Movie: Toblerone House by Studio MK27 through the eyes of a cat

Movie: Brazilian architect Marcio Kogan of Studio MK27 used cinematic techniques he picked up in his early career as a movie director to film one of his latest projects through the eyes of the client’s pet cat.

Toblerone House by Studio MK27

Toblerone House is a two-storey residence in São Paulo comprising a glazed ground floor and a timber-clad upper floor, which are separated from one another by an overhanging concrete slab.

Toblerone House by Studio MK27

The movie shows the cat taking a walk along the protruding edges of this slab, as well as through each of the rooms and around the garden.

Toblerone House by Studio MK27

Explaining the decision to film the house in this way, Studio MK27 architect Suzana Glogowski told Dezeen how the team enjoyed making a series of movies for this year’s Venice Architecture Biennale to show “the day by day life of one of our houses, where the architecture is not important” and decided to make another for this house.

Toblerone House by Studio MK27

Studio MK47 also recently unveiled a collection of furniture made by construction workers, as part of the London Design Festival – find out more here.

See all our stories about Studio MK27 »

Photography is by Nelson Kon.

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Museum of Contemporary Art Cleveland by Farshid Moussavi

This six-sided building covered in mirrors is the new home for the Museum of Contemporary Art Cleveland in Ohio by London-based architect Farshid Moussavi (+ slideshow).

Museum of Contemporary Art Cleveland by Farshid Moussavi

The four-storey building, which opened this weekend, features faceted walls clad in mirrored black stainless steel and replaces the museum’s former address in the loft of an old playhouse complex.

Museum of Contemporary Art Cleveland by Farshid Moussavi

Visitors to the museum arrive inside a full-height atrium, where the structure of the walls is left exposed and the surfaces have been painted bright blue.

Museum of Contemporary Art Cleveland by Farshid Moussavi

White staircases lead up to galleries on each of the floors, including a large top floor exhibition space where the ceiling is coloured with the same blue paint as the walls to offer an alternative to the standard ‘white-cube’ gallery.

Museum of Contemporary Art Cleveland by Farshid Moussavi

Located at the intersection of two major avenues, the museum faces onto a new public square by landscape architects James Corner Field Operations and has entrances on four of its elevations for flexibility between different exhibitions and events.

Museum of Contemporary Art Cleveland by Farshid Moussavi

As the Museum of Contemporary Art Cleveland is a non-collecting museum, it places extra emphasis on public programmes and events, which will take place inside a double-height multi-purpose space on the building’s ground floor.

Museum of Contemporary Art Cleveland by Farshid Moussavi

Farshid Moussavi Architecture completed the project in collaboration with architects Westlake Reed Leskosky, who are based in Cleveland.

Museum of Contemporary Art Cleveland by Farshid Moussavi

The museum first unveiled the designs for the building back in 2010, which you can see in our earlier story.

Museum of Contemporary Art Cleveland by Farshid Moussavi

Farshid Moussavi launched her studio just over a year ago – find out more here.

Photography is by Dean Kaufman.

Here’s some more information from the architect’s website:


MOCA is a 34,000 sq. ft. non-collecting museum in the emerging Uptown district of Cleveland’s University Circle neighbourhood. Located on the corner of a triangular site at the junction of two major roads, the building will act as a beacon for this area of the city.

Museum of Contemporary Art Cleveland by Farshid Moussavi

The new MOCA is arranged as a multi-storey building in order to produce a compact envelope and optimal environmental performance, and to liberate space for a museum plaza. The building in this location is exposed on all sides and has multiple entrances which will bring the museum added flexibility. Its prismatic form is clad in mirror black stainless steel panels which are arranged along a diagonal grid to follow the diagonal load bearing structure of the external envelope. These reflective panels will respond to weather changes and movement around the museum, providing visitors with constantly changing perceptions.

Museum of Contemporary Art Cleveland by Farshid Moussavi

Upon entering the building, visitors will find the structure left exposed on the interior face of the envelope and treated with a fire-resistant, intense blue paint. The museum’s public and “back of house” activities will be interspersed along the section of the building and accessed physically and visually by a grand stair which ascends the museum’s vertical atrium. Each floor is designed to host a variety of configurations for maximum flexibility, with the blue inner surface which envelopes the different spaces providing a consistency across the various museum events. In the main gallery on the top floor, the blue surface will rise to form a deep blue ceiling, evoking the sky or a sense of boundlessness in contrast to the traditional idea of the gallery as a white, sealed, cube.

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Pit House by UID Architects

Circular hollows create sunken rooms and curved balconies inside this wooden house in Japan by UID Architects (+ slideshow).

Pit House by UID Architects

The residence is named Pit House, in reference to the six excavated spaces that provide circular living rooms inside the building and terraces in the garden.

Pit House by UID Architects

“Since the clients lived in the upper storey of a company residence before, they demanded to connect with the earth,” explained architect Keisuke Maeda. “The concept is inevitably drawn from the request of the clients, and the context of the site. It becomes a subterranean room with little influence of the open air, and a relationship with the external surface of the earth.”

Pit House by UID Architects

A cedar box encases the house and is propped up on stick-like legs so that it appears to hover above the sunken ground floor.

Pit House by UID Architects

A large rectangular opening reveals a recessed balcony behind the facade, which branches out from an L-shaped first floor.

Pit House by UID Architects

Circular holes in this upper floor line up with the shapes of the rooms below, creating a curved balcony around the edge of the two bedrooms.

Pit House by UID Architects

A concrete cylinder stretches up from the lower floor to the roof, enclosing a circular bathroom and a storage closet, while a staircase spirals around its perimeter.

Pit House by UID Architects

Other projects we’ve featured by UID Architects include a timber house at the foot of a mountain and a residence comprising four cedar-clad blocks.

Pit House by UID Architects

See more Japanese houses on Dezeen »

Pit House by UID Architects

Photography is by Koji Fujii/Nacása & Partners.

Pit House by UID Architects

Here’s some more information from the architects:


The house positions itself in Okayama Prefecture near Seto Inland Sea. The site is located on a terraced mountain hill that was developed as a residential land. The family is consisted of a married couple and a child. We considered a new way of architecture on the site condition, where views are open towards the north and the ground level is one meter higher than the road level.

Pit House by UID Architects

The relationship is as if the site’s natural environment and the architecture coexist at the same time. The architecture has become a part of the whole landscape of undivided environment, not simply thinking about connection to the surroundings from the cut off opening in walls.

Pit House by UID Architects

This time, we came up with a living form that accepts the outside environment such as surface of the terraced land, surrounding neighboring houses’ fences and walls, residences that sit along the slope and far beyond mountains. The architectural principle is not a division from the land with a wall, but an interior that is an extension of the outside and connection of the surface like a pit dwelling that is undivided from the land.

Pit House by UID Architects

In concrete, six types of floor levels including a round floor that is created by digging the surface are connected with a concrete cylinder core at the center. Furthermore, delicate and multiple branch-like columns that support the slightly floating boxes produce various one-room spaces.

Pit House by UID Architects

Environment and architecture create new extensive relationship by connecting surfaces. The territory is undefined in the space in a body sense. I think that is more natural relationship of an architecture standing in a landscape

Pit House by UID Architects

Name project: Pit house
Architects: UID – Keisuke Maeda

Pit House by UID Architects

Exploded axonometric – click above for larger image

Consultants:
Stuctural engineers: Konishi Structural Engineers – Yasutaka Konishi, Takeshi Kaneko, structural;
Environmental: Toshiya Ogino Environment Design Office – Toshiya Ogino
General contractor: Nakamura Construction Co.Ltd. – Hiromi Nakamura,Yasunobu Hida, Keizou Yoshioka, Kazuhiko Kiminami

Pit House by UID Architects

Ground floor plan – click above for larger image and key

Materials:
Structural system: steel structure
Exterior: ceder plate, wood protection paint,
Interior: structual plywood, exposed concrete, wood protection paint, cherry flooring

Pit House by UID Architects

First floor plan – click above for larger image and key

Site area: 232.12 sq m
Built area: 115.32 sq m
Total floor area: 116.66 sq m
Date of completion: October 2011

Pit House by UID Architects

Section – click above for larger image and key

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Restoration of Japan’s Hizuchi Elementary School Wins World Monuments Fund Modernism Prize

An architectural consortium’s restoration of typhoon-ravaged (and generally down-at-the-heel) Hizuchi Elementary School has cliched the 2012 World Monuments Fund/Knoll Modernism Prize, awarded biennially to an innovative architectural or design solution that has preserved or enhanced a modern landmark. The prize—$10,000 and a limited-edition Barcelona chair created by Knoll especially for the occasion—has previously gone to Bierman Henket architecten and Wessel de Jonge architects for their restoration of the Zonnestraal Sanatorium in the Dutch town of Hilversum and Brenne Gesellschaft von Architekten’s restoration of the former ADGB Trade Union School in Bernau, Germany.

Located on Japan’s Shikoku Island, Hizuchi Elementary School was designed by Japanese municipal architect Masatsune Matsumura and completed in the late 1950s. It’s a rare example of a modern structure that’s constructed primarily of wood and features dual-façade fenestration, a glass exterior hallway that runs the length of the school, and, taking full advantage of its riverfront site, a suspended outdoor reading balcony off the library and a floating staircase that protrudes over the Kiki River. After incurring serious damage from a 2004 typhoon, the school was at the center of a two-year debate over whether to demolish or preserve the structure. The meticulous restoration, carried out over three years, won the 2012 Annual Award of the Architectural Institute of Japan.
continued…

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Architizer A+ Awards

The new platform for honoring innovative contemporary architecture and design

Architizer A+ Awards

As a platform to honor the world’s most impressive spaces and structures, Architizer today launches the Architizer A+ Awards in partnership with the producers of The Webby Awards. Judged by some 200 jurors across 50+ categories, the Snarkitecture-designed trophy will be awarded at a red carpet gala in NYC…

Continue Reading…


Watchdog apologises for saying Renzo Piano “not entitled” to be called an architect

Renzo Piano

News: the UK’s government-appointed architecture watchdog has apologised for saying that Renzo Piano (above) and Daniel Libeskind are “not entitled to be described” as architects.

Last week the Architects Registration Board, which polices use of the protected title of “architect” in the UK, told Building Design magazine not to describe Piano and Libeskind as architects, as they are not registered as such in the UK.

Following a complaint from a UK architect, the board sent the publication an email stating: “In the light of BD’s readership I would ask that you avoid referring to Mr Piano and Mr Libskind [sic] as ‘architect’s [sic] in any future publications.”

In a clarification published on the ARB website, the body’s registrar Alison Carr said that “a significant number of concerns” had subsequently been raised about the matter, adding: “We should have been more cautious so that we get the right message across at the right time, and for that I apologise.”

ARB was established in 1997 to police a new law – the 1997 Architects Act – introduced to protect consumers, maintain professional standards and keep a register of practicing architects. Only fully qualified architects registered with ARB are allowed to use the title.

“The whole thing is ludicrous,” BD editor Amanda Baillieu told Dezeen. “Renzo Piano is an architect. He trained in Milan. You can read it on Wikipedia.”

Baillieu added: “You have to protect consumers from people who pass themselves off as architects – but anyone can put in a planning application. They should protect the function [of an architect] not the title.”

The letter from ARB to BD referred to three articles, including “one referring to Piano as architect of the Shard and another about a new project by Libeskind in Hong Kong” and states that: ”All three articles make reference to either Mr Renzo Piano or Mr Daniel Libskind [sic] as ‘architects’, however, as they are not registered with the ARB they are not entitled to be described as such.”

BD reported reported on Friday that the letter, from ARB professional standards manager Simon Howard, says that it is “OK to call Piano an Italian architect”.

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Walter Tschinkel’s Aluminum Casts of Ant Colonies Reveals Insect Architecture

tschinkel_cast.jpeg

tschinkel_portrait2.jpegPortrait by Mark Wallheiser

This is pretty freaking amazing, and gives new meaning to the term “sacrifical casting.” Retiree Walter R. Tschinkel is an entomologist and former professor of Biological Science at Florida State University. He recognizes ants as “some of nature’s grand architects” and, curious to understand their self-created habitats, devised a clever (if cruel) way to do it: By pouring molten aluminum down into the hole.

Unsurprisingly, the ants die in the process. But after the aluminum cools and Tschinkel has completed a meticulous excavation, he unearths these wondrous, chandelier-esque shapes revealing the alien architectures of the colony.

tschinkel_cast2.jpeg

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Tschinkel has discovered that colonies can be up to twelve feet deep and house between 9,000 and 10,000 workers.

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If you’re wondering how he can tell how many ants were in there, he started doing this in the ’80s by making plaster casts, which did not vaporize the ants. By breaking apart the plaster, he could count the little buggers. (BONUS: Watch the Video of the Process after the jump)

So why the switch from plaster to aluminum? For the same reason manufacturers will make car parts out of one but not the other. “The disadvantage of plaster casts is that they break easily so after you dig them up, you have to glue the pieces back together again,” Tschinkel said in a 2008 interview. The aluminum has proven more robust.

(more…)


Book Mountain

Voici « Book Mountain », le nom de cette superbe installation de livres sous la forme d’une montagne sous une pyramide de verre située dans une bilbiothèque à Spijkenisse aux Pays-Bas. Une création réalisée par les architectes de MVRDV. Le projet est découvrir en images dans la suite.

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Dames Dietz Deli Shop by BaksvanWengerden

Dutch architectural practice BaksvanWengerden has completed a wonky delicatessen in the town of Oegstgeest.

Dames Dietz deli by BaksvanWendgerden

The ground and first floors of the three-storey Dames Dietz Deli Shop lean outwards to maximise space on the compact plot while also creating a double-height entrance between the wall and the first floor balcony.

Dames Dietz deli by BaksvanWendgerden

The third floor then leans sharply inwards again to create a sloping roof that meets the neighbouring building’s roofline.

Dames Dietz deli by BaksvanWendgerden

The walls and ceilings of the interior are finished in horizontally clad wood while the exterior is clad in brown ceramic tiles.

Dames Dietz deli by BaksvanWendgerden

The shop occupies the ground floor, while the the kitchen and storage areas are located upstairs.

Dames Dietz deli by BaksvanWendgerden

We recently featured a splayed concrete extension to a triangular house in the Netherlands by the same architects.

Dames Dietz deli by BaksvanWendgerden

See all our stories about shops »
See all our stories about the Netherlands »

Dames Dietz deli by BaksvanWendgerden

Photographs are by Yvonne Brandwijk and Kaj van Geel.

Here’s more information from the architects:


A deli shop was commissioned for the main shopping street of the town Oegstgeest. The ambition is to realise a highly sustainable building. The plot is located next to a side gable wall of a terrace house development. Due to the limited plot size the only way to fit the programme is to stack it in three layers. The cantilever on the upper floors maximises the volume.

Dames Dietz deli by BaksvanWendgerden

Build in different historical time periods, the location is surrounded by a large variety of roof shapes and styles. These roof shapes were mostly derived from practical effectiveness and technical limitations as well as social and cultural reasons. All these arguments are still valid, except for the technical ones. Therefore the sloping planes are interpreted more freely.

Dames Dietz deli by BaksvanWendgerden

Ground floor plan

The municipal development plan and an ease of use attached to the plot prescribe clear and absolute regulations. Combining these parameters BaksvanWengerden created a building that diverges from the vertical and horizontal on all levels. Sloping planes to draw one into the shop; to bring in natural light; to create more space on the upper levels and to continue the existing roofline. The result is a building which appears simultaneously integrated and alienated.

Dames Dietz deli by BaksvanWendgerden

First floor plan

The shop is constructed in a 100% sustainable building system; Nurholz. It is the first commercial project completed with this Cradle2Cradle structural framework method. This unique, sustainable system integrates the structure, the services, the internal finishes as well as the insulating properties.

Dames Dietz deli by BaksvanWendgerden

Second floor plan

Client: Dames Dietz
Programme: New building for Deli Shop in Oestgeest
Area: 100m2
Project Architects: Gijs Baks, Jacco van Wengerden,
Contributors: Rui Duarte, Vineta du Toit
Stuctural engineer: Van Rossum Raadgevende Ingenieurs, Adviesbureau Luning
Contractor: Van Berkel Aannemers, Leimuiden
Interior designer: BaksvanWengerden Architecten, Amsterdam
Structural framework: Bouwpuur, Roosendaal
Interior fit-out: Thomas Meubels, Amsterdam
Status Commenced: September 2009, completed May 2012

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New construction system saves “50 centimetres per floor”

News: Spanish architects Alarcon+Asociados have developed a new construction product that allows a six-storey building to fit into a five-storey volume. (+ movie).

New waffle slab construction makes suspended ceilings redundant

Developed for buildings with large construction spans such as schools and hospitals, Holedeck is a concrete waffle slab system that can accommodate electrical cables, plumbing and ventilation ducts within the floor structure rather than hung below. This prevents the need for suspended ceilings, which are installed to hide these services.

New waffle slab construction makes suspended ceilings redundant

“A total of 30-50 centimetres are saved per floor,” explain the architects on the product website.

New waffle slab construction makes suspended ceilings redundant

The first building to be constructed using the system is an office block for the research and development department of communications company Logytel in central Spain (pictured).

See more stories about concrete »

Here’s a list of the product’s features from Alarcon+Asociados:


The new concrete waffle slab HOLEDECK is a patented system of voided slabs for buildings with big spans between supports and a high level of services. It can be pierced all through its thickness by the building conductions and services.

This means that services in cross-sections occupy the same space as the structure itself and thus no additional suspended ceilings are required to hide them all. HOLEDECK is especially suitable for buildings requiring multiple services as well as big or medium spans, such as office buildings, hospitals, schools or any public, commercial or industrial building.

» HOLEDECK is suitable for big spans ranging from 10 to 18 meter high with a 50-60cm slab edge.

» It is possible to keep the structure with fair-faced concrete by adding dyes to the concrete mass.

» It is set up in a similar way to other voided flat plate slabs.

» It provides greater freedom of design for the plant geometry and pillar placing.

» It is modulated according to a 80cm interaxis so its modules are interchangeable with any voided two-way flat plate slab system.

Air may be distributed through conventional semi-flexible conduits or through a plenum system, which requires a sealed suspended ceiling and removable locks in lateral windows.

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“50 centimetres per floor”
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