New Amsterdam interior by Bo Reudler Studio

Six windows with rustic white wooden shutters feature in this renovated living room by Dutch designer Bo Reudler.

New Amsterdam Interior by Bo Reudler Studio

The residents of the Amsterdam apartment already owned a cabinet from Bo Reudler‘s Slow White collection, a range of furniture made from tree branches, and asked the designer to style the room around it.

New Amsterdam Interior by Bo Reudler Studio

Reudler designed six pairs of shutters to reduce glare from the small square windows, as well as to provide more privacy from the neighbours.

New Amsterdam Interior by Bo Reudler Studio

Taking six irregularly shaped planks from a yew tree, the designer used a mix-and-match technique to create each of the panels. Rather than blocking out the light completely, every panel has a crack allows slivers of light to pass through.

New Amsterdam Interior by Bo Reudler Studio

Knots in the wood created holes in the planks and are positioned in place of handles.

New Amsterdam Interior by Bo Reudler Studio

A table and compass from the Slow White collection were added to the room to complement the cabinet and shutters, alongside the designer’s Bamboo Windsor high-back chair, a candle holder from the Haute Bamboo collection and Equus rug, a horse hide with a cutaway Fleur-de-Lis pattern.

New Amsterdam Interior by Bo Reudler Studio

See more design by Bo Reudler Studio on Dezeen, including children’s furniture shown at Dutch Design Week 2011.

New Amsterdam Interior by Bo Reudler Studio

Photography is by Raoul Kramer.

Here’s a project description from Bo Reudler Studio:


New Amsterdam interior by Bo Reudler Studio

‘There is a crack in everything, That’s how the light gets in.’ (Leonard Cohen)

For a living room interior in an Amsterdam apartment, Bo Reudler Studio designed six Slow White shutters. The high volume of the space was over flooded with light from six small west-facing windows. The brief called for something to block out glare and at the same time provide privacy from neighbours. The clients already owned a Slow White Cabinet. With this in mind they wondered if the cabinet doors could be translated into something larger: this led to the Slow White shutters.

New Amsterdam Interior by Bo Reudler Studio
Template for six yew planks

Using wood as the starting point the aim was not to completely shut out the light but create an interaction with it. By utilising the natural outlines and openings in the wood, each shutter celebrates the material and interacts with the light in a different way. Six planks were selected from a Yew tree native to Western Europe, renowned for its irregular-shaped trunk that produces whimsically shaped planks. The curving natural lines of the planks were mapped like a puzzle to create six pairs of shutters each with their own character. The holes of the knots were positioned as grips for opening and closing. Cracks in the shutters, which are also visible from the exterior, slice the light and admit glimpses of the outside while closed. The shutters bring to the forefront a forgotten building element that was once a common fixture in many homes of the past.

New Amsterdam Interior by Bo Reudler Studio
Shutter layout

The space is furnished with pieces from the studio including the Slow White table and Golden Compass that highlight the distinguishing curves of natural branches, the Haute Bamboo candleholder and Bamboo Windsor chair, a classic Western chair reinterpreted using the inherent qualities of bamboo and rattan. Resembling oversized lace with its graphic fleur-de-lys pattern cut into the horse hide, the Equus rug initiates an interaction with the floor to either hide it or reveal what’s underneath.

The post New Amsterdam interior
by Bo Reudler Studio
appeared first on Dezeen.

Ipera 25 by Alataş Architecture & Consulting

Timber louvres and shutters form a protective shell across the exterior of this apartment building in Istanbul by Turkish studio Alataş Architecture & Consulting.

Ipera 25 by Alataş Architecture & Consulting

Screening the upper levels of a glazed curtain wall, the timber cladding cloaks the facade of the six-storey-high Ipera 25 housing block, creating a system of solar shading for the nine apartments contained inside.

Ipera 25 by Alataş Architecture & Consulting

Alataş Architecture & Consulting divided the wall into four long vertical strips, which project forward and backwards at different points to allow slices of glass to emerge from between each of the timber panels.

Ipera 25 by Alataş Architecture & Consulting

“The fractures and surface variations on the facade – wider than the architectural structures in the area – not only emerge as a contemporary interpretation of the bay windows of the surrounding buildings, but also allow the facade to be perceived in a more fragmented and ergonomic manner,” architect Ahmet Alataş told Dezeen.

Ipera 25 by Alataş Architecture & Consulting

Two one-bedroom apartments are contained on each of the first four floors. Living rooms are positioned at the front of every home and residents can open and close different shutters independently.

Ipera 25 by Alataş Architecture & Consulting

“The wooden elements allow a view of the street and create a bay window effect that establishes a link between home life and life on the street,” said Alataş.

Ipera 25 by Alataş Architecture & Consulting

A two-storey penthouse is located on the uppermost floors of the building, beneath an angled ceiling that follows the pitch of the roof.

Ipera 25 by Alataş Architecture & Consulting

Other recently completed housing blocks include a building with a pleated facade on the Canary Islands and an apartment block with diagonally stepped floors and ceilings in Japan. See more housing on Dezeen.

Ipera 25 by Alataş Architecture & Consulting

Here’s some more explanation from Alataş Architecture & Consulting:


The building is located on Tatarbeyi Sokak, is one of the most virginal and underdeveloped streets of the rapidly transforming Galata District under conservation. Comprised of eight 80-m2 studio flats and one 190-m2 penthouse up for sale, it has a total surface area of 1000 m2.

Ipera 25 by Alataş Architecture & Consulting

The building is a residential project that extends beyond the conventional codes of the already-built environment, yet manages to reproduce these codes, respecting the existing architectural fabric.

Ipera 25 by Alataş Architecture & Consulting

In this regard, it continues to find new solutions to the existing problems of architecture by utilizing contemporary technologies and taking into consideration the newly burgeoning socio-economic structure of the region, as well as the infrastructure, environmental conditions, climate, and solar movements.

Ipera 25 by Alataş Architecture & Consulting

The building is comprised of a wooden shell that covers the largely transparent living area in an uncompromising manner and set between two blind and extremely thin exposed concrete curtain walls.

Ipera 25 by Alataş Architecture & Consulting

The wooden components on the front elevation run parallel to the glass facade that evolves into a saddle roof and entirely cover the front and back of the building. Perceived as a gigantic blind facade from one perspective, yet appearing as a translucent veil from the other, the wooden surface also functions as a sun filter.

Ipera 25 by Alataş Architecture & Consulting

Comprised of parallel horizontal laths that angle at various points, the wooden element divides the facade into four as the middle segments expand outwards, towards the street; leaving the sides exposed, the wooden elements thus allow a view of the street and create a bay window effect that establishes a link between home life and life on the street.

Ipera 25 by Alataş Architecture & Consulting

While the building almost disregards the relationship with the street by refusing to repeat the conventional window spans in the neighborhood, it nonetheless revives its place within the context by reinterpreting the traditional bay window structure on the street.

Ipera 25 by Alataş Architecture & Consulting

Behind its impressive presence on the street, the building displays a plain and statuesque appearance that simultaneously blends into and stands out against the context without competing with the neighboring historic buildings in its critical approach.

Ipera 25 by Alataş Architecture & Consulting

As the design is concretized, the concept of the transparent surface of the wooden veil covering the two facades and the roof between two walls is maintained throughout without any qualms. The dilapidated appearance of the neighbouring building at arm’s length is perceived as part of the view and the transparent surface is not even partially compromised.

Ipera 25 by Alataş Architecture & Consulting

While this attitude and the spatial relationship of the interior and the exterior expands the interior volumes of the 80-m2 flats – born out of the new lifestyle needs and culture – towards the facade of the buildings across the street, the translucent nature of the building’s shell allows the street to feel broader and more spacious.

Ipera 25 by Alataş Architecture & Consulting

Architects: Alataş Architecture & Consulting
Location: Galata, İstanbul, Turkey
Design Team: Ahmet Alataş, Emre Açar

Ipera 25 by Alataş Architecture & Consulting

Architectural Group: Özge Güngör Ülüğ, Dilan Yüksel, Emir Elmaslar, Gabriella Colacicco
Area: 1,100 sqm
Year: 2011

Ipera 25 by Alataş Architecture & Consulting

Site plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Ground floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

First-third floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Fourth floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Fifth floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Cross-section – click for larger image

The post Ipera 25 by Alataş Architecture
& Consulting
appeared first on Dezeen.

Diamond Beach House by Bourne Blue Architecture

Diamond Beach House by Bourne Blue Architecture

Continuing our series of stories about security-conscious and bunker-like residences, here’s an Australian holiday home that can be secured with huge sliding steel shutters.

Diamond Beach House by Bourne Blue Architecture

Designed by architects Bourne Blue, the single-storey house in New South Wales surrounds a decked courtyard.

Diamond Beach House by Bourne Blue Architecture

Openings in each of the facades lead to the central courtyard, where entrances to the house are located.

Diamond Beach House by Bourne Blue Architecture

The corrugated metal shutters fasten across the fronts of the corridor openings, as well as around the courtyard-facing elevations.

Diamond Beach House by Bourne Blue Architecture

When the shutters are open these corridors serve as external rooms, filled with hammocks and a dining table.

Diamond Beach House by Bourne Blue Architecture

The openings divide the house into four blocks, separated into living rooms, a set of children’s rooms and two separate en suite bedrooms.

Diamond Beach House by Bourne Blue Architecture

The house is the latest in a string of Australian houses on Dezeen – click here to see more.

Diamond Beach House by Bourne Blue Architecture

Another recent story to feature steel shutters was an apartment block in New York by architect Shigeru Ban – see our earlier story.

Diamond Beach House by Bourne Blue Architecture

See also: more stories about bunkers and other fortified buildings.

Diamond Beach House by Bourne Blue Architecture

Photography is by Simon Whitbread.

Here are some more details from Bourne Blue Architecture:


Project Description

This site, just behind the sand dunes of Diamond Beach on the mid north coast of NSW, is very flat and has a modest view over wetlands. The proximity of the ocean would enable a beachside lifestyle, however the house couldn’t access ocean views to provide the amenity.

Diamond Beach House by Bourne Blue Architecture

The design therefore needed to work in this context and provide the amenity from within. This is a holiday house for a large family, who frequently travel away with other families, so facilities for 10 – 15 people were required.

Diamond Beach House by Bourne Blue Architecture

A covenant on the land dictated that the house was to built using brick and tile.

Diamond Beach House by Bourne Blue Architecture

The design is comprised of four components, wrapping around a central court. Living space, two different adult sleeping areas and a kids area.

Diamond Beach House by Bourne Blue Architecture

The living space has a slab for thermal mass and faces North. The two adult sleeping areas are identical parental retreats at opposite corners, while the kids area has a boys and girls bunkroom and a TV area.

Diamond Beach House by Bourne Blue Architecture

Each of the four components is separated by a roofed deck, which either houses hammocks, a dining space or the entry. A monopitch roof wraps around the courtyard, over all these spaces, simplifying roof drainage and providing unity.

Diamond Beach House by Bourne Blue Architectur

Click above for larger image

Sliding screens of perforated mini orb close off the roofed decks at the edge of the building, so that they are secure when the house is not in use. They also screen the undesirable sun and weather. A second set of screens wrap around the internal courtyard which also protect against inclement weather and cater for prolonged absences.

Diamond Beach House by Bourne Blue Architecture

Architect – Bourne Blue Architecture
Engineer – Izzat Consulting Engineers
Builder – Sugar Creek Building Co.
Completion – 2010
Cost – $520,000 incl tax
Area – 169m2


See also:

.

Beach House by
Alexander Gorlin
Star House by
AGi Architects
Wategos Beach House
by Mackay + Partners

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Metal Shutter Houses by Shigeru Ban Architects

After hours, rolling metal shutters fasten across these New York apartments designed by Japanese architect Shigeru Ban.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Surrounded by art galleries in a West Chelsea neighbourhood, the Metal Shutter Houses rise above a gallery on the ground floor.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

The eleven-storey block contains eight duplex apartments, each with balconies facing the street.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Activated by a motor, individual perforated shutters slide over each balcony to entirely conceal the glazed facades of the apartments behind.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

A central elevator provides access to the apartments, which each have private lobbies before their front doors.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Early renderings of the building were published on Dezeen back in 2007 – see our earlier story to compare.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Another recently featured Shigeru Ban project was a temporary housing block made from shipping containerssee all our stories about Shigeru Ban here. The block also shares fortress-like characteristics with a Polish house featured on Dezeen last month.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Photography is by Michael Moran.

Here are some more details from the architects:


Metal Shutter Houses

Location

The Metal Shutter Houses, designed by the internationally renowned Japanese architect, Shigeru Ban, are located on the south side of West 19th Street, between 10th and 11th Avenues in West Chelsea’s art gallery district, steps away from the High Line, the Hudson River, Chelsea Piers, and the Hudson River Park. The block offers a bold display of the new New York: the Frank Gehry-designed IAC Headquarters are next door and Jean Nouvel’s 100 11th is across the street. Low-profile warehouse buildings throughout the neighborhood allow for long city views, including the Empire State building, from each floor of the Metal Shutter Houses.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Click above for larger image

Building

This marks the first new construction condominium residences in the United States by Ban. Known for his “poetic” architectural style, Ban has tailored what could be characterized as contextual invention to this unique 11 story structure. Such highly sensitive ingenuity has been seen in some of his previous house designs, such as the Curtain Wall House (Tokyo, Japan), the Paper House (Yamanashi, Japan), and more recently, the Furniture House 5 (Sagaponac, New York). While Ban’s work is continually so inventive that one cannot generalize his “look,” the Metal Shutter Houses’ variable façade demonstrates Ban’s fascination with use of unusual materials (or use of common materials in new contexts) and mobility of parts, often inspired by the simplicity of traditional Japanese architecture as well as the modern lines of the International school.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

The Metal Shutter Houses is a dynamic building. The façade’s motorized perforated metal shutters serve as light-modulating privacy screen at the outer edge of each residence’s terrace adjacent to the double-height living rooms. This subtle “removable skin” echoes the neighboring gallery after-hours shutters, subtly contextualizing the building within its site. The building can literally become a uniform minimal cube, or it can open completely (as well as virtually unlimited permutations between). South of the loggia, twenty foot tall, upwardly pivoting open completely, thus blurring the boundary between the inside and outside – the double height living room and loggia become one. Similarly, a series of interior sliding glass doors create an open “universal floor” in each of the duplex houses – one vast and uninterrupted expanse which transitions seamlessly from inside to outside, or partition the space into private areas.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Residences

» 11 stories featuring 8 duplex houses, an art gallery and lobby on the ground floor.
» 3 three-bedroom “single-bay” duplex houses with 1,949 sq. ft. interior space (including the 80 sq. ft. double height loggia) and two 70 sq. ft. south balconies.
» 3 four-bedroom “double-bay” duplex houses with 2,700 sq. ft. interior space (including the 160 sq. ft. loggia) and two 93 sq. ft. south balconies.
» 1 five-bedroom East West house with 4,644 sq. ft. interior space with 47’ wide living room (including the 240 sq.ft. double height loggia), two 70 sq.ft and two 93 sq.ft, south balconies.
» 1 four-bedroom “triple bay” duplex penthouse with 3,319 sq. ft. interior space, 750 sq. ft.¹ north entertainment terrace, 162 sq. ft. master bedroom terrace, two 137 sq. ft.¹ south balconies and 677 sq. ft. exclusive roof deck with garden shed.

Residence features

» All units are floor through duplexes.
» Private elevator vestibule.
» Solid ¾” quarter sawn 4½” white oak flooring throughout living areas.
» North, South and West (select residences) exposures.
» Great room with double height 20’ceiling –ideal for displaying large works of art.
» Shigeru Ban designed perforated metal shutters to enclose loggia – allowing for adjustable light control and privacy.
» 20’ floor-to-ceiling upward pivoting glass walls allow for great light air, views, and a seamless transition to double height outdoor space.
» Flexible use library/bedroom 3 or 4 with balcony and sliding glass walls.
» Highly flexible lower level entertaining floor — the sliding glass walls provide seamless access from the rear library terrace all the way to the double height terrace in the front, or close for privacy.
» Study overlooking double height living room with Ban designed white lacquer desk in matte finish (select residences).
» Floor-to-ceiling white lacquer cabinetry in matte finish custom designed by Shigeru Ban provides unique and ample storage space in living areas and bedrooms.
» Shigeru Ban designed die cast Aluminum door levers by Oshima in white zincart finish.
» Radiant floor heating in double height living room.
» High performance 4 pipe fan coil heating and air conditioning (multi-zoned) for year round individual control and comfort.
» Cable/satellite television ready, CAT 6 telecommunications wiring throughout each unit.
» Miele washer and dryer.

Team

Design architects: Shigeru Ban Architects + Dean Maltz Architect
Interiors: Shigeru Ban Architects + Dean Maltz Architect
Executive Architect: Montroy DeMarco, LLP
Developers: HEEA Development LLC, a development of Spiritos Properties and Klemens Gasser
Exclusive Marketing &
Sales Agent: Corcoran Sunshine Marketing Group

Address: 524 West 19th Street, New York, NY 10019


See also:

.

Multi-storey temporary
housing by Shigeru Ban
Dellis Cay villas
by Shigeru Ban
Dezeen interviews
Shigeru Ban

Coral House by Group8

Coral House by Group8

Swiss architects Group8 have completed this residential block covered in pink sun screens in Geneva.

Coral House by Group8

Called Coral House, the project has a glazed facade that can be covered by fabric sunshades, which roll up into the window frames when not in use.

Coral House by Group8

The building includes 58 housing units and two floors of commercial space, spread over five storeys and a basement level.

Coral House by Group8

More about Group8 on Dezeen »

Coral House by Group8

Photographs are by Régis Golay, FEDERAL studio.

Coral House by Group8

The information below is from Group8:


The site

The Coral house is located in the Chandieu area, formed by a large urban block surrounded by Rue Giuseppe-Motta, Grand-Pré and Chandieu. The site is accessible by the main road Grand-Pré, this avenue lined with trees, cuts straight though the building block. The future underground parking will be accessible by the entrance of the adjacent building, the Azure center, located on the Grand-Pré road.

Coral House by Group8

This new housing estate takes part of the regeneration of a former industrial site and completes, together with the Bamboo Residence, a large city block. At the intersection of the avenue and the Chandieu road, a public square supplemented by a fountain and a sculpture will be built in collaboration between the artiste Fabric Gygi and the architectural office ADR.

Coral House by Group8

The building

The building consists of 6 floors, including a double attic (duplex apartments) and a single basement level. Coral house offers 58 housing units, from 4 to 6 room flats (kitchen counted as a room). The ground floor and the first floor are dedicated to commercial activities.

Coral House by Group8

The construction aims to high quality standards in terms of space and equipments, as well as construction materials and coating. It also seeks the MINERGIE label, by using optimum insulation for the exterior envelope, and highly efficient technical installations (heating is provided by geothermal heat pumps; double flux air system is distributed through the ceiling – ERV). The use of a high energy standard allowed use to obtain 10 % additional net surface, compared to what was requested by the neighborhood plan.

Coral House by Group8

The façade on the road front is entirely glazed, exposing the living rooms to the outside giving the impression that the building has been cut or like section in a doll house. The clients specifically asked for a building without balconies, the most suited solution capable to give an impression of the exterior was to have sizable sliding windows offering the possibility to open large sections of the façade. In the courtyard, each room is indicated by a window perforated in a roughcast wall with exterior insulation. The internal organization of the flats has been developed as typological system, which puts the hall in the center of the plan, allowing it to distribute all the rooms. The volume of the attic is designed as an object on a pedestal, its aluminum materialization tends to blend in with the sky.

Coral House by Group8

Structural work elements

The structural system was sized not only to ensure stability of the building – including all seismic measurements-, but also to ensure a greater sound insulation between apartments but also between the apartments and the common areas. Therefore all bearing walls and slabs generally have a greater thickness than needed for regular stability requirements of the buildings.

Coral House by Group8

All thermal insulation in the facades and roof has been sized to meet the MINERGIE label values, with a clear aim to reduce energy consumption and lower costs for consumers.

Coral House by Group8

All windows in the courtyard were designed as «breathable» windows, meaning: coated aluminum frames with thermal breaks, last generation double glazing, with an additional third glass placed on the exterior in order to provide a ventilated space with a motorized window shade.

Coral House by Group8

Heating and ventilation

The production of the heating and hot water is produced by a heat pumps supplied by geothermal boreholes. The apartment heating is a low temperature floor heating. The coils embedded in the concrete subflooring are fed by a dispenser located in the lobby, which modulates the temperature in each room based on their exposure or their size. In summer, the same network of coils can be supplied with cold water for cooling of the premises.

Coral House by Group8

The ventilation is a type of «double flow system», fresh air (filtered, dusted, moisturized if necessary, heated) is prepared in the central and then fed into each room through a system in the ceiling located above the sanitary and hall. Meanwhile stale air, taken through the sanitary, is returned to central, where its heat is recovered by a heat exchanger, before being discharged.

Coral House by Group8

This way, the air quality inside the housing is guaranteed at any time, without obligation to open the windows, and energy loss by ventilation is minimized.

Coral House by Group8

CoralHouse Housing estate Area “Chandieu”, Petit-Saconnex 70-70D, Rue du Grand-Pré 1202 Geneva lot 5028 City of Geneva

Coral House by Group8

Programme — Net Area
Housing: 8’450sqm
Commercial premises: 1’930sqm
Basement: 1’029sqm
Total of 58 housing units Commercial premises on the ground and first floors Energy standard Minergie®
Client: A&A Real Estate Grand-Pré SA

Coral House by Group8

Consultants
Project management: PBM Planungs und Baumanagement AG
Civil Engineer: Walt+Galmarini AG, Perreten & Milleret
M&E Engineer: SB Technique
Sanitary Engineer: Mike Humbert ingénieur conseil
Electricity Engineer: MAB-Ingénierie SA
Building Engineering Physics: Basler & Hoffmann Holding AG

Coral House by Group8

Statistical values
Net area: 11’492sqm
Built volume: 38’100m3

Coral House by Group8


See also:

.

Cherokee by
Pugh + Scarpa
Altis Belém Hotel
by Risco
Step Up on Fifth
by Pugh + Scarpa

Dezeen archive: shutters

Dezeen archive - shutters

Dezeen archive: following our popular story on House 77 by dIONISO LAB with its perforated aluminium shutters, this week (top right) we’ve compiled all the buildings from the Dezeen archive featuring shutters. See all the stories »

All our archive stories »

House 77 by dIONISO LAB

House 77 by dIONISO LAB

Portuguese studio dIONISO LAB have completed a house in Póvoa de Varzim, Portugal, with a façade comprising aluminium shutters perforated with symbols. 

House 77 by dIONISO LAB

The concertinaed metal shutters sit in front of full-height windows, creating a balcony area between the two façades and providing privacy when required.

House 77 by dIONISO LAB

Symbols relevant to the local area, a fishing town, puncture the metal screens.

House 77 by dIONISO LAB

The interior is divided into split levels and opens onto a little garden at the rear.

House 77 by dIONISO LAB

Photographs are by Fernando Guerra.

House 77 by dIONISO LAB

More photography by Fernando Guerra »

House 77 by dIONISO LAB

More residential architecture on Dezeen »
More Portuguese architecture on Dezeen »

House 77 by dIONISO LAB

Here’s some more information from the architects:


HOUSE 77

Póvoa de Varzim is a city profoundly related to the sea and fishing.

House 77 by dIONISO LAB

Its great cultural richness became an interesting stimulus to the project.

House 77 by dIONISO LAB

In fact, the house was an opportunity to revitalize some of the city’s memories and to participate in the panoply of colours and materials that characterise the street.

House 77 by dIONISO LAB

The house is simple… it is organized in a vertical and hierarchical way.

House 77 by dIONISO LAB

The social areas are on the inferior floors and the private areas on the superior levels.

House 77 by dIONISO LAB

To achieve great visual amplitudes and dynamic interconnections between spaces, the interior was structured in half floors.

House 77 by dIONISO LAB

The width of the plot decided the stair. In fact, it became the heart of the house.

House 77 by dIONISO LAB

A wall painted with Blue Klein emphasizes its importance and continuity through the spaces.

House 77 by dIONISO LAB

The west facade is covered by aluminum venetian blinds that not only defend the interior from the insulation but also open the house to a small garden.

House 77 by dIONISO LAB

At east, the house gets its identity.

House 77 by dIONISO LAB

The intimacy is guaranteed by stainless steel panels, perforated with the “siglas poveiras”.

House 77 by dIONISO LAB

These symbols are a proto-writing system once used as a way of communication and to mark personal and fishing belongings.

House 77 by dIONISO LAB

Also, they were hereditary and constituted an important family legacy that was transmitted by inheritance through generations, evolving with new combinations.

House 77 by dIONISO LAB

In this way, the house, in the very centre of “Bairro Norte”, shares some of the city’s memories and references with the population and revitalizes a legacy that has been progressively forgotten and abandoned.

House 77 by dIONISO LAB

Quietly, the house confesses its pride in the city…

House 77 by dIONISO LAB

Click for larger image

Architect: José Cadilhe
Project Team: José Cadilhe, Emanuel Fontoura (Final Design)

House 77 by dIONISO LAB

Click for larger image

Location: Póvoa de Varzim, Portugal

House 77 by dIONISO LAB

Click for larger image

Project Year: 2008/ 2009
Construction Period: 2009/ 2010

House 77 by dIONISO LAB

Click for larger image

Contractor: Consarte Lda. (www.consarte.pt)
Constructed Area: 232 m2

House 77 by dIONISO LAB

Click for larger image


See also:

.

Casa Puglia by
Peter Pichler
Ladderstile House by ThreefoldArchitectsRestello by
Piercy Conner Architects

The Wyckoff Exchange by Andre Kikoski Architect

The Wyckoff Exchange by Andre Kikoski

Manhattan firm Andre Kikosi Architect installed a folding Corten steel façade to transform this disused New York warehouse into a market and music venue.

The Wyckoff Exchange by Andre Kikoski

The motorised façade of The Wyckoff Exchange is made up of five panels, which fold outwards to shelter the pavement and reveal a glass skin beneath.

The Wyckoff Exchange by Andre Kikoski

LED lights hidden within perforations on the metal sheets give the building a glowing effect at night, when the shutters provide protection for the shops inside.

The Wyckoff Exchange by Andre Kikoski

The building houses a live music and performance venue, an organic food market and boutique wine shop.

The Wyckoff Exchange by Andre Kikoski

More projects by Andre Kikoski Architect  on Dezeen »
More architecture on Dezeen »

Here’s some more information from the architects:


ANDRE KIKOSKI ARCHITECT DESIGNS INNOVATIVE RETAIL BUILDING IN BROOKLYN, NEW YORK

Emerging Architecture Firm Transforms Abandoned Warehouse with Cutting-Edge Façade

The Wyckoff Exchange in the Bushwick section of Brooklyn, New York is designed by Andre Kikoski Architect (AKA), an imaginative, award-winning architecture and design firm based in Manhattan.

The Wyckoff Exchange by Andre Kikoski

“We wanted to create an iconic building to speak to Bushwick’s up-and-coming status as a center of art and creative energy,” says Kikoski, “so we devised a unique aesthetic that’s dramatic, inventive, and inspired by the neighborhood’s industrial past. With state-of-the-art technologies and construction techniques, we were able to realize this 100-foot-long, eighteen-foot-tall façade in only two inches of depth.”

The Wyckoff Exchange by Andre Kikoski

Scheduled to open in winter 2010, the 10,000 square-foot Wyckoff Exchange will accommodate a live music and performance venue – to be called Radio Bushwick, with interiors also by AKA – as well as an organic market and a boutique wine shop, all in a long-vacant warehouse in the heart of a vital and rapidly changing area of the city.

The Wyckoff Exchange by Andre Kikoski

The design solution for the building exterior is highly original, relying upon motorized door technology adapted from airplane hangars and factory buildings. The five pairs of moving façade panels create an ever-changing expression of function and tectonics. By day the panels fold up to create awnings for the stores and to shelter pedestrians; by night, they secure the shops behind them, while an abstract gradient of laser-cut perforations over semi-concealed LED lights makes the panels appear to glow from within – creating an enigmatic work of art on an urban scale.

The Wyckoff Exchange by Andre Kikoski

“We chose materials for this façade that are both industrial and artistic,” explains Kikoski. “Our use of two restrained materials references the urban textures, surfaces, and character of the neighborhood. The surface quality of the raw, unfinished COR-TEN steel is elegantly transformed into a Rothko-like canvas by the setting sun, and the shimmering layer of perforated factory-grade stainless steel just two inches behind it forms a perfect complement.”

The Wyckoff Exchange by Andre Kikoski

Andre Kikoski Architect’s design approach in the this project, as in all of its work, is aimed at creating a dynamic, fluid piece of architecture. As an expression of AKA’s trademark resourcefulness and lyricism, and as an innovative approach to recycling buildings and creating a destination environment with an extreme economy of means, Wyckoff Exchange is truly a welcome development in this quickly evolving neighborhood.

Cayuga Capital Management commissioned the project and has some 40 other properties in the area. Kikoski sees this one as “a prototype of adaptive reuse”—low-impact architecture that can spread, easily and gracefully, throughout the neighborhood. “The project,” says Kikoski, “is a sign of things to come.”


See also:

.

Castelo Novo by
Comoco Architects
Prefabricated Nature by
MYCC
La Halle du Robin by
AP 5 Architects

La Halle du Robin by AP 5 Architects

La Halle du Robin by AP5 Architects

This multi-purpose sports hall by Parisian studio AP 5 Architects has shutters in the facade to open the lower part of the building.

La Halle du Robin by AP5 Architects

Called La Halle du Robin, the top part of the rectangular building is clad in larch batons, with the exception of one side, which is clad in wood and clear polycarbonate panels.

La Halle du Robin by AP5 Architects

The lower portion is made up of Corten steel panels, 9 of which can be opened up and secured by steel cables.

La Halle du Robin by AP5 Architects

The architects intend the appearance of the building to change over time, with the steel turning a deep red colour and the wood darkening with age.

La Halle du Robin by AP5 Architects

Photographs are © T. Guyenet unless otherwise stated.

La Halle du Robin by AP5 Architects

More buildings for sports on Dezeen »
More architecture on Dezeen »

La Halle du Robin by AP5 Architects

The following information is from the architects:


LA HALLE DU ROBIN
Robin Sports Center Hall

Transform the box according to events or seasons. River running in the valley of the Plaine near the town center.

La Halle du Robin by AP5 Architects

Next to the various buildings, the shape of the frame is based on the lean-to and utilitarian buildings in the vicinity. The roof inclination of the Sports Center is the same as the nearby petanque club’s forming a harmonious whole.

La Halle du Robin by AP5 Architects
The roofing is of an average height of 4,5 meter. It is supported by a white lacquered steel frame covered with thin strips glued together. A large wooden cantilever portico is maintained by small metallic poles on the other three sides.

La Halle du Robin by AP5 Architects
A waterproof layer made of steel tanks on the roof and of polycarbonate and larch sheets over the entire upper part of the building.

La Halle du Robin by AP5 Architects

The façade is covered with wooden lath to shield it from wind and sun. The lower part of the structure is in corten steel sheets over a steel frame closing the building.

La Halle du Robin by AP5 Architects

The equipment can be moved around from a room to the open space based on needs and seasons. When it is cold the building is shut when there are large events or in warm periods, 9 front panels are opened so as to allow free circulation and open view on the scenery.

La Halle du Robin by AP5 Architects

This open space configuration makes it easy to see the river and to open up indoor activities outside. The doors are opened and kept open by gas spring struts and secured with a stainless steel cable.

La Halle du Robin by AP5 Architects

A large sliding door is the final part of the existing building that allows a wide opening of the building on the outside during events.

La Halle du Robin by AP5 Architects

The simple shape of the building changes with the moveable façades, the materials change appearance and the facing adapting to orientation all changing with the seasons.

La Halle du Robin by AP5 Architects

The wood and the metal sheets are all from local origin. The gradual evolution of those perishable materials will change the outside aspect of the whole building.

La Halle du Robin by AP5 Architects

Above photograph is courtesy of the architects
The wood will turn gray and the metal sheets orange. The façades will bear the mark of time.

La Halle du Robin by AP5 Architects

Above photograph is courtesy of the architects

Materials
Frame: glued strips, galavanized steel + rustproof white paint
Siding: corten steel sheets, polycarbonate and larch panels

La Halle du Robin by AP5 Architects

Intervenants
– AP 5, Architect and landscaping agency
Architect: Stéphane Lemoine,
Architect collaborator: Toshiharu Kudo

– Team AP 5 with bet 2C (structure, economist), Ouest coordination (construction site)

La Halle du Robin by AP5 Architects

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– Contractors Section 1: Grennevo, shell / Section 2: Haas Weissrock, structure / Section 3, roofing / Section 4: Mellé, locksmithery /

La Halle du Robin by AP5 Architects

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Site: Raon l’Etape (department 88)
Program: Space for multiple purposes: Sports training center hall

La Halle du Robin by AP5 Architects

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Size: 300m2 (3229 sq ft)
Client: Township association of the Vallée de la Plaine
Type of mission: full mission conception and build

La Halle du Robin by AP5 Architects

Click for larger image

Architect: AP5 architects
Cost: 0.3 million euros
Year: 2010


See also:

.

Sports centre by
Batlle i Roig Arquitectes
Football Training Centre Soweto by RUFprojectPrefabricated Nature by
MYCC