Heri, Hodie, Cras

Graffiti styling, religious symbolism and Afro-Brazilian influences from Stephan Doitschinoff

Heri, Hodie, Cras

The son of an Evangelical minister, Stephan Doitschinoff is a Brazilian artist with a penchant for religious iconography and bright graphic styling. His scope includes installation and video, though Doitschinoff is perhaps best known for his paintings and public works. Opening tonight, “Herie, Hodie, Cras” (Latin for “Yesterday, Today,…

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Ovo

Furniture design described through various thematic lenses in a new book from the Brazilian design duo

Ovo

by Felipe Meres São Paulo design duo Luciana Martins and Gerson de Oliveira of Ovo have recently released Mobiliário_OVO, a book about their furniture design, iconic objects and art projects. For more than a decade the designers have developed an array of exquisite and clever pieces that are at once…

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All Saints Chapel by Gustavo Penna

This cross-shaped chapel in Brazil was designed by architect Gustavo Penna (+ slideshow).

All Saints Chapel by Gustavo Penna

Unlike a cruciform, the concrete cross on the front and rear facades of All Saints Chapel is wider than it is tall.

All Saints Chapel by Gustavo Penna

Sunlight seeps into the chapel though a skylight that runs along the uppermost point of the cross.

All Saints Chapel by Gustavo Penna

Clear glazing surrounds the sides of the building, while the interior is lined with timber.

All Saints Chapel by Gustavo Penna

A pool of water is positioned just in front and aligns with the centre of the cross.

All Saints Chapel by Gustavo Penna

See more chapels on Dezeen here, including one with skeletons in its basement.

All Saints Chapel by Gustavo Penna

Photography is by Leonardo Finotii.

Here’s some more information from Gustavo Penna:


All Saints Chapel

First, the baptismal font.

A source of pure water – the origin of everything.

Through the two river banks, one reaches the third – religare; the symbol/synthesis, the cross

All Saints Chapel by Gustavo Penna

Sky and earth – the vertical line

All men – the horizontal line

The internal space is created by displacing the sacred form.

The space is the movement.

The wood shelters, cuddles, protects.

Nature is around participating in solidarity.

All Saints Chapel by Gustavo Penna

Project name: All Saints Chapel
Architecture: Gustavo Penna, Laura Penna, Norberto Bambozzi, Alice Flores, Alyne Ferreira, Catarina Hermanny, Natália Ponciano, Priscila Dias de Araújo, Vivian Hunnicutt
Management and Planning: Isabela Tolentino e Rísia Botrel
Location: Martinho Campos – Minas Gerais – Brazil
Year designed: 2010
Year completed: 2010
Projected area: 160m²

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by Gustavo Penna
appeared first on Dezeen.

Scrap Skyscraper by Projeto Coletivo

Scrap Skyscraper by Projeto Coletivo

This conceptual skyscraper by Brazilian architects Projeto Coletivo would be constructed using rubbish in the city of São Paulo.

Scrap Skyscraper by Projeto Coletivo

The architects imagine a series of the buildings beside the rivers Tietê and Pinheiros, with recycling centres in the lower levels and modular apartments for homeless people upstairs.

Scrap Skyscraper by Projeto Coletivo

Residents would be required to work in the recycling centres, cleaning and sorting their own rubbish for use in further construction and repairs.

Scrap Skyscraper by Projeto Coletivo

More waste could also be transported to the buildings by boat from the city centre.

Scrap Skyscraper by Projeto Coletivo

The architects designed the project for this year’s eVolo Skyscraper Competition, which asks entrants to come up with inventive and futuristic skyscraper proposals.

Another conceptual skyscraper we’ve recently featured is a thatched housing block.

See all our stories about skyscrapers »

Here’s some information from Projeto Coletivo:


Scrap Skyscraper

The main idea is about being a cultural landmark in changing the mindset of people, where the future is the use of garbage, the view that the waste we generate has value both as an agent of social change and as a physical element of construction. Nowadays people usually do not bother with the garbage they generate, see it as a problem of others. Changing this thinking is crucial to change the course of evolution of the planet to a sustainable path.

The building works on the issues of a specific city, in this case São Paulo, beginning a transition point that tries to achieve a better life quality for the population by the use of the trash that its inhabitants generate.

The buildings will be placed alongside the rivers Tietê and Pinheiros, those rivers will be used as waterways to transport the trash from the city to the upcycling centers. Using the rivers as waterways to transport the waste improves the traffic in the city, enabling garbage trucks travel over shorter distances, and leverages the power of the center of upcycling, that receives more material. In the basement of the building, located on the banks of the Tiete River, there is an upcycling and recycling center, giving rise to the building and taking advantage of its strategic location which enhances the transport of waste through the city. The idea is that the residents will work on the bottom of the building, as a factory, recycling, cleaning and selecting waste, previously taught by experts in the field. This material will be used on the building’s construction and also for crafts, urging creativity of the own workers. The opportunity for a social revolution that gives homeless people the chance to learn a trade and have a place to live.

Autors: PROJETO COLETIVO – Guilherme de Macedo, Giovanni Medeiros, João Gabriel Kuster, Rafael Ferraz, Rodolfo Parolin e Thiago Augustus.
Local: Curitiba – Brazil

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by Projeto Coletivo
appeared first on Dezeen.

Building Tilelamp at Casa do Lado by 20.87

Brazilian studio 20.87 has used plastic panels and LED lighting to transform an old house in São Paulo into a giant lamp (+ slideshow).

Building Tilelamp at Casa do Lado by 20.87

The translucent corrugated panels were screwed to a wooden frame placed around the building, allowing the lighting mounted around the edges of the facade to diffuse through.

Building Tilelamp at Casa do Lado by 20.87

The former house is located beside design store MiCasa and is used as a gallery for design exhibitions.

Building Tilelamp at Casa do Lado by 20.87

A previous installation we’ve featured at the building consisted of metal tubing and lamps wrapped around the inside and outside – see it here.

Building Tilelamp at Casa do Lado by 20.87

See more projects in Brazil.

Building Tilelamp at Casa do Lado by 2087

Read more details from the designers below:


The project was developed as a request of design store MiCasa. It consists of the scenographic customization of the adjacent building to the store, in order to host an art exhibition in its interior.

Building Tilelamp at Casa do Lado by 20.87

After the concept was defined, the construction lasted approximately four weeks. To start with, we decided where the LED tapes would be placed.

Building Tilelamp at Casa do Lado by 20.87

Simultaneously, we constructed a wood structure to receive the tile covering.

Building Tilelamp at Casa do Lado by 20.87

With the conclusion of the installation of the lighting, the structure was fixated on the walls of the house at a distance of 20 centimeters from the original construction in order to leave a space between the wall and the tiles, making the lighting more subtle and correcting any sort of irregularities that could be present in the surface of the walls.

Building Tilelamp at Casa do Lado by 20.87

The tiles were custom made for the project and fixated with screws.

Building Tilelamp at Casa do Lado by 20.87

The permanence of the installation is of approximately 6 to 10 months, for a new building will be constructed in the same ground afterwards.

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by 20.87
appeared first on Dezeen.

Eclética Centro De Música by 0E1 Arquitetos

Ecletica Escola de Musica by 0E1 Arquitetos

The two rehearsal rooms of this Brazilian music school are covered with chalkboards on the outside and oriented strand board on the inside.

Ecletica Escola de Musica by 0E1 Arquitetos

Designed by architects 0E1, the Eclética Centro De Música centres around an informal foyer where students and teachers are able to make notes on the walls.

Ecletica Escola de Musica by 0E1 Arquitetos

This space separates the two practice rooms and leads into a recital room beyond.

Ecletica Escola de Musica by 0E1 Arquitetos

OSB was also used to make stools and tables for every room plus some bookshelves slotted into one corner.

Ecletica Escola de Musica by 0E1 Arquitetos

You can see more stories about music-related design on Dezeen here.

Ecletica Escola de Musica by 0E1 Arquitetos

Photography is by Marcelo Donadussi.

Ecletica Escola de Musica by 0E1 Arquitetos

Here’s some more information from 0E1:


The design for this music school is based upon the creation of two hermetic chambers to house rehearsals inside a large space in a historic building located in Nova Prata, Brasil. The configuration of such boxes turns the residual space into two ambients that, even though are continuous, configure different spaces for different activities.

Ecletica Escola de Musica by 0E1 Arquitetos

The proposal aims to enrich the user’s experience while using the as little compositive elements as possible.

Ecletica Escola de Musica by 0E1 Arquitetos

When entering the school, one arrives at a foyer located between two chambers, where the administration and reception are; going further inside the school, a new space emerges, where students can practice before and after class, interacting and sharing knowledge.

Ecletica Escola de Musica by 0E1 Arquitetos

The interior of the chambers was designed in order to optimize the acoustics and the comfort of the users. The lighting solution maintains the 3,4-meter-high ceiling and creates a lower light surface, increasing the comfort without losing the acoustic properties of the original building.

Ecletica Escola de Musica by 0E1 Arquitetos

A series of furniture were designed to meet the overall resource economy of the project. The material used in the furnishing is the same OSB that covers the interior of the chambers, assuring unity to the design. The different models satisfy the different users’ needs, from instrument practice to administrative functions.

Ecletica Escola de Musica by 0E1 Arquitetos

Factory

Chen Chen and Kai Williams’ Brazilian debut unveils a collection of melded jewelry and furniture
Factory-3.jpg

Like the results of mineralization—when organic sources meet and meld with other substances that then embody the form of the original—artists Chen Chen and Kai Williams‘ cross-sectioned pieces interpret what happens when the mountains of forgotten excess and scrap material linger so long that they become fused. These pieces—along with a few others especially created for their Brazilian debut—just opened at São Paulo’s Coletivo Amor de Madre in an exhibition dubbed “Factory”.

Factory-2.jpg

Brought to the metropolis by a partnership between the design store and BoomSPDesign (which hosts the annual BoomSP Design Festival), Chen and Williams had only three days to produce all the works in the show, which includes two stools, several necklaces and a table with matching seats. The melded pieces also function as drink coasters for those who don’t feel queasy when looking at something that resembles a slice of ham hock or the inside of a cell.

Factory-4.jpg

The table’s shiny surface is thick with resin and embedded with plastic sheeting. A spot pattern also decorates the surface—the result of contact between resin and the paint that was sprayed onto the tabletop. However, with little time and no access to the typical material that the duo was used to back at their home base in New York, they had to get a bit inventive, which for them, isn’t difficult.

Factory-7a.jpg Factory-7b.jpg

“We have an overarching theme of experimentation with materials. Everything we make starts from playing around with materials and allowing those experiments to speak to us,” they explain. “The idea of making our wrapped, resin-soaked fabric compositions wasn’t possible because we couldn’t get the same kinds of resin in São Paulo. We used a plastic tarp as a mold. The tarps were also something we noticed in Brazilian hardware stores. In the US, they don’t sell it like fabric, on rolls that you can buy by the meter.”

Factory-1.jpg

As a design studio, they’re relatively fresh to the scene. The pair, who met while at Brooklyn’s Pratt Institute, officially cemented their studio partnership last year, though they both brought experience to the union. Chen, for instance, worked as Moss Bureau‘s display director in 2010, and Williams had his own manufacturing company, working with designers and artists to produce their pieces.

Factory-8b.jpg Factory-8a.jpg

“Factory” is on view through 12 May 2012.

Coletivo Amor de Madre

Rua Estados Unidos, 2186

Jardins, São Paulo

11 3061.9384


Best Summer of my Life

Sur la musique Ommadawn de Mike Oldfield, le réalisateur connu sous le nom de BabaBC nous propose une vidéo retraçant son été qu’il a pu passer en Amérique du Sud, du Pérou au Brésil. De belles images filmées avec un Canon 550D à découvrir dans la suite.



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Ricardo Filomeno

Papercraft becomes motion graphic-inspired art

Ricardo_Filomeno1a.jpg Ricardo_Filomeno1b.jpg

Having just sold his first framed piece and a short-film project getting underway, Sao Paulo-based Ricardo Filomeno is poised to turn his whimsical papercraft hobby into a profession.

Filomeno and his girlfriend, art director Carol Bella, who also works with the medium in her free time, are collaborating on an experimental papercraft horror amusement park project. Inspired by The Funhouse, the short film will employ live action rather than stop-motion as a way to animate the scenes and characters. They’re currently in the testing stage, playing around with simple motors and tiny lamps to see how they might be incorporated to pull off the scenes filmed inside the house. The project is expected to be completed in three months.

Ricardo_Filomeno2.jpg

Filomeno, a freelance motion graphics artist who primarily works in Brazil’s advertising industry, was first turned on to the art form in 2008, particularly by the pieces of Los Angeles artist Elsa Mora, and trips to France.

For Filomeno, his work creating graphics provided a natural foundation for his new endeavor. He started making various pieces in his spare time, creating cameo brooches of pop culture characters found in comic books and Wes Anderson and sci-fi films. A recurring personality is Deus Mendingo, which translates roughly as “hippie God” in English. Filomeno originally used the pieces as business cards to make a lasting impression on potential clients of his animation work, but after participating in a bazaar in São Paulo last year and successfully selling a few, it was obvious his work could reach a bigger audience.

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With plans to show his pieces on a bigger scale, Filomeno is set to share his burgeoning hobby well beyond São Paulo. For more information, or to order custom pieces visit the artist’s website, and keep an eye out for his paper-craft horror show later this year.


Amazon Science Centre by Marks Barfield Architects

Amazon Science Centre by Marks Barfield Architects

British architects Marks Barfield have designed a research centre for the Amazon Jungle with a bulging bamboo observation tower and over six miles of treetop bridges.

Amazon Science Centre by Marks Barfield Architects

The centre would allow both researchers and tourists to survey the rainforest canopy from above.

Amazon Science Centre by Marks Barfield Architects

Local bamboo would be used to construct the tower, which is designed as a series of off-centre circular decks that are linked by a spiralling central staircase.

Amazon Science Centre by Marks Barfield Architects

Single-storey bamboo pavilions on the forest floor would house computer workstations.

Amazon Science Centre by Marks Barfield Architects

This isn’t the first treetop walkway the architects have designed – see their elevated walkway in London’s Kew Gardens here.

Here’s a description of the project from Marks Barfield Architects:


Pioneering science centre in the heart of the Amazon

A pioneering science centre in the heart of the Amazon with more than six miles of walkways and an observation tower above the rainforest canopy is being planned by the Amazon Charitable Trust, a British charity.

The $10m (£6.4m) project in Roraima, a remote province of northeast Brazil, is being designed by Marks Barfield Architects who created the London Eye and designed the treetop walkway in the Royal Botanic Gardens at Kew.

The centre, in the village of Xixuau, will bring together scientists from the Brazilian Amazon Research Institute and the Royal Botanic Gardens, universities and other organisations, and is also intended to provide jobs for Brazilian tribes and attract eco-tourists.

The site is intended to appeal equally to serious research scientists and to visitors. The walkway, high above the jungle floor, will be used by researchers to study the canopy and by tourists to experience spectacular views.

Robert Pasley-Tyler, managing partner of the Amazon Charitable Trust, said: “This will be the first scientific research centre to be built in the jungle proper. It will employ the local river tribe, giving them a way of making a living without destroying the forest, and also boost awareness around the world.”

David Marks, of Marks Barfield Architects, said that the design and construction of the centre would pose extraordinary challenges because of the delicate ecosystem and its remote location.

“You have to be very careful about what you bring in to avoid damaging the eco-system. Because it is so remote it also has to be self-sufficient.” he said.

Marks added that much of the centre could be constructed from bamboo grown on the site. The centre would take two years to construct.

The Amazon Charitable Trust is waiting to discover if funding for the centre will be granted by the Amazon Fund, which is backed by donations from Norway.

Members of the Amazon Charitable Trust’s board include Bianca Jagger and John Hemming.