Tongzhou Central Business District by UNStudio

Dutch architects UNStudio have designed a concept for a new business district at Tonghzou in Beijing, consisting of skyscrapers linked by aerial bridges (+ slideshow).

Tongzhou Central Business District by UNStudio

The proposal features six towers atop a large podium that are linked by bridges topped with gardens and swimming pools.

Tongzhou Central Business District by UNStudio

The development, proposed for the Tongzhou district twelve miles east of central Beijing, would create a million square metres of retail, apartments, offices, hotels and transportation infrastructure.

Tongzhou Central Business District by UNStudio

Located at the confluence of two waterways, the Tongzhou Central Business District’s waterfront podium would house shops while the towers would accommodate apartments and offices.

Tongzhou Central Business District by UNStudio

Here’s some text from UNStudio‘s website:


Tongzhou, China, 2011-2016

The design of UNStudio’s CBD development is a dynamic composition created by introducing asymmetry in plan, orientation, clustering and façade treatment. This build-up of asymmetries has a far-reaching urban effect whilst simultaneously relating to users on a more personal scale.
The six towers form three lively groups which interact according to a layered choreography.

In relation to the ground and subterranean levels the towers are grouped in three pairs, each standing on a joint platform. As defined by the bridging connections between them, the towers are grouped as a couple, a trio and a single volume.

Tongzhou Central Business District by UNStudio

The silhouette of the towers is derived from a combination of substantial differences between the lower and the upper parts of the buildings and the binding together effects of diagonal wrappings. On the lower parts the towers are marked by dense stacking, whilst towards the top they become smooth and reflective. This textural contrast is mediated by the strong diagonals running the entire length of the towers.

Tongzhou Central Business District by UNStudio

The bridges have numerous roles. They help to cluster the towers and to form interconnections between them which can house many different semi-public functions. They also provide an artificial ground for users of the highest floors.
 In addition to the application of active sustainable measures at different scale levels, passive design tools were incorporated from the initial design of the six towers and the podium clusters. Driving features are the winter gardens and green surfaces.

Client: Perennial Real Estate & Maxon Group
Location: Tongzhou, Beijing, China
Building surface: 1 million m2
Building site: 108,700 m2
Program: Office tower, Hotel, Service apartment, Residential towers, Retail podium, Waterfront Landscape, Transportation hub
Status: Concept

The post Tongzhou Central Business District
by UNStudio
appeared first on Dezeen.

Mahani by Studio Toogood

Raw concrete and colourful fabrics are combined in this fashion store in Dubai by London designers Studio Toogood (+ slideshow).

Mahani by Toogood

Studio Toogood designed the boutique for Dubai fashion brand Mahani, introducing cast-concrete and monolithic forms intended as “an antidote” to the glamourous opulence of shops elsewhere in the Emirates.

Mahani by Toogood

Richly coloured drapes divide the space, while stools designed by Faye Toogood are upholstered in bright satin, providing relief from the plain concrete surfaces.

Mahani by Toogood

Garments can be hung from simple black railings that run along the perimeter of the store or suspended from discrete hooks that protrude from the walls.

Mahani by Toogood

Bespoke pieces of furniture constructed from metal mesh are used to display items such as shoes and jewellery.

Mahani by Toogood

A concrete catwalk spans the length of the store, providing opportunities for fashion shows and events, while white animal sculptures are dotted around the edges of the space.

Mahani by Toogood

A chandelier made from bare light bulbs hangs from the ceiling. Elsewhere, angled spotlights are combined with suspended strip lights to add to the store’s raw aesthetic.

Mahani by Toogood

The final addition is an in-store bakery serving tea, coffee and desserts made by food design collective Arabeschi di Latte, who Studio Toogood previously collaborated with on an installation where participants were served black food at midnight in a darkened apartment.

Mahani by Toogood

Other projects we’ve featured by Studio Toogood include a bar where guests selected wine by smelling scented totem poles and an installation featuring boxes decorated with multi-coloured electrical tape.

Mahani by Toogood

See all our stories about Studio Toogood »
See more retail interiors »

Mahani by Toogood

Here’s a description from Studio Toogood:


Studio Toogood’s design for the new Mahani – Dubai’s first concept store – is an antidote to the polished slickness of modern retail in the Emirates.

Mahani by Toogood

The walls and fittings of the store – which opened in May 2013 – are cast in raw concrete, creating a neutral, Modernist-inspired environment to showcase the fashion-forward collections on sale.

Mahani by Toogood

The ascetic qualities of the space are offset by subtle touches of femininity, including richly coloured drapes and satin upholstery on bespoke pieces designed by Faye Toogood; meanwhile, a series of animal sculptures add a playful element.

Mahani by Toogood

Mahani’s in-store “bakery” serves tea, coffee and sweet treats by food designers Arabeschi di Latte, while a dedicated catwalk area running the length of the boutique allows for exclusive shows by cutting-edge and emerging designers.

Mahani by Toogood
Floor plan

The interplay of Studio Toogood’s monolithic modern interior with the soft femininity of the directional clothes makes Mahani an exciting, exclusive and distinctive new fashion destination in Dubai.

Mahani by Toogood
Cross section

The post Mahani by
Studio Toogood
appeared first on Dezeen.

Rhino Skin – Second Chance Gear by Hila Raam

Rhino Skin-secon chance gear by Hila Raam

This Kevlar rucksack with a built-in protective hood by Israeli designer Hila Raam is perfect for anyone who wants to go backpacking in a war zone.

Rhino Skin-secon chance gear by Hila Raam

Hila Raam, a recent graduate of Hadassah College in Jerusalem, created the Rhino Skin backpack as a form of personal protection that safeguards the wearer from the debris and impact of missile attacks.

Rhino Skin-secon chance gear by Hila Raam

Developed using Aramid, a bulletproof fibre used in military vests, the backpack is designed for people living in areas of the world where terror attacks are a part of daily life.

Rhino Skin-secon chance gear by Hila Raam

In the event of an emergency, the wearer simply pulls the side straps of the bag around their chest, hauls the protective hood over their head and lays on the ground for cover.

Rhino Skin-secon chance gear by Hila Raam

The shape of the backpack is formulated to protect the vital organs. Raam hopes its use will reduce the number of fatalities associated with terror attacks.

In the video Raam created to explain the project (above) she documents the number of rocket and mortar attacks in Israel in recent years points out that 60% of people were in the open air when the attacks occurred, leaving them with limited options for protecting themselves.

In the event of an air raid warning, people caught outdoors should lie flat on the ground to avoid shrapnel from exploding munitions. Donning the Rhino Skin backpack and hood would reduce the chance of injury, Raam believes.

“This unique bag pack protects the essential life or death body areas,” says Raam. “It protects the head, neck, back and the sides of the body. Most important the brain, heart, liver and kidneys are fully protected.”

Photography is by Noam Sharon.

The post Rhino Skin – Second Chance Gear
by Hila Raam
appeared first on Dezeen.

Astley Castle renovationby Witherford Watson Mann

A contemporary house inserted behind the crumbling walls of a ruined twelfth-century castle in Warwickshire, England, by Witherford Watson Mann is one of the six projects nominated for the 2013 Stirling Prize (+ slideshow).

Astley Castle by Witherford Watson Mann
Photograph by Philip Vile

The mediaeval Astley Castle was once the home of an aristocratic English family, but has stood as a ruin since the 1970s, when a devastating fire wiped out the hotel that occupied the building at that time.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

Without a budget to restore the building, architectural charity The Landmark Trust launched a competition for the design of a holiday house that could be created within the decaying structure and announced London studio Witherford Watson Mann as the winner in 2007.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

The architects designed a two-storey residence that would squat within the building’s chunky sandstone walls. Clay brickwork was used to infill gaps in the structure, creating a visible contrast between the new and old structures.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

Laminated wooden beams form a new system of floors and ceilings, creating living areas and bedrooms in the oldest part of the castle.

Astley Castle by Witherford Watson Mann
Photograph by J Miller

The wooden roof also stretches over extensions added in the sixteenth and eighteenth centuries, but instead of blanketing these spaces it simply forms a hollow canopy, creating entrance courtyards that are exposed to the rain.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

Four bedrooms, with space to sleep eight people, occupy the lower level of the house. An oak staircase leads up to the first-floor living room, where the architects have increased natural light by adding two new windows.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

Astley Castle is one of six projects shortlisted for the Stirling Prize, which is awarded to the building that has made the greatest contribution to British architecture in the past year. Other projects nominated include an elliptical chapel and a museum that mimics volcanic formations.

Astley Castle by Witherford Watson Mann
Photograph by Hélène Binet

Other castle renovations on Dezeen include one converted into a mountain museum and one used as an art gallery. See more castles on Dezeen »

The post Astley Castle renovation
by Witherford Watson Mann
appeared first on Dezeen.

Iranian Living Room – the book PayPal tried to ban

News: a book of photographs showing domestic life in Tehran was temporarily blacklisted by online payments company PayPal for having the word “Iranian” in the title (+ slideshow).

Iranian Living Room

Iranian Living Room, the first self-published title from Italian communications research centre Fabrica, features images taken by young photographers in Tehran in their own homes to create a personal view of everyday life in the Iranian capital.

Yet when it went on sale earlier this week, PayPal added it to its blacklist of forbidden goods and services, meaning customers could not buy it.

Iranian Living Room

Fabrica CEO Dan Hill spent 48 hours trying to resolve the issue with PayPal, only to be told all payments had been blocked “because the book had the word ‘Iranian’ in the title,” he wrote on his blog.

To overcome the issue, an account manager at PayPal suggested removing the word “Iranian” from the book’s title. “Leaving aside the fact that of course we don’t want to change the name of our book in the shopping cart, I find this politically-motivated censorship, willingly if not actively carried out by a corporation, absolutely despicable,” Hill wrote.

Iranian Living Room

After an outcry from followers of Hill’s City of Sound blog and Twitter account, PayPal removed the book from their blacklist on Wednesday night, allowing the book to go on sale.

Iranian Living Room is a project that captures the interior lives of Iranian people, at home in their domestic private spaces. “The book is really a very humble project in a way,” Hill told Dezeen.

Iranian Living Room

Enrico Bossan, head of photography at Fabrica, asked 15 young Iranian photographers to take pictures of their “interior life” in Tehran. “In the West we just don’t see that. With a state like Iran we usually see it framed through the lenses of the BBC or CNN. It’s invariably protests on the street or elections on the street,” said Hill.

“And of course in Tehran, like many other cities, those conversations go on in people’s living rooms or domestic private spaces,” he added. “And in those living rooms people are not a million miles away from where we are. It was a very simple idea that we could show someone falling asleep in front of the telly. Or people together or cooking food. And in doing so it would highlight this other side of Iran than people don’t see.”

Iranian Living Room

Fabrica is publishing the book itself and selling it via the internet, rather than collaborating with a mainstream publisher as it has in the past, in order to “move on from very 20th Century model of publishing that most people are still engaged with,” he added.

Hill said he was tempted to investigate PayPal’s secret blacklists as his next project. “I’d like to do another Fabrica project about these hidden blacklists,” he said. “That would be an amazing thing to do.”

The post Iranian Living Room – the book
PayPal tried to ban
appeared first on Dezeen.

Learning Hub at Nanyang Technology University by Thomas Heatherwick

UK designer Thomas Heatherwick has released images of a technology education building under construction at Nanyang Technology University in Singapore.

Learning Hub by Heatherwick

Resembling a cluster of elongated bee hives, the Learning Hub at Nanyang Technology University explores new ways of teaching at a time when computers and the internet are challenging the rationale of learning institutions.

Learning Hub by Heatherwick

“Before, the university was the place you would come to because it had the computers, or the university was the place that you would come to because it had the books,” said Heatherwick, explaining the concept of the building in a keynote speech at World Architecture Festival in Singapore last year. “And now, you can just stay in your bedroom with your [iPhone] and get your PhD and deal with the different professors – and so what is the purpose of a university building anymore?”

In response, the university wanted to dissolve the traditional relationship between the tutor and the student, to encourage a new kind of collaborative studying. “They no longer want the model of a master at the front of the class,” said Heatherwick in his lecture. “[That] is something that they want to move away from completely.”

The building consists of several 8-storey towers containing stacks of tutorial rooms, but avoids using traditional circulation and room layouts. The rooms are corner-less, to dissolve the standard classroom hierarchy where the tutor is at the front and the students all face towards him or her.

Instead of corridors, each level features open galleries where students can circulate and meet. And instead of a conventional entrance, the building is porous at ground level, meaning people can approach and enter from any direction.

“So the building has no one door, it’s all porous,” said Heatherwick. “You can just walk into one big shared space that links the whole thing together.”

Nanyang Technology University was masterplanned by Japanese architect Kenzo Tange in the 1980s and features buildings set in lush gardens. Heatherwick’s design reflects this by placing plants and trees on the roof and on some of the circulation levels.

Images are courtesy of Heatherwick Studio. Here’s more information from the studio:


Heatherwick studio has won a competition to design a Learning Hub for a university in Singapore. The hub will be part of a £360 million scheme which Nanyang Technological University is undertaking, and is the first redevelopment of its campus’ in twenty years.

It was clear to us that since the advent of the internet and low cost computers that there has been a distinct shift in how students approach educational facilities. University buildings have ceased to be the only site where students are able to source educational texts, and have become unappealing spaces with endless corridors, no natural daylight and only hints of other people’s presence.

The studio’s approach was to redefine the aspiration of a university building, and to once again make it an essential part of the tertiary education experience. Within this new context the purpose of a university is to foster togetherness and sociability, so that students can meet their fellow entrepreneurs, scientists or colleagues in a space that encourages collaboration.

The hub’s form is dictated by its function, and brings together 55 tutorial rooms into a structure without conventional corridors, which have traditionally created social separation and isolation. The learning hub has no one door, it is porous. Students can enter from 360 degrees around into a large central space which links all the separate towers together. Each tower is made up of a stack of classrooms which build up gradually, with gardens on selected floors.

Another inspiration for the hub was a wish to break down the traditional square forward-facing classrooms with a clear front and hierarchy, and move to a corner-less space, where teachers and students mix on a more equal basis.

In this model, students work together around shared tables, with teacher as facilitator and partner in the voyage of learning, rather than ‘master’ executing a top-down model of pedagogy.

Each of these tutorial rooms faces the large shared central space, allowing students to continually feel connected to all the other activities going on in the building.

In 2013 the learning hub was awarded the BCA Green Mark Platinum Award for sustainability by the Singaporean government. The award is a benchmarking scheme which incorporates internationally recognised best practices in environmental design and performance.

The post Learning Hub at Nanyang Technology University
by Thomas Heatherwick
appeared first on Dezeen.

Rogers Stirk Harbour + Partners to design terminal at Lyon-Saint Exupéry Airport

News: London architects Rogers Stirk Harbour + Partners (RSHP) have been appointed to design a new terminal at Lyon-Saint Exupéry Airport at Lyon in France.

The terminal will double the size of the airport, which is one of two that serve France’s second-biggest city, and increase capacity from 10 to 15 million passengers per year by 2020.

RSHP were asked to design a terminal that “didn’t detract from” Spanish architect Santiago Calatrava’s TGV station, which is next to the airport. Their circular design features shops and gardens at its centre.

RSHP founding partner Richard Rogers, whose company also designed Heathrow Terminal 5 in London and Barajas airport in Madrid, is the subject of a major exhibition that opened at the Royal Academy in London this week. See all our stories about Richard Rogers.

Here’s some info from RSHP:


Lyon airport commissions Rogers Stirk Harbour + Partners, architects of Heathrow Terminal 5 and Barajas Airport, for their new European gateway

Rogers Stirk Harbour + Partners (RSHP) are pleased to announce their appointment to design the Future Terminal 1 project at Lyon-Saint Exupéry Airport. The new terminal will cover roughly the same area (70,000m2) as all of the existing buildings combined and will enable the airport to welcome an extra 5 million passengers by 2020 (taking the total from 10 to 15 million).

The brief for the project was challenging: to create a new identity for the site that remained in keeping with the high-calibre existing campus and didn’t detract from the distinctive TGV train station, designed by Santiago Calatrava. RSHP’s solution is a circular building made up of bold, simple and elegant structural elements.  The terminal will offer a spacious and clearly defined entrance, a hanging garden and large shopping area at the centre, which will enrich the travelling experience for passengers.

Graham Stirk, senior partner at Rogers Stirk Harbour + Partners, designer of the project said:

“We are very pleased to be involved in the new terminal for Lyon Airport. The existing airport campus has a very distinctive structural and architectural language in both form and colour. This ‘DNA’ determines the character of the new proposal. We look forward to working with GFC Construction and Aéroports de Lyon to create a new European gateway to the city and its region.”

The post Rogers Stirk Harbour + Partners to design
terminal at Lyon-Saint Exupéry Airport
appeared first on Dezeen.

Messner Mountain Museum Corones by Zaha Hadid Architects

Zaha Hadid has revealed images of her addition to the Messner Mountain Museum, a string of buildings dotted through the Dolomites of northern Italy.

Messner Mountain Museum by Zaha Hadid

For the sixth and final Messner Mountain Museum building, Zaha Hadid Architects has designed a softly curved building that will tunnel right through the peak of Mount Kronplatz, which forms part of the Kronplatz ski resort.

Like the five other museum buildings, the structure will house exhibitions exploring mountainous regions around the world. A pointed glass canopy will mark the entrance to the building, while a viewing platform will extend from the rockface on the opposite side.

Messner Mountain Museum by Zaha Hadid

“A composition of fluid, interconnected volumes, the 1000 square-metre MMM Corones design is carved within the mountain and informed by the geology and topography of its context,” says the studio.

Construction is already underway and the museum is set to open in 2014.

Messner Mountain Museum by Zaha Hadid
Cross section – click for larger image

The Messner Mountain Museum also includes a building in a converted castle, completed by Italian studio EM2 in 2011.

Zaha Hadid Architects has several buildings nearing completion at the moment, including a university block in Hong Kong and an undulating cultural centre in Azerbaijan. See more architecture by Zaha Hadid »

Here’s a project description from Zaha Hadid Architects:


Zaha Hadid Architects will design the sixth and final Messner Mountain Museum at Plan de Corones, South Tyrol, Italy. In collaboration with Reinhold Messner, one of the world’s most renowned mountaineers, as well as Kronplatz, the largest ski resort in the region, the Messner Mountain Museum (MMM Corones) is embedded within Mount Kronplatz.

“Located at the top of Mount Kronplatz with its unique views of the Dolomites, MMM Corones is the final piece in my series of mountain museums. Dedicated to the great rock faces of the world, the museum will focus on the discipline of mountaineering,” explains Reinhold Messner.

Inaugurated in 2003, the Concordia 2000 Peace Bell was the first step in combining cultural facilities with the sporting and recreational amenities at Mount Kronplatz. The MMM Corones adds a further cultural and educational element to this popular Alpine destination.

A composition of fluid, interconnected volumes, the 1000 sq. m. MMM Corones design is carved within the mountain and informed by the geology and topography of its context. A sharp glass canopy, like a fragment of glacial ice, rises from the rock to mark and protect the museum’s entrance.

Architect: Zaha Hadid Architects
Design: Zaha Hadid, Patrik Schumacher
Project Architect: Cornelius Schlotthauer
Design Team: Cornelius Schlotthauer Peter Irmscher
Execution Team: Peter Irmscher Markus Planteu Claudia Wulf
Structural Engineer: IPM
Mechanical Engineer + Fire Protection: Jud & Partner
Electrical Engineer: Studio GM

The post Messner Mountain Museum Corones
by Zaha Hadid Architects
appeared first on Dezeen.

OMA selected for downtown Santa Monica project

News: architecture firm OMA has been selected to design a major mixed-use public building featuring angled blocks stacked like dominoes for downtown Santa Monica, California (+ slideshow).

The Plaza at Santa Monica by OMA

The stepped development will fill an entire city block at Fifth Street and Arizona Avenue, a site which is currently occupied by a car park and a public ice rink, which will be retained.

Concept diagram
Concept diagram

The building will contain a bit of everything, from shops and offices to apartments and a hotel. There will also be a hub for tech businesses while the open terraces atop each block will be given over to gardens, markets and venues for events.

Public terrace
Public terrace

Each of the angled horizontal blocks will have a distinct use, with the top level containing a 225-room boutique hotel and the one beneath that housing residential and live/work spaces. Below that are two office blocks, with the ground levels given over to retail.

Office terrace
Office terrace

OMA‘s design was recommended by city planners and their choice will be reviewed by the City Council next month, with construction starting next year if the project is approved.

Hotel terrace
Hotel terrace

Yesterday, OMA were declared winners of a competition to renovate Miami Beach Convention Center in Florida. See all our stories about OMA »

Here’s more info from OMA:


City Staff select OMA New York, led by Shohei Shigematsu, for major design competition in Santa Monica

Santa Monica’s City Staff has announced their recommendation of OMA’s competition proposal for a mixed use development that encompasses civic plaza, cultural venue, retail, residences, offices and a boutique hotel in the heart of downtown Santa Monica.

The selection panel praise OMA’s approach, commenting: “The proposed design delivers iconic architecture from all elevations, as well as a highly flexible interior space design that could most easily accommodate potential design modifications and adjust to market demand changes in the future. Additionally, the site design maximizes the public view corridor toward the open plaza areas and integrates within the framework of downtown and adjacent properties.”

Shigematsu commented: “Our ambition was to contribute to Santa Monica’s diverse network of public spaces, from the recreational plazas at the Pier and Palisades Park to contained commercial centers like Third Street Promenade and Santa Monica Place. Our design provides residents, tourists, and entrepreneurs a dynamic new public realm – a stepped building that achieves a strong interaction between interior program and exterior environments.”

The building integrates a ground level plaza and elevated terraces that provide an additional 56,500 sf of programmable open space compared to the original site. These public spaces are capable of hosting a wide range of outdoor programming, including a market galleria and the existing public ice rink. A cultural venue is embedded at the heart of the building, with street level access and a dedicated park.

The site will be anchored by office spaces designed to create a hub for the growing tech industry within the greater Los Angeles area. The office complex will be supported by a boutique hotel offering 225 rooms with unobstructed views of the city, beach and mountains. The project will also provide pedestrian improvements such as wide sidewalks, bike lanes, landscaping, street furniture and additional public parking.

The recommendation will be reviewed by Santa Monica’s City Council on August 27th before the project formally proceeds in 2014.

The post OMA selected for downtown
Santa Monica project
appeared first on Dezeen.

Job of the week: architect at OMA

Job of the week!

Our job of the week on Dezeen Jobs is for a Russian-speaking architect to join the Rotterdam office of Dutch firm OMA, whose current projects include the expansion of Moscow and the new Garage Centre for Contemporary Culture (pictured). Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.

The post Job of the week:
architect at OMA
appeared first on Dezeen.