Louwman Collection

Holland’s new museum paying tribute to some of the world’s rarest classic cars
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A 1914 Dodge Type 30 was the initial inspiration for the Louwman Collection of classic cars and automotive art housed in the newly-constructed National Automobile Museum of the Netherlands in the Hague. Located near the Queen’s Palace, the collection dates back to 1934 when a Dutch car importer happened upon the 20-year-old Dodge that was already vintage classic. The Louwman family continued to expand over the years to its current size, boasting over 230 cars.

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The cars are divided up into sections consisting of Dawn of Motoring, Motoring, Racing and Luxury. Highlights include a 1900 Georges Richard, which is rumored to have been found in a Parisian side street and “Genevieve,” a 1904 Darracq from the 1953 film. Rare 1948 Tatra T87 and a Spatz Victoria bubble car with central tube chassis, are both designed by the legendary Hans Ledwinka.

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The collection includes an impressive range of vehicles, ranging in year and stature from 1944 Willys Jeep Model MB to a 1875 Thirion Modele N 2 Horse Drawn Steam Fire-Engine and 1922 American Lafrance Hook and Ladder Aerial Type 31/6.

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Conceived by architecture firm Michael Graves & Associates, the 185,000-square-foot structure with its peaked roofs and woven brick facade, consists of temporary and permanent exhibition galleries, a reception hall, an auditorium and workshops for conservation and car repairs.


Taxi of Tomorrow

Cash in on NYC’s future cab by sharing your taxi concerns and win $5,000 in free rides
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NYC’s cab of the future will soon be selected by Taxi of Tomorrow, a project dedicated to bringing innovative design to the next fleet of 13,237 iconic cabs consuming the city streets. The forthcoming official taxi has now been narrowed down to three designs—the Ford Transit Connect (above), the Nissan NV200 (below) and the KarsanVI (bottom). With environmental and passenger concerns at the forefront, cab riders have their chance to state their desires (and win $5,000 in free cabs) through the online survey set up by Taxi of Tomorrow.

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While all three cabs are of the minivan style, each is slightly different in both shape and function. The manufacturer of NYC’s current Crown Victoria model, Ford’s Transit Connect will come equipped with a jack for an MP3 player and increased height for taller pieces of luggage.

Already used in Japan, Nissan’s NV200 is the roomiest of the three designs and appears most like the minivan already roaming the streets. The NV200 takes the city staple up a notch with the aim of making the vehicle fully electric.

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Arguably offering the most in passenger safety, features and space, Turkish motor company Karsan presented a minivan bedecked with a plexiglass roof, Wi-Fi capabilities, wheelchair accessibility and seats for five people.

The winning design will serve the streets for the next decade, beginning as early as 2013 and as late as 2014. Check out the survey to tell the TLC what you would like to see implemented in (or removed from) the Taxi of Tomorrow.


Montante Maserati 8CTF

Gear up with a limited-edition Italian bicycle modeled after a Maserati winner
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In celebration of their famous 1940 win at the Indianapolis 500 known as the “Boyle Special,” Maserati teamed up with cult Italian bike builder Cicli Montante to create a limited-edition bicycle resembling the victorious fixed head, eight-cylinder 8CTF race car. With driver Wilbur Shaw behind the wheel for the second year in a row, Maserati historically took first place proving the prowess of European design.

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Debuting at the recent Paris Auto Show, Cycle EXIF points out that while successful bike/car collaborations are rare, the Montante Maserati 8CTF is a clear exception.

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In addition to the beautiful coloring and detailing, Cycle EXIF asks “Who else is sticking a front disc brake on a fixed geared bike? It might not necessarily be the smartest thing to do, but at least they’re putting it out there.”

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A limited run of 200 bikes were created (in commemoration of the 200 laps completed during the race), each individually numbered and selling online from Cicli Montante for €3,000.


Dogs in Cars

A l’occasion de son exposition chez Theprintspace à Londres, découverte de cette série “Mute” du photographe Martin Usborne autour de ces portraits de chiens, et de leurs situations dans les voitures. Un travail et un attachement particulier sur l’isolement des animaux dans notre société.



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Previously on Fubiz

Cygnet by Aston Martin

Cygnet by Aston Martin

British car brand Aston Martin are to launch a luxury compact city car, called Cygnet, next year.

Cygnet by Aston Martin

The vehicle will be three metres long and offer personalised materials, colours and finishes to make each one unique.

Cygnet by Aston Martin

“Luxury is not constrained by scale,” claims Aston Martin’s director of design Marek Reichman.

Cygnet by Aston Martin

See all our stories about transport design »

Cygnet by Aston Martin

The information that follows is from Aston Martin:


Aston Martin Cygnet to become a production reality in 2011

Designed and built at Aston Martin’s Gaydon headquarters An Aston Martin tailor fit solution for the city offering luxury and individuality

Aston Martin is pleased to confirm that the Cygnet luxury city car – originally shown as a concept car in March – is to go into production in 2011 at the company’s Gaydon headquarters in Warwickshire.

The Aston Martin Cygnet is a city car that sets a new benchmark for compact luxury, building upon nearly a century of experience building high performance sports cars, luxurious long-range grand tourers, and extremely competitive racing machines. Cygnet demonstrates Aston Martin’s commitment to innovation and integrity.

“It is time to think differently. Aston Martin is honest and we don’t make compromises” says Aston Martin CEO Dr Ulrich Bez. “Whatever we do, we do right. If we do performance, we do performance; we don’t downsize or compromise our sports cars. The Cygnet needs to satisfy the demands of emissions and space. It is a car without compromise, just like every other Aston Martin.

“Our customers need a small car for urban and city use, and they want the right tools for the right job, to downsize creatively without compromising intelligence, artistry and personality.”

Cygnet expresses a simple but fundamental idea: in the modern city, scale equates to speed and freedom. At just three metres long, the Cygnet gives the driver a new dimension of freedom, able to slot into gaps in traffic, exploit the smallest parking spaces, consume the least fuel and emit the lowest emissions, all while delivering exceptional levels of quality and comfort.

“Cygnet is small but luxurious, an Aston Martin tailor fit for the city,” says Marek Reichman, Aston Martin’s Director of Design. With an almost unlimited palette of materials, colours and textures, each hand-finished Cygnet will be truly unique, a personalised space within the city.

Cygnet is a product of Aston Martin’s unrivalled experience in craft, technology and design. The future city will present a very different luxury brand landscape, as social change and legislation increases the division between urban and anti-urban product categories. With the Cygnet, Aston Martin will be at the forefront of these changes, ensuring the company’s enduring brand image will continue to prosper in new market conditions.

Dr Ulrich Bez continues: “The Cygnet is designed to support our sports cars by providing a greater degree of freedom in the urban context; it is a very special car, a premium but compact package with heart, soul and personality.”

The Cygnet, a tailor fit solution for the city, will help drive Aston Martin into the future. “This car is reality; Cygnet is the natural choice for those who want a premium, bespoke commuter car.”

Further details on the Aston Martin Cygnet including pricing and specification will be announced later this year. The Cygnet will be the eighth major production car Aston Martin has introduced at its state-of-the art factory since 2004, offering further evidence of the company’s ongoing commitment to British manufacturing, backed-up by a dedicated local workforce and supplier network.


See also:

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BMW Art Car by
Jeff Koons
MINI Scooter
E Concept
Nissan Cube
by Nissan

The Dwelling Lab

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One of the most interesting proposals (both visually and conceptually) at the recent Milan Design Week, BMW, Flos lighting and Kvadrat fabrics teamed up to produce a sculpture called “The Dwelling Lab.” The German carmaker and the Danish textile manufacturer asked Patricia Urquiola and Giulio Ridolfo to create the installation, using the BMW 5 Series Gran Turismo as the starting point. The upshot, an expanded car made of unconventional materials, reveals a multidimensional environment full of curious objects.

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Internationally acclaimed textile and color adviser Giulio Ridolfo, who has worked with Moroso, Vitra and Fritz Hansen and has a relationship collaborating with Kvadrat that dates back to 2004, kindly guided us on an exclusive visit to Lab, discussing his work on the project with us in fuller detail.

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“We began from the concept of Gran Turismo since it’s an old-fashioned concept, but still close to our daily life,” Ridolfo explained. ” We spend hours in our cars, especially in big ones intended for very long travels. We decided to use monochromes to make the environment more harmonic and cozy—as similar as possible to a real living room.”

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“Regarding the materials, Patricia and I used Kvadrat’s existing range of textiles, which have been padded and layered through a particular technique, revealing a pattern created for this occasion. We also added some other materials like leather, but only where it was useful and necessary, like in the belts holding the books.”

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“The ‘exploded’ surfaces are covered with everything that we can find in our cars after a long journey. Each section is linked with yellow elements, in this case the fluid details are not real colors, but warning elements, since our desire was to give the feeling of a real construction site.”


Mini Countryman

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Since its debut at the Geneva Motor Show, the general public hasn’t had a chance to see and be touched by the new Mini Countryman, the first “big” Mini. But during Milan Design Week, the new car is taking center stage with a series of events, installations at State University and the Triennale Design Museum, as well as a picnic party in Zona Tortona. At more than four meters long and equipped with four doors and four-wheel drive, the new model hits dealerships this September.

Part of the festivities at the recent crowded party, Michelle Branch revealed an ongoing collaboration with Timbaland—all within a beautiful indoor garden and a mysterious forest, where Dsquared, Missoni, Fendi and Maarten Baas interpreted four different cars. Each designer packed the car as if for a weekend trip, in keeping with “The Getaway Car” tagline.

The concept for the installation provides an occasion to experience the car as a living object, not simply as a piece of design. As Mini Design’s General Manager Gert Hildebrand told CH, “this car needs to be experienced, not only admired.” The design is in fact surprisingly convincing, with every detail very distinctive and lots of innovative functions to discover.

At State University (one of Milan’s hidden architectural jewels), the installation plays entirely with the idea of the number four, considered the interpretive key of this model. Displayed inside this singular “fourank,” a lighting system carefully designed to show off its lines illuminates the car.

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Mini, along with the Triennale Creative Set conceived as the space of creativity which engages the public in a journey through the iconic elements of the Countryman—at the end the vehicle appears.


Dunhill Driving Glove

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The handsewn driving gloves from legendary leather purveyor Dunhill make the perfect accessory for a Sunday afternoon drive this spring.

Steeped in history, Dunhill came about over 100 years ago when Alfred Dunhill took over his father’s saddle business in London. The rise of the early automobile led Dunhill to create a line of accessories called Dunhill’s Motorities under the slogan “Everything But The Motor.”

Known for its refined sense of adventure, the luxury brand’s beige driving gloves epitomize that spirit. They sell online from Dunhill for $250.

Click Here


Fifty Cars That Changed The World

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Newest in the London Design Museum “World Changing” book series is Fifty Cars That Changed The World. Writer Andrew Nahum, Principal Curator of Technology and Engineering at London’s Science Museum, presents a selection of cars that over 90 years have contributed significantly to design, innovation, engineering and national pride. From Buckminster Fuller’s 1933 Dymaxion to the 1998 Smart car, each automobile represents a milestone of achievement.

Fifty Cars That Changed the World is available from Amazon for around $14.

Click Here


The Allure of the Automobile

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Atlanta’s High Museum of Art explores the bespoke car as a work of art in the exhibit “The Allure of the Automobile” that opened this past weekend. Known for its strong decorative arts content, the museum celebrates the one-of-a-kind European and American cars of the 20th century for their fine forms as well as their historical significance.

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Each of the eighteen cars in the show—ranging from the opulent Depression era 1933 Pierce Arrow Silver Arrow and the 1937 Delage D8-120s to icons such as the 1961 Ferrari 250 Short-Wheelbase Berlinetta SEFAC Hot Rod and the 1959 Chevrolet Corvette Stingray—put the emphasis on craftsmanship and detailed styling, divided into pre- and post-World War II categories. Porsche contributed the rare 1938/39 Porsche Type 64 to the exhibit, which marks the first occasion that the shell of that lustrous Porsche body has left Germany. “This exhibit isn’t about cars,” said Michael Bartsch, vice president and COO of Porsche.

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Design relevance and automotive pedigree come together to illustrate the evolved styling of elite street and concept cars. Guest curator Ken Gross, an automotive historian and former director of Peterson Automotive Museum, contributes extensive background on each car and provides fodder for car enthusiast attendees. While the High’s Curator of Decorative Art and Design, Ron Laboco, isn’t a car expert, he instead approaches the cars in the exhibit as singular works of art. “It’s about what denotes a car as a masterpiece,” said Labaco. “It’s a direct connection between decorative arts. You can compare them with Faberge Eggs.”

The Allure of The Automobile runs through 20 June 2010.