Cabrela House by Orgânica Arquitectura

Cabrela House by Orgânica Arquitectura

Lisbon studio Orgânica Arquitectura have completed a two-storey residence behind the solid stone walls of an otherwise ruined house in Sintra, Portugal.

Cabrela House by Orgânica Arquitectura

A wall of windows at the rear of Cabrela House overlooks a small courtyard, which is bounded by the retained stone structure.

Cabrela House by Orgânica Arquitectura

The new steel-framed house has a pitched roof that imitates the profile of both the existing building and the adjoining property next door.

Cabrela House by Orgânica Arquitectura

A living room, kitchen and work studio can be found on the ground floor, while two bedrooms are located on the storey above.

Cabrela House by Orgânica Arquitectura

Similar projects from the Dezeen archive include a concrete house atop stone building remains in the Swiss Alps, a Corten steel artist’s studio inserted into a ruined Victorian dovecote, and two houses where a steeply-pitched roof covers an old dry stone construction in the Spanish Pyrenees.

Cabrela House by Orgânica Arquitectura

Photography is by Fernando Guerra.

Cabrela House by Orgânica Arquitectura

Here are a few words from the architects:


Cabrela House, Sintra, Portugal

On the site we found ruins of a house waiting to be recover.

Cabrela House by Orgânica Arquitectura

On the interior a house emerges: we preserved the limit walls and we designed an exterior space.

Cabrela House by Orgânica Arquitectura

At the same time we harmonize the smalls existing volumes that follow the house next door.

Cabrela House by Orgânica Arquitectura

On the main floor stay the kitchen, the living room and a small studio and at first floor two bedrooms.

Cabrela House by Orgânica Arquitectura

Architecture: Orgânica Arquitectura (Paulo Serôdio Lopes, Teresa Serôdio Lopes, Marta Belém)

Cabrela House by Orgânica Arquitectura

Client: José Silva Pereira

Cabrela House by Orgânica Arquitectura

Area: 142m2;

Cabrela House by Orgânica Arquitectura

Local: Cabrela, Sintra, Portugal

Cabrela House by Orgânica Arquitectura


See also:

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Casa Talia by
Marco Giunta
Jaffa Flat by
Pitsou Kedem
Moritzburg Museum Extension
by Nieto Sobejano Arquitectos

Best of NYIGF: Brinca Dada Adds Gehry-Style Blocks to Architectural Toy Box


(Photos courtesy Brinca Dada)

The New York International Gift Fair is a biannual showcase of homegoods, trinkets, doohickeys, and gewgaws so terrifically vast and enlightening that we often find ourselves departing the Javits Center—in a deluxe, easterly bound shuttle bus, no less—plotting to give up this whole words business to open an UnBeige Emporium of Swell Things. Unable to decide among a flagship in Manhattan, Milan, Miami, or Bora Bora, however, we content ourselves with highlighting some of our favorite finds from the fair’s Accent on Design division for you (at no charge!) and relaying one top choice to the NYIGF organizers as part of their Bloggers’ Choice Awards. This season, we bestowed the honor for “urgent, odd, and delightful design” on the latest offering from New York-based toymaker Brinca Dada. Best known for its stunning modernist dollhouses and complementary furniture, the New York-based company brings its flair for architectural fun to building blocks with this set of curvy, asymmetric wooden shapes that will inspire kids to think outside of the Lego box. “I wanted a set of blocks that could be rearranged and made to look like a Frank Gehry building,” Brinca Dada founder and CEO Douglas Rollins told us. And once the tots tire of Bilbao building, the blocks can be used for a game of Masochist Jenga! The blocks will be available this fall, along with the new Bennett House (pictured, at left). The De Stijl-flavored mini-townhouse, complete with solar-powered LED lights and rooftop pool, is the perfect home for Rietveld Barbie.

New Career Opportunities Daily: The best jobs in media.

Anisotropia by Orproject: Architecture from Music

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London-based architectural firm Orproject sent us their proposal for the Busan Opera House in South Korea slated to begin construction in 2014. The design of the proposed structure, entitled “Anisotropia,” is informed by a piano piece composed by the firm’s director. The repetition of musical elements become the repetition of structural elements, such that “complex architectural rhythms…are used to control the light, view and shading properties of the facade.”

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Anisotropia is yet another example of the current organic architecture movement, often derisively termed “blobitechture.” In many cases, the structures are informed by mathematical formulas without clear intentions of why the formula or specific inputs were used other than to generate a unique form. (For those interested, read up on the Grasshopper extensions to the 3D modeling software, Rhino.) At least in Orproject’s case, the building is designed with regards to a musical piece. However, the project still begs the questions: Why was this piece of music chosen? What was the process for converting music into structure?

(more…)


Wangjing Soho by Zaha Hadid Architects

Wangjing Soho by Zaha Hadid Architects

Zaha Hadid Architects have released new renders of a 200-metre-high commercial complex designed for Beijing.

Wangjing Soho by Zaha Hadid Architects

The Wangjing Soho complex will comprise three large pebble-shaped buildings overlooking a road that leads to Beijing Capital Airport.

Wangjing Soho by Zaha Hadid Architects

A three-storey retail podium will occupy the basement, ground and first floors of the buildings, while up to 37 floors of offices will be located above.

Wangjing Soho by Zaha Hadid Architects

Three underground floors will provide car parking.

Wangjing Soho by Zaha Hadid Architects

We recently featured Zaha Hadid’s Aquatics Centre for the London 2012 Olympics on Dezeen – see all our stories about Zaha Hadid Architects here.

Here are a few more details from the architects:


Wangjing Soho
Beijing, China

The Wangjing Soho building complex is a beacon along the way to Beijing’s modern gateway, the Capital Airport, and the journey of transition to and from the city.

The project acts as a welcoming post to the city and a gesture of farewell when departing Beijing. The buildings achieve this by reading differently when transitioning in either direction, leaving distinctly different impressions on those who pass by.

Like Chinese Fans, the volumes appear to move around each other in an intricate dance, each embracing the other from a continuously changing angle. This interplay creates a vibrant architectural complex that is enhanced by an equally dynamic external skin, which continuously varies in density creating a shimmering, exciting presence.

Program: Commerical Offi ce & Retail Complex
Client: SOHO China Ltd.
Architect: Zaha Hadid Architects

Design: Zaha Hadid with Patrik Schumacher
Project Director: Satoshi Ohashi
Associate: Cristiano Ceccato
Project Manager: Raymond Lau
Project Architect: Armando Solano
Project Team: Bianca Cheung, Yu Du, Ed Gaskin, Sally Harris, Chao-Ching Wang, Feng Lin, Yikai Lin, Oliver Malm, Rashiq Muhamadali Matthew Richardson, Yichi Zhang, Yan Guangyuan, Ma Xinyue Zhang Zhe
Competition Team: Ceyhun Baskin, Inanc Eray, Chikara Inamura, Michael Grau, Hoda Nobakhati, Michal Treder, Yevgeniya Pozigun


See also:

.

Riverside Museum by
Zaha Hadid Architects
Evelyn Grace Academy by
Zaha Hadid Architects
Jesolo Magica, Italy by
Zaha Hadid Architects

Sign Your Famous Architect Name on the Dotted Line

It’s a slow Tuesday at the end of summer, so let’s take a little break from all this serious news business for a second and turn our attentions to something a bit more relaxed and fun, shall we? Life of an Architect has put up this great post, “Architects and Their Signatures,” offering up tongue-in-cheek handwriting analysis for a handful (puns!) of famous architects. What does Frank Lloyd Wright‘s compact lettering or Renzo Piano‘s four, tight wavy lines say about them? You surely won’t have an answer to those questions from this post, but it’s a fun time and likely just as valuable as real handwriting analysis regardless. Here’s one of our favorites:

What can you say about the signature of Richard Meier? Completely illegible (does it say “Texas” at the end??) which is a clear indication of assumed stardom and self-importance … but the squiggly line embellishment at the bottom (closely resembling a sad clown smile) is an attempt after the fact of a strong desire for our love and acceptance. Meier has built a career based on the theories of others – particularly Le Corbusier – and the casual self-importance and self-loathing present in the beginning, middle and end of this signature speak volumes … and a love of the color white.

New Career Opportunities Daily: The best jobs in media.

Dezeen Screen: 9/11 memorial by Michael Arad and Peter Walker

Reflecting Absence by Michael Arad and Peter Walker

Dezeen Screen: here’s an animation of how the two memorial fountains on the World Trade Centre site in New York will look when they open in three weeks time. Watch the movie »

High & Dry

Architectural dish rack dries delicate glassware safely and beautifully
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With the
High & Dry dish rack
,
Black + Blum’s
architectural artistry transcends humdrum household ware into a harmonious form and function showpiece. Intent on turning “something quite mundane into something spectacular,” creative partners, Dan Black and Martin Blum, designed a sturdy, sculptural rack with fragile glassware as the protective focus.

The Calatrava-esque solution allows delicate glasses to safely air dry. A sleek cupholder for cutlery adds a design-conscious accent to the accessory, topped off by the rack’s spot-on flip up spout for water drainage.
Made from easy-to-clean polypropylene and stainless steel, the no-fuss High & Dry offers a collapsible and compact answer to an urbanite’s cramped but creative-minded kitchen.

Available in white, green or grey, the High & Dry dishrack retails for $50.


Diamond Beach House by Bourne Blue Architecture

Diamond Beach House by Bourne Blue Architecture

Continuing our series of stories about security-conscious and bunker-like residences, here’s an Australian holiday home that can be secured with huge sliding steel shutters.

Diamond Beach House by Bourne Blue Architecture

Designed by architects Bourne Blue, the single-storey house in New South Wales surrounds a decked courtyard.

Diamond Beach House by Bourne Blue Architecture

Openings in each of the facades lead to the central courtyard, where entrances to the house are located.

Diamond Beach House by Bourne Blue Architecture

The corrugated metal shutters fasten across the fronts of the corridor openings, as well as around the courtyard-facing elevations.

Diamond Beach House by Bourne Blue Architecture

When the shutters are open these corridors serve as external rooms, filled with hammocks and a dining table.

Diamond Beach House by Bourne Blue Architecture

The openings divide the house into four blocks, separated into living rooms, a set of children’s rooms and two separate en suite bedrooms.

Diamond Beach House by Bourne Blue Architecture

The house is the latest in a string of Australian houses on Dezeen – click here to see more.

Diamond Beach House by Bourne Blue Architecture

Another recent story to feature steel shutters was an apartment block in New York by architect Shigeru Ban – see our earlier story.

Diamond Beach House by Bourne Blue Architecture

See also: more stories about bunkers and other fortified buildings.

Diamond Beach House by Bourne Blue Architecture

Photography is by Simon Whitbread.

Here are some more details from Bourne Blue Architecture:


Project Description

This site, just behind the sand dunes of Diamond Beach on the mid north coast of NSW, is very flat and has a modest view over wetlands. The proximity of the ocean would enable a beachside lifestyle, however the house couldn’t access ocean views to provide the amenity.

Diamond Beach House by Bourne Blue Architecture

The design therefore needed to work in this context and provide the amenity from within. This is a holiday house for a large family, who frequently travel away with other families, so facilities for 10 – 15 people were required.

Diamond Beach House by Bourne Blue Architecture

A covenant on the land dictated that the house was to built using brick and tile.

Diamond Beach House by Bourne Blue Architecture

The design is comprised of four components, wrapping around a central court. Living space, two different adult sleeping areas and a kids area.

Diamond Beach House by Bourne Blue Architecture

The living space has a slab for thermal mass and faces North. The two adult sleeping areas are identical parental retreats at opposite corners, while the kids area has a boys and girls bunkroom and a TV area.

Diamond Beach House by Bourne Blue Architecture

Each of the four components is separated by a roofed deck, which either houses hammocks, a dining space or the entry. A monopitch roof wraps around the courtyard, over all these spaces, simplifying roof drainage and providing unity.

Diamond Beach House by Bourne Blue Architectur

Click above for larger image

Sliding screens of perforated mini orb close off the roofed decks at the edge of the building, so that they are secure when the house is not in use. They also screen the undesirable sun and weather. A second set of screens wrap around the internal courtyard which also protect against inclement weather and cater for prolonged absences.

Diamond Beach House by Bourne Blue Architecture

Architect – Bourne Blue Architecture
Engineer – Izzat Consulting Engineers
Builder – Sugar Creek Building Co.
Completion – 2010
Cost – $520,000 incl tax
Area – 169m2


See also:

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Beach House by
Alexander Gorlin
Star House by
AGi Architects
Wategos Beach House
by Mackay + Partners

A Look Back at All That Went Into Building the Martin Luther King Jr. Memorial

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If you’re around Washington DC today and happen to wander through the National Mall, you’ll no doubt run into something of a crowd for today’s “soft open” for the Martin Luther King Jr. Memorial. The official dedication ceremony isn’t until Sunday, but the government has opened up the “Stone of Hope” site a bit early to give it a trial run and get the press buzzing. On the occasion of it finally being a reality, we thought we’d take a look back at some of the many, many hurdles it had to overcome to get to this point, or at least just those we’ve covered over the past 4+ years. The first and lasting big stir reached national attention back in 2007 when it was announced that sculptor Lei Yixin had won the commission to build the memorial. Many took umbrage with his selection, given that a) he isn’t black and b) he isn’t American either (he’s Chinese). With that second point stuck in people’s minds, those against having a foreign sculptor build a tribute to an American icon were made all the more upset when it was decided, again after some lengthy controversy, that the granite needed to build the memorial was also going to be coming from China. By 2008, the next big debates were over requesting that Yixin make a number of alterations to his sculpture, making Dr. King look “more sympathetic” and less like Mao Zedong, who Yixin had also carved busts of. After months, those plans finally were accepted and the government had even given the go-ahead to start drawing up architectural plans — that is, until they stopped. By the summer of 2009, the project had stalled again as the National Park Service and the project’s organizers delayed construction by spending nearly a year arguing about how to “best secure the site against possible domestic terrorism threats.” At this point, Education Secretary Arne Duncan had gotten involved, trying to smooth things out. Finally, by the end of 2009, the security measures had been agreed upon and construction again resumed. Since then, all has been relatively quiet, resulting in an early look at the memorial back in January and now today’s opening. After all those years of reporting on those countless hurdles, we really didn’t think we’d ever live to see the day.

New Career Opportunities Daily: The best jobs in media.

Apartment building by Znamení Čtyř

Apartment building by Znamení Čtyř

Herringbone brickwork and fretted screens decorate the facade of two apartment blocks in Prague.

Apartment building by Znamení Čtyř

The five-storey buildings, designed by Czech architect Znamení Čtyř, provide 20 apartments.

Apartment building by Znamení Čtyř

The fretted metal handrails and sun breakers cast patterned shadows onto the white-rendered upper floors of the blocks.

Apartment building by Znamení Čtyř

Terraces and lawns separate the two buildings, while additional gardens are located on the rooftops.

Apartment building by Znamení Čtyř

Beneath the apartments, a basement car park is set into the sloping ground.

Apartment building by Znamení Čtyř

Another project from the Dezeen archive to feature herringbone patterns is a timber-clad house in London – see our earlier story here.

Apartment building by Znamení Čtyř

Here are some more details from the architects:


Apartment building

Architectural concept of the project

New construction of the apartment building is situated on the site, which is typical Prague city quarter – on the edge of building blocks and park and sport area named Strahov.

Apartment building by Znamení Čtyř

The street space has a medium slope. The apartment house consists of simple and traditional mass following the street line, set back from neighboring building. Concept is based on cutting out of volume from basic block – characterized by dark brick facing. Dark brick facades have minimalist urban appearance with groups of freely spaced white windows. Arcades and terraces are created by partial removal of original mass. As a contrast to dark brick facades the cut out areas of the facades are completely white.

Apartment building by Znamení Čtyř

Green terraces facing the park act as a transitional element between the open space and the residential space. Main principles in the relationship to urban space are:

  • traditional scale
  • traditional placement of the building along the street line
  • arcade entrance on the ground floor
  • small inner courtyard that opens into the park area in the back

Apartment building by Znamení Čtyř

The form of the building is a transition between a compact and open development. Important principle of the design is the use of traditional building crafts elements with the “zig-zag” motif – i.e. pattern of brick faces, handrail on terraces, horizontal sun-breaker.

Apartment building by Znamení Čtyř

The pattern of craft elements casts a sun shadow upon the light surfaces.

Apartment building by Znamení Čtyř

Description

Two volumes with residential stories are situated above one story underground area, which is partially below grade and containing parking places. Each of residential volumes has its own vertical circulation. The typical size of flats is about 100m2. On the ground floor flats are placed just on the park side with their private gardens.

Apartment building by Znamení Čtyř

The part of the ground floor facing the street has appearance of covered spaces reminiscent of “arcade” around entrances. The main entrance with a gate is situated together with a car entrance at a lower elevation of the site. Behind the entrance gate begins a staircase covered by cantilevered volume. This staircase leads onto the ground floor. The ground is separated from the streets space by hedge. This level contains partially covered circulation space “arcade” with entrances to both buildings, inner courtyard with a double oak tree and a little gate into south orientated private back garden. On the opposite side of main entrance gate is another entrance right from street level – barrier free. Apartments on the upper most floor have access to roof terraces with greenery.

Apartment building by Znamení Čtyř

Cost of the buildings: 4 mil Euros HT

Number of flats : 20
Flats area: 1588 m²
Other area: 450 m2
Parking : 40 places on 700 m2
Realization: July 2009 – July 2011

Apartment building by Znamení Čtyř

Project team: Znamení Čtyř – architekti
Architect leaders : Martin Tycar, Richard Sidej, Juraj Matula
Architekt : Ondřej Rys, Klára Viceníková
Location: Residental area – Brevnov, Prague 6, Czech Republic

Program: 20 flats with terrace and parking capacity
Client: Nad Malovankou s.r.o.


See also:

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Herringbone Houses by
Alison Brooks Architects
King’s Grove by Duggan
Morris Architects
Roomburg housing
by Snitker/Borst