Over this past month, London’s distinguished Royal Academy of Arts (RA) witnessed large-scale preparations for one of their most highly anticipated shows, “Sensing Spaces: Architecture Reimagined.” The RA’s traditional,…
Les décorateurs d’intérieur russes de chez Geometrix Design ont imaginé cette maison à Moscou avec pour seul mot d’ordre : le futur. Et ils ont merveilleusement réussi à rendre compte de la dimension futuriste avec un jeu sur les formes cubiques des objets et des murs en relief. Plus d’images dans la suite.
En seulement deux semaines, le designer finnois Robin Falck a construit à Sipoo en Finlande, une cabane en bois appelée « Nido » (nid d’oiseaux en italien) qui comporte 1 étage. Toutes les pièces sont fonctionnelles et les grandes fenêtres sont là pour agrandir l’espace. Plus d’images dans la suite.
The Estadio Nacional de Fútbol de Venezuela will be the first football stadium designed by Rogers Stirk Harbour + Partners.
Developed in collaboration with engineers Arup and Schlaich Bergermann und Partner, it will feature a brightly coloured circular roof that the architects refer to as a “bicycle wheel canopy”.
The building will be located at the top of a hill, overlooking the city centre to the north east.
“The hillside site created an unusual challenge and the design reflects this with terraces cut into the landscape giving way to a series of floating esplanades that provide access to the various levels of stadium,” said Simon Smithson, the lead architect on the project.
The stadium forms part of a wider masterplan by Richard Rogers’ firm for the area known as La Rinconada, located approximately eight kilometres south west of the capital.
The architects had originally been commissioned to design a bus station replacing an existing facility, but the project later evolved to encompass a new transport interchange between the bus station and the existing metro and train station, as well as the establishment of a metropolitan park to protect the surrounding hillsides from further development.
The football stadium will be located within the park alongside a new baseball stadium, while an existing racecourse designed by Californian architect Arthur Froehlich in the 1950s will be retained.
L’agence d’architecture Ciel Rouge, basée à Tokyo, a conçu cet immeuble de locations dans la ville d’Okazaki. Cette bâtisse apporte de la couleur et de la joie au quartier avec son association du vert, orange, jaune, bleu et mauve. Plus de photos du projet à découvrir dans la suite de l’article.
This house in Montreal by Canadian studio naturehumaine has a facade of dark brickwork, while its rear elevation is clad with steel panels that are divided into separate black and white sections (+ slideshow).
Montreal-based naturehumaine gave the building a brick facade so it would fit in with the typical houses of the surrounding neighbourhood, but created a contrast at the rear by adding steel panels that help to visually separate the two main floors.
The bricks used for the facade are glazed on one side, so the architects positioned some facing forwards and others facing backwards to create a random pattern.
Named Alexandra Residence, the three-storey house was built as the home for family of four, but it also contains a small home office.
“The project was built for and by a contractor who we work with often,” architect David Dworkind told Dezeen. “He wanted a live/work building for his young family of four that he could also run his contracting business out of.”
The family requested a lot of natural light in their home, so naturehumaine inserted a lightwell along the southern side of the house that allows daylight to filter in as it bounces off the wall of the top-floor office.
“In an effort to bring light into the lightwell of the house, we came up with the concept of the ‘white box’ which runs east-west and reflects the southern sun light back into the house,” said Dworkind.
The entrance to the house is positioned parallel to an open-plan kitchen. This space flows through into a dining area and living room beyond, which opens out to a patio overlooking the back garden.
A wooden staircase leads up to the first floor, where a trio of bedrooms are arranged around a central bathroom.
The client’s priority was to maximise the natural light in their new live/work house in Montreal’s Mile-Ex district. This was made challenging by the east-west orientation of the infill lot. However, our design fills even the core of the house with light through the implementation of a 2 storey light-well which runs the length of the southern side of the house.
Additional light is reflected into this light-well by the client’s office space – a white volume that sits atop the northern edge light-well. Spaces on the second storey also benefit from the light well’s luminosity; the walls adjacent to it are fully glazed and a floor to ceiling piece of frosted glass brings a very soft light into the bathroom.
The expressive back facade of the house is defined by the angular geometry of the floating steel box. The front facade, however, is composed primarily of bricks to conform with the heritage character of the neighbourhood.
Two disjointed apertures break up the brick façade and are lined in aluminium. As only one side of the brick was glazed, a random mix of forward and backward facing bricks were laid to create a more dynamic façade.
Type: Live/work house Intervention: New construction Location: Alexandra Ave, Montreal, Canada Area: 3300 sqft Completion Date: 2013
Sweeping lengths of concrete create curving canopies around the perimeter of this golf clubhouse on South Korea’s Changseon Island by Seoul architecture firm Mass Studies (+ slideshow).
The clubhouse was designed by Mass Studies to provide dining and spa facilities for the South Cape Owner’s Club golf resort and it is located at the peak of a hill, where it benefits from panoramic views of the sea.
Described by the architects as being like “a pair of bars bending outward”, the building’s plan comprises a pair of curving single-storey blocks that are both sheltered beneath one X-shaped roof.
“The two curvatures of the building engage with specific moments of its immediate surroundings, hugging the existing context – the rocky hill to the east, and the vista out toward the cape to the west,” said the designers.
The curving canopies follow the bowed walls of the two blocks, but also integrate a series of smooth folds that present dramatic changes between light and shadow.
“From a distance, the appearance of the clubhouse reads horizontal, demure, and subtle,” explained the architects. “However, once in and around the clubhouse, one begins to have a dramatic experience through the perspectival exaggerations and the views framed by the illustrious canopy edges.”
The western arm of the building accommodates the dining areas. A banqueting hall and restaurant are positioned at opposite ends of the block, and both feature fully glazed facades that open out to terraces around the perimeter.
In contrast with this transparent structure, the eastern wing of the clubhouse has an opaque concrete facade that maintains the privacy of club members using spa facilities, but brings light in through clerestory windows.
Areas for men and women are divided between the two halves of the block, but both lead out to private outdoor pools offering views of either the coastline or the distant landscape.
A patio is also sheltered beneath the roof to create an entrance for the clubhouse. There’s a skylight in the centre to allow daylight to filter into the space, while a pool of water is positioned directly underneath.
Here’s a project description from Mass Studies:
Southcape Owner’s Club: Clubhouse
Located on Changseon Island in Namhae Province, at the southern tip of the Korean peninsula, is a resort development – the Southcape Owner’s Club – with several complexes that are strategically positioned throughout the dramatic topography of the archipelagic region.
The apex of the resort is the Clubhouse, which in plan is essentially a pair of bars bending outward. The two curvatures of the building engage with specific moments of its immediate surroundings, hugging the existing context – the rocky hill to the east, and the vista out toward the cape to the west. Simultaneously, the composition of the curved masses allow the building to also embrace what is to the north and south – a grand entry round-about, and a remarkable ocean view to the south, respectively.
An open central zone is formed, anchoring the entire complex in a culmination of an impressive entrance patio under a sculptural open-roof, a reflection pool directly below, and a spectacular framed view of the South Sea. To the east are the more private spa facilities, and to the west, the more public restaurant, private dining, and event facilities.
There is a contrast that takes place, not only programmatically, but also in materiality – solid vs. transparent. The spa area is mostly designed as a closed mass, with a slightly open 1m clerestory running along the entire length of the solid exterior walls and roof, progressing to a fully open release at both ends of the volume, which allows for an outdoor terraced bath for both the men’s and women’s spas with views out to the South Sea and waters beyond the landscape to the north. The dining areas are all glass-clad with extended perimeter terraces to all sides, offering a sense of openness out to the waters and landscape.
The sculpted roof of the Clubhouse is derived through a geometric rigour driven by the systematic structural organisation, which is a response to the three-dimensionality of the natural context. The depth of the curved steel beams are revealed, as if it were a vacuum-formed white concrete membrane, where a series of vaulted concrete canopies ultimately form an x-shaped, exploded circle in plan.
The 3m canopies that outline the entire roof not only function as a shading device, but follow the overall architectural language, as the edge conditions change in direction, up and down, from the north to the south side of the building. It adds to the sensuous movements that are portrayed throughout the building.
From a distance, whether from the deck of a boat afloat the South Sea, or from a distance in the rolling landscape of the island, the appearance of the Clubhouse read horizontal, demure, and subtle. However, once in and around the Clubhouse, one begins to have a dramatic experience through the perspectival exaggerations and the views framed by the illustrious canopy edges.
The Southcape Owner’s Club Clubhouse is a seamless, continuous, and complete object in nature, with a shape in plan that creates a complex relationship with the surroundings, in rhyme with the ria coastline of the archipelagos that are unique to this region.
Type: Sports, Golf Clubhouse Location: Namhae, Korea Site Area: 23,066.16 sqm Site Coverage Area: 7,955.98 sqm Total Floor Area: 15,101.56 sqm Building-to-Land Ratio: 34.49% Floor Area Ratio: 20.39% Building Scope: B2, 1F Structure: RC, SC Exterior Finish: White Exposed Concrete, Serpentino Classico, Travertine Navona, Broken Porcelain Tile Interior Finish: Serpentino Classico, Travertine Navona, Solid Teak Wood, Venetian Stucco
Architects: Mass Studies Structural Engineer: Thekujo MEP Engineer: HANA Consulting & Engineers Civil/Geotechnical Engineer: Korean Geo-Consultants Co. Ltd. Lighting Engineer: Newlite Landscape design: Seo Ahn Landscape Construction: HanmiGlobal Co. Ltd. Client: Handsome Corp.
News: architecture firm BIG has unveiled a proposal for an apartment block in the Bahamas featuring a honeycomb facade where every balcony contains a swimming pool (+ slideshow).
BIG, the firm led by Danish architect Bjarke Ingels, is designing the eight-storey residential building for a site on the south coast of New Providence Island, where it is set to become the tallest structure in the Albany community.
The honeycomb facade will form the south face of the building. The hexagons will frame balconies belonging to each of the apartments, which will contain sunken pools facing directly onto the marina through clear glass balustrades.
“Our design is driven by an effort to maximise the enjoyment of the abundant natural qualities of Albany in The Bahamas: the landscape, the sea and the sun,” said Bjarke Ingels.
“A honeycomb facade functionally supports the pools making them sink into the terrace floor and provides spectacular sight lines while maintaining privacy for each residence,” he added.
Named Albany Marina Residences, but also known as the Honeycomb, the building will be completed as a collaboration between BIG and smaller firms HKS Architects and Michael Diggiss Architects. It will join three other new buildings proposed in the area.
The hexagonal pattern will continue down onto the paving of an adjacent plaza, and will also provide a framework for soft landscaping, seating areas and an outdoor pool.
“Drawing inspiration from its coastal setting, the hexagonal design evokes the natural geometries you find in certain coral formations or honeycombs,” said Ingels.
Shops will be contained on the ground floor, alongside a lobby leading to the entrances of each apartment.
Here’s a project description from BIG:
BIG designs centrepiece for a new resort in the Bahamas
BIG + HKS + MDA have unveiled the design for the new Honeycomb building and its adjacent public plaza in The Bahamas – a 175,000 ft² (ca. 16,000 m²) residential building with a private pool on each balcony overlooking the marina.
Albany is a modern paradise-like beach and golf resort community, located on the south coast of New Providence Island. The Honeycomb will be the tallest structure in Albany, making it a landmark in the resort, and a beacon from the ocean.
The facade has a hexagonal pattern that uniquely frames the natural beauty of the Island. The balconies are deep enough to not only provide outdoor spaces, but also summer kitchens and a pool sunken into the balcony of each unit. These pools have a transparent edge towards the plaza, eliminating the visual barrier between the pool and the environment. Bathers can be fully immersed in the view of the marina and the ocean beyond.
On the ground level, the facade pattern melts into the pavement of the plaza, creating a subtle topography on the square. Along the edge, various hexagons transform into green mounds with plants, palm trees, and integrated seating. The centre of the square is formed by a shallow pond, which is fed by fountains scattered around the plaza, and a network of small creeks between the hexagonal pavers.
The residences in the building offer a variety of floor plans that will suit the diverse lifestyles of its tenants. The residential lobby and high-end retail will activate the public plaza. A golf cart parking and storage units are oriented towards the parking lot on the north, in close proximity to Albany’s championship golf course.
The Honeycomb will be the centrepiece of Albany’s masterplan for a live, work, play environment unlike any other in The Bahamas.
Partner in Charge: Bjarke Ingels, Thomas Christoffersen Project Leader: Sören Grünert Team: Benzi Rodman, David Spittler, Jenny Shen, Karen Shiue, Lujac Desautel, Romea Muryn, Brian Foster Client: Tavistock Group / New Valley LLC Collaborators: HKS architects (local architect), Michael Diggiss Architects (executive architect)
Focus sur le recensement des tours les plus étranges et loufoques du monde, sorties de l’imaginaire des architectes. Entre le Klimwand Climbing Tower, les tours San Gimignano ou encore l’Hôtel Ryugyong en Corée du Nord, voici une sélection en images à découvrir dans la suite de l’article.
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