Northern Nautilus by Takato Tamagami

Japanese architect Takato Tamagami used the golden spiral of the Fibonacci mathematical sequence to plan the twisted proportions of this house in Hokkaido, Japan (+ slideshow).

Northern Nautilus by Takato Tamagami

The house is named Northern Nautilus as a reference to this spiral shape and is positioned on the side of a hill overlooking a park to the north.

Northern Nautilus by Takato Tamagami

“We imagined that if we made the house high enough, they will have a nice view towards the park and the panorama of the town on the hill,” said Takato Tamagami.

Northern Nautilus by Takato Tamagami

The volume of the house comprises two overlapping blocks, with one running parallel to the street and the other rotated through 30 degrees. Floor levels are different in each block and create a series of split levels.

Northern Nautilus by Takato Tamagami

“We created a dynamic spiral flow of circulation and form,” added the architect. “Light and view transform in multiple ways as you move up and down the space.”

Northern Nautilus by Takato Tamagami

A dining room and kitchen are located at the very top of the house and feature a double-height window with a view out over the park.

Northern Nautilus by Takato Tamagami

Two staircases lead down from this room to a mezzanine floor in the middle of the house. One winds down into a living room, while the other descends into a private, window-less study that is used by the client’s wife.

Northern Nautilus by Takato Tamagami

One bedroom is slotted into the corner of this storey, plus two more are located on the ground floor below.

Northern Nautilus by Takato Tamagami

The split levels of the house create a large storage area between the floors in the centre of the house. A parking garage is also integrated into the volume, with a shelf above for storing a canoe.

Northern Nautilus by Takato Tamagami

Tokyo-based architect Takato Tamagami launched his studio in 2002. Past projects include N-House, which comprises two homes tangled around each other, and a showroom with a curving chasm for an entrance.

Northern Nautilus by Takato Tamagami

See more houses in Japan »

Northern Nautilus by Takato Tamagami

Here’s a project description from Takato Tamagami:


Northern Nautilus

This house for a young couple stands on a lot in a readjusted land on a hill. The site faces a street on the north, and is surrounded by neighboring houses on the other three sides. It seemed like a rather commonplace urban condition at first, but we were excited to discover a good view of a park below, located across the street towards northeast direction. We imagined that if we made the house high enough, they will have a nice view towards the park and the panorama of the town on the hill, and enjoy seasonal changes of trees from there. So our design started from providing a large window towards the park view on top floor.

Northern Nautilus by Takato Tamagami

The building consists of interlocking volumes of cuboid located parallel to the site and cube rotated by 30 degrees to face the park. Plan of the cuboid is based on golden proportion and spatial division is determined by logarithmic spiral. By giving order to spatial proportion and composition, one can provide a sense of stability and comfort in living environment. This is a classical design method that had been adapted by many architects in the past.

Northern Nautilus by Takato Tamagami

We added a new step to this method that is extracting the square and rotating it. As a result we created a dynamic spiral flow of circulation and form. Light and view transform in multiple ways as you move up and down the space.

Northern Nautilus by Takato Tamagami

Each volume has floor on different level and each floor is allocated for specific use, and the floors step up continually and extend outwards. The gap between mezzanine ceiling and top floor is used as storage space.

Northern Nautilus by Takato Tamagami

Garage is placed in a part of rotated cube and the ceiling is made high enough to accommodate a canoe, as the client loves outdoor sports. And we made storage space above the garage so that they can load and unload outdoor sport goods directly from the car.

Northern Nautilus by Takato Tamagami

Each space has different ceiling height. Entrance hall has a 6.6 meter-high void space and as you go up ceiling height of each living space gets lower. Living room on the mezzanine level is 3.9 meters high and dining room on the second floor is compressed to 2.2 meters high. Here the sense of horizontality is emphasized to enhance visual experience. As you approach the full-width window a bright panoramic view of trees and surrounding townscape opens up dramatically.

Northern Nautilus by Takato Tamagami

Study/book storage is located in that middle on the mezzanine level, which is used as private room of the client’s wife. It is visually inaccessible from the rest of the house, except that it is visually connected to the double-height bedroom so the couple can feel each other’s presence while maintaining some privacy. She can go down there from the second floor using stairs located behind the kitchen, so it is easy take a break from housekeeping and enjoy her free time.

Northern Nautilus by Takato Tamagami

By splitting floor levels we were able to separate living spaces while maintaining a sense of togetherness at the same time.

Northern Nautilus by Takato Tamagami

Above: concept diagram

The couple stands by the dining room window and sees neighborhood children playing cheerfully in the park. When they have a child on their own he/she will eventually join there. From this window they will keep an eye on growth of all children and their hometown.

Northern Nautilus by Takato Tamagami

Above: ground floor plan

Northern Nautilus by Takato Tamagami

Above: middle floor plan

Northern Nautilus by Takato Tamagami

Above: top floor plan

Northern Nautilus by Takato Tamagami

Above: section

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BIG & small House by Anonymous Architects

This tiny house in northeast Los Angeles by local studio Anonymous Architects contains only three rooms and is lifted off the hillside on a set of concrete pilotis (+ slideshow).

BIG small House by Anonymous Architects

Named BIG & small House, the two-storey residence was designed to maximise space, as it occupies a plot around half the size of its neighbours.

BIG small House by Anonymous Architects

Rather than squeeze in lots of small rooms, Anonymous Architects chose to add just one large living room, a single bathroom and a mezzanine bedroom. “What the house lacks in square footage it provides in volume,” explains the architect.

BIG small House by Anonymous Architects

A single-car parking garage run along the side of the house, and the mezzanine bedroom stretches out over the top, allowing the combined living and dining room to become a double-height space.

BIG small House by Anonymous Architects

To increase natural light inside the house, interior partions don’t meet the ceiling. This was intended to create an “open-lofted feeling”.

BIG small House by Anonymous Architects

The shape of the house is defined by the outline of its sloping site. The base of the building barely touches the declining ground, but is held firmly in place by concrete-pile foundations.

BIG small House by Anonymous Architects

“The house is a completely isolated object,” architect Simon Storey told Dezeen. “It’s almost like a industrial shed compared to it’s neighbours, however the undulating roof softens the house just enough that it feels part of the neighborhood.”

BIG small House by Anonymous Architects

Seamed metal sheets clad the entire exterior, while interior walls and floors are lined with timber.

BIG small House by Anonymous Architects

Anonymous Architects previously worked on another house on a small plot in Los Angeles and named it Eel’s Nest after the narrow residences found in Japanese cities.

BIG small House by Anonymous Architects

See more recently completed houses in the US, including an aluminium-clad country house in upstate New York.

Here’s a project description from Anonymous Architects:


BIG & small HOUSE

Starting with a vacant lot that was half of the typical minimum lot size, the objective was to compensate for the relatively small footprint of the house.

BIG small House by Anonymous Architects

To achieve this there are only two full height walls inside the house which makes the main interior room nearly as large as the building footprint. This gives the house an open-lofted feeling with very high ceilings and abundant natural light.

BIG small House by Anonymous Architects

It is an inversion of expectation, so that the smallest house contains the largest room. What the house lacks in square footage it provides in volume.

BIG small House by Anonymous Architects

The free plan of the vacant lot is preserved since the house touches the ground only at the four small piles, giving full access to use the space between the house and the lot. The footprint of the foundation is in fact less than 20 sq.ft. and the house doesn’t touch the ground at any point.

BIG small House by Anonymous Architects

The plan of the house follows the shape of the site which is an asymmetric parallelogram. This form resulted in unusual geometry inside and outside the dwelling and explains the shape of the house. The elevations of the house are designed to mirror the plan.

BIG small House by Anonymous Architects

Date of completion: April 2012
Clients: Jon Behar/ Joyce Campbell
Lot Area: 2,500 sq.ft
Building Area: 1,200 sq.ft
Cost per sq.ft: $175
Single story with loft
Building footprint: 900 sq.ft
Method of construction: concrete pile foundation; steel (primary floor structure – cantilevers); wood floor, walls and roof
Primary materials: standing seam metal roofing and siding, aluminum dual glazed windows, white oak floors, feature wall and kitchen countertop

BIG small House by Anonymous Architects

Above: site plan – click for larger image

BIG small House by Anonymous Architects

Above: ground floor plan – click for larger image

BIG small House by Anonymous Architects

Above: first floor plan – click for larger image

BIG small House by Anonymous Architects

Above: long section – click for larger image

BIG small House by Anonymous Architects

Above: cross section – click for larger image

BIG small House by Anonymous Architects

Above: front elevation – click for larger image 

BIG small House by Anonymous Architects

Above: side elevation – click for larger image

BIG small House by Anonymous Architects

Above: rear elevation – click for larger image

BIG small House by Anonymous Architects

Above: side elevation – click for larger image

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Hut In Woods by Yoshiaki Nagasaka

This suburban family house in Japan by architect Yoshiaki Nagasaka is pretending to be a cabin in a forest (+ slideshow).

Hut In Woods by Yoshiaki Nagasaka

Yoshiaki Nagasaka describes his concept for the house as “a series of contradictory aspirations”, which include rooms that can be both large and intimate and private and open.

Hut In Woods by Yoshiaki Nagasaka

The architect has therefore designed a single-storey house that is divided up by sliding plywood partitions, with a gabled roof that creates a variety of ceiling heights for different rooms.

Hut In Woods by Yoshiaki Nagasaka

The residence is located between the cities of Nara and Osaka. It contains a living room, dining room, kitchen and traditional Japanese room as one large family area, while the main bedroom and two children’s rooms are tucked away at the back.

Hut In Woods by Yoshiaki Nagasaka

Both children’s rooms feature mezzanine lofts, separating beds from play areas. Sliding plywood screens also cover these lofts so that they can be opened out to the rest of the house when necessary.

Hut In Woods by Yoshiaki Nagasaka

An informal corridor runs through the centre of the building and is lit from above by a long narrow skylight. Walls are lined with cedar boards and are punctured by clusters of differently sized windows.

Hut In Woods by Yoshiaki Nagasaka

The house is entitled Hut In Woods, as a reference to the woodland that historically covered the area but has since been interspersed with housing developments. As a nod to this, the architect has planted trees in the surrounding garden. “We propose to replant original vegetation on the house plot, regenerating the plant cover in 10 years,” he adds.

Hut In Woods by Yoshiaki Nagasaka

Other recently completed Japanese houses include a home that points out like a giant telescope and a residence with a shimmering glass-brick facade. See more Japanese houses on Dezeen.

Photography is by Yasunori Shimomura.

Here’s some more information from Yoshiaki Nagasaka:


Hut in woods – a house that accommodates contradictory aspirations within comfort

The site is situated in the vicinity of two cities; the metropolitan city of Osaka and Japan’s oldest city, Nara, a place of important historic buildings and wilderness. “Hut in woods” is located in a residential area developed during Japan’s economic boom during the late 60s and 70s. The mounds of wild woods nearby are still visible between the housing developments.

We had a series of contradictory aspirations at the start of design process for our future house: how could we create comfortable space encompassing:

Aspiration one – “living with nature, but with the convenience and security of living in a city”

To achieve this goal, we propose to replant original vegetation on the house plot, regenerating the plant cover in 10 years. We will encourage the neighbours around the site to do the same by opening a part of our plot to the public where they can participate in seedling, aiming to create a chain of wood cover in the spaces between the houses.

Aspiration two – “large, bright open spaces as well as small intimate spaces”

Three bedrooms in small sizes of 2no.x5.2sqm and 1no.x 6.2sqm. We designed the diurnal spaces by, combining the living, dining and kitchen areas and a Japanese style living room as one large open space of 35sqm. A 15cm wide continuous light slit spans the roof ridge and accentuates the openness. Sunlight drawn from the slits tells occupiers time and seasonal changes.

Two small bedrooms are positioned for children to be able to build their own area, their ‘castle’, as they grow and achieve their independence. Under the ceiling height of 3.8m, a bookshelf wall and the sleeping areas of the loft space above the cupboards create a playful 3 dimensional space. Once the children are grown and leave the house, their ‘castles’ can be adapted into study rooms for wife and husband.

The main bedroom of 6.2sqm has a reduced ceiling height of 1.98m. The space is cosy and calm with dimmed light levels.

Aspiration three – “to be closer, yet allow privacy, between family members”

A large multi-purpose table in the main living room is a focus for family activities. The double height children’s bedrooms have dual level sliding screens made of ply sheet that can control privacy in relation to the open area. Throughout the house, these sliding screens act as partitions for each space. In their temporary positions, as in a traditional Japanese house, the screens cushion the divisions within the house.

Aspiration four – “to be a traditional, yet also an original, contemporary house”

A local building contractor specialised in hand made wood construction with local cedar was also hired to design the structural joints and junctions for the house. Within the exposed traditional structural elements, the design is infused with a contemporary feel, achieved through a close collaboration between architect and master builder.

The main wall receives natural light with a contemporary twist while the joints and main pillar are visually symbolized in a traditional manner. Plywood sheet, a conventional material, has been crafted in a traditional way for the partitions and fittings as well as visually framing the landscape context of the house.

A contemporary sprit is manifest in the contrasts between the traditional details and its expression in the house that meets our aspirations for the architecture. Modern life is saturated with a variety of materials, we accommodate this in our design. Elements drawn from contemporary life blend beautifully in the light and shadow of everyday existence in nature.

It will take some time until the area grows back to woods but a house is not a transient object. We believe the vegetation should grow back gradually together with the family and community.

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Movie: Sliced Porosity Block by Steven Holl Architects

The second of two movies in this series about Steven Holl’s Sliced Porosity Block in Chengdu, China, is a walk through the spaces of the mixed-use complex.

Sliced Porosity Block by Steven Holl Architects

Produced by filmmakers Spirit of Space, the architectural tour begins with the approach route into the public plaza, which is surrounded by the five towers of the scheme and sits above a shopping centre.

Sliced Porosity Block by Steven Holl Architects

The movie shows the daily activity in this plaza, where three staggered terraces feature seating areas, trees and large pools of water.  In the first of the two movies Steven Holl explains that he designed this space first, then added the architecture around it.

See more images of Sliced Porosity Block in our earlier story, or see more architecture by Steven Holl Architects.

Sliced Porosity Block by Steven Holl Architects

Spirit of Space previously filmed two movies about the Steven Holl’s Daeyang Gallery and House, an underground gallery with a pool of water underneath. See more movies by Spirit of Space on Dezeen.

Architectural photography is by Hufton + Crow.

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Migration East Mural

Habitués à faire des visuels et posters magnifiques, Kai & Sunny ont récemment réalisé leur première création murale. Toujours basée sur ce graphisme élégant et fortement inspiré de la nature et principalement des oiseaux, cette création présente au London’s St Katharine Docks est à découvrir dans la suite.

Migration East Mural5
Migration East Mural4
Migration East Mural3
Migration East Mural2
Migration East Mural
Migration East Mural6

“This isn’t just some iconic skyscraper” – Steven Holl on Sliced Porosity Block

New York architect Steven Holl describes how he designed the mixed-use Sliced Porosity Block complex in Chengdu, China, as a container for public space in the first of two movies by architectural filmmakers Spirit of Space.

“This is an example of how you can shape space first and the architecture supports that,” explains Holl. “This isn’t just some iconic skyscraper.”

Sliced Porosity Block by Steven Holl Architects

Completed at the end of 2012, Sliced Porosity Block is of one of a string of recent projects by Steven Holl Architects in China, which include a pair of museums for Tianjin, a “horizontal skyscraper” in Shenzhen and the Linked Hybrid complex in Beijing. “One of the things about working in China is that right now I feel it’s a culture that understands the urgency of building for the future,” says Holl.

The complex comprises a cluster of five towers around a public plaza, with a shopping centre tucked underneath. Holl cites New York’s Rockefeller Centre as inspiration for his design concept, which rejects the “towers and podium” approach commonly adopted for large mixed-use developments. “Rockafella Centre shapes a big public space without any building being iconic,” he says.

Steven Holl

In the movie, the architect gives a walking tour of the completed project and visits some of the integrated installations, including the Light Pavilion designed by Lebbeus Woods. “The concept of buildings within buildings was something that was driving the original design,” he adds.

See more images of Sliced Porosity Block in our earlier story, or see more architecture by Steven Holl Architects.

Sliced Porosity Block by Steven Holl Architects

Spirit of Space previously filmed two movies about Steven Holl’s Daeyang Gallery and House, an underground gallery with a pool of water underneath. See more movies by Spirit of Space on Dezeen.

Architectural photography is by Hufton + Crow.

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Zaha Hadid appointed to develop plans for new London airport

Zaha Hadid airport

News: Zaha Hadid Architects has been appointed by the Mayor of London to help develop plans for a major new airport in the southeast of England.

Hadid’s firm will work alongside UK-based engineers Atkins and Pascall+Watson, the architects who designed Terminal 5 at Heathrow airport, to prepare a submission to the UK government about the future of aviation around the capital.

“This work is essential to deliver the most integrated transport solutions for London and the UK,” said Hadid. “It will enable London to maintain its position as one of the world’s most important economic, commercial and cultural centres, outlining the city’s future growth and development, which has always been founded on global connectivity.”

The Mayor of London, Boris Johnson, said: “It is absolutely imperative that work to progress a new hub airport in the southeast is completed as soon as possible. The government has set a timetable that dawdles, when dash should be the order of the day.

“That is why I have assembled a mighty team of experts who I have tasked with delivering a fulsome examination of the most realistic solutions to our aviation crisis in the shortest time possible, which I look forward to sharing with the government.”

In 2011, architect Norman Foster unveiled his own proposals for an airport and transport hub on the Thames estuary, while last year architects Gensler proposed a floating airport connected by underwater tunnels for the same location – see all airports.

Earlier this week Hadid slammed the UK’s “misogynist” attitude towards women architects after a survey found nearly a third knew they were paid less than their male counterparts – see all news about Zaha Hadid.

Top image shows Hadid’s proposal for an extension to Zagreb Airport in Croatia.

Here’s the full press release:


Mayor announces world-class team to develop hub airport plans

The Mayor of London has appointed a world-class team of experts to help develop plans for a multi runway hub airport in the southeast.
Today (11 February) the Mayor will also give oral evidence to an aviation inquiry convened by the Parliamentary Transport Select Committee. Committee members are expected to ask him why developing a new hub airport is so important to London and to explain why further expansion of Heathrow is impossible.

Appointing a world-class team of experts has added further weight to the work being driven forward by the Mayor to address the nation’s aviation crisis. He has made it very clear that he wishes to see the speediest possible resolution to the debate on where to build a multi runway hub airport, so that the British economy is given the best chance to prosper in the face of huge competition from its global rivals
The Mayor has confirmed that the following organisations have all been engaged to help with work being prepared for submission to the Government.

They will provide expertise under the following themes:

Airport design & infrastructure

Atkins – one of the world’s leading design, engineering and project management consultancies. Projects they have worked on include the London 2012 Olympics, Bahrain World Trade Centre and the Dubai Metro. Atkins will also lead on consideration of surface access and environmental impacts.

Zaha Hadid Architects – Zaha Hadid was awarded the Pritzker Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and is internationally renowned for her theoretical and academic work. Time Magazine included her in their 2010 list of the 100 most influential people in the world. She has worked on globally celebrated projects such as the London 2012 Aquatics Centre and Guangzhou Opera House in China.

Pascall & Watson architects – Previous projects include Heathrow Terminal 5, Dublin Airport Terminal 2, Rome Fiumicino Airport Masterplan. They also designed St Pancras International Station.

Socio economic impacts

Ramboll – a leading international engineering and management consultancy with a track record of examining the economic impact of airports and other infrastructure from around the world, supporting key developments in European air traffic control, working on the new Thames Crossing and developing National Policy Statements.

Oxford Economics – a world leader in global forecasting and quantitative analysis for business and government with unrivalled experience of exploring the economic impact of the aviation sector and airports for clients including IATA, ATAG, BAA and Airbus and developing economic forecasts and scenarios for London.

York Aviation – a leading firm specialising in the assessment of the economic impacts of aviation and aviation demand planning.

Professor Peter Tyler – Peter is a Professor in urban and regional economics in the Department of Land Economy, University of Cambridge and Fellow at St. Catharine’s College. Peter has an extensive track record in undertaking research for the public and private sector and an established reputation in the field of urban and regional economics with a particular emphasis on the evaluation of policy. He has been a Project Director for over seventy major research projects for Government.

Commercial viability

Ernst and Young – a global leader in assurance, tax, transactions and advisory services.

Legal and regulatory

Ashurst – The leading global law firm, which specialises in advising corporates, financial institutions and governments. Their core businesses are in corporate, finance, energy, resources and infrastructure.

The Mayor of London, Boris Johnson, said: “It is absolutely imperative that work to progress a new hub airport in the southeast is completed as soon as possible. The Government has set a timetable that dawdles when dash should be the order of the day. That is why I have assembled a mighty team of experts who I have tasked with delivering a fulsome examination of the most realistic solutions to our aviation crisis in the shortest time possible, which I look forward to sharing with the Government.”

Zaha Hadid said: “This work is essential to deliver the most integrated transport solutions for London and the UK. It will enable London to maintain its position as one of the world’s most important economic, commercial and cultural centres; outlining the city’s future growth and development which has always been founded on global connectivity.”

Mike Pearson, UK director of airports, Atkins said: “This project is not purely about the creation of a new hub airport, it’s about forming the foundations for London’s future development and reaffirming the UK’s position as a key international centre. It will fundamentally shift the debate on UK aviation once and for all, providing both a convincing and compelling case for how international air connectivity is critical to underpinning the UK economy, as well as driving wider regeneration.”

Around 15 different proposals for a new hub airport in the southeast have already been made public. The Mayor has consulted on criteria that will be used to evaluate each of those proposals and to form a shortlist of options. That shortlist is expected to be announced within weeks and the team now assembled by the Mayor will combine their expertise to produce detailed feasibility studies of the shortlisted options that the Mayor will submit to the Davies Commission.

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Report unpaid architecture internships, says RIBA

RIBA president Angela Brady

News: the Royal Institute of British Architects has called on students to report companies offering unpaid architecture internships and said it “deplores any architects treating students this way”.

RIBA president Angela Brady (above) reminded architects operating under the institute’s charter that they are required to pay student interns and said all architecture companies should follow suit.

“The rest of the profession should feel honour bound to follow this example and pay architectural students for their hard work,” she said. “While it is legal for employers not to pay students for up to 3 months, it is certainly not good practice and risks devaluing our profession.”

RIBA chartered practices are required to pay interns who are working to complete their Professional Education and Development Record (PEDR). UK architecture students must log a minimum of 24 months’ work under the direct supervision of a qualified architect before they can themselves qualify as an architect.

Brady said:  “I urge any student working unpaid towards their PEDR, within an RIBA Chartered Practice, to contact the RIBA with their concerns.”

On Twitter, Brady also called for the word “intern” to be dropped. She tweeted: “Work is work and pay is pay: Lets drop this word “INTERN” it was never part of architecture. It implies exploitation to me? What you think?” The term “intern” has no legal status in the UK.

RIBA said it had received reports of architects breaking the rule. “It is disappointing and worrying to hear of reports of architectural students taking unpaid internships in architecture,” said the institute in a statement.  “The RIBA deplores any architects treating students this way”.

Dezeen has recently come under fire for offering unpaid editorial internships. Yesterday we announced that we are ending unpaid internships and introducing a new, paid programme.

Here is the statement from the RIBA:


It is disappointing and worrying to hear of reports of architectural students taking unpaid internships in architecture.  The Royal Institute of British Architects (RIBA) deplores any architects treating students this way; it is a requirement for all RIBA Chartered Practices to pay interns who are working towards their Professional Education and Development Record (PEDR).

Before any architectural practice is accepted as an RIBA Chartered Practice it is required to sign a declaration stating that they will ensure that at least statutory minimum wage is paid to all architectural students employed within the practice, where the work undertaken is eligible to count towards the students PEDR. Over time, and as the economy improves the RIBA wishes to see the statutory amount paid to students rise above the national minimum wage. All RIBA Chartered Practices are required to sign this declaration each year they remain part of the scheme.

To verify this policy, the RIBA undertakes a random annual audit of 5% of its 3,200 UK Chartered Practices. In addition to the declaration and audit, if the RIBA has reason to suspect a Chartered Practice is not fulfilling the criteria they have signed up to, then it is committed to fully investigate any claims of a breach. Chartered Practice suspension is automatically evoked, pending further investigation, once a complaint is received.

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Scott & Scott Architects Alpine Cabin: A beautifully rugged, off-the-grid powder haven inspired by snowboarding

Scott & Scott Architects Alpine Cabin

Having grown tired of life in established firms, Vancouver-based architects Susan and David Scott ditched their digs in favor of the road less traveled, founding Scott and Scott Architects to focus on designing projects in more challenging environments. Launching today, 21 February, the small shop proudly introduces their first…

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Shard builders to construct world’s tallest skyscraper

Shard builders chosen for world's tallest tower in Saudi Arabia

News: Mace, the British firm behind London’s Shard skyscraper, has been selected to oversee the construction of the world’s tallest building in Saudi Arabia.

Construction company Mace will work alongide another British firm, EC Harris, to build the Kingdom Tower in Jeddah, which will stand more than 1 kilometre high on completion, as we reported previously.

Designed by Chicago firm Adrian Smith + Gordon Gill Architecture, the tower is expected to take over from the 828-metre Burj Khalifa in Dubai as the world’s tallest building.

It will stand more than three times the height of the Shard, which opened to the public earlier this year – see all news about the Shard or find out more about the Kingdom Tower.

See all skyscrapers »

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