Drop candle holders

Candle holders informed by a graphic abstraction of a wax droplet.

Special Ops Tools

Secret mission-worthy gadgets to aid travel-bound photographers and filmmakers

Whether traveling the world, making documentaries or just pretending you’re Jason Bourne, we put together a few special-ops tools to enhance any photographer or filmmaker’s on-the-go lifestyle and resulting images.

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POV.HD

Mounted to a helmet or vest, POV cameras offer an exciting—if not slightly frightening—first-person perspective. For skiing down a mountain or hunting down targets, this type of camera keeps you hands-free and makes for astonishing imagery. Marquette, MI-based developer V.I.O. recently released POV.HD, a high-def model that means you can play back your latest mission on a massive flat screen TV at full resolution, if that’s your thing.

Features on the new camera that make it easier to shoot include a convenient wireless remote for controlling start/stop as well as tagging clips so you can watch favorite moments over again individually and a unique looping option for continuous recording (which also allows for tagging of clips when something happens to only save the last few minutes and thus conserving card memory). A great device for documentary filmmakers, pre-order the POV.HD from V.I.O. for $600.

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SeV Vest

With the host of film production applications geared for the iPad, having one on set has become a key component of many shoots. Out of Sun Valley, ID, the travel label SeV created a collection of vest and jackets for storing iPads and other gadgets when they’re not in use. Apple co-founder Steve Wozniak is both a fan and SeV board adviser, offering input on features including a Weight Management System, which evenly balances the weight of items stored in its plethora of pockets, and a patented Personal Area Network, which lets you run your earbud cables through a hidden channel in the fabric. The SeV collection spans $20-450 and sells online.

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Maglite XL100

The Maglite XL100 packs a mighty punch in a small device. Not only can it emit an SOS signal if you find yourself deserted from your crew on a late-night shoot, but it also has a built-in motion sensor that turns the light on in case you need to grab it in a hurry. Also ideal for when you’re rooting through your bag to find that extra SD card, with a simple twist the torch will remain off in a locked position. With a light range of about 440 feet into the distance, the Maglite XL100 is an essential expedition item and sells online or from most hardware stores for $40.

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Zaggsparq 2.0

An extended shoot may keep you from an outlet for a few days, so keep all your gear charged with Zaggsparq. Fitted with two USB ports, the Zaggsparq will give you four full charges on most items like iPhones or GPS devices before it needs to be plugged in again. Pick it up online for $100.

IsatPhone Pro

Because you never know where your next assignment will lead you, a phone with full coverage keeps you connected in the most remote areas. A sensibly-sized satellite phone, Inmarsat’s newest addition—the IsatPhone Pro—works with their extensive global network and offers new features like text messaging, email and GPS information. The phone sells for $700, check the Inmarsat site for a convenient service provider.

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Retrospective 30 Bag

With a bag full of expensive lenses and gear, keeping contents on the DL could save you both money and trouble when traveling. For photojournalists or camera nerds, Think Tank Photo offers a quality bag in a subtle gray or black colorway. The Retrospective 30 style can carry up to two professional size DSLRs and three to six lenses. Combined with their “No Rhetoric” warranty, the Think Tank messenger is an attractive way to transport all of your photo paraphernalia. It sells online for $180, where you can also check out smaller models.


Goodbye Barcelona

Une très belle initiative par le créatif Lucas Jatoba pour son départ de la ville de Barcelone en Espagne, après y avoir séjourné pendant 3 ans. Son expérience : une lettre et des ballons lâchés dans la ville en signe de remerciement. A découvrir en vidéo dans la suite de l’article.



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Previously on Fubiz

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Tied

Sruli Recht and Ghostly collaborate on a multi-use cable organizer
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Reykjavik-based leather designer and CH mainstay Sruli Recht has had a great 2010 and is set to have an even more exciting 2011. Preparing to launch his first menswear collection at Paris Fashion week next January has been his recent focus, but he also somehow found time to repurpose waste materials left over from a collaboration with record label Ghostly earlier this year.

Taking remnants of the ethically-sourced Icelandic horse leather used in their notebook project, Recht cleverly created simple ties that function as either a multi-purpose keychain or cable organizer.

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The package of three ties comes in Ghostly battle green and each is heat-branded on the underside. They ship in a limited-edition fold-out box (perfect for gift giving) and sell exclusively through the Ghostly Web Store for $25.


Port Fairy House 2 by Farnan Findlay Architects

Port Fairy House 2 by Farnan Findlay Architects

This wood-clad house perched on rocky terrain in Victoria, Australia, was designed by Australian practice Farnan Findlay Architects and features two separate volumes joined by a central walkway.

Port Fairy House 2 by Farnan Findlay Architects

Called Port Fairy House 2, the building has bedrooms and bathrooms hidden behind wooden screens on the ground floor, with the more public areas featuring large windows and terraces.

Port Fairy House 2 by Farnan Findlay Architects

Curculation inside is by elevator, while an external staircase wraps round the building connecting all levels.

Port Fairy House 2 by Farnan Findlay Architects

The wood panelling of the exterior extends to the internal corridor.

Port Fairy House 2 by Farnan Findlay Architects

Photographs are by Brett Boardman.

More residential architecture on Dezeen »

The following information is from the architects:


Port Fairy House 2
Battery Lane, Port Fairy, Victoria
Completed 2010

“Nestled among the tea-trees with commanding views over the Moyne River mouth and Bass Strait, Farnan Findlay have created this highly crafted and sustainable family house split into two architecturally expressed zones – the AM ‘daylight’ and PM ‘after-dark’ zone.”.

Port Fairy House 2 by Farnan Findlay Architects

The idea of a ‘public and private’ division of spaces drives the form of this project, manifested in a 2-part form when read externally. Less than 50m from the water, a plinth emerges from its stone setting to create a platform for the structure above that bustles with cantilevers and twisting that evokes an escaping form.

Port Fairy House 2 by Farnan Findlay Architects

The house is oriented around the competing interests of solar access on one side and the ocean views on the other. Framing desirable views and excluding awareness of neighbouring dwellings has been an important aim in the design and influenced the positioning of external openings to create the client’s sanctuary. Internally, the reading of the two external forms continues as the external materials seemingly flow into the internal ’street’, making you aware when moving from one form to another.

Port Fairy House 2 by Farnan Findlay Architects

Built with durable materials that will fade into a soft grey when aged, the house will gradually become one with its rocky outcrop and the natural tea-tree backdrop, whilst its glazing reflects and multiplies the ever changing moods of the ocean and sky.

Port Fairy House 2 by Farnan Findlay Architects

Architectural Programme:

Designed 4 years ago the evolution of ideas from our previous work is evident. Taking our cue from the unpredictable weather which is temperate but prone to chilly winds despite sunshine, we further explore the idea of ‘external rooms’. We use this term for spaces positioned within the main volume of the building.

Port Fairy House 2 by Farnan Findlay Architects

Spaces with peeled back layers of walls and roof to reveal views & sunlight, whilst delivering needed shading, shelter from the winds as well as privacy screening from cross-viewing.

Port Fairy House 2 by Farnan Findlay Architects

To be able to create the sharply expressed volumes, we minimised disturbances of the building’s continuous ’surfaces’. Reducing the glazing and introducing clearly defined openings allowed us to achieve a balanced homogeneous façade which assist us in moderating the climate at the same time as framing the desirable views.

Port Fairy House 2 by Farnan Findlay Architects

From the outset, we were interested in how our work intersects with the sky and whilst the rectilinear forms belie such an approach, the combination of height and extent of those forms against the skyline create a constantly changing interaction.

Port Fairy House 2 by Farnan Findlay Architects

The external form was developed from the idea of 2 living quarters. One is a reclusive and private refuge with hidden bedrooms protected by movable external screening or securely located on the upper level. The other is a far more outgoing and expressive volume punctuated by openings and external spaces.

Port Fairy House 2 by Farnan Findlay Architects

Its building axis shifts and curves towards the sea to create internally a telescopic effect that funnels the ocean views straight into the living quarters. This external readability of the form is our response to an otherwise potential bulky floor plan as well as a response to the site’s available views and orientation. A subtle change in texture in the cladding as well as a recessive link reinforces this architectural language.

Port Fairy House 2 by Farnan Findlay Architects

Circulation

We initially grappled to understand the client’s desire to rely completely on a lift for circulation between the floors but the addition of an external stair put everyone’s mind at rest.

Port Fairy House 2 by Farnan Findlay Architects

In situations where the living area is located above ground it seems critical to us to allow for direct access tp and from the site around the house.

Port Fairy House 2 by Farnan Findlay Architects

Removal of the internal staircase liberated the floor plan and allowed us to better achieve the client’s intensive brief. The main circulation in the floor plane is a central hallway between the two built forms. From this point the axis of the building is clear and the external finishes are read internally to reinforce the programme.

Port Fairy House 2 by Farnan Findlay Architects

Materials

Generally, we believe in materials with texture and natural beauty which stand the test of time and bear out the craftsmanship of the construction.

Port Fairy House 2 by Farnan Findlay Architects

The building is clad in Spotted Gum which is oiled and allowed to grey off so it takes on some of the colour and texture of the natural Tea-Tree setting. Double glazed windows are commercial aluminium.

Port Fairy House 2 by Farnan Findlay Architects

The haggard foliage is in stark contrast with the rectilinear outline of the house and brings the natural beauty of the site into a sharper focus. Evidence of volcanic action in the area are seen everywhere.

Port Fairy House 2 by Farnan Findlay Architects

Basalt us the language of the historic structures in the nearby main township and is used in the base course walls and landscape elements that reach up out of the site to meet the structure. Volcanic boulders are used throughout the landscaping.

Port Fairy House 2 by Farnan Findlay Architects

As the site’s landscaping grows up and around the building it will restore the natural site around the new construction, thus further isolating the building from its neighbours and embracing it in belt of greenery.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image

Brief

The client approached us after seeing a previous project of ours on the adjacent plot (Port Fairy House 1). We were asked to create a structure that took advantage of the exceptional ocean views towards the south and east of the site.

Port Fairy House 2 by Farnan Findlay Architects

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The new home had to allow for ample amenities for visiting family whilst maintaining the client’s privacy as well as to cater for possible future needs in regards to accessibility.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image

In the meantime, the architectural context was further enhanced as Clinton Murray/Shelley Penn had completed a house on a neighbouring plot. Our intimate knowledge of the site from the previous project enabled a considered response to the brief.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image


See also:

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Ormond Esplanade by Judd Lysenko Marshall ArchitectsV21K07 by
Pasel Kuenzel Architects
More architecture
on Dezeen

Design Fancy: Cyprien Côté

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Cyprien Côté loved people, loved nature, and everything in between. “Especially everything in between” he would say. He was an explorer, an industrial designer, and more than anything else a friend to the natural world. As a designer he was known for his strange antics with clients. Routinely he’d lose fifty pounds for the first meeting, get the brief, only to show up four months later buff with fifty pounds of new muscle. In the early 60’s, when he got his start, he convinced more than one client that doing macaroni art was a critical part of the design process. He was from the town of Tadoussac in Quebec and from visits to his Aunt in Terrebonne he quickly gained an appreciation for plants and beasts early in his life. His first design/invention took 10 years to produce- the whalesong radio (CHANT DE BALEINES) – a radio that could tune in to the bellows of whales from around the world.

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The radio was a collaboration with several colleges from all over the world. Special listening pods had to be sent throughout the world’s oceans to pick up the sounds. Sadly, only one of the listening pods still exists today and if you’re lucky enough to have one of the radios, you’ll only be able to hear humpbacks a couple days out of the year.
After a brief hiatus, Cyprien returned to the design world with his now famous CowCows (VACHEMENT VACHE ). Completely “fed up” with seeing cows unsuccessfully wipe flies from their eyes, he came up with an ear extender that could be used by the cow to fully remove any pest that was bothering them. They were made out of a super-soft material and cost about fifty cents (Canadian) per set.

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CowCows were a huge success in Sweden and in the Midwestern USA. Although the cows couldn’t buy the extenders themselves, they could speak through their milk production. If one farmer got his cows the extenders, sooner or later his neighbor’s cows would stop producing milk in protest until they also had them.

In 1968 Côté took a trip to Italy that would change his life forever. One morning he was outside exercising when a small earthquake took place. He noticed a beetle near his feet that left his den while the earthquake was progressing. Intrigued by this Côté took the beetle back to his lab. As it turns out, this insect- the LoDuca Beetle- can sense earth tremors and always comes out to the light when he senses anything. Côté immediately took over a thousand of the Beetles back to Quebec and designed his earthquake warning system, INSECTES TREMOLOITANTS. The device was simple- one dark room, one light room, one tunnel. If someone would ever see the beetle, they would know that an earthquake would be on the way. Insectes Tremoloitants has saved over 800 lives and counting.

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Côté died young at age 35 in a diving accident. In 1974, four years after his death, his brother Cypriaque realized and released one of Cyprien’s early sketches- a sea shell empowered white-noise generator. All proceeds went to an undisclosed charity.

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Does Côté’s legacy live on? A quick google search will tell you that it doesn’t, but certainly this was a man that deserves to be remembered. There are huge gaps in his career history and any evidence of his existence is welcomed.
As Côt&eacute would say: “Fête fort pour les bêtes, fête fort pour toé.”

Original cow image by Sunfox

Design Fancy is a series of short stories about fictional designers who make fictional things. The stories (and the objects) are by Matt Brown. Special thanks to Pierre-Alexandre Poirier and Jerry O’Leary.

(more…)


ARTAQ: First Urban Art Award Berlin

Bag of The Week – Matt & Nat Santogold Bag

imageHave you started pondering your New Year’s resolution for 2011 yet? Stylehive suggests skipping all the typical ones – like losing weight or starting a new work-out regime. Instead why not go green in the New Year, because being eco-friendly just so happens to be the biggest fashion trend of the year!


And we’ve got the perfect place to start, too. If your still searching for that perfect bag for the Fall/Winter season, the Matt & Nat Santogold Bag in black is not only super chic, but eco-conscious too!

Designed with high quality faux leather and recycled bottle lining, this is a bag you’ll use year round. It€™s trimmed in brass hardware and comes with both a short faux leather strap as well as a gorgeous long chain link one.


Nothing says cutting edge fashion louder than social responsibility! Happy New Year!



Where to BuyShopBop



Price – $205.00



WhoMelimeli was the first to add the ‘Matt & Nat Santogold Bag‘ to the Hive.

Daily Obsesh – NYX Glitter Cream Palette

imageCelebrate New Year’s Eve with a bit of sparkle and shine with the NYX Glitter Cream Palette! Offered in four fabulous color combinations, the glitter palette give eyes, lips and cheeks just the right amount of shimmer!


Each palette contains five shining shades of gel based glitter creams and two applicators. There’s a color combo for every skin tone, too. From Ocean Breeze’s turquoise shades and the passionate purples in Royal Violet to the major metallic statements of One Night in Luxury’s olive hues and the beautiful Bronze Goddess, each one is sure to make the last hours of 2010 unforgettable!


Buy one each for your besties and share them all!



Where to BuyUrban Outfitters



Price – $6.00



WhoMelimeli was the first to add the ‘NYX Glitter Cream Palette’ the to the Hive.

Airblaster Ninja Suit

I mattacchioni di Airblaster hanno rilasciato questa ninja suit nude look. La voglio assolutamente, anche come pigiama.
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Airblaster Ninja Suit