Movie: Hayrack Apartments by OFIS Arhitekti

The next movie in a series about the buildings of Slovenian practice OFIS Arhitekti features a social housing block on the outskirts of Ljubljana with a latticed facade inspired by local Alpine hayracks.

Hayrack Apartments by OFIS Arhitekti

Named Hayrack Apartments, the building was completed in 2007 and contains a total of 56 residences that vary from small studio flats up to large, four-bedroom apartments.

Hayrack Apartments by OFIS Arhitekti

OFIS Arhitekti designed the building with an L-shaped plan to frame a central courtyard and to avoid disturbing the roots of a 300-year-old lime tree that’s also located on the site.

Hayrack Apartments by OFIS Arhitekti

Wooden beams were used to create the criss-crossing and linear facade patterns, which are typical of old farms, barns and hayracks in the area. ”Traditionally farmers use the beams to store grass and corn. On the housing facade one can hold flowers or other balcony decoration,” explained the architects.

Hayrack Apartments by OFIS Arhitekti

Textured grey tiles cover the sloping rooftops, intended to replicate the appearance of slate.

Hayrack Apartments by OFIS Arhitekti

We first featured the Hayrack Apartments in 2007, just after the building was competed, along with a residential development of a shopping market.

Hayrack Apartments by OFIS Arhitekti

This is the second movie in the series produced by Carniolus. The first features an Alpine holiday hut in a national park.

Hayrack Apartments by OFIS Arhitekti

See all our stories about OFIS Arhitekti »

Hayrack Apartments by OFIS Arhitekti

Photography is by Tomaz Gregoric.

Hayrack Apartments by OFIS Arhitekti

Above: ground floor plan – click above for larger image

Hayrack Apartments by OFIS Arhitekti

Above: first and second floor plan – click above for larger image

Hayrack Apartments by OFIS Arhitekti

Above: third floor plan – click above for larger image

Hayrack Apartments by OFIS Arhitekti

Above: roof plan – click above for larger image

Hayrack Apartments by OFIS Arhitekti

Above: section A – click above for larger image

Hayrack Apartments by OFIS Arhitekti

Above: section B – click above for larger image

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by OFIS Arhitekti
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House in Blacksod Bay by Tierney Haines Architects

Three sandstone wings protect an inner courtyard from fierce coastal winds at this seaside house in Ireland by Tierney Haines Architects.

House in Blacksod Bay by Tierney Haines Architects

Located 30 metres from the seafront, House in Blacksod Bay is surrounded by countryside, so Tierney Haines Architects drew inspiration from the local architecture to create three gabled buildings that reference traditional farmhouses.

House in Blacksod Bay by Tierney Haines Architects

The family that occupies the house spend most of their time in the two-storey eastern wing and the large central kitchen, which can be separated from the guest suite to the west by a series of moving partitions. ”The client asked for a stone house that would make the most of the site and that could be divided in two for winter and summer use,” architect Stephen Tierney told Dezeen.

House in Blacksod Bay by Tierney Haines Architects

The rugged dry stone walls were constructed using local Lacken sandstone, which will naturally weather with age but also protect the house from intense weather. “When there are storms there can be seaweed on the roof,” said Tierney.

House in Blacksod Bay by Tierney Haines Architects

Window sills and lintels are also made from roughly cut stone, while slate tiles cover the steeply pitched rooftops.

House in Blacksod Bay by Tierney Haines Architects

Inside the house, oak-framed windows set up views of the surrounding landscape. “You drive into the protected courtyard and there are glimpses through the blocks of the distant mountains, you enter the hall door and a distant view of the open sea is framed, then as you move further into the house the views open up one after the other,” explained Tierney.

House in Blacksod Bay by Tierney Haines Architects

“There is a real pleasure standing in the large window openings framed by 700-millimetre thick walls and see the Atlantic storms several centimetres from your nose but not feel them,” he added.

House in Blacksod Bay by Tierney Haines Architects

Other Irish residences we’ve featured include a blue limestone-clad house extension and a mews house with protruding brickwork.

House in Blacksod Bay by Tierney Haines Architects

See more stories about houses in Ireland »

House in Blacksod Bay by Tierney Haines Architects

Photography is by Stephen Tierney.

House in Blacksod Bay by Tierney Haines Architects

Here’s some more information from Tierney Haines Architects:


House on Blacksod Bay, Co. Mayo, Ireland.

This family home on Blacksod Bay in west Mayo takes its inspiration from local farms and the small courtyard enclosures they make. The house faces south to the sea that is a mere 30 metres away, the courtyard form provides shelter in a location where it is difficult to use planting. The dwelling’s heavy stone walls anchor the building in its rugged setting and give protection against the severe weather.

House in Blacksod Bay by Tierney Haines Architects

This is a house for large family gatherings with the kitchen at the heart of the house. In the winter the two storey block can be closed off for the immediate family while in summer the house expands for the many visitors. Access from the courtyard and circulation through the house are orientated with constant reference to the views of the open sea, islands, beach – a two hundred degree panorama.

House in Blacksod Bay by Tierney Haines Architects

The materials selected mirror the qualities of the site and were chosen to weather and age, sandstone, limed oak, zinc. The local Lacken sandstone is as hard as granite, has a warm variety of tone and brings continuity from exterior to interior. The rough drystone wall is refined by cut stone lintels and sills which lead to the use of a similar finish internally on both walls and floors.

House in Blacksod Bay by Tierney Haines Architects

Above: site plan

The internal spaces are varied in section and make use of quieter textures and a limited palette of colours and materials. The deep window reveals are lined with limed oak. Curtains are made from undyed linen. Externally, rough sandstone masks the window frames focussing the viewers attention on the landscape beyond. As one moves through the quiet interior, views of the wild landscape are composed through generous glazing.

House in Blacksod Bay by Tierney Haines Architects

Above: ground floor plan – click above for larger image

The house is BER A rated for energy using 320mm cellulose insulation, HRV ventilation, geothermal heating and taking benefit from its south facing aspect.

House in Blacksod Bay by Tierney Haines Architects

Above: first floor plan – click above for larger image

Area: 450 sqm
Project Stage: Completed
Design: 2009 – Completion: 2012

House in Blacksod Bay by Tierney Haines Architects

Above: section AA – click above for larger image

Architects – Tierney Haines Architects, Stephen Tierney, James Casey, Gabriella Regina, Sandy Rendel, Alex Doran.
Contractor – Vincent Naughton Builders, Vincent Naughton, Rory McGinty, Diane Naughton
Engineer – EDPM, Frank Endicott, Alan Guildea
Service Engineer – Fergus Doran
Lighting Design – Contemporary Lighting Solutions, James Hornsby

House in Blacksod Bay by Tierney Haines Architects

Above: section BB – click above for larger image

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Tierney Haines Architects
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Futian District masterplan by SWA Group

International firm SWA Group has been selected to redesign Futian District in Shenzhen, an area that’s larger than Manhattan (+ slideshow).

Futian District masterplan by SWA Group

Above: raised walkways and gardens are proposed for Futian District

Landscape architecture and urban planning firm SWA Group hopes to transform the congested and car-dominated district of central Shenzhen into a calmer, greener space where pedestrians are welcome.

Futian District masterplan by SWA Group

As part of SWA’s masterplan, titled Garden City of Tomorrow, residential streets will be made over with exercise areas for all age groups as well as quieter green spaces.

Futian District masterplan by SWA Group

Office streets will incorporate gardens with seating areas, while retail streets will encourage pedestrian traffic with public art and better lighting.

Futian District masterplan by SWA Group

A botanical garden in the shape of a circuit board, representing Shenzhen’s electronics industry, has been proposed for a space alongside the Civic Center.

Futian District masterplan by SWA Group

Three existing parks divided by major roads will be linked by a raised landscape of walkways, cycle paths and gardens called the Bridge Park.

Futian District masterplan by SWA Group

Above: a botanical garden has been proposed alongside Shenzhen Civic Center

“Our landscape and urban design strategies will rebalance Futian from a car-dominated city with a challenging street system to offer a more beautiful, more functional environment, from landscaped boulevards and greenspaces to plazas and large gathering spaces,” said Sean O’Malley, the principal leading the masterplan from SWA Group’s office in Laguna Beach, California.

The first phase of construction is expected to begin in the second half of 2013, with completion by autumn 2014.

Futian is home to the Shenzhen & Hong Kong Bi-City Biennale of Urbanism and Architecture, where we made a series of movies in 2009, including one about a project to build a farm in a city square and another looking at an installation of 10,000 garments manufactured in Shenzhen.

Other projects in Shenzhen we’ve featured recently include a registry office that looks like its covered in confetti and the Kingkey 100 skyscraper, the tallest building in the city.

See all our stories about Shenzhen »
See all our stories about masterplans »

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by SWA Group
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SFMOMA Plans Lebbeus Woods Exhibition, Adds Photo Trove to Collection


Detail from “San Francisco Project: Inhabiting the Quake, Quake City,” a 1995 drawing by Lebbeus Woods. (Courtesy San Francisco Museum of Modern Art)

The San Francisco Museum of Modern Art will commemorate the career of architectural visionary Lebbeus Woods, who died last month at the age of 72, with an exhibition of his drawings and models. Scheduled to open February 16, “Lebbeus Woods, Architect,” will take a thematic approach to represent Woods’ wide-reaching interests in the political, ethical, social, and spatial implications of built forms. Among the 75 works on view will be those addressing cities damaged by nature (we’re looking at you, Sandy), such as his San Francisco earthquake drawings. “As the museum embarks on its own physical transformation, the exhibition marks an opportunity to consider the meaning and implication of such a shift,” said SFMOMA curator Jennifer Dunlop Fletcher, alluding to the $555 million Snøhetta-designed expansion that will get underway in the summer of 2013. “There could not be a more fitting body of work to present at this moment.”
continued…

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Museum of Historical Marksmanship by Gnädinger Architekten

Berlin studio Gnädinger Architekten has completed a faceted golden museum dedicated to medieval marksmanship beside the fortified city wall of Duderstadt in Germany.

Museum of Historical Marksmanship by Gnädinger Architekten

Like many historic towns in Germany, Duderstadt is filled with timber-framed buildings that are referred to as “half-timbered” and Gnädinger Architekten added the faceted golden structure to one of these old houses to create the two wings of the new museum.

Museum of Historical Marksmanship by Gnädinger Architekten

“The expressive, outstanding form was chosen to create a new landmark in this old medieval town and a signature architecture for this unique museum,” architect Christoph Claus told Dezeen. “The inclined facades of the new wing refer to the similarly inclined facades of the old typical half-timbered houses in the neighbourhood, but in totally different and new ways.”

Museum of Historical Marksmanship by Gnädinger Architekten

The museum also adjoins the historical Westerturm gatehouse tower, which dates back to the thirteenth century and features an unusual twisted spire. The architects added a new steel bridge to allow visitors to walk from this fortification to the next along the parapet of the ancient stone wall.

Museum of Historical Marksmanship by Gnädinger Architekten

Sheets of copper alloy give the new wing its golden cladding and were installed by a traditional tinsmith. ”The golden skin was choosen in reference to the metal shiny surfaces of old weapons like armour, swords and shields,” said Claus.

Museum of Historical Marksmanship by Gnädinger Architekten

“A wonderful side-effect is the sun reflection in this very narrow street,” he added.

Museum of Historical Marksmanship by Gnädinger Architekten

Visitors enter the building through the old house and an angled staircase leads up through the extension to galleries on each floor.

Museum of Historical Marksmanship by Gnädinger Architekten

The stone structure of the wall is exposed inside some of the rooms and the architects also used materials such as black-painted timber and raw steel.

Museum of Historical Marksmanship by Gnädinger Architekten

Completed in 2011, the museum is already open to the public and offers an insight into shooting, city defense and local town life in the middle ages.

Museum of Historical Marksmanship by Gnädinger Architekten

Other golden buildings we’ve featured include the Islamic art galleries at the Musée du Louvre in Paris and an extension to a Tudor-style museum in Maidstone, England.

Museum of Historical Marksmanship by Gnädinger Architekten

See more stories about golden materials »

Here’s a project description from Gnädinger Architekten:


Museum of Historical Markmenship, Duderstadt, Germany

Duderstadt, which is situated in the neighborhood of Göttingen, ranks among the 10 most important half-timbered towns in Germany. Besides the historical town hall, one of the most striking landmarks is the medieval “Westerturm”, with its distinctive twisted spire, integrated in the oldest sections of the city fortifications.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: ground floor plan – click above to see larger image

In 2009 it was decided, to undertake the renovation of an abandoned half-timbered house next to the tower and to install a museum for historical marksmanship, thus incorporating the tower with another house on the east side of the tower, that has been flashily restored some years before.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: first floor plan – click above to see larger image

The massive historic stonewall acts as a support for the structure on one side of the ensemble. In addition to the reestablished half-timbered structure, Gnädinger Architects designed an expressive new wing made of concrete, consisting of assembled triangular folds. The addition, mainly houses the emergency staircases, as well as a gallery with a void in front of a big window. In keeping with the shape of the new building, the three story open staircases are also sculptural in design and form.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: second floor plan – click above to see larger image

The facade is clad with golden copper metal panels of various sizes, set in a uneven pattern; this has been executed by a tinsmith, in accordance to high craftsmanship standards.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: roof plan – click above to see larger image

The result reveals a completely foreign body, an exciting new quality, both partly rigid and partly organic among the other houses in this idyllic neighbourhood.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: front elevation – click above to see larger image

The interior design is mainly characterized by the use of a few materials: raw steel on the floor and the balustrades, black painted wood surfaces for furniture and doors imprinted with sulphur yellow texts and pictos and exposed concrete inside the new wing, contrasting with the old stone wall.

Museum of Historical Marksmanship by Gnädinger Architekten

Above: facade details – click above to see larger image

The exhibition offers three stories of different media installations and historical exhibits, giving insights to such themes as shooting, city defense and town life in the middle ages. An interactive town model of Duderstadt allows the visitors to reenact different attack scenarios. The first floor is dedicated to the archers and shooters who formed a special militia to defend the city in the middle ages. Visitors can try their hand at target shooting or the crossbow, at two virtual shooting ranges. Further audio installations are spread throughout the overall museum and give insights ito medieval city life.

A new steel bridge, a reconstructed parapet walk, makes it possible to take a walk along a part of the ancient town fortifications, it also connects the ensemble to the adjacent historic “Georgsturm”, build onto the town wall in the eighteen century.

Completion: 2011
Volume: old part 765 m3, new wing 430 m3
Costs (without exhibition) 1.01 Mill. €
Designteam: Rolf Gnädinger, Babette Drillig, Karin Hirschmiller, Markus Hattwig
Project Director: Christoph Claus
Exibition-Design: Art+Com, Berlin

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by Gnädinger Architekten
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Frank Lloyd Wright’s Guggenheim-Inspired 1955 Auto Showroom for Maximilian Hoffman

hoffman-showroom-frank-lloyd-wright-01.jpg

hoffman-showroom-frank-lloyd-wright-04.jpg

If this was The Daily News, I’d lead off with the sensationalist headline “Frank Lloyd Wright Fathered More Children Than New York City Buildings!” But while that’s the truth, it’s hardly noteworthy; of his more than 1,000 commissions, he only accepted three in Gotham—one house in Staten Island and just two spaces in Manhattan.

One of those spaces was the Hoffman Auto Showroom on Park Avenue, completed in 1955. Though tight by auto showroom standards at just 3,600 square feet—this was in Manhattan, after all—the space contained plenty of drama. The main room was dominated by an ascending, semicircular ramp that encircled the de rigeuer rotating auto platform.

hoffman-showroom-frank-lloyd-wright-02.jpg

The rotating platform was large enough to fit four cars on it, bringing each one around like a sushi restaurant for auto enthusiasts. The upwards-sloping ramp could fit another three cars, and also had space for customers to walk between the cars and the barrier, allowing them to ascend the ramp and view the cars on the platform from above.

hoffman-showroom-frank-lloyd-wright-032.jpg

Sound familiar, that bit about the curving wraparound ramp? The Hoffman Auto Showroom has been described as a “forerunner” and “precursor” of Wright’s design for the Guggenheim, as the former opened in 1955 and the latter broke ground in 1956. But while that’s semantically accurate, it might give you the misimpression that the Guggenheim’s ramp was inspired by an automobile showroom. Which is not true. Those of you who’ve sat through interminable semesters of History of Architecture will recall that Wright spent over a decade on the Guggenheim design. Three out of four of his original Guggy sketches, from 1943 and ’44, featured the wraparound ramp. It’s more than likely that the Guggenheim design influenced the Hoffman showroom, and not the other way ’round.

(more…)


Movie: 6×11 Alpine Hut by OFIS Arhitekti

Film studio Carniolus has produced a series of movies to document the architecture of Slovenian practice OFIS Arhitekti and the first gives a tour of the 6×11 Alpine Hut, a holiday home in Slovenia’s Triglav National Park.

6×11 Alpine Hut by OFIS Arhitekti

Completed in 2009, the house was designed by OFIS Arhitekti in line with a set of plans for a traditional Slovenian hut that had already been granted permission on the site. The architects designed a contemporary version with the same dimensions, roof pitch and materials, meaning a new construction permit was not required.

6×11 Alpine Hut by OFIS Arhitekti

The house is used as an alpine retreat for a family, so the architects added three bedrooms and a sauna on the top floor, as well as a large living and dining room on the ground floor that opens out to a sheltered veranda.

6×11 Alpine Hut by OFIS Arhitekti

See more photographs of 6×11 Alpine Hut in our earlier story.

6×11 Alpine Hut by OFIS Arhitekti

See all our stories about OFIS Arhitekti »

Photography is by Tomaz Gregoric.

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by OFIS Arhitekti
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“Built environment more beautiful than nature” – UK planning minister

Countryside housing, photo by treehouse1977

News: buildings can be “more beautiful than nature” according to the UK’s planning minister, who is calling for an area of countryside twice the size of Greater London to be built on in order to solve the housing crisis.

Speaking to the BBC’s Newsnight programme in an interview to be broadcast tonight, Nick Boles said: “The built environment can be more beautiful than nature and we shouldn’t obsess about the fact that the only landscapes that are beautiful are open – sometimes buildings are better.”

He added: “We’re going to keep the green belt, but if people want to have housing for their kids, if they want to have people able to bring up their kids in a small house with a garden, they’ve got to accept that we’ve got to build more on some open land.”

The Conservative minister, who was appointed in this September’s reshuffle, noted that up to two million new houses could be built if more open land is developed.

“In England at the moment we’ve got about nine per cent of land developed in any way – so that’s 91 per cent that is not. All we need to do is build on probably on another two or three per cent of land over the next 20 years and we’ll have solved our housing problem,” he argued.

Increasing the total area of developed land in England from nine per cent to 12 per cent would mean building on an additional 1,500 square miles of open countryside, an area twice the size of Greater London, according to the Daily Telegraph.

Boles also said living in an affordable home with green space nearby is a “basic moral right, like healthcare and education,” and added that developers were to blame for the lack of quality housing developments.

“Land is expensive but to some extent [developers] are just lazy. They didn’t talk to local people or get involved enough,” he said, while also describing current housebuilding as “ugly rubbish” and criticising some new housing estates as “pig ugly”.

Last year the Institute of Public Policy Research warned that England will face a housing shortfall of 750,000 by 2025.

We recently reported that a high-density, car-free city for 80,000 people is being built from scratch in a rural location near Chengu, a project that could be repeated across China if successful.

At this year’s Venice Architecture Biennale, architect Alex de Rijke from Dutch firm dRMM told Dezeen that UK architects could learn from the Netherlands by designing floating housing.

See all our stories from the UK »

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Zoomlion Headquarters International Plaza by amphibianArc

Californian firm amphibianArc was inspired by images of spacecrafts to come up with two different skyscraper proposals for the headquarters of a Chinese machinery company in Changsha (+ slideshow + movies).

Above: option one – single tower

The designs, for industrial vehicle manufacturer Zoomlion, were commissioned following amphibianArc’s previous proposals for a shape-shifting exhibition centre to host the company’s exhibitions and product displays.

Above: option two – twin towers

Both new proposals feature skyscrapers that are 199.2 metres in height, in reference to the founding year of the company; 1992.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

The first design includes one prominent office tower, with seven spacecraft-inspired pods protruding from one side. “Seven spacecrafts represent seven founders of the enterprise,” amphibianArc’s Shu Yang told Dezeen.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

Five additional buildings of between 80 and 100-metres would be constructed around the tower, while a small “transformer building” would sit at the base.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

Just like the architect’s previous project, this structure would feature a facade that flaps like the wings of a huge insect.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

The second design is for a pair of skyscrapers, including an office tower and an accompanying 280-metre hotel.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

The architects based the design on an image of a rocket launching from alongside its supporting structure. ”The twin towers scheme is inspired by the spacecraft, the Long March Carrier Rocket, that China just launched using the crane manufactured by Zoomlion,” explained Yang.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

The hotel is pictured with a streamlined exterior, while the headquarters building is designed as a stack of box-like structures with an exposed steel framework that references scaffolding. A bridge would add a vertiginous swimming pool to the top of the towers, plus a five-storey podium would stretch across the base.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

Our earlier feature about the design’s for Zoomlion’s exhibition centre was described as “extravagant”, “dangerous” and “breathtaking” by readers. See the full story and comments »

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

Also this month, we announced the news that the world’s tallest building will be constructed in China in 90 days, while Chinese architects told Dezeen that there is “an absence of a modern Chinese architecture and design language”.

See more stories about skyscrapers »
See more stories about China »

Here’s project descriptions for each of the two proposals:


Zoomlion is one of China’s leading manufacturers of construction machinery equipment and is ranked top 10 globally in the construction machinery industry. amphibianArc was invited to design its new headquarters located in Changsha, China. Our criterion is to match its forward thinking, unique, and mechanistically imaginative corporate image and values.

Zoomlion Headquarters International Plaza by amphibianArc

Zoomlion Headquarters International Plaza – Single Tower

This scheme uses the multi-level and multi-centre space layout strategy, achieving the goal of multi-function and multi-target. 280 m ultra high rise single tower as the highest point of the massing, the scheme proposes 5 towers of 80-100 m and a podium to form an enclosed space. The structure of the conference facilities falls back on the 199.2 m ultra-high tower, which represents the founding year of 1992 of Zoomlion. A water feature suspended at the vertical midpoint of the tower represents the spiritual and architectural center of the complex. The most visible feature in the scheme is the “seven spacecraft” – seven pods representing the seven founders of Zoomlion.

2012, Changsha, China
Project area: 344,250 sq m
Site area: 111,389 sq m
Status: Concept

Zoomlion Headquarters International Plaza by amphibianArc

Zoomlion Headquarters International Plaza – Twin Towers

The philosophical concept of dualism is embedded in the nature of Zoomlion. As a machine maker, the characteristics of Zoomlion are masculine, machinery and full of industrial power. However, the end products produced via Zoomlion machines that will be used by the general public is refined and people-friendly. This duality is intrinsic to Zoomlion’s existence.

From the project itself, the office for internal use represents the company, while the hotel for external use is associated with its external image. This characteristic of duality is expressed in two distinct design schemes concepts with two distinct articulation of architectural forms.

The twin towers are representing the idea of the dualism. The office tower which is 199.2 m in height is the symbol of Zoomlion. The geometry of the building is form by massing spin around along with the core of the building. Volume of the spinning massing varies and creates a masculine, machinery look of the tower. There is a bridge that connects two towers to top floors of office tower. Refined and elegant geometry of hotel tower that is 280 m tall is contrast with the rough texture and geometry of the office tower. The image is a vivid simulation of the space shuttle tied up to the launching pad of space center. This image emphasizes the industrial strength of Zoomlion product.

The podium of the twin towers is a huge elevated platform that contains more than five floors. The elevated platform is support by giant trapezoid shape structural columns. It is a floating platform hanging over the campus and open up the ground for public spaces and landscaping. More substantially, podium floor plates reach far for a panoramic view of the city. Because of the floating podium, the footprint of the building decreases substantially and frees up the space for a park-like green campus.

2012, Changsha, China
Project area: 283,000 sq m
Site area: 111,389 sq m
Status: Concept

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by amphibianArc
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Copenhagen Natural History Museum

Les équipes de Kengo Kuma & Associates ont récemment proposé leur projet de création du musée d’histoire naturel de Copenhague. Renommé par les équipes japonaises « Garden of Natural History », cette proposition a le mérite d’impressionner et de donner envie de voir un tel projet prendre vie. Plus dans la suite.

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