Tony’s Farm by Playze

Berlin and Shanghai-based studio Playze stacked up perforated shipping containers to create offices for an organic farm in Shanghai, China (+ slideshow).

Tony's Farm by Playze

Tony’s Farm, the biggest organic fruit and vegetable farm in Shanghai, asked Playze to develop a main reception, lobby and VIP area as well as offices alongside the existing factory.

Tony's Farm by Playze

The architects cut open one side of the factory – the white building seen in the photographs – and filled one end of the space with shipping containers, inside which are labs and offices.

Tony's Farm by Playze

Containers were chosen for their strength as well as their sustainability, being “a metaphor for recycled space”, as the architects explained. Local bamboo was also used for indoor and outdoor flooring.

Tony's Farm by Playze

The entrance, located underneath three cantilevered containers, leads through to a triple-height lobby created by stacking up containers and removing the walls between them.

Tony's Farm by Playze

Visitors then enter an inner courtyard, which references traditional Chinese courtyards and is partly covered by the terrace above.

Tony's Farm by Playze

Bridges on the upper floor connect the offices in the outer cluster of containers to those inside the factory.

Tony's Farm by Playze

There are also plans to build hotel rooms across the farm to host eco-tourists and guests. “It was part of the design to imagine the connection between this core building and the hotel rooms that will be built,” says architect Didier Callot. “The client is still working on this hotel project.”

Tony's Farm by Playze

Playze was founded in 2007 and is based in both Berlin and Shanghai, aiming to bring German design standards to China’s large-scale, fast-paced projects as well as working on smaller-scale urban projects in Europe, according to Callot.

Tony's Farm by Playze

We’ve featured lots of shipping container architecture on Dezeen, including temporary homes for victims of the Japanese tsunami and an observatory in South Korea, and we recently reported on news that “problem families” in Amsterdam are to be moved to shipping containers on the outskirts of the city.

Tony's Farm by Playze

Other recent stories from China include plans to construct the world’s tallest building in just 90 days and a masterplan for Shenzhen that’s larger than the whole of Manhattan – see all our stories from China.

Tony's Farm by Playze

See all our stories about shipping containers »
See all our stories about Shanghai »
See all our stories about China »

Photographs are by Bartosz Kolonko.

Here’s some more information from the architects:


Context

Tony’s Farm is the biggest organic food farm in Shanghai, which produces OFDC certified (member of IFOAM) vegetables and fruits. But Tony’s Farm is meant to be more than just a place for vegetable production. The vision is to integrate the consumer and therefore promote a natural lifestyle.

Tony's Farm by Playze

To link the activities of the working people with the visitors of the farm, playze developed a building complex, which combines the main reception, a lobby, (working also for the future hotel rooms) and a vip area, with the new offices and an existing warehouse, where the fruits and vegetables are being packed.

The building provides transparency within the manufacturing process. Thus it supports the vision of integrating the visitor and helps to reinforce the consumer confidence in the products of the farm. At the same time the building design is driven by the concept of sustainability, combined with its iconic qualities, it communicates and promotes the core concept of Tony’s Farm.

Tony's Farm by Playze

Spatial concept

The building has been designed as a continuous spatial sequence in order to physically and visually connect various interior and exterior programs. The whole structure demands an exploration by the visitors. It is not obvious how the spatial sequence will develop while crossing the building and the site. A system of terraces functions not only as transitory space but also as extension of the interior work and leisure areas. Outdoor meetings and other activities support the aspiration of the client to literally work surrounded by nature and same time reduce the use of conditioned space.

Tony's Farm by Playze

Throughout the project the immediate spatial relationship between the building and the environment is meant to create a virtual dialogue between the industrial aspects of food production and the surrounding farmland. The massing strategy supports this ambiguity by creating various types of visual relations.

Tony's Farm by Playze

The systemic nature of the containers is countered with the adaptation to the specific situations, like entrance, courtyard, office wing, terraces, etc. The different orientations towards the landscape of the farm, the functional requirements and the spatial sequence are defining each situation of the layout in a specific way, although the spatial framework is the container with its standardized dimensions.

Tony's Farm by Playze

The cubing of the containers follows spatial and climatic demands. The cantilevering gesture marks the main entrance of the site. This is where the visitors enter the structure and find the reception desk. After the lobby, which is accentuated by a 3 stories high volume, they step out to an inner courtyard, where they are picked up by electric cars to be brought to their hotel rooms, distributed throughout the farm.

Tony's Farm by Playze

The second level allows a connection to the office wing of the building via 2 bridges. This part of the building complex is covered by the existing warehouse. The east facade has been sliced, so that the new container offices could find shelter underneath the existing roof and form an new inner facade towards the production hall.

Tony's Farm by Playze

Construction

Since the climatic exigence asked for impermeability and insulation, numerous specific details had to be developed to maintain the stringent appearance of the containers. The elaborate details, for example the still visible steel beams of the containers in the interior, stand in contrast to the rather rough and crude tectonic details of the freight container. Further, the modular system was challenged by the individual joints, resulting from the irregular distribution of the containers.

Tony's Farm by Playze

Above: ground floor plan – click for larger image

The structural logic of the container is the framed box, which can be opened or left closed towards the 6 orientations. These characteristics were amplified in different spatial situations, integrated within the whole structure. At the entrance situation for instance, the additional supporting structure is reduced to a minimum to underline the ”loating; moment of the containers. The 3-storeys-high vertical space is open to 3 sides to dissolve the box. In the courtyard, the terraces form a roof to the underneath and quote the chinese courtyard typology, whereas the office part is developed in the style of a slab and pillar constellation.

Tony's Farm by Playze

Above: first floor plan – click above for larger image

Sustainability

In order to cope with the high aspirations of the client regarding the protection of the environment, several strategies have been used to reduce the energy consumption of the building. The entire structure is well insulated, even though the containers appear in its raw form. The original container doors have been perforated and serve as external shading blinds at the sun exposed facades to minimize solar heat gain. A geothermal heat pump delivers energy for the air conditioning and floor heating systems. Controlled ventilation helps to optimize air exchange rates and therefore to minimize the energy loss through uncontrolled aeration. The use of LED lighting reduces the general electricity consumption.

Tony's Farm by Playze

Above: section 1 – click above for larger image

Another ambition of the project is to reduce the energy hidden in construction materials, the so called grey energy. Therefore recycled, ecologically sustainable, fast growing or at least recyclable materials have been used. The re-use of freight containers seemed adequate, first for its inherent structural autarky and second for being a common metaphor for „recycled space“. Further, the minimal weight of the container structure allowed to re-use the existing foundation plate. The use of local bamboo products for indoor and outdoor flooring, as well as all the built-in furniture additionally supports the ambition of constructing a truly sustainable building.

Tony's Farm by Playze

Above: section 2 – click above for larger image

Project data

Client: Tony’s Farm
Location: Shanghai, China
Completed in: July 2011
Built area: 1060m2
Number of containers: 78
Team: Mengjia He, Pascal Berger, Marc Schmit, Meijun wu, Liv Xu Ye, Ahmed Hosny, Andres Tovar, Maggie Tang

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Architizer A+ Awards: The deadline approaches for the nascent architecture and design platform

Architizer A+ Awards

Created as a way to honor innovation in contemporary architecture and design, the Architizer A+ Awards are now nearing the final entry deadline of 21 December 2012. Entrants will be judged by 200 jurors across 50+ categories, and the winners will be awarded a trophy designed by Snarkitecture at…

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Mervau housing by Tétrarc

French architecture practice Tétrarc has applied a camouflage print onto the walls of this social housing complex in Saint-Gilles Croix de Vie to create the impression of shadows cast by trees (+ slideshow).

Mervau housing by Tetrarc

“We used an image of a pine tree, transformed a little bit of this image and put it on our facade,” Tétrarc told Dezeen, before explaining how the print is a reference to the nearby Vendée forests. “The camouflage effect wasn’t expected,” they said.

Mervau housing by Tetrarc

The grey-painted shapes appear on all of the white-rendered elevations and from certain angles the images on the main buildings line up with those on projecting wings to create the same effect as real shadows.

Mervau housing by Tetrarc

The Mervau housing development replaces ten houses from the 1960s and provides a total of 36 residences within four crooked rows.

Mervau housing by Tetrarc

A network of passageways and courtyards weave in and out of the spaces between buildings, plus Tétrarc have added south-facing gardens to as many residences as possible.

Mervau housing by Tetrarc

The development includes of mix of housing types, from small apartments to two-storey townhouses, and parking is located underground.

Mervau housing by Tetrarc

Living rooms face south in most of the apartments to catch as much daylight as possible. All living rooms and bedrooms have been designed to accommodate two or more possible furniture layouts.

Mervau housing by Tetrarc

Based in Nantes, Tétrarc have previously designed two libraries that we’ve featured on Dezeen. See more buildings by Tétrarc »

Mervau housing by Tetrarc

Photography is by Stéphane Chalmeau.

Here’s a project description from Tetrarc:


Mervau by Tetrarc

In Saint-Gilles Croix de Vie, a well known Atlantic port, Tetrarc is undertaking a social housing project with Vendée overtones, Mervau. After having reviewed the housing site (Arborea), its classification (Playtime) and its services (Boreal), and its construction using the wood option (Rosa Park), Tetrarc is giving its views here on the gradual renovation at the heart of small and medium sized towns.

In order to demonstrate that an urban renovation can be fused with the existing structure rather than traumatising it, Tetrarc is seizing the opportunity for a consultation with Vendée Habitat: the regional social housing office is planning to tear down roughly ten dilapidated small houses dating from the 1960s erected on a site measuring 3,553 m2 in order to build 36 comfortable housing units to be occupied by more than one hundred people.

Instead of erecting horizontal or vertical structures at odds with a sensitive urban environment, Tetrarc is proposing to establish a hamlet there in order to ensure urban continuity whilst giving occupancy of the plot of land to 101 housing units/ha and forming a strong interiority beneficial to the development of social interaction between residents.

Mervau housing by Tetrarc

Above: site plan – click above for larger image

Manifest urban familiarity

Nothing picturesque here: Tetrarc is adapting this tried and trusted urban design to a current form. They are revisiting the constructed continuities, the frequently used measurements, the continually changing points of view created by the reorientation of a façade or the slope of a roof, within the context of the greater visual homogeneity and a white coloured commonality. The series of households are set along alleyways of varying lengths, along lanes, passages and small courtyards, creating a visually welcoming and physically porous urban space accessible to all the population.

This approach requires that a careful response be given to each urban micro context: this will avoid any mass effect by favouring a perpendicular settlement; this will provide a visual vista on a street by opening up an alley along its line; thereby retaining the peaceful nature of residents’ houses by placing access to the parking areas in a buffer between the gardens and the new hamlet; another street will be changed by introducing an urban settlement on it created by at least six adjoining town houses.

Mervau housing by Tetrarc

Above: long section one – click above for larger image 

A strong sense of interiority

This arrangement has the added advantage of aligning housing with public space to the palpable diversity of collective spaces. Because of this it offers the residents the opportunity of having social facilities: children’s playground facilities, neighbourhood contact, shared public festivities… all elements of a socially active population.

This use leads to the quality in the use of shared spaces being comparable to the use of the access spaces to the housing and their external extensions which have a very direct participation in the quality and use value of the locations. Separating boundaries, the enclosure of small gardens, house doorways, handrails, ramps and balustrades are designed with exceptional care. Letter boxes and electricity meters are fitted into the scheme with extreme care. The sun shading equipment is in the form of playful vernacular designs. The walls and boundaries between the housing appear as cast shadows, an allusion to the pine trees in the Vendée forests, heightening the hamlet’s seaside resort atmosphere.

Mervau housing by Tetrarc

Above: long section two – click above for larger image 

Diversity and use value

With its homogenous forms the hamlet combines several types of housing in order to meet the big demand for diversity of residents: houses T2, T3 and T4, simplex garden apartments; houses T2, T3 and T4 upstairs simplex, duplex town houses.

Tetrarc is paying particular attention to the quality of everyday use. Accordingly the garden apartments are extended by a space screening the views from the alley and offering a south facing living room. The upstairs apartments are served, two on each side, by an independent staircase directly connected to the alley. They have some external space in the form of a large balcony with room for table and chairs. The town houses have a ground floor entry, a living room and kitchen both opening onto a small planted courtyard. A bathroom, a water feature and a bedroom; the other bedrooms are upstairs.

These varied types of housing have the common features relevant to the life style of today’s families: the open plan living room/kitchen is big enough to fit different types of furniture. In the bedrooms the bed can be positioned in at least two (and often three) different places.

Similar consideration has also been given to the collective areas. Along the alleys the areas opposite the buildings have been organised into night-time spaces and day-time spaces, which diversifies the architecture between the two façades and reconciles usage by avoiding the conflicts linked to noise nuisance.

In the same way, to protect the housing from the noise arising from car parking access, rubbish bin areas, maintenance areas, the housekeeping areas and meters have been placed in an enclosed section on the western gables.

Wisely managed energy

The response to environmental requirements and the optimisation of the operational energy use are, for example, directly evident in the architectural devices: in order to intensify the harnessing of free energy the installation of fabricated straps has been precisely calculated in order to optimise their absorption of sunlight, the roofing profiles have been examined with the same objective, which has led to some of them being lowered; a maximum number of living rooms are south facing; the sun shading equipment is fitted with openings located upstairs and the balconies protect those on the lower level.

In this way Mervau is providing high density medium housing which takes into account contemporary life styles and environmental requirements; it is providing quality thanks to the sophisticated streamlining of the construction, and this is integrated into the existing town by giving it a feel of poetic serenity.

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Dezeen archive: twisted buildings

Dezeen archive: twisted buildings

Following MAD’s spiralling towers in Canada (top left) and proposals for contorted buildings by BIG (bottom right), our latest archive contains all our stories about twisted buildings. See all the stories »

See all our archive stories »

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twisted buildings
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World’s tallest modular building breaks ground in New York

B2 at Atlantic Yards

News: New York mayor Michael Bloomberg will today lead the groundbreaking ceremony for the world’s tallest modular building, a 32-storey residential tower in Brooklyn’s Atlantic Yards development by Manhattan-based firm SHoP Architects.

At the groundbreaking, developers Forest City Ratner will display one of the 930 modular chassis that will be combined to build the tower, called B2. More than 60% of the construction will be completed off-site at the Brooklyn Naval Yard before being transported to the site as pre-fabricated modules.

B2 at Atlantic Yards

B2 is the first of three new residential towers planned around the Barclays Center, the 19,000-seat indoor sports and music arena that opened this September. Both were designed by Manhattan-based firm SHoP Architects as part of the controversial Atlantic Yards development, which has attracted criticism from residents over its lack of transparency.

The three buildings will provide around 1500 residential units in total, half of which will be earmarked as affordable housing. B2’s 363 apartments are expected to be available for occupancy in summer 2014.

B2 at Atlantic Yards

While developers and city officials hail B2 as the world’s tallest modular building, construction is also set to begin this month on a modular tower in Changsha, China, which at 838 metres, or 220 storeys, would be the tallest building in the world – and construction firm Broad Sustainable Building says the tower, called Sky City, will go up in just 90 days.

We reported on the opening of the Barclays Center in September, while back in May we reported on plans for a 425-metre-high skyscraper by architect Rafael Viñoly on New York’s Park Avenue, which will become the tallest residential tower in the US if built – see all our stories about New York.

B2 at Atlantic Yards

See all our stories from Brooklyn »
See all our stories about skyscrapers »

Images are by SHoP Architects.

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Ulm Synagogue by Kister Scheithauer Gross

German architects Kister Scheithauer Gross used Jewish symbol the Star of David to create patterned windows in the limestone walls of this synagogue in Ulm, Germany.

Ulm Synagogue by Kister Scheithauer Gross

The town’s original synagogue was torn down in 1938 as part of the Kristallnacht, or “night of broken glass”, a series of attacks on Jewish community buildings within Nazi Germany.

Ulm Synagogue by Kister Scheithauer Gross

Kister Scheithauer Gross (KSG) won a competition in 2010 to reinstate the building beside the site where its predecessor once stood.

Ulm Synagogue by Kister Scheithauer Gross

“This position is historical,” said architect Susanne Gross. “In the Kristallnacht in 1938, the former synagogue was destroyed. After World War II, a secular building was constructed in the space. The synagogue and the Jewish community lost its ancestral place in the centre of Ulm.”

Ulm Synagogue by Kister Scheithauer Gross

“The construction of the current synagogue has opened a new site, in the middle of the square,” she added. “It is as though the synagogue has taken a step forward from its former position; it has reclaimed its location.”

Ulm Synagogue by Kister Scheithauer Gross

Both a synagogue and a Jewish community centre are contained within the cube, which stands apart from other buildings and faces out onto the town square. “With no constructed borders, it stands abrupt and solitary on the Weinhof,” said Gross.

Ulm Synagogue by Kister Scheithauer Gross

The stone walls make reference to the traditional Jerusalem limestone of many buildings in Israel, but the architects had to source a more frost-resistant stone to suit the colder climate. “We searched for a limestone with a similar but frost-resistant appearance and found the Dietfurt limestone that is mined in Bavarian Dietfurt, about 110 kilometres away from Ulm,” said KSG’s Farina Kast.

Ulm Synagogue by Kister Scheithauer Gross

Most rooms inside the building are laid out on an orthogonal grid. However the 125-seat prayer rooms points south-east towards Jerusalem – a typical feature in synagogue design.

Ulm Synagogue by Kister Scheithauer Gross

“In the competition design, the prayer room was faced eastward. After we won and when the close collaboration with the client began, the Rabbi expressed the wish to have the prayer room aligned towards Jerusalem,” said Kast.

Ulm Synagogue by Kister Scheithauer Gross

The sacral chamber is positioned at the end of this space, behind the star-shaped windows.

Ulm Synagogue by Kister Scheithauer Gross

Above: site plan

Other Jewish community buildings we’ve featured include a ritual bathhouse in Mexico and a community centre in Mainz, Germany.

Ulm Synagogue by Kister Scheithauer Gross

Above: historical site plan

Photography is by Christian Richters.

Here’s some more information from the architects:


ksg Completes Ulm Synagogue

kister scheithauer gross architects and urban planners (ksg) have completed the community centre and synagogue for the Jewish community of Ulm.

In 2009, the Israelite Religious Community in Württemberg (IRGW) decided to build a new synagogue for its orthodox community in Ulm and, together with the city of Ulm, initiated a competition. The city placed the building site in the middle of the Weinhof, just a stone’s throw from the former synagogue, which was destroyed during Kristallnacht.

“The team from Cologne succeeded in enriching this highly sensitive location in the city of Ulm, without detracting from its unique character,” said the city’s head of construction, Alexander Wetzig, following the jury’s decision in January 2010.

In the completed build, the cuboid is lower and shorter than initially planned during the competition. It is now 24 meters wide, 16 deep and at 17 meters high, much lower than the nearby Schwörhaus.

All the spaces of the community centre and the synagogue are joined in the smooth structure: foyer, synagogue, Mikvah (ritual bath), meeting hall, school and administrative rooms as well as the child day care centre with an enclosed outdoor playing area, which is directly above the sacral room.

The rooms are arranged orthogonally. Only the synagogue follows the line of the only, free-standing support in the building, in a diagonal direction. The direction facing south-east has an overlying religious meaning behind it: its geographical direction is directly towards Jerusalem, the spiritual and religious centre of Judaism.

The diagonal room layout creates a corner window in the sacral room, which plays with a pattern of the Star of David as a space framework. With 600 openings, the synagogue is illuminated from many points, with the focal point being the liturgical centrepiece; the Torah shrine. The perforations in the façade created with a high-pressure water jet, illuminate the shrine inside and project the idea of the synagogue outwards.

The interior fittings of the synagogue are partially based on ksg plans, such as the dodecagon holder, a symbol for the twelve lines of the people of Israel. Rabbi Shneur Trebnik, together with the IRGW representatives, selected the seating and ordered the construction of the Torah shrine, including the bimah, a raised platform with a lectern, from which the Torah is dictated. All three elements were constructed in Israel.

The prayer room offers space for 125 people, including 40 spaces in the women’s gallery. The building was full to capacity during the opening on Sunday, December 2nd 2012. The 300 invited guests included former Jewish citizens of Ulm, who fled during World War II. Speeches were held by Federal President of Germany Joachim Gauck, Prime Minister of Baden-Württemberg Winfried Kretschmann, the President of Central Council of Jews in Germany Dieter Graumann and Israel’s ambassador to Germany Yacov Hadas-Handelsman.

Client: Israelite Religious Community of Württemberg statutory corporation Hospitalstraße 36, 70174 Stuttgart, Germany
Board of directors: Barbara Traub, Susanne Jakubowski, Michael Kashi
Occupant: Rabbi Shneur Trebnik and the orthodox Jewish community of Ulm
Authorities: City of Ulm, Germany
Mayor: Ivo Gönner
Head of construction: Alexander Wetzig
Architects: kister scheithauer gross architects and urban planners, Cologne
Design/responsible partner: Prof. Susanne Gross
Project manager, artistic director: Grzegorz Rybacki
Team: Fritz Keuten, Matthes Langhinrichs, Stefan Schwarz, Paul Youk
Project management: nps Bauprojektmanagement GmbH, Ulm, Germany
General contractor: Matthäus Schmid Bauunternehmen GmbH & Co. KG, Baltringen, Germany

Consultants in the competition and design phase
Structural analysis: Dr.-Ing. W.Naumann & Partner, Köln
Thermo gravimetric analysis: ZWP AG, Köln
Acoustics: ISRW Dr.-Ing. Klapdor GmbH, Düsseldorf
Building physics: Ing.-Büro für Bauphysik Heinrichs, Köln
Fire safety: BFT Cognos, Aachen

Competition: 11/2009
Performance time: 2010-2012
Start of construction: 03/2011
Completion: 12/2012
Gross floor space: 1.980 m²
Performance phases: 1 – 4 plus artistic direction and master details
Construction costs: 4.6 million euros

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Kister Scheithauer Gross
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Dezeen’s A-Zdvent calendar: House R by Bembé Dellinger

House R by Bembé Dellinger

The latest house in our A-Zdvent calendar of residences named after letters cantilevers from the landscape in southern Germany and has 380 acrylic cylinders puncturing its facade. Read more about House R »

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House R by Bembé Dellinger
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Louvre Lens by SANAA and Imrey Culbert photographed by Julien Lanoo

Slideshow feature: these images by French photographer Julien Lanoo document the opening week of the Louvre Lens, the Musée du Louvre’s new sister gallery designed by Japanese architects SANAA and New York studio Imrey Culbert.

The museum features a 360-metre-long chain of cuboidal glass and aluminium galleries that house a permanent collection as well as temporary exhibitions and art from the local neighbourhood. Located in Lens, northern France, the building opened to the public last week. Find out more about the Louvre Lens in our earlier story.

See more photography by Julien Lanoo on Dezeen or by visiting his website.

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photographed by Julien Lanoo
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The Grove at Grand Bay by BIG

Danish studio BIG has unveiled plans for two twisted apartment blocks in Coconut Grove, Miami (+ slideshow).

The Grove at Grand Bay by BIG

The 20-storey towers will be constructed on the site of the former Grand Bay Hotel, one of Miami’s most prestigious attractions during the 1980s and early 1990s. Despite being the only hotel in the area to have earned a five-star rating, Grand Bay lost popularity in its later years and was eventually closed in 2008.

The Grove at Grand Bay by BIG

Over that time many houses and apartment buildings have been constructed in the neighbourhood, so the developers felt that a hotel would no longer be appropriate and commissioned BIG to design a residential complex.

The Grove at Grand Bay by BIG

The two similar towers will include a total of 96 apartments and both will feature balconies wrapping the exterior walls, offering residents views across the bay.

The Grove at Grand Bay by BIG

Behind the balconies, the buildings will have glass walls that create floor-to-ceiling windows for each aprtment.

The Grove at Grand Bay by BIG

BIG’s founding architect Bjarke Ingels explained: “Miami has developed a contemporary condominium vernacular that combines brise soleil style balcony shading with floor-to-ceiling windows in order to best enjoy the panoramic water views of the area. We propose to elaborate on these indigenous elements and continue the evolution of the local condominium architecture.”

The Grove at Grand Bay by BIG

Landscape architect Raymond Jungles has designed gardens and terraces to surround the buildings, while the curling red sculpture created by artist Alexander Liberman at the hotel entrance will remain in its place.

The Grove at Grand Bay by BIG

Construction is scheduled to begin this month, with completion anticipated for late 2014.

The Grove at Grand Bay by BIG

BIG previously designed a twisted skyscraper for Vancouver, while Chinese architects MAD just completed a pair of contorted towers near Toronto.

The Grove at Grand Bay by BIG

This year BIG also completed a brightly coloured carpet on a street in Copenhagen and revealed proposals for a building shaped like a hash symbol.

The Grove at Grand Bay by BIG

See all our stories about BIG »

The Grove at Grand Bay by BIG

Here’s a project description from BIG:


The Grove at Grand Bay residences, located on the former site of the Grand Bay Hotel and just minutes from key areas including the airport, downtown Miami and Coral Gables shall leave an imprint on the South Bayshore Drive community, redefining luxury and breathing new life into Coconut Grove for decades to come.

The Grove at Grand Bay by BIG

Developed by Terra Group, Miami’s leading real-estate development company, the construction is scheduled to begin in the fourth quarter of 2012, completing end of 2014. Upon completion, the project seeks LEED Certification Silver designation, the first such structure in Coconut Grove.

The Grove at Grand Bay by BIG

Rising 20 stories over the bay-front, Grove at Grand Bay will showcase 96 expansive residences with panoramic views from every angle as the two towers take off from the ground and clear the surrounding buildings, readjusting their orientation to capture the full breadth of panoramic views from sailboat bays and the marina to the Miami skyline.

The Grove at Grand Bay by BIG

The interactive movement of the two towers creates a new dancing silhouette on the Grove’s skyline.

The Grove at Grand Bay by BIG

Whether in the shade of the buildings’ twisting facades or inside, residents of the Grove at Grand Bay will fully experience and relish living amid the open air.

The Grove at Grand Bay by BIG

The gardens and architecture will fuse seamlessly at the amenity levels, maximizing indoor outdoor living experiences that are unique to the South Florida climate.

The Grove at Grand Bay by BIG

Views down into the gardens, towards the surrounding canopied neighborhoods, and beyond Sailboat Bay will offer peaceful, verdant backdrops to elegant residential interiors and vast balconies.

The Grove at Grand Bay by BIG

Above: site plan

The interior design of the individual units are refined towards minimalism and luxury.

The Grove at Grand Bay by BIG

Above: North Tower plan, levels 2 – 8 – click for larger image

With an open flow-through floor plan, each residence will showcase 12′ ceilings and 12′ floor-to-ceiling windows, first among Florida developments, and spacious outdoor terraces with wraparound balconies that create a continuous indoor/outdoor living environment.

The Grove at Grand Bay by BIG

Above: North Tower plan, levels 12- 17, click for larger image

Raymond Jungles, the landscape architect renowned for his creative and ecologically sensitive landscape architecture, captures the natural beauty of the neighborhood and magnifies it with ample green spaces.

The Grove at Grand Bay by BIG

Above: North Tower plan, penthouse – click for larger image

The two glass towers in a pas de deux appear to float over Raymond Jungles’ lush, canopied oasis, beckoning to Biscayne Bay and beyond.

The Grove at Grand Bay by BIG

Above: Section A, click for larger image

Name: The Grove at Grand Bay
Client: Terra Group
Collaborators: Nichols Brosch Wurst Wolfe & Associates Inc, Esrawe, Desimone, Hngs, Raymond Jungles

The Grove at Grand Bay by BIG

Above: Section E, click for larger image

Type: Commission
Size: 58 900 m2
Location: Coconut Grove, Miami, FL, USA

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Haus Rüscher by OLKRÜF

Sloping meadows and woodland thickets are all that surrounds this boxy concrete house in the mountains of western Austria by local studio OLKRÜF (+ slideshow).

Haus Rüscher by OLKRÜF

Haus Rüscher is located around a kilometre away from the nearest village and OLKRÜF designed the house as two self-contained buildings that impact as little possible on the surrounding countryside. “It was important for the client to build a very compact house that would not spoil the local landscape by sealing over the top surface with unnecessary concrete, gravel or tarmac,” the architects explain.

Haus Rüscher by OLKRÜF

The outer shell of each building comprises a single casting of concrete, designed to reference the solid volumes of the surrounding mountains. “The most challenging part of the project was the single-piece construction,” architect John Read told Dezeen.

Haus Rüscher by OLKRÜF

The larger of the two buildings contains the living rooms and bedrooms, while the smaller structure is a guesthouse with a sauna and shower room in the basement.

Haus Rüscher by OLKRÜF

In the main house, split levels differentiate between the living room and kitchen on the ground floor, while upstairs the children’s room sits lower than the master bedroom to allow enough ceiling height for bunk beds.

Haus Rüscher by OLKRÜF

Exposed concrete walls are sandblasted to create smooth interior surfaces on the lower level. Floors are lined with elm boards, which also clad the walls and ceilings in the bedrooms.

Haus Rüscher by OLKRÜF

Large windows pierce the concrete facade on different sides to give residents clear views across the mountain and forest landscape.

Haus Rüscher by OLKRÜF

“The most successful thing for us was managing not to compromise on the design from start to finish,” added Read. “That is something that rarely happens in the industry, but in this case the final result is almost identical to the original concept. Partly this was due to our perseverance and partly it was due to the client believing and sharing in our vision.”

Haus Rüscher by OLKRÜF

See more Austrian houses on Dezeen, including one that appears to climb down a hill.

Haus Rüscher by OLKRÜF

Photography is by Adolf Bereuter.

Haus Rüscher by OLKRÜF

Here’s some more information from the architects:


Haus Rüscher

Location

As solitary solid masses embedded in the landscape sits the project Haus R. It hangs on a steep incline at almost 1100 m in altitude and a kilometre from the nearest village of Schnepfau. To the north, the houses back on to thick woodland that cover the rest of the hill, in all other directions lay pasture lands. Because of the elevated position the house enjoys incredible views in every direction, especially of the Kanisfluh mountain and the valleys of the Bregenzerwald.

Haus Rüscher by OLKRÜF

The sparsely populated landscape is reflected in the simple form and basic materials chosen for the design. The double shell is constructed without any horizontal construction joints. The entire outer wall was constructed as one solid piece. In this way the solid concrete hull corresponds to the simple mass of the surrounding mountains. The grassland grows right to the edge of the building to emphasize the concept of the house as a rock emerging from the ground naturally. In addition, a small guest house was included in the design that abides by the same rules of design. It compliments and emphasises the first by creating a ‘natural rock formation’ rather than a solitary monument.

Haus Rüscher by OLKRÜF

Circulation/Rooms

It was important for the client to build a very compact house that would not spoil the local landscape by sealing over the top surface with unnecessary concrete, gravel or tarmac. The top surface surrounding the building had to remain as natural as possible.

Haus Rüscher by OLKRÜF

It was also important that house had a generous living space for entertaining and accommodating guests, but should not be too big for everyday use. As well as providing open space, the design had to incorporate smaller, more intimate areas for when people wished to relax in peace. The guest house and the separation of the sleeping rooms using split levels, are a result of these thought processes.

Haus Rüscher by OLKRÜF

From the mountain track leads a set of stairs between the two houses, which are both entered from the rear, so that the entrances are not visible from the track.

Haus Rüscher by OLKRÜF

The ground floor is shared into separate zones through different room heights in the living and eating area, the kitchen and the circulation paths. The high ceilings in the living space allow incredible views in all directions. In the west, the rooms entire height and width is glazed to give a panoramic view of the surroundings. The lower kitchen area is orientated towards the open living room, above which a vertical air space flows through all the levels. The first floor and cellar levels are reached through a set of floating wooden stairs that pierce the concrete of the outer wall, supporting themselves on one side only.

Haus Rüscher by OLKRÜF

Above: site plan

The differing room heights also resulted from the needs of the two very different sleeping rooms. The lower sleeping room was designed for the children, and was intended to be able to accommodate a double bed or bunk bed system and therefore utilises an intentionally higher format. Latching on to the side of this room is the slightly bigger main bedroom, which has a normal room height and enjoys views of the Kanisfluh. In addition, the guest house bedroom replicates the feel and elegant style of the main house but in miniature. In the cellar, beside the storage rooms and the technical room, there is a small sauna and separate shower room.

Haus Rüscher by OLKRÜF

Above: ground floor plan

Materials and Construction

The 65cm thick hull of the building was formed in two parts: The outer shell and the core insulation managed to avoid the usual visible construction joints by being constructed from one continuous piece of concrete over 9.5 meters in height. Connecting on the inside, the internal walls are also constructed in one solid piece, with the interior walls, for the most part, echoing this process by casting several walls straight through multiple levels in a single piece. The floors are then set into place afterwards by drilling metal into the triple height finished wall to provide the basis for the supporting structure.

Haus Rüscher by OLKRÜF

Above: first floor plan

All the exposed concrete areas in Haus R have a sandblasted finish, the floor is fitted out in Elm and in the cellar the floor is finished in polished screed. By contrast, the two bedrooms (and the guest house) are completely clad in wood. The windows in these rooms are flush with the outside of the building whereas the windows on the ground floor are flush with the inside of the building, this was to allow the inclusion of sun blinds that prevent overheating in during the summer. The jamb is constructed entirely from concrete all the way up to the beginning of the window frame.

Haus Rüscher by OLKRÜF

Above: section

Both roofs were designed inverted. As an important fifth facade, they were finished with a layer of large format prefabricated concrete slabs. The house is also fitted out with a ground source heat pump that provides the majority of the energy for the under floor heating all year round.

Haus Rüscher by OLKRÜF

Above: front elevation

The thermal mass of the building is exceptional for its size due to the buildings extensive use of exposed concrete within the insulation shell. This provides stable warmth through the winter months and a consistent cooling effect during the hot summer days.

Haus Rüscher by OLKRÜF

Above: side elevation

The construction of the building was very complicated and challenging for the many reasons; the concrete walls were cast in one single piece which was experimental for both the builders and the architects. The mountain weather was unpredictable and often extreme. Site access was difficult for the heavy construction vehicles. And the large format windows, that were inserted into the concrete jamb, had very little margin for error.

Haus Rüscher by OLKRÜF

Above: rear elevation

However, the house, from the initial design to the finished building hardly changed at all. This was only possible due to an intense and detailed communication between the architect, the construction company and the client. An important element in this process was the guest house.

Haus Rüscher by OLKRÜF

Above: side elevation

It was constructed using the exact same methods and materials as the main building and provided a useful proving ground. In this way all parties were able to evaluate and optimize the experimental construction methods for the main building, ensuring a very high quality finish.

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by OLKRÜF
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