Hasta La Ideas

Movie: in this exclusive interview Spanish artist and designer Jaime Hayon discusses the design of his first watch collection, which is available to buy now at Dezeen Watch Store.

Orolog is a new watch brand created by Hayon and his business partner Ian Lowe.

The OC1 series, the brand’s first collection, is a chronograph timepiece featuring a square stainless steel case and leather strap.

“The idea of the watch is very simple,” says Hayon. “I wanted to do a very compact case that has details of different influences that I thought were nice to put together.”

“It’s a little bit of a new classic, that’s the idea I had from the beginning.”

The OC1 series comes in five colourways, including a green and blue version among more traditional colours such as brown, black and white. Each colour is available in a limited-edition run of 999 pieces.

“I thought about a mixture of colours and combinations that could be classic as well as some that could be sporty or some that are more, let’s say, shocking,” says Hayon. “The pieces are going to be limited, they’re pretty exclusive.”

Orolog features a number of subtle details. The face of the watch has a distinctive quilted texture, while the glass that encases it is slightly curved.

Each watch is made in Switzerland and features a robust Ronda quartz chronograph movement inside.

“There’s a little bit of playfulness in the watch, which I wanted from the beginning,” Hayon says. “The idea was always to create something strong enough that also looks good and has those little details that make it unique.”

Orolog OC1 by Jaime Hayon is available now at Dezeen Watch Store with free worldwide shipping.

You can buy all of our watches online and you can also visit our watch shop in Stoke Newington, north London – contact us to book an appointment.

 www.dezeenwatchstore.com

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Orolog watches” – Jaime Hayon appeared first on Dezeen.

Images of fantasy goddesses are hidden in brightly-coloured graphics on the walls, floor and ceiling of this exhibition space in Reykjavík, Iceland (+ slideshow).

Berlin-based Icelandic graphic designer Siggi Eggertsson created a set of eight posters that fit together in different ways to form a seamless, patterned wallpaper across the interior of Spark Design Space.

Eggertsson used a mixture of curved and straight lines to generate the complex pattern. “My work is all based on grids and construction of geometric shapes,” Eggertsson told Dezeen.

“I normally work with warmer and less saturated colours, but for this exhibition I wanted to create something overly colourful, so I decided to use only pure CMYK colour blends,” he said.

On closer inspection, the graphics merge together to form images of women or ‘skvís’, the Icelandic term for a young, pretty and smart girl.

“They are sort of imaginary muses, said Eggertsson. “I knew I wanted to make a system of modular posters that could connect to each other in numerous ways to create a seamless pattern, but didn’t really know what to draw.”

“At first I thought about creating abstract patterns but then realised it would be more fun to draw pretty girls,” he added.

The exhibition continues until 16 November.

Here’s some information from the exhibition organisers:

SKVÍS at Spark Design Space

There is a special relationship between mind, sight, fine muscular movements and hands which, together with its reflection in the virtual world of digital technology, has given birth to a new species of of homo sapiens. The American science fiction writer William Gibson wanted to refer to this new-born species as “Cyber-punks”.

That was 30 years ago. This species has from early childhood had an almost unbreakable bond with a keyboard, a computer screen and a mouse. The infinite virtual world seems to be a dwelling place, an extension, and a reflection of their feelings and thoughts. When this proximity reaches a certain stage they become one and the same, the virtual world and the species.

Siggi Eggertsson is an artist of this new world. He was born in 1984 and will turn 30 next year. His life has been a constant journey in the virtual world almost since birth. He has never paused to consider the ordinary. He dives deep into the basic squares which the visual presentation of the screenshot and the printed matter are based on.

If patterns were a pure geometry without reference to the biological world such as flora or fauna, they were arabic or eastern. Patterns with a reference to flora or fauna, plants and birds, originated in Rome. A combination of the abstract and the real are found in Indian or Chinese mandalas.

The methodology is in fact the same. Squares based on horizontal and vertical lines. The density of the squares, or the resolution as we now call it, is the only thing that decides whether we can read into the pattern a representation of something real. The highest resolution digital photograph can be blown up until it ends up like squares on a ruled page without a reference to anything real. Siggi also uses a quarter of a circle pasted into a square – that is what his personal style is based on.

The exhibition consists of eight modular posters. The nature of the pattern is almost always spiritual – a suggestion of divine beauty. This beauty of infinity is always present in Siggi’s work. This may be related to methods for expanding ones mind, whether by use of substances or meditation.

That world has goddesses floating about, as can be seen in Siggi Eggertsson’s representation. He invites us on a guided journey as someone who has seen a world none of us have seen. This is a journey into infinity where we fleetingly catch a glimpse of the goddesses and make the briefest of eye contact.

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at Spark Design Space appeared first on Dezeen.

British studio Jonathan Tuckey Design has added skeletal partitions and skylights to bring more light into this renovated west London mews house.

Jonathan Tuckey Design renovated the Grade II-listed building for a private client and his dog, creating a two-storey home with a combined living and dining room on the first floor.

The planning authorities were reluctant to let the architects design an open-plan layout for the space, so they instead added see-through stud walls that follow the exact footprint of the original interior.

“We negotiated a difficult planning process in order to achieve this aesthetic in the Frame House,” architect Nic Howett told Dezeen. “The open plan with frame walls allowed light to flood deep into the plan.”

Five skylights bring light to different parts of the space. “A large roof light over the stairs allowed light to flood down to the ground floor,” said Howett.

Walls present a mixture of exposed brickwork and timber panelling, while the kitchen is finished in stainless steel and there’s also a reading corner.

Entrances lead into the house on both storeys. The downstairs entrance opens into a red-painted workshop and garage, used by the client to store his motorbikes.

The master bedroom is positioned alongside, while storage spaces line the edges of the corridor, and a bathroom and wet room are tucked away behind.

A birch plywood staircase connects the two floors.

This year Jonathan Tuckey Design also converted a historic chapel in Wiltshire, England, into a house with a blackened-timber extension conceived as the building’s shadow.

Photography is by Ioana Marinescu.

Here’s a short description from the architects:

Frame House

The reconstruction of a Grade II listed mews house in Holland Park, West London.

Beyond the refurbished historic exterior an entry hallway with a red-pigmented concrete floor acts as both a workshop and display case for our client’s collection of vintage motorbikes, which can be seen from within the house through a large glazed partition.

The ground floor also houses the master bedroom and bathroom. Opposite the hallway a birch-ply staircase is inserted into a double-height space which is lined with black MDF.

On the first floor a framework of timber studs is located where the original walls stood, creating an open, but layered kitchen and living space. The original roof structure is visible above this framework and new skylights with timber cowls bring in natural light.

A crisp, stainless steel kitchen contrasts with the exposed brick walls and the study is lined in Douglas Fir panelling. Skilled craftsmanship elevates the modest palette of materials to create a characterful modern home.

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Jonathan Tuckey Design appeared first on Dezeen.

Dezeen promotion: configurations of a flexible modular shelving system designed in the 1960s by Swiss architect Franz Haller are currently on display at design brand Luminaire‘s exhibition space in Miami.

Haller practised during the second half of the twentieth century and was a member of a group of architects that became known outside Switzerland as the Solothurn School.

As well as a wide array of building projects, in the 1960s he designed a storage system made up of ball joints, tubes and panels for modular furniture brand USM.

Modules of the Haller System can be stacked to fit a multitude of spaces, then disassembled and rearranged if necessary.

Compositions of the units are being exhibited until 24 November at the Luminaire Lab, 3901 NE 2nd Avenue, Miami, Florida.

For more details about the USM Haller System check out the Luminaire website.

Luminaire sent us the following information:

USM Haller System – Simple Versatility

Swiss timeless design strips away the unnecessary; there is a purpose for each component, and there is no need for the superfluous. That is exactly what USM offers. The Swiss firm bases its long-standing success on the premise that design should be adaptable and flexible, but never give up quality in the process.

The USM Haller modular system, named after the Swiss architect Fritz Haller that co-created the furniture in the 1960s alongside founder grandson Paul Schaerer, is carefully proportioned and can be configured to fit any home or office space of your imagination. The key of the system is not only its simplicity of design, but also the ease with which it can be assembled, disassembled and reconfigured. The classic design is a manifestation of the company’s ethos – that being true to its environment a design will be timeless, relevant, and conscientious.

All pieces are made up of three basic elements: a ball joint, connecting tubes, and panels. USM Haller’s pioneering system has revolutionised the way open space solutions can be presented. With clearly constructed lines and unparalleled workmanship the USM Haller system defines the space, but never overwhelms it – and the panels can provide a much-needed pop of colour.

Inspired by USM’s ideology that the countless possibilities of each system will enrich daily life, Luminaire is setting up an exhibition to highlight the systems inspiration, parts, and modularity. From October 28th until November 24th, Luminaire’s Design District location, Luminaire Lab, will be displaying an inventive configuration of the systems true to the innovative spirit of USM.

www.luminaire.com

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at Luminaire Lab appeared first on Dezeen.

This futuristic car with a continuous transparent top was designed by German auto brand Audi for the sci-fi film Ender’s Game, which premiered yesterday.

Audi digitally modelled the Quattro Fleet Shuttle to be driven by actor Harrison Ford’s character in the film.

He was actually filmed inside an Audi A7 Sportback and the futuristic design was then added by CGI artists in post-production.

“We have created a car for a world in about 75 years, which integrated itself perfectly into the high-tech atmosphere of the movie,” said Audi design team member Björn Wehrli.

The roof of the vehicle is almost entirely see-through, so the neon green light that picks out details on the interior can be seen from outside.

Wheels are surrounded by the car’s chassis, with the all-terrain tyres only exposed at contact points with the ground.

“Designing the Audi fleet shuttle quattro was similar to customising a tailor-made suit,” said chief designer for the film project Frank Rimili. “We adapted it to the requirements of the world in Ender’s Game and at the same time had to take care to preserve our brand values.”

A 1:4 scale model of the vehicle was displayed at the movie’s premiere in Los Angeles last night. It will later go on show at the Audi Design Studio in Munich.

More details from Audi follow:

Virtual vision: Audi designs science fiction car

» Movie car Audi fleet shuttle quattro displays a futuristic design
» Audi Design develops visions for the future world
» Summit Entertainment’s “Ender’s Game” features all-star cast including Asa Butterfield and Harrison Ford

Futuristic, progressive and cutting edge: the Audi Design Team has developed an entirely virtual car for Summit Entertainment’s film adaptation of the award-winning, best-selling novel Ender’s Game. With its visionary design, the Audi fleet shuttle quattro blends easily into the world of the science fiction feature film and combines futuristic design with groundbreaking technology.

The fictional Audi fleet shuttle quattro seen in the film Ender’s Game marks the first time the car company has unveiled a purely virtual Audi in a feature film. True to the company’s “Vorsprung durch Technik” philosophy, the brand with the four rings collaborated with director Gavin Hood and the production team to use the latest technology to digitally and seamlessly integrate the Audi fleet shuttle quattro into the futuristic environment of the film.

The company noted that the technologically advanced world of Ender’s Game is reflected in the design of the model. “The Audi in the movie represents progress and it appears in key scenes that have a lasting impact on the life of the protagonist,” explained Florian Zitzlsperger, responsible for Brand Partnerships at AUDI AG. “As a result, our Audi becomes part of this fictional world.”

“Designing the Audi fleet shuttle quattro was similar to customising a tailor-made suit. We adapted it to the requirements of the world in Ender’s Game” and at the same time had to take care to preserve our brand values,” said Frank Rimili, chief designer for the film project. “We were ultimately able to perfectly project our design philosophy into the fictional world of the movie.” Linda McDonough, a producer of “Ender’s Game,” added, “The Audi brand is already very forward thinking which made their inclusion in our film an organic fit.”

Based on the best-selling, award-winning novel, the feature film “Ender’s Game” is an epic adventure written for the screen and directed by Gavin Hood starring Asa Butterfield, Hailee Steinfeld, Ben Kingsley and Viola Davis with Abigail Breslin and Harrison Ford. In the near future, a hostile alien race has attacked Earth. In preparation for the next attack, humans begin training the best students to find their future leader. Ender Wiggin, a shy but strategically brilliant young man, is pulled out of his school to join the elite.

Arriving at Battle School, Ender quickly and easily masters the training, distinguishing himself and winning respect amongst his peers. He is soon ordained as the military‟s next great hope and is charged to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race. Summit Entertainment, which co-financed the film with OddLot Entertainment, will release the film in the United States.

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for Ender’s Game appeared first on Dezeen.