Bridge & Burn

Portland, OR outerwear company designs classic hunting and camping styles for the big city

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Clothing designer Erik Prowell originally named his outerwear company La Merde. “We wanted a name that was fancy, and yet…wasn’t. Then Nordstrom refused to carry the line because of the name,” he said when we recently visited his Portland, OR studio. After a moment, he reflected, “If there hadn’t been a recession, we probably would’ve kept it.”

Now known as Bridge & Burn, Prowell’s sleek, yet warm wool coats and waxed cotton jackets are suitable for both city-dwellers and hikers alike. Bridge & Burn provides a solution to that perennial Portland quandary—where to find a decent-looking rain jacket. Prowell grew up in Bend, Oregon and was inspired by his father’s and grandfather’s camping and hunting gear. “I loved to wear my father’s Woolrich and Filson jackets and my grandfather’s old military uniforms from WWII. It’s great to see the resurgence of all the heritage brands. At the same time, I spend most of my time in the city and don’t feel a need to dress up like an outdoorsman,” Prowell said.

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Prowell has no background in the fashion industry. His schooling was in computer science, and his introduction to the business came through an avenue that most of us can relate to—making funny T-shirts with a college friend. That project, with Josh Hindson, eventually became No Star, which still bills itself as “A Funny T-Shirt Company.” After a good friend gave the pair a crash course in apparel design, they formed La Merde. But when managing their combined projects became too complicated (Prowell also runs a photography-based T-shirt business called Oh, Snap!) the two agreed to part ways and companies. The Boise-based Hindson handles No Star, while Prowell decided to take Bridge & Burn in a different direction.

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“In my mind, La Merde was a little flashier. Bridge & Burn represents my passion for clean, classic and functional design,” said the multi-talented entrepreneur, who also created the branding, shot all the photography, designed their print materials, and programmed the website. For the Fall ’10 season, he branched out from outerwear into button-ups, and Spring ’11 will see shorts for men and dresses for women.

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Prowell’s clean, laid-back live/work studio and apartment, near bustling Burnside Street, embodies his holistic approach to life and design. The bedroom, lofted above the work and studio areas, lends privacy, while tall windows let plenty of light and air into the vaulted space. Despite an apparently frenetic work schedule, Prowell remains unassuming, relaxed—and astonishingly tall. “I made a couple of jackets custom-fitted for me, and then decided to get rid of them,” he said, referring to a recent sample sale. “They were XXXL, so I didn’t think they were going to sell. But both did! Just the right people walked in.” Prowell’s success in a downtime economy is due to a distinctive vision, a determined work ethic, and maybe just a little bit of luck.

Bridge & Burn sells online, and across the country in stores such as Mini Minimarket in Brooklyn, NY; Frances May in Portland, OR (the boutique who gave Prowell his start); and Molte Cose in San Francisco, CA. For more updates on future products, check Bridge & Burn’s blog.


Tabard

Enlighten outerwear with a coat rack-slash-lamp inspired by the Middle Ages

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Tabard, an illuminated coat rack, makes retro-Middle Ages inspiration relevant with a completely new function and contemporary look. Conceived by veteran industrial designer Denis Santachiara for the experimental Italian lighting company Pallucco, Tabard (a short overcoat worn by knights) subtly recalls Europe’s days of monarchs and maidens with irony and light. The rigid shell covers a traditional coat rack, protecting the garments while emitting a substantial amount of light.

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Tabard is available in two versions, a wall light or floor lamp, which consists of two shells joined together. To see more of how the Tabard works, check out the video.


Highland Fall/Winter 2010

Utah natives’ debut collection introduces their own twist to classic outerwear
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If you’ve ever wondered what fashion critics mean exactly when they say clothes have “energy,” the new menswear label Highland from a trio of Utah-raised family friends might give you some idea. Drawing on their shared outdoorsy past, designer Lizzie Owens explains they not only turned to Arcteryx, seventies Patagonia and their dads’ closets but that “it involved ransacking my garage. I looked at a lot of backpacks and sleeping bags and tents—actual equipment.”

The resulting debut collection (just hitting stores like Assembly, Steven Alan and No. 44) shows hints of such a resourceful process—climbing rope will be a trademark stand-in for pull-cords and emergency blankets feature prominently—without getting too weighed down by all the clever details. (See detail shots here.) While the light touch may seem unexpected from a designer best known for her work in costumes (she’s known for outfitting MGMT, The Killers, Chairlift and others), her skillful blending of influences suggests Owens intimately knows both sides of how clothes can obscure, protect and express the wearer’s personality. Of course formal training at RISD and years at TSE designing knitwear might have something to do with it; Highland at its core is what happens when artistic interpretation meets technical capabilities.

This balance between construction and inspiration not only helps keep the clothes functional and minimal, but lends a playfulness rarely seen in menswear. Blue (inspired by ’80s skiwear), red (“something I felt guys weren’t afraid of”) and mustard (“I’m obsessed with it. It’s so beautiful.”) punctuate an otherwise mostly black and grey palette and “pop on the inside is “for guys, like a little secret.”

A boxier cut to shirting plays on an ’80s silhouette that’s recently been making a comeback. But simple plaids and checks in Japanese fabrics, cotton and wool neatly put a spin on cliched lumberjack references for a fresh look. Sweats in coveted loopwheeler fabric (made in Japan using an intensive process) are another example of Owens’ knack for integrating technical details with modern silhouettes. And waxwear pants with reinforced legs reference Carhartt’s classic carpenter pants, but with one key difference—the loop for a hammer is actually a non-functional piece of climbing rope.

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Check the Highland site for a complete list of stores or just head to Bastille to find Highland online.

All images except for top photo by James Ryang


Upstate Spring 2011

Multifunctional Shibori-dyed garments from a nascent Brooklyn label
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Inspired by “Lindsey Thornburg’s capes, complex geometries, Aboubakar Fofana, Suno, and the old rolling hills of upstate New York,” the indie brand Upstate’s latest collection continues to explore the controlled chaos of tie-dye.

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Where the Brooklyn label’s debut collection was limited to items like scarves and sarongs, their upcoming season sees multifunctional garments, like an asymmetrical poncho and a racerback vest, all hand-dyed using the ancient Japanese technique of Shibori.

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The upshot is a series of pieces perfect for layering and draping, instantly making any basic look show stopping with their gorgeously blue-and-white patterns.

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Sold at a few select specialty boutiques (check Mohawk General Store for online availability) with prices starting at about $100, buying Upstate is a great way to support a small, homegrown label while upping your fashion quotient too.


Prada Made In…

Traditional craft and materials star in Prada’s new capsule collection

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In the early twentieth century Mario Prada (Miuccia Prada’s grandfather) traveled the world in search of precious materials, exotic leathers and luxurious fabrics, but also to discover sophisticated craftsmen and manufacturers to realize his designs. The first Prada products (bags, suitcases, gloves, walking sticks, bottles and glasses) were made by Alsatian and Austrian leather artisans, Bohemian crystal-makers, English silversmiths, as well as by Italian artisans using materials such as rare ivory, tortoiseshell, ebony and precious stones and leathers from all over the globe.

This curious connoisseur’s spirit remains at the heart of Prada, and translates into a sort of antidote to homologation and globalization so often seen among its competitors. Using Mario’s original approach, Prada collaborates with many different artisans to produce its designs utilizing the traditional craftsmanship, materials, and manufacturing techniques of a specific region.

This tactic will be soon explicit in the new “Made in…” project, a series of local products with special labeling declaring the origin of each piece.

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“Prada Made in Scotland” will be a collection of traditional tartan wool kilts from U.K.workshops using traditional manufacturing and weaving techniques.

“Prada Made in India” is the label for a collection of handmade garments from workshops that specialize in Chikan, one of the most ancient Indian embroidery. Items will consist of handmade ballerina flats, woven sandals and artisinal handbags.

A series of jeans produced by Dova, a leading denim manufacturer, will carry the label “Prada Made in Japan.” The trousers can be custom ordered in four different varieties of cloth and seven different washes, making every article one of a kind.

“Prada Made in Peru” is a line of alpaca wool knitwear from the most traditional workshops of Peru.

These collections will be in stores starting in 2011.


The Directionals

Four tweaked takes on menswear from New York Fashion Week

by Camille Hunt

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Steadily emerging from the shadows of their flashier female counterparts, some of our favorite menswear collections that hit runways last week in New York were an array of impeccably-tailored ensembles, each continuing to probe different spins on mens dress codes—what fashion editors call “directional.” From Siki Im’s modern Arabian look to a literally criminal interpretation of Americana by N.Hoolywood, the collections profiled below stand out for conceptual and innovative designs, while remaining wearable (depending on just how futuristic you dress). Pictured above (from left to right): Bespoken, General Idea, N.Hoolywood, Siki Im.

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Bespoken

While you wouldn’t be wrong for bristling at the name, the latest collection from brothers James, Liam and Sam Fayed successfully blends their sartorial experience (their father Ali Al-Fayed owns the British suit company Turnbull & Asser) with modern elements for Bespoken. Suits, trench coats and double-breasted cardigans come expertly tailored, yet have a slightly disheveled look they describe as “Saville Row meets rock ‘n’ roll”—i.e. it’s a wardrobe for aspiring lil’ moguls, befitting of the founders themselves. A series of shirts, ties and pocket squares were also made in collaboration with their family’s iconic brand.

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General Idea

General Idea designer Bemsuk Choi’s fourth New York Fashion Week collection was all about “the journey back to the familiar,” which in his hands looks like a vision of future ’80s nostalgia. Crisp basics preceded modern silhouettes in a color palate that progressed from all-white to pops of bright red, brushstroke graffiti print and multicolored paint splashes on jackets, pants and shorts, with materials ranging from cotton and tencel to linen and even polyester.

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N. Hoolywood

“Police Picture,” Japan-born Daisuke Obana’s appropriately-named spring collection for N.Hoolywood, took cues from the American convicts of the 1930s with shirts, jackets and hats in thin and thick stripes, gingham and printed denim. The buzzed-about presentation had attendees peer through glass windows where street-casted models appeared in a jailhouse-style lineup.

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Siki Im

Siki Im was an architect before shifting to fashion and working under both Karl Lagerfeld and Helmut Lang. His latest xenophopia-inspired collection channels an urban sheik vibe, with knee-length linen tunics, pants with dropped crotches and caps made with washed and dyed silks to resemble desert headdresses.


Ranks T-Shirts

Dancehall tribute tees from a new London label

From the play on the Guess logo to the cartoon-style illustrations of dancehall stars by Daniel David Freeman, the debut line from the new t-shirt label
Ranks
hits all the right ’90s pop culture marks. “Born out of an urge to create garments that we wanted to wear, but simply weren’t available,” these first three tees imagine idealized tour shirts of favorite reggae artists.

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New releases every 10 weeks will follow, pick them up for £20 each (you’re not paying for t-shirt or printing quality) from the
Ranks online shop
.


Viktor Rolf Retrospective Dolls

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Petite in scale, though hardly diminutive in concept and artistry, Dutch design duo Viktor & Rolf‘s retrospective spans 17 years of innovative and boundary-pushing fashion at Antwerp’s Studio Job Gallery.

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The exhibit, comprised of more than 30 dolls—one doll to represent each collection they’ve done to date since their idiosyncratic brand’s formation in 1993—epitomizes Viktor Horsting and Rolf Shoeren’s eccentric, often quirky regard for fashion design, the notion of wearable clothing versus wearable art and its extension beyond the human form.

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The Lilliputian examples include some of the designers’ most recognizable pieces to date, from a sensational all-white gown from the duo’s first haute couture collection (Spring/Summer 1998) to a full-body “Russian doll” cape from the Fall 199 collection (both pictured above), as well as an exquisite replica of the red quilted “duvet-and-pillow” coatdress from their much-publicized Fall/Winter 2005 collection.

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In 2008, the London’s Barbican Centre exhibited a retrospective of Viktor & Rolf’s work, which also included a smaller, earlier collection of dolls modeling their clothes. Both exhibitions further prove the duo’s mastery of miniature costumes.

The show runs through 16 July 2010. See more images, including full-size versions of those pictured, after the jump.

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Bekväm Clothing

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Bekväm Clothing, named for the Sweedish translation of the word “comfortable,” is meant to be easy to wear, with simple lines and pretty, feminine details.

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The cuts are classic, yet contemporary; scalloped details and Peter Pan collars dominate its spring lookbook. The garments are crafted with natural materials, relying heavily on organic cotton, linen, silk and hemp.

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Hannah Elise, a college student and self-taught clothing designer, is the woman behind Bekväm Clothing. Based in McMinnville, Oregon, she makes dresses, separates and accessories by hand and posts them online in small batches. Each batch sells out within days. She informs her customers of new items through her blog and mailing list.

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To purchase items, visit her online shop. For updates on what items will be available, sign up for her mailing list by contacting bekvamclothing [at] yahoo [dot] com.


Sustainable Exchange: Methods and Practices for Collaborative Partnerships

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This weekend, New York’s Toda Design Studio opens its doors to for a workshop series under the heading “Sustainable Exchange: Methods and Practices for Collaborative Partnerships.” Organized by designer Megan Howard, the three-day event features local artists and fashion designers who will share how they utilize sustainable design in their work.

By illuminating the potential of sustainable consumption, production and business methods for someone who isn’t necessarily in a creative industry, the multi-disciplinary expo attempts to bridge the gap between sustainable design by—and for—designers, and sustainable design for all, by all.

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Learn how to finger crochet with Eko-Lab‘s Xing-Zhen Chung-Hilyard. Established in the Lower East Side, the design collective specializes in eco-friendly, hand-detailed womenswear and accessories and has plans to open a fair-trade facility, teaching green methods of textile-making to the local community.

Check out the dark, cultish line of jewelry and personal effects from Black Sheep & Prodigal Sons. Award-winning designer Derrick R. Cruz resurrects old-world techniques and uses ethically sourced materials in his line of high-end accessories.

Fashion and art world vet Susan Cianciolo (clients include Badgley Mischka, Kim Gordon’s X-Girl and Habitual Jeans) will teach fashion drawing and painting. She now works as a designer, making custom-made clothing from recycled, repurposed or organic fabric whenever possible.

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Other workshops include experimenting with natural dyes sourced from nature including turmeric spice, smoked tea and madder root, and even cooking with seasonal, locally grown foods.

Sustainable Exchange is open to the public and runs from 7-9 May 2010. For more information visit Megan Howard’s website.