Hasta La Ideas

Landscape architecture firm Martha Schwartz Partners references Bedouin carpets and sand dunes in teardrop-shaped landscaping for a green retreat in the centre of an Abu Dhabi business district (+ slideshow).

Martha Schwartz Partners designed Sowwah Square for a site at the heart of Abu Dhabi’s new central business district on Al Maryah Island, formerly known as Sowwah Island.

The 2.6 hectare public plaza features colourfully patterned granite paving and an assortment of plant-covered mounds. There are also granite seating elements, garden beds, sculpted hedges and rows of Indian fig trees.

“The inspiration for the square was derived from the nature and culture inherent to the Arabian Peninsula: dunes, traditional irrigation systems (falaj), oases, bedouin textiles and the popular use of formal clipped hedges in the United Arab Emirates, drawing connections with the French baroque château gardens,” said the architects.

Green mounds, a typical feature in the Al Maryah, feature patches of plants of different colours and textures. Species such as the Golden Ice Plant Lampranthus, which has bright orange flowers, are planted next to the Purple Lady Iresine, which features small purple foliage.

“All the plant species used in the project were selected for their hardiness, low maintenance and drought and heat tolerance,” the architects said.

The teardrop-shaped mounds are dotted through the square. Some form centrepieces to the granite benches, acting as wind shelters.

The polished grey-granite benches encircle the mounds and have grooves carved into their surfaces, allowing bubbling streams of water to run across them to offer visitors relief from the heat.

The benches come in six variations. Some have extended seats, while others have high backs or wider leaning space. At night, the base of each benches is illuminated.

The pavement is set with patterned sections of honed, flamed and polished granite, and extend outwards in layers to emphasise the teardrop shapes.

Sculpted hedges line the edges of low garden beds, with native grasses planted in the centre to sway in the wind.

Martha Schwartz is based in London. Her studio also recently completed a landscaped park in Chongqing, China, filled with faceted metal structures.

Here’s a project description from Martha Schwartz Partners:

Sowwah Square

Sowwah Square is the first development within the larger Sowwah Island master plan in Abu Dhabi and is intended to be the centre piece of the island development, providing a green retreat at the centre of the new commercial hub.

On the southern edge of Sowwah Island, the main urban space is located on top of a two-level retail podium and creates a landscape setting for the Sowwah Square complex. Future phases of the project will include a 5 star Business Hotel, serviced apartments, and additional retail complexes adjacent to Sowwah Square.

The inspiration for the square was derived from the nature and culture inherent to the Arabian Peninsula: dunes, traditional irrigation systems (Falaj), oasis, Bedouin textiles and the popular use of formal clipped hedges in United Arab Emirates, drawing connections with the French baroque château gardens. This merging of ideas is represented in a contemporary responsive design created a sustainable, cool and protected micro climate for users and a dynamic kaleidoscope of planting and patterned paving on the ground and viewed from the surrounding towers.

The Public Realm has been designed so that these future developments can be integrated into the landscape scheme. The podium landscape as a whole has been designed as one large plaza space, with each of the areas having a different character and function.

Sculptural mounds provide micro-climate environments as wind protection and cooling to the local surroundings. They also add a spatial intimacy, framing outdoor rooms, which mitigate the impact of the mega-scale skyscrapers in the site.

The structure of the square uses large constructed vegetated mounds that orchestrate outdoor rooms to shelter pedestrians from the Shamal, a strong north-westerly wind blowing over Persian Gulf and to provide intimate spaces amongst the towering buildings. Linking the mounds together, the decorative pattern like that of a traditional rug, weaves through the square.

To soothe people from the heat, water features are incorporated into long stone benches that wrap the mounds, providing playful and tactile experience. The surface texture is finished with ornate grooves creating a dynamic rippling effect. In order to maximise this limited resource, and reduce evaporation, the water is contained in narrow Falaj like channels as used in ancient irrigation system found throughout the Middle East. At night, the benches come to life with integrated lighting at the base that silhouettes the mounds and highlights the polished surfaces.

Innovative sustainable design has been instrumental in the project which has been awarded a LEED Gold certification. The steep angulated mounds contribute 1.45 times more green space than level planters and water consumption is reduced due to the vertical planting maximising 100% irrigation moisture.

The information gathered during the pedestrian, vehicular, and program site studies has been used to inform the landscape design strategy. The straight line pedestrian linkages and vehicular movements are used to structure the public realm and the design concepts have been used to infill the public realm structure.

Location: Abu Dhabi, UAE
Client: Mubadala Development Company
Architect: Goettsch Partners and Gensler Architects
Engineer: Oger International
Size: 2.6 Hectares
Status: Completed 2012
Environmental Rating: LEED Gold CS
Design Team: Martha Schwartz, Peter Piet, Matthew Getch, Nigel Koch, Christabel Lee, Thomas Griffiths, Liangjun Zhou, Rebecca Orr, Marti Fooks, Emily Lin, Christine Wahba, Hung-Hao Teng, Thomas Sudhoff

The post Abu Dhabi plaza by Martha Schwartz
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Photographer Roland Halbe has sent us some new images of the Sheikh Zayed Bridge in Abu Dhabi by Zaha Hadid Architects.

Construction of the 842 metre-long bridge between Abu Dhabi Island and the mainland completed earlier this year.

The structure comprises several arching waves of reinforced concrete, which support a four-lane highway.

Coloured lights illuminate the bridge after dark.

Zaha Hadid Architects have completed a number of projects this year, including the London 2012 Aquatics Centre and the zigzagging Riverside Museum in Glasgow – read more about Zaha Hadid here.

Here’s some text from the architects:

Sheikh Zayed Bridge

The UAE has a highly mobile society that requires a new route around the Gulf south shore, connecting the three Emirates together. In 1967 a steel arch bridge was built to connect the fledgling city of Abu Dhabi island to the mainland, followed by a second bridge built in the seventies, connecting downstream at the south side of Abu Dhabi Island. The location of the new (third) Gateway Crossing, close to the first bridge, is critical in the develop- ment and completion of the highway system. Conceived in an open setting, the bridge has the prospect of becoming a destination in itself and potential catalyst in the future urban growth of Abu Dhabi.

A collection, or strands of structures, gathered on one shore, are lifted and ‘propelled’ over the length of the channel. A sinusoidal waveform provides the structural silhouette shape across the channel.
The mainland is the launch pad for the bridge structure emerging from the ground and approach road. The Road decks are cantilevered on each side of the spine structure. Steel arches rise and spring from mass concrete piers asymmetrically, in length, between the road decks to mark the mainland and the navigation channels. The spine splits and splays from one shore along the central void position, diverging under the road decks to the outside of the roadways at the other end of the bridge.

The main bridge arch structure rises to a height of 60 m above water level with the road crowning to a height of 20 metres above mean water level.

PROGRAM: 2 ways four lane highway bridge to Abu Dhabi island
CLIENT: Abu Dhabi Municipality

ARCHITECT: Zaha Hadid Architects
Design: Zaha Hadid
Project Architect: Graham Modlen
Project Team: Garin O’Aivazian, Zahira Nazer, Christos Passas, Sara Klomps, Steve Power
Project Engineer: Joe Barr, Mike King, Mike Davies Highpoint Rendel [Abu Dhabi, UAE]

CONSULTANTS:
Structure: Rendel Palmer Tritton [London, UK] Lighting: Hollands Licht [Amsterdam, Netherlands]

DIMENSIONS: 842m long, 64m high, 61m wide
MATERIALS: Piers, Decking: Reinforced Concrete Arches: Steel

See also:

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China Bridge by Denton Corker Marshall	Can Gili Footbridge by Alfa Polaris	Nanhe River Bridge by WXY Architecture

Dezeenwire: architecture critic Jonathan Glancey writes about his visit to Masdar, the zero-carbon city by Foster + Partners under construction in Abu Dhabi. The Guardian

See our story on the first completed building in Masdar »
See our story on Foster + Partners masterplan for Masdar »
See all our stories about Foster + Partners »

Foster + Partners have unveiled designs for a museum on Saadiyat Island in Abu Dhabi.

The Zayed National Mueum will feature five lightweight steel towers resembling birds’ wings, set within a landscaped mound with gallery spaces located at ground level.

The latticed towers will be designed to act as thermal chimneys that will draw cool air into the spaces below, whilst cooling pipes buried beneath will release fresh air into the lobby.

Named after UAE founder Sheikh Zayed bin Sultan Al Nahyan, the museum will be dedicated to the history and culture of the country.

The museum is the latest superstar-designed building to be unveiled for Saadiyat Island cultural district; a performing arts centre by Zaha Hadid, a Guggenheim by Frank Gehry, a branch of the Louvre museum by Jean Nouvel and a maritime museum by Tadao Ando are already underway.

See the Masdar Institute by Foster which was opened in Abu Dhabi two days ago in our earlier story.

The following information is from Foster + Partners:

Designs for Zayed National Museum in Abu Dhabi revealed

Designs for the Zayed National Museum have been officially unveiled today by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai and Her Majesty Queen Elizabeth II of the United Kingdom. Conceived as a monument and memorial to the late Sheikh Zayed bin Sultan Al Nahyan, the founding president of the UAE, the Museum will be the centrepiece of the Saadiyat Island Cultural District and will showcase the history, culture and more recently the social and economic transformation of the Emirates.

Architecturally, the aim has been to combine a highly efficient, contemporary form with elements of traditional Arabic design and hospitality to create a museum that is sustainable, welcoming and culturally of its place. Celebrating Sheikh Zayed’s legacy and love of nature, the museum is set within a landscaped garden, based on a timeline of his life.

The display spaces are housed within a man-made, landscaped mound. The galleries are placed at the bases of five solar thermal towers. The towers heat up and act as thermal chimneys to draw cooling air currents naturally through the museum. Fresh air is captured at low level and drawn through buried ground-cooling pipes and then released into the museum’s lobby. The heat at the top of the towers works to draw the air up vertically through the galleries due to the thermal stack effect. Air vents open at the top of the wing-shaped towers taking advantage of the negative pressure on the lee of the wing profile to draw the hot air out.

Here in the museum these towers are lightweight steel structures, sculpted aerodynamically to work like the feathers of a bird’s wing.  The analogies with falcons and flight are deliberate and relate directly to Sheikh Zayed’s love of falconry. This theme is further celebrated by a gallery devoted to the subject as part of a wider focus on conservation. These inner spaces open up to an outdoor arena for live displays with hunting birds.

Balancing the lightweight steel structures with a more monumental interior experience, the galleries are anchored by a dramatic top-lit central lobby, which is dug into the earth to exploit its thermal properties and brings together shops, cafes, an auditorium and informal venues for performances of poetry and dance. Throughout, the treatment of light and shade draws on a tradition of discreet, carefully positioned openings, which capture and direct the region’s intense sunlight to illuminate and animate these interior spaces. Objects are displayed within niches and on stone plinths that rise seamlessly from the floor.
The museum contains a variety of performance spaces. A large auditorium, lined with Emirati textiles, provides an evocative setting for presentations and films. The lobby incorporates more informal venues for poetry readings, music and dance, where the audience can gather in a circle to enjoy the spectacle and atmosphere of traditional performances.

The interior concept for the restaurant draws on the opulence and hospitality of the Bedouin tent, with carefully selected furnishings. The majlis, or VIP spaces, open onto a central courtyard. This traditional space offers guests a unique perspective, as it is the only place in the museum where one can enjoy views of the wind towers.

Lord Foster said: “It has been a great privilege to work on the Zayed National Museum, to carry forward Sheikh Zayed’s vision and to communicate the dynamic character of a contemporary United Arab Emirates. We have sought to establish a building that will be an exemplar of sustainable design, resonating with Sheikh Zayed’s love of nature and his wider heritage.”

See also:

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Gehry, Nouvel, Ando, Hadid build in Abu Dhabi	Jean Nouvel in Abu Dhabi	Zaha Hadid in Abu Dhabi

Voici le centre “Ferrari World” consacré à la marque italienne, dans la ville d’Abu Dhabi. Un parc doté d’un toit de 200.000 m² portant le logo de Ferrari, d’un musée et de plusieurs pistes de course. Il devrait ouvrir ses portes en octobre 2010, quelques jours avant le GP de Formule 1.

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