Floriade 2022 by OMA

Architects OMA have proposed flower auction houses, cable cars and an outdoor theatre as part of Central Holland’s bid to host the World Horticultural Expo in 2022.

Floriade 2022 by OMA

The six-month-long festival would occupy a 60 hectare site in the city of Zoetermeer and comprise a loop of zones connected by pathways and rivers, making them accessible to both bicycles and boats.

Floriade 2022 by OMA

Each zone would be dedicated to a different aspect of the horticultural industry, including technology, innovation, distribution, culture and leisure, and would link up with existing greenhouses and a whitewater sports complex.

Floriade 2022 by OMA

The masterplan is competing with MVRDV’s designs for an artificial peninsula of gardens in Almere, as well as with proposals from the cities of Amsterdam and Groningen.

Floriade 2022 by OMA

The winning candidate will be announced in October.

Floriade 2022 by OMA

In recent months OMA have also designed offices with a sliding facade, a performance institute in New York and a contemporary arts centre in Moscow. Rem Koolhaas gave Dezeen a quick introduction to that project, which you can watch here.

Floriade 2022 by OMA

Click above for larger image

Here’s some extra information from OMA:


OMA designs 2022 Floriade masterplan for Holland Central

As part of a team including the province of South Holland, eight local municipalities, and ARCADIS, OMA has designed a 60-hectare masterplan proposal for Floriade – the biggest horticultural expo in Europe – in 2022. Held every ten years since 1960, and attracting an average of 2 million visitors from around the world, 4 different cities across the Netherlands are competing to host the next Floriade.

OMA is representing Holland Central, with a site in the middle of the Randstad, in Zoetermeer, with 5 million inhabitants in a 50km radius. OMA has designed a circular plan that connects a variety of existing conditions on the site, all presently related to horticulture: high-tech green houses, a future agro-innovation campus, an Olympic-grade leisure park and traditional Dutch landscape near the source of the river Rotte, which visitors can explore by bike or by boat. The design focuses the fair’s activities into five concentrated zones covering essential aspects of modern horticulture: technology, innovation, the global market, leisure, and culture. The park includes a 2,500-seat open-air theatre, a Land Art zone, global village, and a cable-car connection spanning across the ring.

The winning bid will be announced at the end of the current Floriade, now taking place in Venlo, in October.

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A Carpark of Envy

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The problem with owning five exotic sportscars is that you can only irritate your neighbors with them one at a time. But a Swiss architecture firm has used design to solve this common problem with this extremely bad-ass concrete garage.

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Built into the mountains of Herdern, Switzerland, near the German border, the owner can now ensure the rest of the village can see every last Porsche through enormous panes of glass.

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There appears to be only standard lighting within the garage; I’d have taken the more extreme step of installing powerful strobes that could illuminate each bay in a random pattern at nighttime. I’d also ensure the structure wasn’t watertight, in case a neighbor retaliated by trying to fill the space up with a hose.

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Movie: The Symbiotic Office by Richard Black

Movie: plants take over the offices of London’s commercial district Canary Wharf in this movie by Oxford Brookes architecture graduate Richard Black.

The Symbiotic Office by Richard Black

Black imagines the workplaces as a series of indoor gardens, where flowers sprout up between desks and pollen floats into the atmosphere through new openings in the existing glazed facades.

The Symbiotic Office by Richard Black

The project has been nominated for the silver RIBA President’s Medal, which last year was awarded to Kibwe Tavares for his movie about robots rioting on the streets of south London.

The Symbiotic Office by Richard Black

If you’re interested in animations, see our series by Tavares and his colleagues at architectural image studio Factory Fifteen.

Here’s some more explanation from Black:


The project stems from research into London’s office culture, in particular that of Canary Wharf. In the vastness of these office spaces the needs of the individual are largely overlooked and the repetitive, generic offices with their catalogue furniture offer little more than a place to work. The proposal is an attempt to open up these closed office cultures in which the basic needs of the individual have been forgotten. Floors are opened up and internal orchid gardens created.

The Symbiotic Office by Richard Black

The Symbiotic Office changes the way in which people use office spaces, creating internal relaxation zones where individuals can pause for thought, host meetings, eat their lunch or drink a cup of tea. In the digital age where the traditional place of work is a fluid concept, the project strives to highlight the importance of face-to-face interactions and to create an office space which not only boosts productivity, but one which the workers can enjoy.

The Symbiotic Office by Richard Black

The film itself is a representation of this proposal. Created in 3DS Max, rendered in Vray and composited in Adobe After Effects; it envisages an office in which these generic spaces open up to internal gardens and relaxation zones.

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The Wahaca Southbank Experiment by Softroom

Another pop-up project built of shipping containers: architects Softroom have built a temporary Mexican restaurant outside the Southbank Centre in London (+ slideshow).

The Wahaca Southbank Experiment by Softroom

The restaurant, for Mexican tapas chain Wahaca, comprises eight coloured containers that have been stacked up in pairs to provide a two-storey building with a glass atrium at its centre.

The Wahaca Southbank Experiment by Softroom

A tequila bar occupies the top floor containers, which overhang those below to make room for a terrace in the middle.

The Wahaca Southbank Experiment by Softroom

Each container is furnished differently, using a variety of new and reclaimed pieces.

The Wahaca Southbank Experiment by Softroom

Mexican artists have been commissioned to create a changing series murals for the restaurant, which will decorate the walls and structures that surround it.

The Wahaca Southbank Experiment by Softroom

The temporary restaurant will occupy the terrace outside the Queen Elizabeth Hall for 18 months before moving on to a new location.

The Wahaca Southbank Experiment by Softroom

Shipping containers have also been used recently to create a shopping mall, a hotel, a restaurant, a student commune and emergency housing for earthquake victims in Japan.

The Wahaca Southbank Experiment by Softroom

Other pop-up structures at the South Bank Centre include a boat-like apartment on the roof just overhead, and a rooftop restaurant.

The Wahaca Southbank Experiment by Softroom

See more stories about restaurants »

Here’s some more information from Softroom:


Wahaca Southbank Experiment
Level 2 Terrace, Queen Elizabeth Hall, Southbank Centre

The Wahaca Southbank Experiment is a new two-storey temporary restaurant installation, constructed from eight recycled shipping containers that have been ‘washed up’ on to the outdoor terrace of the Queen Elizabeth Hall at the Southbank Centre this summer.

We developed the idea for using the shipping containers not only to remind visitors to the restaurant of the working history of this part of the river, but also for more practical reasons as their limited height allowed us to be able to fit two floors in to the volume of a single storey space.

The Wahaca Southbank Experiment by Softroom

Situated against the heavy concrete backdrop of the Queen Elizabeth Hall, each container is painted in one of four vibrant colours ranging from deep turquoise to straw yellow, providing a colourful contrast to the restaurant’s grey surroundings. The colour choices make reference to both the painted facades of typical street scenes in Mexico and the colour compositions often seen in container ships and ports.

One of the top floor containers has been cantilevered out over the restaurants ramped entrance to create a canopy above the ground floor. On the upper level, the effect of this cantilevering heightens views from the upstairs bar out over the river towards Westminster.

The Wahaca Southbank Experiment by Softroom

Inside the restaurant the front and back containers are connected via a glazed link, which not only houses the stairway connecting the two floors, but also helps to flood the space with natural light. Each of the containers has then been given its own character with a mix of bespoke, new and reclaimed furniture along with distinct lighting designs.

Outside, there is a wide variety of areas in which to sit, from the booth seats, built in to the raised timber deck around the building, to the first floor terrace bar, to the street bar overlooking Queen’s Walk.

The Wahaca Southbank Experiment by Softroom

Wahaca also commissioned Tristan Manco to curate an on-site series of street art murals around the timber deck seating area. The first piece that coincided with the restaurant opening was produced by renowned street artist Saner, who travelled from Mexico City to undertake the first of several murals that will be on display throughout the restaurant’s lifespan.

With space for 130 diners, the Wahaca Southbank Experiment opened its doors on the 4th of July and will remain open for at least 18 months, providing an exciting and unique dining experience to compliment the Southbank Centre’s Festival of the World which is taking place from June until September.

The Wahaca Southbank Experiment by Softroom

Design Team
Client: Wahaca Group
Architecture and design: Softroom
Structural Engineer: Price and Myers
M&E Engineer: TR Mechanical Services Ltd
Principal Contractor: du Boulay
Lighting design: Kate Wilkins
Project Manager: Bright Spark Ltd, for and on behalf of Wahaca Group

Project Information
Project Name: The Wahaca Southbank Experiment
Location: Queen Elizabeth Hall, Southbank Centre
Completion: July 2012

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NYC Announces Micro-Apartment Design Competition

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From Harlem to Hell’s Kitchen, Little Italy to the Lower East Side, Manhattan used to be all about buildings bursting to the seams with families. But while NYC’s outer boroughs still retain that model, Manhattan has taken a sharp turn in a different direction. Today a staggering 46.3% of Manhattan households consist of just one person, making it, in the words of AP News, “the U.S. capital of solo living.” Which isn’t cheap—the average price of a single-person studio is now $2,000 a month. But now, under direction from NYC Mayor Michael Bloomberg, design is being called upon to address this trend.

Yesterday the Mayor’s Office announced the adAPT NYC Competition, which seeks designs for rental apartment buildings featuring “micro-units” of just 275 to 300 square feet—a significant step as up until now, NYC laws have required apartments no smaller than 400 square feet.

A test building at 27th Street and 1st Avenue has been allocated to receive the winning design:

At least 75 percent of the units in the building will be micro-units, which are expected to measure approximately 275 to 300 square feet. These efficient, self-contained units will include kitchens and bathrooms. The… design guidelines encourage the development of a mixed-use building with apartments that have substantial access to light and air to create a sense of openness. Responses will be judged on affordability and competitive land purchase price; innovative micro-unit layout and building design; and experience developing housing in New York City….

“adAPT NYC is a fantastic opportunity to create a model of housing that could be replicated in other locations and contexts to expand New York City’s housing stock,” said [Department of Housing Preservation and Development] Commissioner Wambua. “We’re looking for creativity, affordability, imaginative design and responsiveness to the needs of real New Yorkers. Show us something we haven’t seen before that is ingenious, sustainable, replicable and practical, and we will work with you to make it a reality.”

Interested designers should plan to attend a pre-submission conference on July 31st at the American Institute of Architects’ Center for Architecture on LaGuardia Place.

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“The good news is it’s impossible to lose your keys in here”

See also: RentHackr Visualizes Rent Data from the Crowd

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Stadia: Sport and Vision in Architecture

An exhibition tracing the evolution of stadium design from antiquity to the present

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Welcoming more than four million visitors a year, Rome’s massive Colosseum still remains a mesmerizing architectural feat. Many of today’s sports arenas are no less impressive, and a new exhibition at London’s Soane Museum traces the evolution of these structures from antiquity to the present in “Stadia: Sport and Vision in Architecture.”

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From the Hippodrome of Constantinople to ancient Greek amphitheaters, the exhibition—sponsored by architecture collective Populous—looks at the origin of these colossal venues and how architects continue to use some of these design elements as the foundation for contemporary stadia, such as the ultra-sophisticated 2012 Olympic Stadium in Stratford. The display includes original blueprints, highly-detailed models and intriguing stadium relics like terra cotta lamps featuring gladiator fights. One of the most notable items on view is Michaelangelo’s Codex Coner, a pared down architectural sketchbook and the “earliest archeologically correct record of the Colosseum.”

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The exhibition also looks at temporary stadia, a concept that evolved around the Middle Ages when sporting events began playing out in town squares, such as Florence’s Calcio Storico competition still held annually in Piazza Santa Croce. These structures really reflect the communal aspect of athletic games, and ways in which a venue’s architecture allows for social activity.

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The aspect of how stadium design can affect the population is best seen in Populous’ Sports City, commissioned by Saudi Arabia’s King Abdullah. Comprised of a 100,000-seat stadium, an arena, aquatic center, multi-sport complex, golf complex and a women’s sport facility, the immense sports complex is conveniently connected to housing, schools, a mosque and a hospital, serving as more of a way of improving the residents’ health.

An exhaustive look at the legacy of sports venues, “Stadia: Sport and Vision in Architecture” is currently on view at London’s Soane Museum through 22 September 2012.


Movie: Daeyang Gallery and House by Steven Holl Architects

Movie: we take a walk through the Steven Holl-designed Daeyang Gallery and House in South Korea in this second movie by architectural filmmakers Spirit of Space.

Daeyang Gallery and House by Steven Holl Architects

Spaces include a gallery and recital room beneath a pool of water and two copper-clad pavilions that rise above the surface.

Steven Holl gives a guided tour of the building in the first of the two movies, or for more images see our earlier story.

Daeyang Gallery and House by Steven Holl Architects

Another movie we’ve published features a pavilion at Chicago’s Lincoln Park Zoo – watch it here.

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Basket Tree

Les créatifs de A/LTA architects nous proposent de découvrir ce superbe projet installé à Nantes appelé « Arbre à Basket ». Situé dans la ville française en face de La maison des hommes et des techniques, cette installation permet à plusieurs équipes de tous âges de jouer au basket. Plus d’images dans la suite.

Continue Reading…

Movie: Steven Holl on Daeyang Gallery and House

Movie: architect Steven Holl gives a tour of the gallery beneath a pool of water he designed at the Daeyang Gallery and House in South Korea in the first of two movies by architectural filmmakers Spirit of Space

Daeyang Gallery and House by Steven Holl Architects

Holl explains how he was inspired by the patterns of a musical score and how daylight floods into the underground rooms to create “a perfect light”.

Daeyang Gallery and House by Steven Holl Architects

See more images of the building in our earlier story, and see more projects by Steven Holl here.

Daeyang Gallery and House by Steven Holl Architects

Another movie we’ve published by Spirit of Space features a pavilion at Chicago’s Lincoln Park Zoo – watch it here.

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Skateable Sculpture

Un très bon concept par le créatif Rich Holland qui nous propose de découvrir cette sculpture intégrée dans l’exposition au Kiasma Museum of Modern Art en Finlande. Une œuvre mais aussi un lieu inédit pour effectuer des figures de skateboard. Le projet complet est à découvrir dans la suite de l’article.

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