Tagliente by Plasma Studio and ewo

Tagliente by Plasma Studio and Ewo

Architects Plasma Studio of London, Beijing and Bolzano have designed this LED street lamp in collaboration with lighting company ewo.

Tagliente by Plasma Studio and Ewo

Called Tagliente (‘sharp’ in Italian), the lamp has a faceted surface, twisting from the vertical pole to horizontal light source.

Tagliente by Plasma Studio and Ewo

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Tagliente by Plasma Studio and Ewo

The information below is from Plasma Studio:


PLASMA STUDIO and ewo present ‘Tagliente’

With the advent of LED lighting units suitable for outdoor lighting, ewo, the Bolzano-based, international manufacturer of high quality lighting systems asked Plasma Studio to develop a new type of street light for this radically new technology.

Tagliente by Plasma Studio and Ewo

Starting from the conceptual diagram of the street lamp as a combination of vertical shaft and horizontal light-emitting beam and looking at birds and flowers for reference, Plasma developed Tagliente as a fluid transition between the vertical and horizontal directions.

Tagliente by Plasma Studio and Ewo

Challenging the omnipresent and generic status of street lamps, this angular multi-facetted sculpture appears different from every angle and invites the casual passer-by to wander around it in order to grasp its form. By being ambiguously between industrial and natural form, we experienced that the object’s relationship to context has been surprisingly versatile.

The light was first exhibited at Plasma Studio’s Nodal Landscapes exhibition at the DAZ Berlin where it formed a dynamic extension to the orthogonal grids of a typical Berlin “Hinterhof” around it. It is now displayed in front of ewo’s headquarter building, a contemporary context that enables it to articulate the link between the natural rocky backdrop and the man-made orthogonal structures.


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Skateplaza Cologne Rheinauhafen

finally! the new skateplaza at cologne´s top location “rheinauhafen” directly at the river rhine goes in realization phase now and will be finis..

Minamikawa House by Yoshihara McKee Architects

Here’s a house in Osaka, Japan, by Yoshihara McKee Architects of New York and Tokyo.

Minamikawa House by Yoshihara McKee Architects

Called Minamikawa House, the residence has a sloping lawn that rises from street level to meet the living areas, which are suspended over walkways beneath either side of the house.

Minamikawa House by Yoshihara McKee Architects

Rooms on the lower floor are organised in wooden, glass and concrete volumes, while the upper floor that contains bedrooms and bathrooms is more enclosed.

Minamikawa House by Yoshihara McKee Architects

“The site is relatively bigger than many of the Japanese projects featured recently, and it afforded us the opportunity to play with landscape, changes in level, and a generally more intricate series of design moves,” says Marcello Pacheco of Yoshihara McKee Architects.

Minamikawa House by Yoshihara McKee Architects

See also: Posen Loft by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

More Japanese houses on Dezeen »

Minamikawa House by Yoshihara McKee Architects

Here are some more details from the architects:


Although designed to harmonize comfortably with the other residences in this typical suburban landscape, the Minamigawa house is a departure from traditional Japanese home design.

Minamikawa House by Yoshihara McKee Architects

Unlike its neighbors each of which presents a bland façade to the street with a formally defined house and garden hidden behind it this home merges indoor and outdoor spaces into a unified whole.

Minamikawa House by Yoshihara McKee Architects

The garden climbs up from street level, penetrating the built form and pulling the eye beyond the structure’s surface to a planted terrace overlooking the street.

Minamikawa House by Yoshihara McKee Architects

At the top of the incline, the primary living spaces within the open concrete and glass frame take advantage of the views to the garden and an adjacent park, while wood-clad boxes offer domestic warmth and privacy.

Minamikawa House by Yoshihara McKee Architects

Flowing back and forth between house and garden, the design blurs the distinction between what is “inside” and what is “outside.”

Minamikawa House by Yoshihara McKee Architects

The third floor, with more enclosed rooms well above eye and street level, offers added privacy.

Minamikawa House by Yoshihara McKee Architects

Throughout, a palette of simple building materials enhances the unconventional design, while the balanced scale of all the elements contributes a quiet informality.

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects


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House in Osaka by Kazuya Morita Architecture StudioHair salon in Osaka
by Teruhiro Yanagihara
Shop in Osaka
by Facet Studio

Architecture with a Bang: Is Author Tom Clancy Trying to Build an Indoor Shooting Range at Baltimore’s Ritz-Carlton Residences?

Speaking of powerful men with lots of money who want things done their way, there’s an interesting architecture development happening in Baltimore, stirring up some rumors in the process. The Baltimore Sun reports that an owner of a penthouse-level condo at the Ritz-Carlton Residences near the city’s waterfront has hired an architect and is seeking permission from the city to build an indoor gun range. No one is sure who wants a portion of their house torn up and spot to fire guns in put up, not even the architect, but most of the rumors point to novelist/licensing-guru Tom Clancy. A known gun enthusiast, who has built ranges at his other properties, owns and entire floor of the tony Baltimore building. Clancy is sure to be up against some big hurdles, and not just from his neighbors who might put up a fight (we also can’t imagine that the association’s bylaws include “No gun ranges may be installed in any property.”) As the Sun reports, “State law prohibits the firing of guns within 150 yards of any residence. Whether that would prevent a permitted gun owner from shooting indoors in a controlled environment such as a firing range is one of the questions being considered by authorities. ” But when you’ve already spent nearly $17 million on buying a whole floor of a building, that likely implies that you don’t mind spending a few more bucks to help grease some wheels.

New Career Opportunities Daily: The best jobs in media.

Design Futures

Biomimetics, concrete cloth and other high-tech visions of awesome interactive design to come
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Textile and design expert Bradley Quinn secures his place among authors on the pulse of technology and design with his new book, “Design Futures.” The 240-page road map about design’s immediate future, edifies communities from architects to budding app developers by detailing innovations in material, surface and imagination. Quinn focuses on a number of cutting-edge trailblazers attempting to manipulate form and function by reshaping current dystopias as a way to better the urban experience.

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Treading the boundary between academic and journalist, the author’s relaxed approach belies his curiosity. Balanced with his opinion of the trends he’s observed and thoughtful conjecture, Quinn often leaves the reader with a gaping jaw. He posits that future cities will be markedly greener than the concrete metropolises of the twentieth century, writing, “In fact, every aspect of urban architecture will be responsive in the future, not only because the facades will illuminate and change shape, but also because the exteriors will be conceived as sensitive skins that harness energy while shielding the structure against the wind, rain and solar heat.”

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Impressive not just for the breadth of knowledge Quinn displays, his work also makes clear distinctions between micro and macro elements, and details how to seamlessly integrate elements from a myriad of sources into new cities. Interviews with individuals at the forefront of their respective industries add depth to the book, taking it out of pure fantasy into the realm of the real. “Design Futures” comes out 1 April 2011 from Merrell, pre-order it now from Amazon.


More Than 150 Show Up to Give Facebook a Hand with Urban Planning

Following up on a story from a couple of weeks back, this weekend marked Facebook‘s all-day, everyone’s-invited conference to look at their new Menlo Park neighborhood, where they’ll be moving this summer into the old Sun Microsystems campus. As reported by the San Jose Mercury News, more than 150 architects and designers showed up to help try and think of methods of updating the campus, and how to incorporate and work with its surrounding area and the neighboring community (no word on whether or not these people were compensated for this). As the paper tells it, the mass of people were broken into four groups who looked at different aspects of their soon-to-be-new-headquarters, including walking around, meeting the locals (who are sure to enjoy the tax boost once the company moves in), and sketching out ideas, unveiling them at the end of the long, 12 hour day. Even Mark Zuckerberg showed up toward the end. Here’s a bit:

As the blizzard of ideas swirled, Facebook CEO Mark Zuckerberg suddenly appeared, strolling nonchalantly through the crowded room. John Tenanes, Facebook’s director of global real estate and Zuckerberg’s tour guide, asked some of the blue team members to fill him in.

…Zuckerberg seemed stoked by the ideas. He nodded, said “cool” several times, and then vanished into a backroom.

New Career Opportunities Daily: The best jobs in media.

The Art and Architecture of Saif Gaddafi

While the vicious fighting continues unabated in Libya, The Art Newspaper recalled having reported on a story related to one of the key figures in the battle for the country, Saif Gaddafi, the son and right-hand man of Muammar Gaddafi, who had recently pledged to “fight until the last man, the last woman, the last bullet” and warned protesters that “rivers of blood will run through Libya.” Back in 2002, Gaddafi talked with the paper about his The Desert is Not Silent, a traveling exhibition of his paintings. As you’d likely guessed, the world’s art critics were not very receiving of the dictator’s son’s work. For reference, we point to the Guardian‘s Jonathan Jones, who said, “as a painter he is not even a gifted amateur; his sentimentality is only exceeded by his technical incapacity.” We were surprised to learn also that, prior to the recent fighting in the country, Saif also ran his own architecture firm, the National Engineering Service and Supplies Company, and two years ago had gotten into urban planning, even roping in Norman Foster to help out. Unfortunately, we weren’t able to find any of his architectural work online and his multi-billion dollar plan to build “the world’s largest sustainable development” seem largely like delusional hyperbole. So, in short, there’s nothing to show from either of those aspects of his career. What’s more, we can’t even send you over to his painting exhibition’s website, because it’s “down for maintenance” at the moment. However, you can get a small peek and a description of the traveling show on the Gaddafi International Charity and Development Foundation‘s site, which of course, funded the entire thing (must not have hurt that Saif serves as its chairman).

New Career Opportunities Daily: The best jobs in media.

Between Angry Mass Emails, CEO Facing Possible Jail Time and School District Lawsuits, Troubles Continue for Architecture Firm RMJM

More drama in the ongoing saga at one of the largest architecture firms in the world, the Edinburgh-based RMJM. As we’d previously reported, this past fall, with news of layoffs and staff exits, marked the start of what now seems like a snowball effect, with more information coming out every few weeks about how rocky things are at the company. Late last week, it was reported that RMJM had suspended the principal architect at their Hong Kong office, the company citing her “bizarre, irrational behavior.” In turn, the architect, Catherine Siu, not only sent off a damning, company-wide email, but also filed a complaint with Hong Kong’s department of labor, claiming that none of the employees at the company had been paid, nor any of its vendors. While RMJM denies any of this is true and is attempting to discredit Siu’s statements in talking to the press and company-wide emails of their own, her words seem a bit more believable when you consider that, as The Scotsman reports, “about 80 workers are understood to have left the Hong Kong office over the past year amid claims of unpaid wages.” You’ll note that the firm is also being sued by its American wing, Hillier, over the exact same issue. Should Hong Kong’s department of labor find the company at fault, they would be forced to pay a fine and what’s more, the CEO of RMJM, Peter Morrison, could face up to three years in jail, the punishment there for non-payment of wages. And speaking of Hillier, while they’re busy fighting their parent company to get the millions they say are owed to them, they’ve now found themselves facing a nearly-$30 million dollar lawsuit by New Jersey’s Princeton Regional School District over the building of a high school. The district claims that “the plans were flawed and contained numerous errors and omissions that proved costly.” We’re assuming that this isn’t the sort of thing Hillier is loving dealing with at the moment, piled on top of everything else going on. In the end, with all of this negative RMJM news coming down the pike, we think back to this great profile of Peter Morrison from 2007, a year after the then-33 year old stepped in as CEO. The overall message of the piece, and perhaps could be read into with regard to this latest series of issues, can all be summed up in its headline: “Scotland’s accidental architect.”

New Career Opportunities Daily: The best jobs in media.

House in Kohgo by Yutaka Yoshida Architect & Associates

House in Kohgo by Yutaka Yoshida Architect and Associates

Japanese studio Yutaka Yoshida Architect & Associates have completed this concrete family home in Hiroshima, Japan.

House in Kohgo by Yutaka Yoshida Architect and Associates

A concrete slab extends out of the side of the three-storey house at the rear, creating a narrow terrace.

House in Kohgo by Yutaka Yoshida Architect and Associates

A free-standing burgundy spiral staircase in the corner of the space connects all three floors and leads up to a landing with a floor made of wooden slats on the top level.

House in Kohgo by Yutaka Yoshida Architect and Associates

Exposed concrete features throughout the interior.

House in Kohgo by Yutaka Yoshida Architect and Associates

Large windows at the rear of the house bathe the interior with light.

House in Kohgo by Yutaka Yoshida Architect and Associates

Photographs are by Tomohiro Sakashita.

House in Kohgo by Yutaka Yoshida Architect and Associates

More Japanese houses on Dezeen »
More residential architecture on Dezeen »

House in Kohgo by Yutaka Yoshida Architect and Associates

The information below is from the architects:


This house is built in the residential area lined with the buildings which are a low-rise building to circumference adjacent to the park which is full of green.

House in Kohgo by Yutaka Yoshida Architect and Associates

2 stories did study, but chose 3 stories to own the garden in the south side among a rich connection of the outside space.

House in Kohgo by Yutaka Yoshida Architect and Associates

Mainly on the the second floor living that I joined together in direct stairs becoming two levels of colonnades from the entrance, a spiral staircase goes through a top and bottom floor.

House in Kohgo by Yutaka Yoshida Architect and Associates

The terrace which I pushed out and a screen by the aluminium sash wrap a place in the courtyard space of the form that is new in the vacant land that it was possible for on the site full the site that spread so that inside space protrudes.

House in Kohgo by Yutaka Yoshida Architect and Associates

I regard it as the wooden housing which hung the third floor floor with a steel frame to reduce building weight for 3 stories on the soft ground along the river.

House in Kohgo by Yutaka Yoshida Architect and Associates

The wooden floor inserted in a skeleton of the concrete of two levels of colonnades just shows the common joint which is constitution materials as makeup and forms a corridor in the shape of a drainboard.

House in Kohgo by Yutaka Yoshida Architect and Associates

Architect: YUTAKA YOSHIDA ARCHITECT & ASSOCIATES

House in Kohgo by Yutaka Yoshida Architect and Associates

Location: Hiroshima, Hiroshima, Japan

House in Kohgo by Yutaka Yoshida Architect and Associates

Project area: 119.73sqm

House in Kohgo by Yutaka Yoshida Architect and Associates

Project year: 2010

House in Kohgo by Yutaka Yoshida Architect and Associates


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Himeji Observatory House by KINO architectsHouse with Big Spiral Staircase by Avehideshi ArchitectsHouse in Koamicho by
Suppose Design Office

Villa Rotterdam by Ooze

Villa Rotterdam by Ooze

Architects Ooze of Paris and Rotterdam extended this Rotterdam residence by wrapping a new faceted skin over the house’s existing collection of buildings and extensions.

Villa Rotterdam by Ooze

Called Villa Rotterdam, the project creates a new staircase, kitchen and extra bedrooms in the spaces between the old house and new shell.

Villa Rotterdam by Ooze

Prefabricated solid timber panels were used to speed construction.

Villa Rotterdam by Ooze

The building has green roofs and is clad in wooden panels made from fast-growing softwood that’s treated in a high-tech process to make it more durable than tropical hardwoods.

Villa Rotterdam by Ooze

See also: Between the Waters by Ooze and Marjetica Potrc

Villa Rotterdam by Ooze

More stories about residential extensions on Dezeen »

Villa Rotterdam by Ooze

Photographs are copyright Jeroen Musch & Ooze.

Villa Rotterdam by Ooze

The information that follows is from the architects:


Living in a Structure

This detached Rotterdam house had been extended several times in recent decades. Ooze architects translated the owners’ desire to recycle the ‘soul’ of the house by transforming it in an unusual way. The young architectural firm began with a commission to design a kitchen that then evolved into a complete renovation.

Villa Rotterdam by Ooze

The design was based on the maximum building envelope: ridge height, as well as the depth of the extension was defined by the zoning plan. “We simply connected these points” says Eva Pfannes, the architect who designed the transformed house along with her studio partner, Sylvain Hartenberg. The house on which Ooze began to work had gradually grown over the years.

Villa Rotterdam by Ooze

It now consisted of two perpendicular building volumes with a pitched roof, a lower semicircle building in between connecting the two parts, and several extensions on the other side in the angle of the hook-shaped house.

Villa Rotterdam by Ooze

The owners wanted to reform these incoherent parts into a logical and comprehensive whole. The pre-defined maximum envelope formed the guideline for a new skin that wraps around the old house and shapes new spaces for inhabitation. The new kitchen and a brief to increase the number of bedrooms were the launch for the redesign of the entire house of which the staircases form the backbone.

Villa Rotterdam by Ooze

The layout has been totally reorganized around a central void. A new staircase on the north wall is servicing first and second floor.

Villa Rotterdam by Ooze

Inside, the building manifests itself through a formal language based on prefabricated, solid wood triangles that have a direct reference to the old roof. Folds and facets were generated by an intuitive rationalism following what was permitted and what would benefit the space inside. This skin becomes the structure which sits like a hat on top of the existing one and works as a load carrier to bring down the additional weight burden of the new floors and roofs.

Villa Rotterdam by Ooze

The only construction method able to provide the precision and speed of delivery requested by the client was prefabricated solid timber panel (Lenotec) for the structure of the skin (roof, walls and floor). The prefabricated, solid wood – LENOTEC – elements were cut and arrived as a 3D kit on the building site.

Villa Rotterdam by Ooze

This internal structure communicates a sense of the new and the old: living in a new structure as well as with the old walls. The transition between the two is subtle and gradual – as you go up in the house, the new gradually supercedes the old. The spaces generated for inhabitation become very different and very specific, enriching the life within in the house.

Villa Rotterdam by Ooze

The material also allowed the outer walls and roof to remain relatively thin. Within the given building envelope a maximum interior space could be realized. By varying the thickness of the single material, it could serve as outer wall, roof, interior wall, stair balustrade and stringer.

Villa Rotterdam by Ooze

The result is a succession of spaces where the difference between ceiling, wall and floor are gone and thus overlap.

Villa Rotterdam by Ooze

The intervention that started the process of transformation remains the most important. Through the creation of a void, the architects transformed the dark and cramped existing stairwell into a bright and social space.

Villa Rotterdam by Ooze

The exterior references traditional Dutch farms through the use of sedum green roofs and black stained ACCOYA (High-technology fast growing, sustainably-sourced wood more durable than teak) planks in a standard width of 15cm. The lines of the cladding wrap around the house like a continuous new skin.

Villa Rotterdam by Ooze

Beyond style or architectural aesthetic, the aim was to engage in a process of rediscovery of the vernacular, to introduce a dialogue between the old and preserved and the new, and to explore a new language which reinterprets the old. It is not an object, it is a collection of very comfortable spaces which are intertwined with the landscape, an extended envelope which extends the possibilities of inhabitation.

Villa Rotterdam by Ooze

We are convinced that reclaiming the past is a form a rediscovery of a different future, away from the tabula rasa, a more sustainable and inspiring way of enriching the environment we live in.

Villa Rotterdam by Ooze

Clients words after completion of the house: “The house is a precedent in establishing a new culture of dealing with an existing structure.

Villa Rotterdam by Ooze

“Recycling” is another nature of work; therefore it is not a formalistic but a conceptual house. The new and old come together, in fact they are melted together. The old does not disappear, it is enhanced, and all shapes of the original are still there. The new reacts to it and explodes the space, and creates an interesting expression. Everything has its value and all shapes have a reason.

Villa Rotterdam by Ooze

An openness in both parties, architect and client, was necessary to make the project more special and more stunning. We went together through an incredible process and the project is the result of this. Both the recycling of the structure and the process can be seen as a sign of the times that will make it into a landmark.”

Villa Rotterdam by Ooze

OOZE 063: Villa Rotterdam
PROJECT: Villa refurbishment
LOCATION: Rotterdam – NL
AREAS: 500m2

Villa Rotterdam by Ooze

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TEAM:
Architect: OOZE architects (Eva Pfannes & Sylvain Hartenberg)
Assistants: Rene Sangers,
Interns: Eloka Som, Maartje Franse

Villa Rotterdam by Ooze

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Building Consultant: BOUWHAVEN Consultants (Ruud Ghering, Corstiaan Verschoor, Jasper Martens)
Engineer: Pieters Bouwtechniek ( Jaap Dijks)
Main contractor: DB Bouw BV

Villa Rotterdam by Ooze

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CAD 3d construction-
drawings: Bouwbreed BV
Services: Interdaad installbouw
Inbuilt furniture: Binnenruimte
Styling: Dutch Style Company (Monique van der Reijden)
DATE: 2009 – 2010

Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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Villa Rotterdam by Ooze

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