ThinBike

Fold-up pedals and a quick release stem reduce this ride’s size by half

ThinBike.jpg

Living in the cramped quarters of the typical city-dweller, Graham Hill founded LifeEdited, a website focused on reducing one’s non-necessities to live a more efficient life. His latest space-saving trick comes in the form of ThinBike, announced today at the PSFK Conference. This modified fixed gear features fold-up MKS pedals and a Speedlifter quick-release stem to position the handle bars flush with the top tube, reducing the bike’s width from 21 to just six inches.

ThinBike-down.jpg ThinBike-pedals-up.jpg

The modified Schindelhauer Viktor, topped off with a Gates carbon belt drive train to eliminate the threat of greasy pant legs and ghostly white components for a stealth ride, costs $1,800. If that sounds steep, Hill points out that the space-saving MSK pedals and Speedlifter adjustable stem can be added a la carte to any ride for around $200.


Budnitz Bicycles No.3

Our interview with Paul Budnitz on the release of his third model

BB-no3-headbadge.jpg

Just eight months after the debut of his eponymous bicycle line, Paul Budnitz has once again put his legendary design abilities to good use with the release of Budnitz Bicycles‘ third model. Sporting massive 29-inch wheels, a silent Gates carbon belt drivetrain and the trademarked cantilever frame engineered to absorb road shock and improve handling, No. 3 is your dream city cruiser.

Sharing the same stunning silhouette and clean lines as its titanium predecessors, No. 3 takes a welcomed step towards accessibility with a lower price tag and a more badass vibe (though No. 1 and No. 2 still command waiting-list status at prices climbing over $5,000). We recently caught up with the former Kidrobot founder to talk about his latest designs, the transition from titanium to stainless and to learn just what it is about Budnitz Bicycles that keeps them in such high demand.

BB-no3-peek.jpg

After launching your first two bikes, what’s the most valuable thing you’ve learned and how did you apply it to the new No.3?

When I set out to design the new model No.3 as the ultimate urban bicycle, I had to think differently from what I’d already done with the earlier models. I asked myself, what will the new bikes have that the others don’t? What would make me want to own all of my bikes?

If you look at our bicycle models as a whole, you’ll see there’s very little overlap. The idea is that there’s a reason to own each of our bikes, and we have several customers that have one of each, in the same way I have an iPhone, iPad, Powerbook, they each serve specific functions. Steve Jobs continues to be a role model for me.

BB-no3-black.jpg

When we last spoke you mentioned the first two bikes were inspired by Aston Martins and Maseratis, how would you describe No. 3?

When I was drawing up the jet-black model No. 3 I had a picture of a vintage Rudge motorcycle on my wall. The Rudge is a pre-war British big-engine motorcycle that only came in one color—gloss black—with few logos and precise detailing. There’s a whole Rudge culture. Riders were encouraged to take a lot of breaks, to stop every hour or so and look at the landscape and have a smoke. I just love that.

You see the visual influence in No. 3’s jet-black frame and titanium badges. The “ride slow on a fast bike” concept is built into our company philosophy, too.

We’ve also got a new bicycle coming soon, the more minimal No. 4 was actually inspired by an oversized BMX bike that I saw my friend and collaborator Chad Phillips riding around a few years ago. It had smaller (but not too small) wheels and was just the perfect size for city living. You can ride No. 4 right into an elevator, or put it into a trunk of a cab or store it easily in a small apartment. But it’s not a tiny awkward folding bicycle, it has fat tires and a full-sized cockpit. It flies. Someone saw me riding the prototype around Brooklyn a few months ago and called No. 4 a Stingray on steroids.

BB-no3-seatpost.jpg

Why transition from titanium to stainless steel?

Models No.1 and No. 2 are still only offered in titanium, they were designed around it. Titanium is the ultimate bicycle material, ultra-lightweight and compliant. It’s hard to beat. But only a few fabricators can work with it well, and it’s costly.

Stainless is just a wonderful material, light and strong and gorgeous. It never rusts and has a fantastic ride. Using stainless also allowed us to bring down the pricing a bit on No. 3 without sacrificing quality, which as I mentioned was one of my goals. I want more people on my bikes.

BB-no3-stainless.jpg

What aspect of the new design are you most excited about?

Well, No. 3 is just the ultimate all-around bicycle. You can’t beat big 29-inch wheels and two-inch tires for a fast, smooth ride, and it’ll roll over just about anything. And it looks elegant as hell.

It’s just so much fun to ride, you feel like a little kid—weaving in and out of traffic.

Which of the four frames do you ride the most?

I designed all these bicycles for a specific purpose, so I use them all. I take my original model No.1 for longer rides, because it’s so crazy light and beautiful. No. 2 is what I use when I go riding for fun with my daughter. No. 3 is my go-to bike nowadays, because the big wheels are just so much fun—and also because it’s new, and I’m still having fun playing with it. I keep a No. 4 prototype at my place in New York City, and I use that one for travel, too.

BB-no3-black-chainstay.jpg

Do you think the pared-down design is what sets Budnitz Bicycles apart?

Yes, our design philosophy is “Nothing Added”. The idea is create something perfect, something just right. This goes all the way down to the way the bicycles are engineered. If you don’t add functions and things people don’t need, you really can make a bicycle that will function immaculately, a frame that will last forever, and keep people excited about riding it. That’s the goal anyway.

The No.3 is now available directly from Budnitz Bicycles starting at $2,800.


The Commentator

Documenting filmmaker Jørgen Leth in a cycling film by Brendt Barbur

TheCommentator5.jpg

Turning the camera on famed sports documentarian Jørgen Leth, Bicycle Film Festival founder Brendt Barbur embarked on the film project “The Commentator” to trace the backstory to his groundbreaking 1976 film “A Sunday in Hell“. Barbur follows Leth through the grueling course at the Paris-Roubaix cycling race, along with several crews led by revered director Albert Maysles—whom Barbur calls the greatest living cinematographer—surf-world documentarian Patrick Trefz, photographer and artist Brian Vernor and photographer Stefan Ruiz. The Commentator lives as a Kickstarter campaign, so you can help make it happen by donating—$3,000 will get you a private dinner for six with the Barbur, Maysles, the film crew and Blonde Redhead (who created the film’s score), among others.

We caught up with Barbur to discuss the project—which will shoot on race day, 8 April 2012—his relationship with cycling greats and subtlety in filmmaking.

How did this all get started?

The first year of the Bicycle Film Festival, we played “A Sunday in Hell”, which was a very old print and all ripped up. We had a sold-out show, people couldn’t get in and I was really excited. Jorgen called me and thanked me for screening his film. He’s a man who shares three passions with me: movies, art and bicycles.

TheCommentator1.jpg

What do see as Jørgen Leth’s contribution to sports documentaries and film in general?

I interviewed Jørgen in 2003 at Sundance, and he said that cycling “deserved better than lousy sports journalism…It deserved to be sung about.” I think that “A Sunday in Hell” sings about it. They had about 30 cameras—this is 1976, mind you—and they didn’t talk just about who’s going to win. They went and showed you the subtleties of things.

There’s a really great scene in “A Sunday in Hell” where Eddie Merckx—he’s probably the greatest cyclist ever—gets off his bike and asks one of the rival team car mechanics if he could have a tool to fix his saddle. He sits there right next to the car, adjusting his saddle really slowly as he’s casually chatting with them. All those subtle things Jørgen has a knack for finding. He has a kind of “listening” camera.

TheCommentator7.jpg

Albert Maysles is a major name in film. Tell us a bit about his involvement.

Albert Maysles is the spiritual leader of this project, and maybe documentary film and film in general. The other night we had a dinner here, and Albert held court for a little bit and said the reason he makes films is to make friends. This is the director of Gimme Shelter, Grey Gardens—some of the most iconic documentary films ever made. When we shoot The Commentator he’s going to be following Jørgen along with our producer and a camera assist.

TheCommentator2a.jpg TheCommentator2b.jpg
What will you be looking for at Paris-Roubaix?

I don’t even want to just get the race. If we don’t get the race at all, I’m okay. I want to get the bar—there are bars full of people watching it, and they’re drinking Belgian beer, and they have their flags. There’s a whole scene for miles and miles of people. There’s a big forest, there’s this cafe. The motorcycle riders are taking these back roads, and they’re going 100mph on the side roads to get ahead of the race and capture it with still photography.

TheCommentator6.jpg

What’s it like to work with these big names?

It’s an honor of mine to direct this film—in fact it’s a little bit nerve-wracking. But it’s not because everyone’s so into this project. We’re all doing this out of passion for the project itself. An Oscar-nominated filmmaker emailed me and asked if they could meet up with us and shoot with us. It’s kind of like the spirit of the Bicycle Film Festival. People just want to make it happen.

Watch the video to find out more about the project.


Alfine Di2

Shimano introduces electronic shifting to city cycling

Alfine-Di2.jpg

Originally developed to build on Shimano‘s top level component group Dura Ace, the Di2 electronic shifting system changed the roadie game with unmatched speed, accuracy and precision. Now with its third iteration, Di2 makes its debut for internal gearing systems by joining Alfine, Shimano’s premium-level component group for city cycling. The Alfine Di2 Shimano introduces a whole new way of thinking about how a commuter bike can be built.

Like traditional internal hubs, the Alfine Di2 internal mechanism is made up of a series of stepped planetary cogs in an oil bath that when engaged replicate the resistance of multiple high or low gears. Rather than relying on wires physically pulled at different forces to leverage gear change, Di2 releases a burst of electricity that engages a small, light weight motor mounted on the outside of the hub, increasing reliability and performance while decreasing the chance of mis-shifts.

Alfine-Di2-hub.jpg

As the first electronic-controlled internal hub, the 11-speed Alfine Di2 increases city commuting efficiency with a wider gear range for terrain adaptability—our road-test conquered the hills of San Francisco with ease—on a single lithium ion battery charge estimated at more than 1,000 miles, which is longer than Ultegra and Dura Ace iterations. Plus, the sealed internal hub drive train can withstand much harsher weather conditions with less wear and tear than a traditional gearing system.

Alfine-Di2-display.jpg

Another first for internal hub systems, Alfine Di2 offers two shifting options to accommodate both flat handlebars with a push button system and dual-control levers for traditional road-style drop bars, both compatible with mechanical disc brake systems. Sitting atop these bars you’ll find a specially designed LED readout ready to inform of both battery life and current gear status. The advent of these options make for a sleeker new school commuter unlike the clunky wire-ridden beasts of yesterday.

Di2-battery.jpg Di2-shifter.jpg

Not to be outdone, Alfine Di2 not only boosts performance to a level never before seen, it improves on aesthetics as well. By taking advantage of the new generation of E-tube internal wiring and the option for an internal seat post mounted battery the already clean design of the Alfine group is made even more sleek—an underrated tack in making a city bike less of a target for theft.

Just announced earlier this month, the Alfine Di2 component group will be available Fall 2012 in specialty bike shops, direct through Shimano dealers and presumably on a range of higher end comfort commuter bikes from big name manufacturers.


The Competition Bicycle

The relationship between bike design and competitive cycling shown in a new book on the craftsmanship of speed
heine-bicycle3.jpg

The bicycle has seen numerous incarnations since rolling onto the scene well over a century ago, but the natural human desire to race them on the road and off has remained constant. In his new book “The Competition Bicycle“, Bicycle Quarterly editor Jan Heine chronicles the evolution of the two-wheeled vehicle and how professional racing has influenced its design, from the High Wheeler penny-farthing to the high-tech carbon fiber frame.

Heine-bicycle1.jpg heine-bicycle2.jpg

The progression from full creative ingenuity in the late 1800s to today’s results-driven mechanical structures provides an intriguing study on design. As seen in the 2010 exhibition “Bespoke: The Handbuilt Bicycle“, the masters of this craft work in tune with the cyclist’s needs, a relationship reflected in every element from the shape of the frame to the weight of the bike.

heine-bicycle4.jpg

The shift from excitement over the novelty of the bike itself to a focus on creating a comfortable ride for cyclists is likely best demonstrated in the cantilever 3-speed made by Danish investor Mikael Pedersen in 1903. Living in Dursley, England, Pedersen had created a silk hammock-like seat but found mounting it to the customary diamond frame too difficult, so he designed a triangular frame to support the seat. Dubbed the Dursley Pedersen, the bike weighed just over 20 pounds and reached mainstream success when famed cyclist Harry “Goss” Green broke numerous records riding it. One particular race saw Green shed two hours off the trip from London to York—a nearly 200-mile long journey—finishing in just 11.19 hours.

heine-bicycle8.jpg

The next half-decade brought about numerous innovations in bike design, including French bike manufacturer Labor’s “Tour de France” model, which radically used a bottom bracket to tension the chain. For the competitive cyclist, though, one of the more important design developments came from record-holder Oscar Egg and his racing-specific “Super Champion” derailleur, which used a friction-reducing chain more like those on a single-speed—a tweak that, consequently, significantly increased speed.

heine-bicycle6.jpg heine-bicycle5.jpg

“The Competition Bicycle” charts the second half of the 20th century with a careful eye on the different race courses—long, short, mountain—and how those influenced all facets of design from tires to tubing, as well as the different needs for male and female cyclists. The science behind the engineering reached a pinnacle during the ’80s, with wind tunnel testing and velodromes giving cyclists and bike builders a chance to tweak things on a more microscopic level during hour record trials.

The book also looks at the deeply ingrained racing history in France, as well as the country’s important role in both bike design and training. In the ’50s, numerous semi-professional cyclists worked as “porteurs de presse”—arguably the earliest form of bike messengers—and were paid based on the amount of deliveries they could make. This incentive not only encouraged the couriers to peddle faster, it gave them the money to enhance their machines and build truly bespoke bikes.

heine-bicycle10.jpg

Heine ends with Danish cyclist Tony Rominger’s classic track bike. Built by Ernesto Colnago, the bike features steel tubing, aerodynamic handlebars, fork blades and “lenticular disc wheels”, but most of all its streamlined design allowed Rominger (a road racer) to beat out the all-time hour record champion, Miguel Indurain, without any real training on the track. As Heine explains, this bike “showed that traditional frame-building techniques still are more than competitive in the age of carbon fiber.”

Packed with images of the original bicycles used in landmark competitions, some valuable historical references and a full set of comparison diagrams charting the sizable differences in frame construction, “The Competition Bicycle” is a solid guide to a wide-range of professional cycles.

The large-format book is available for pre-order from Amazon for $50, or you can pick it up from a Rizzoli distributor when it releases March 2012.

“Criterium des Porteurs de Presse” from Joel Metz Collection; jacket cover by Kayleigh Jankowski; all other images by Jean-Pierre Pradères, from “The Competition Bicycle” by Jan Heine, Rizzoli New York, 2012


VAGX Lumisac Series

The Korean bag-makers’ latest collection of carryalls designed for high-visibility city cycling

VAGX-lumisac-group.jpg

South Korean label VAGX, maker of highly functional bags for the urban cyclist, introduces the Lumisac series with more understated branding and a fresh new design concept from its previous lines. Named for illuminating strips affixed across the bag exterior, the hi-vis collection may propel VAGX’s status as a solid, design-focused commuter style.

VAGX-bpack1.jpg VAGX-bpack2.jpg

Besides the sleek look of the backpack, messenger bag and waist bag models, the Lumisac line packs technical function akin to brands like Mission Workshop. The fabric and color combinations are consistent throughout, with the black styles comprising 1000D Cordura nylon upper and waterproof truck tarp on the base, and the beige made almost entirely from truck tarp.

VAGX-backlight.jpg VAGX-battery.jpg

The battery-powered light strip can be turned on or set to blink, making the wearer significantly more visible while riding in low-light conditions. Inside, the line is Apple-focused—the backpack stows a pocket specifically designed for a 17″ Macbook while the messenger bag features a special slot for an iPad or Macbook Air.

VAGX-waistbelt.jpg VAGX-messenger-bag.jpg

The waist bag merges a traditional fanny pack with a tool belt, with ample compartments to keep essentials secure. The adjustable design can be worn around the waist, or as a sling style Bandolier bag.

Although VAGX is currently primarily sold overseas, the brand’s presence at New York’s Capsule trade show last week indicates potential for an increased presence in the U.S. The Lumisac backpack, messenger bag and waist bag are available online for roughly $225, $160 and $135 (based on current exchange).


Carry On: Josh Rovner

An NYC courier’s must-have on-the-go accoutrements

Coach_Josh_Rovner_1.jpg

Josh Rovner is the living embodiment of the adage “time is money.” As a rider for Clementine Courier he pushes pedals on the pavement regularly, weaving through traffic with the precision of a well-oiled machine, all in the name of delivering packages on time. In just a year and half, Clementine has amassed a dedicated client base from all types of industries, including fashion, whose daily deliveries include garment bags and shopping bags up to fifty pounds over the standard weight limit.

Rovner, who has been cycling his whole life, is blessed with a tall and lean body type that can handle such uneven weight ratios at top speed. It’s not surprising that when he’s not delivering packages, he’s training for races. Working as a courier helps him build stamina for the long haul by making him bike extremely long distances. “A good one I did was out to JFK—that was pretty fun. I’ve gone up to Connecticut before, out to New Jersey too,” says Rovner. An airport delivery is easily a 40-mile round-trip guaranteed to keep him off the radar for at least half the day, and since Rovner gets paid per package drop, that’s quite the time commitment.

Coach_Josh_Rovner_2.jpg

Like most messengers, Rovner and his team of four other riders pack the same essentials every day. His kit includes bunches of rope to strap things to his body, spare pens and notebooks and a clipboard full of manifests; essential paperwork that every rider must always have on his or her person. Now that the mercury outside is dropping, Rovner is also careful to pack gear to fight the elements. “In fall I always keep arm warmers or gloves, and sometimes a rain jacket with me,” he says.

Rovner also carries a hefty arsenal of tools he uses for everything from making small adjustments to his bike to reinforcing the cleats on his shoes. Now that he can store these in his Coach Bowery Leather Handlebar bag, he’s got more free space for precious packages. Rovner also carries a spare $20 bill, just in case, and a tube of super glue to patch up cuts and prevent the need for stitches. It’s kind of gruesome, but definitely hardcore. “Accidents happen a lot, most of the time we’re OK. You kind of have to learn how to fall,” points out Rovner.

Coach_Josh_Rovner_3.jpg

Even off the clock, most of the Clementine Courier crew keep at least one bag on them, presumably out of habit, to not only to fix their bikes on the go, but also to stash a few beers on their backs. During the rare times they go without the baggage, Rovner and his friends, used to riding while weighted down, revel in the difference: “All of a sudden we’re really fast, really light, and really agile. You lose 20 pounds and that weight to muscle ratio is adjusted.”

Most of the time, however, Rovner finds himself strapped. Clementine Courier prides itself on its riders’ ability to carry odd-sized and heavy packages all around town, a standard that has Rovner constantly adjusting his riding pattern to be efficient, but still safe. Whenever he finds himself loaded down, he can’t help but think, “I just earned my beer.”

The Carry On series is brought to you by Coach.


Charge Bikes

Three standouts from this epic U.K. bike brand are now available in the USA

Charge-image-1.jpg

Best known outside of Europe for their freestyle adapted fixed-gear bicycles, U.K.-based Charge Bikes makes impeccably crafted bikes that are aesthetically and technically superior to most other bikes on the market. Contrary to what the hype may imply, Charge is actually deeply rooted in XC and dirt jump mountain biking, and have since been rapidly tackling the cyclocross scene with a range of impressive rides backed by some of the sport’s best athletes. Previously only sold in the U.K. and Japan, Charge has officially opened distribution in the United States, with bikes launching online and in shops over the following weeks.

Charge-Scissor.jpg charge-scissor-stem.jpg

New for their 2012 line is the Scissor, a beefed-up replacement of the Plug Freestyler, the bike that earned the brand a cult fixie following over the past five years. The only 29er freestyle fixed-gear on the market available as a complete bike—rather than being sold as a stand alone frameset—this tank was designed with input by fixed gear innovators Tom Lamarche and Ted James to withstand levels of abuse that would otherwise leave a bike in pieces. Using a more forgiving geometry with a longer and lower top tube, Tange Infinity seamless steel-butted tubing and custom laser-cut dropouts, the Scissor is described by Charge as “indestructible, simple and clean.”

Charge-freezer.jpg

After slimming down their fixed-gear line in an effort to broaden brand identity beyond the universal fixie scene, Charge has been pushing their latest achievements in cyclocross design. This is most evident with the line’s crown jewel, the titanium Freezer. This lightweight beast is sold exclusively as a frameset to serve as the backbone for the ultimate cross build. Highlights include a custom-machined headtube for an integrated headset and wishbone seatstays to help absorb canti-brake flex and add mud clearance.

Charge-filter-apex.jpg

With slightly more relaxed geometry to keep things comfortable and accommodate fenders and racks, the Filter Apex is a slightly tamer version of the Freezer. Currently the only cyclocross ready bike on the market that uses disk brakes, the Filter is a force to be reckoned with both on the course and on the streets. For performance it’s outfitted with SRAM Apex components and for strength it’s built with the finest Tange Prestige steel tubing.

The full line of Charge Bikes for 2012 includes titanium mountain bikes, beautiful urban commuters and a comprehensive range of parts from wheelsets to handlebars to grips. It will all be available to North America through Performance Bicycles in the next six weeks, with the Scissor and Filter Apex selling for $650 and $1350, respectively. Official prices for the Freezer are pending. Find a store near you or head over to Charge Bikes online for more information.


Fall Cycling Gear

Five items designed to power any cyclist through inclement weather

The weather may be turning, but you don’t need to hang up your bicycle for the season—most riders in the northern hemisphere have got a month or more left on two wheels. So, for the intrepid souls out there we’ve pulled together the best weatherproof gear to keep both the urban city commuter and the technically driven performance cyclist warm and dry in the cold to come.

Commuter-shell-2.jpg Tech-shell-1.jpg
Rapha

Modeled after Rapha’s previous collaboration with Paul Smith, the full-zip, completely waterproof City Rain Jacket is designed for extremely wet riding conditions. The jacket’s clean aesthetic, accented by Rapha’s signature pink, brings an extra element of urban style. For a technical touch, a hidden rear zipper holds a hi-vis reflective tail flap that hangs down to protect from rain spray and make riders clearly visible to drivers on the road. The City Rain Jacket is sold directly through Rapha for $320.

Castelli

A simple idea done well, the new Aero Rain Lite LS Jersey blends the performance capability of a Lycra cycling jersey with the waterproof finish of a Gore-Tex coat. This zip-up jersey fits snugly with remarkable stretch and breathability for proper aerodynamics and comfort and side-zips for ventilation. Plus, it’s cut long in the back to defend against tire spray in wet conditions. The Aero Rain Lite, also available in black, sells for $170 from Amazon.

Icebreaker-commute-zip.jpg Icebreaker-commute-zip-close.jpg
Icebreaker

Regardless of what the name may suggest, the Commuter Zip is fit for sport cycling, but sleek enough to wear anytime as a light jacket or an extra layer for warmth—and it won’t clash with your Lycra shorts. This versatile top layer is made of 98% New Zealand Merino wool with 2% Lycra for that extra stretch necessary for cycling. Since wool is mildly water repellant by nature, the breathable blend should be enough to brave fall’s sudden showers. Other subtle styling perks include added length in the back for saddle coverage, inseam silicone piping to prevent anything from riding up and reflective piping along the back to increase visibility. Available from Icebreaker for $175.

MissionWS-ruck.jpg MissionWS-ruck-2.jpg
Mission Workshop

As a slightly smaller messenger bag alternative, the Sanction Rucksack is completely waterproof and made in the U.S. with a lifetime warranty. Metal latches secure loads in an unconventional style, making for a welcome move away from plastic buckles. Inside the weatherproof bag you’ll find a padded laptop compartment and on the outside—under urethane-coated zippers—are three pockets for quick storage and easy access. Definitely a more sensible option than most enormous messenger bags, it sells for $180 directly from Mission Workshop.

Ortlieb-saddle-bag.jpg

Ortlieb

This small, waterproof saddle bag tucks away under the seat adding only 7.4oz of weight. The unobtrusive little storage unit is constructed of PU-coated Cordura and fits 49 cubic inches, plenty of room for a spare tube, tire or a compressible wind breaker. The roll top helps secure a water-tight closure and two D-rings lock easily. For added protection, the 3M Scotchlite reflectors help improve visibility in low light. Available from Bike Bag Shop for $30.


BioLogic Bicycle Accessories

A new rugged case and free app keep you on track and your iPhone safe while cycling

Reecharge-case-closed.jpg Reecharge-case-open.jpg

Bicycle gear and accessories brand BioLogic is set to release its strongest product yet—the completely weather- and shock-proof ReeCharge iPhone case. What makes this adventure-ready case truly unique is the integrated lithium polymer battery that keeps the battery charged, thus making the fully enclosed case perfect for cold weather—which typically drains battery life—and able to sustain longer adventures on the ski slopes or in the saddle.

The ReeCharge case, which drops in mid-November 2011, is optimized for cycling by connecting it to the handlebars with an optional mount and using BioLogic’s BikeBrain app to turn a cell phone into a cycling computer.

BikeBrainMap-1.jpg BikeBrainAnalog-2.jpg

BikeBrain uses a phone’s existing GPS system to track movement, speed, distance and even altitude, all displayed in an easy-to-read, customizable format. The thoughtful app also keeps time on rides and stores the data for consistent training stats or to track sight-seeing routes.

BikeBrainDigital-3.jpg BikeBrainGraph-4.jpg

BikeBrain is available as a free download from the iTunes App Store, with a sizable upgrade to unlimited training options and trip logs, and the ability to directly connect and share via email and across most channels of social media.

For more information and to watch informative videos on the ReeCharge iPhone case or the BikeBrain app head to Biologic online.