented its new collection, the Enlightenment Series, which explores the notions of multi-ethnicity and the part played by religion and spirituality in our contemporary lives while also focusing on sustainability. “In the light of different beliefs and with mixed religion touch points we present this series,” says Karlsson. “Religion is about believing in something and this is our reason for the religious perspective—personally, we believe in sustainability and want to show this devotion in our products.”

“We wanted to ask what happens when you dig deeper into the subjects of sustainability and religion from a design perspective,” adds Ivarsson. “What are we actually devoted to? Consumerism or sustainism? How important are the objects around us from a spiritual perspective and can we as designers fabricate spiritual products’?”

With the symbolic collection the company has paid close attention to the sustainable details for each piece, whether through efficient energy consumption during production or proper selection of materials. Each piece follows a specific train of spiritual thought—for example, the Seven Piece Mirror centers on a number with many spiritual connotations, from the seven chakras in Buddhism, to Christianity’s seven days of creation, to the more literal like the number of years bad luck you’ll get on smashing a mirror. Boris gives each piece of the mirror an added aesthetic touch to tie in the design elements found in places of worship. On a more directly visual level, the rosary necklace adds its form to the Rosary Lamp, with the beads adding structure to the otherwise slack form.

The Confession Box places a modern twist on the Catholic confessional, combining traditional materials with advanced technology. “When you place your phone into the box it will automatically recharge via inductive charging while also making a backup of your information. By doing so we mimic a procedure not far from the classic ritual of lightening ones load and coming clean,” explains Karlsson.

The ruffled Omikuji carpet references the fortune strips of paper left at Shinto shrines. “Inspired by the process of collecting prayers, we tied 1764 wishes together when we made the carpet,” says Ivarsson.

This combination of strong conceptual narrative and more accessible aesthetic and technique attributes sets Boris apart. For more information on the Enlightenment Series and other collections, visit the website.


Trizin Stools

Minimally designed seating finds strength in warped wood
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While exploring Milan’s Lambrate neighborhood during last week’s Salone del Mobile, we found no shortage of inspiration outside the fair. Inside one of many abandoned warehouse-turned-exhibition spaces we came across a group of promising young designers from Tel Aviv. While each designer involved in the TLV Express collective did well to experiment with materials and technology, Michael Blumenfeld‘s TRIZIN Stools caught our attention with an elegant design aesthetic and original take on construction.

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The series of TRIZIN stools—Triz meaning “wedge” in Hebrew—were designed to test the physical boundaries of raw wood while combining traditional woodworking techniques. Each piece is minimally constructed from little more than a few pieces of plywood, a centralized bolt and a great deal of tensioned pressure. Using minimal hardware and no glue or adhesives of any kind, Blumenfeld gives the stools their shape by forcing a wedge attached to the top of the legs between two flat pieces of wood. As the legs go in, the wood flexes to ultimately form a comfortably warped seat with increased rigidity and strength.

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The light wood, flexed seat and exposed artisanal construction combine nicely for a clean modern aesthetic that to Blumenfeld “captures the moment of transformation, and the energy put into them by the manufacturer at the time of assembly.” To learn more about Blumenfeld and his TRIZIN see the gallery below.


A New Desire

Lixil pictures the future in foam
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One of the fundamental components to various Asian ways of thinking is the idea of making opposites coexist in harmony. This philosophy has been applied for millennia and today is being reinvented in a new way by Lixil Corporation, a global leader in housing equipment and building materials. Based in Tokyo, Lixil presented a new bathtub concept during the recent Milan Design Week. The installation, A New Desire, showcased the innovative project—a synthesis of dry and wet areas in the home, blurring the lines between living room and bathroom and traditional bath and contemporary leisure activities at the same time.

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Lixil’s new tub has a sinuous, clean and almost spatial shape. A unique water control technology combines water and air and creates a constant stream of creamy foam, that’s at once incredibly soft and rich while retaining a somewhat firm consistency. The frothy water overflows over the sides of the tub and collects in a special attached drainage system that allows the tub to be installed virtually anywhere in the home.

Kenya Hara, Japanese designer and writer conceived the tub as part of a specialization in mixing object design with experiences. The art director at MUJI, Hara was also responsible for the opening and closing ceremonies of the Nagano Winter Olympic Games and Expo 2005 as a member of the advisory board.

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“Imagine time passing pleasantly,” says Nara. “You are enveloped in warm foam; you’re reading a book, watching a movie, feeling the air and the light on your skin. You’re bathing in creamy foam. More than a new style of bathing, this is something that will liberate a new horizon of human desire.” Though “A New Desire” was presented as a concept, Lilix envisions the foam technology as a new way of living and bathing the future. Keep an eye out for developments and future projects by visiting the website.