Richard Wood’s cartoon-style prints added to his new Hackney residence by dRMM

London studio dRMM has completed a house and studio for Hackney artist Richard Woods, using his trademark cartoon-style print to add colour to the building’s facade and staircase (+ slideshow).

Woodblock House by dRMM

Richard Woods is best known for the painted woodgrain graphics he applies to furniture and textiles, so dRMM used the pattern to inject the character of the artist into the architectural design.

Woodblock House by dRMM

Panels in shades of white, yellow and green run horizontally along patches of the front and rear facades. They reappear inside the house as treads for the main staircase, which features a rainbow of colours ranging from pale pink and white to bold reds, blues and greens.

Woodblock House by dRMM

Entitled WoodBlock House, the project is described by the designers as “a chance for experimentation that resulted in domestic joy and Spartan pleasure in every aspect of the finished product”.

Woodblock House by dRMM

Functions inside the three-storey building are divided up by storey. A large-scale printing workshop occupies the entire ground floor, while the level above accommodates living spaces and the second storey contains four bedrooms for Woods’ family.

Woodblock House by dRMM

Externally, only the bedroom storey is clad with the colourful plywood. The rest of the exterior is clad with unpainted larch boards that are arranged vertically to contrast.

Woodblock House by dRMM

Timber also lines the walls, floors and ceilings of the two domestic floors. “WoodBlock House also has the unique atmosphere of a house built only in timber and glass, with a sensual quality that has to be seen, touched and smelt to be fully understood,” said dRMM in a statement.

Woodblock House by dRMM

The studio opens out to a yard at the back, ensuring easy access and constant ventilation, while the dining room leads to a balcony terrace where residents can dine al fresco.

The staircase also ascends to another terrace on the roof, which is accessed via a small library.

Woodblock House by dRMM

dRMM used a cross-laminated timber structural system to build the house. Only two types of windows were used, which include full-height sliding windows for the living rooms and smaller “punched hole” windows for bedrooms and corridors.

The interior is completed by a wood-burning stove, leather seating and a few select pieces of furniture by the artist.

Woodblock House by dRMM

This isn’t the first time dRMM has collaborated with Richard Woods. The pair previously worked together to create a gallery space for Modern Art Oxford.

Photography is by Alex de Rijke.

Here’s a project description from dRMM:


WoodBlock House, Hackney, London

WoodBlock House demonstrates a genuine collaboration between architect and client, a chance for experimentation that resulted in domestic joy and Spartan pleasure in every aspect of the finished product.

Woodblock House by dRMM
Ground floor plan – click for larger image

The brief was to create a studio, home and office for UK artist Richards Woods and his family. Woods’ working process requires a large-scale printing workshop where work can be manufactured with adequate space for him and his studio employees. The building had to be designed with the inclusion of an open yard at ground level, to ensure ventilation and ease of access – both essential to Woods’ work process. From the start designs evolved from extensive conversations with the client, whose own work traverses the boundaries between art, architecture and furniture design in the interplay between the functional and the ornamental.

Woodblock House by dRMM
First floor plan – click for larger image

The result was a simple, large workshop and printing studio space on the ground floor, with separate living accommodation above, all characterised by the qualities of timber, good spaces and daylight. The design principles of the scheme can be grouped as follows:

Articulated Massing

The massing and CLT panel structural system is expressed through the articulation of the facade in relief and choice of cladding. The building consists of three elements, the ground and first floor housing workshop and main living area, the second floor box of bedrooms with small rooftop library on the third floor. The building is positioned slightly away from its neighbours flank wall to include the careful brickwork in its composition.

Woodblock House by dRMM
Second floor plan – click for larger image

Timber cladding

The home section of the building is south-facing and sits on top of the north-facing studio. The former is horizontally clad painted plywood using a printing technique for which the artist-client is internationally renown; by contrast the studio is clad in unpainted larch.

Fenestration Principles

A simple, generous fenestration specification has been used throughout. Generally there are two types of window – full height, sliding windows to principal living areas, and smaller ‘punched hole’ windows to secondary living spaces such as bedrooms and circulation. All are laminated timber.

Woodblock House by dRMM
Roof plan – click for larger image

The building is a response to the family’s needs, as well as dRMM’s own commitment to sustainability in architecture through the use of engineered timber. Panelised construction was far quicker than an equivalent brick or concrete construction, and since noise, pollution and site traffic are lessened, relations with the neighbours were good throughout.

Apart from being environmentally sound, WoodBlock House also has the unique atmosphere of a house built only in timber and glass, with a sensual quality that has to be seen, touched and smelt to be fully understood. But perhaps its greatest success lies in something even more intangible: the feeling of a building that is in constant use, brought to life through the noisy combination of family, work and play.

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East Side Story by Sibling

East Side Story by Sibling

Clothes printed with artist Richard Woods’ woodgrain graphics featured in this week’s Spring Summer 2014 show by London fashion studio Sibling.

East Side Story by Sibling

Woods‘ signature timber-like designs patterned Sibling‘s garments and were echoed on the wall at the start of the catwalk.

East Side Story by Sibling SS14

The collection also included knitted sportswear, comprising panels of circular links and diamond lattices used to make shorts, three-quarter-length trousers and deep V-necks.

East Side Story by Sibling SS14

Thick black seams, collars, cuffs and hems created outlines around sections coloured in saturated shades of pink, purple, blue and green, taken from the 1961 movie West Side Story.

East Side Story by Sibling

The use of line was meant to reference the title sequence of West Side Story, designed by American graphic designer Saul Bass who was recently honoured with an animated Google doodle. “Bass is the king of creating narrative through the sparse use of lines,” said Sibling.

East Side Story by Sibling SS14

One fine-knit pink jumper, with black bands across the shoulders and around the tops of dropped sleeves, billowed around the hips and wrists.

East Side Story by Sibling

Blue leopard print was used for a bomber jacket and shorts in one outfit, then for an unbuttoned sleeveless jacket and cropped trousers in the next.

East Side Story by Sibling SS14

Various shades of denim were worn over shirts and shorts, which were printed with female figures or fists grasping jagged arrows.

East Side Story by Sibling

Towards the end of the show, blue tracksuits emblazoned with stars depicted an “S” on the back of a hooded top and the front of a sleeveless sweatshirt.

East Side Story by Sibling

Unusually, the designers encouraged models to smile as they paraded the attire during London Collections: Men, the city’s menswear-only fashion event, earlier this week.

East Side Story by Sibling

Sibling’s mens collection last season included oversized knitted accessories and their Autumn Winter 2013 womenswear show featured colourful crocheted flowers.

East Side Story by Sibling

Earlier this year, Richard Woods collaborated with designer Sebastian Wrong to create a collection of chairs that wouldn’t seem out of place in a cartoon.

East Side Story by Sibling

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Sibling provided us with the following information:


East Side Story – Sibling Spring Summer 2014

West Side Story becomes East Side Story for Sibling this season bringing the tale of angry American youth closer to home.

East Side Story by Sibling

“Finger clicks, high kicks, yet never feminizing men,” were just some of the messages taken on board from the musical by Sibling, AKA Joe Bates, Cozette McCreery and Sid Bryan. Saul Bass’ iconic film titles also inspired the graphic use of line in the collection.

East Side Story by Sibling

“One of the key words for us this season is ‘graphic’,” explain Sibling. “The nature of knit, its texture, softness and drape – we wanted to bring hard lines into it. Saul Bass is the king of creating narrative through the sparse use of lines. Then there is the idea of the youthful male, the idea of young men setting themselves into tribes and having dress codes as tribes. Whether that is a motorcycle gang, a street gang – their dress is their literal badge of honour.”

East Side Story by Sibling

There is a collaboration with the artist Richard Woods that also emphasises the use of graphics in the collection, with his signature woodprint.

East Side Story by Sibling

A nod to American sportswear is given a British domestic spin – or rather knit. And for the first time Sibling unveil their denim pieces made on the model of traditional American military apparel.

East Side Story by Sibling

The global message of American youth culture also finds it’s expression in the influence of Bruce Davidson’s photographs on the collection. In particular the blown-up embroidered motifs from denim gang jackets, WW2 airplane nose art and the scrawled graffiti prints that are peppered throughout.

East Side Story by Sibling

At times utilizing the stiff plastic strings that go to make Scoobie friendship bracelets, new, lightweight woven knits incorporate their structural form. This is also a nod to the Ndebele tribe’s distinct colourful and graphic style of decoration.

East Side Story by Sibling

And much of the colouring of the collection has a debt to them as well as to the cinematographer Daniel L Fapp’s colour saturation of West Side Story: Shark Blue, lilac, lime, Jet Blue and mint green.

East Side Story by Sibling

This Spring-Summer collection marks the fifth anniversary of Sibling’s men’s knitwear line.

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by Sibling
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Logo Chairs by Richard Woods and Sebastian Wrong

Richard Woods and Sebastian Wrong have created a collection of chairs that wouldn’t seem out of place in a cartoon.

Logo Chairs by Richard Woods and Sebastian Wrong

Woods‘ signature bold patterns representing wooden planks are printed onto every surface of the wooden seats, with a black line along every edge to create the effect of an illustration.

Logo Chairs by Richard Woods and Sebastian Wrong

All four chairs are the same simple shape, but each is a unique colour and has a slightly different pattern.

Logo Chairs by Richard Woods and Sebastian Wrong

The furniture is on display at Gallerie VIVID in Rotterdam until 17 March 2013.

Logo Chairs by Richard Woods and Sebastian Wrong

Sebastian Wrong made the news last year when he resigned from his post as design director at Established & Sons.

Logo Chairs by Richard Woods and Sebastian Wrong

Our recent stories about chairs include bent wood seats that look like they’re wearing capes and one inspired by cooked spaghettiSee all our stories about chair design »

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and Sebastian Wrong
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Design against the clock at Established & Sons

Design against the clock at Established & Sons

London Design Festival 2010: here are some photos and a video featuring designers including Richard Woods, Tord Boontje, Committee and artist Gavin Turk, who each created an installation in one day at the Established & Sons gallery during the London Design Festival last month.

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This movie by Gestalten TV documents the processes that unfolded each day and features interviews with each of the designers.

Design against the clock at Established & Sons

Photographs are by Nick Ballon.

Design against the clock at Established & Sons

Above: Richard Woods

The information that follows is from Established & Sons:


Established & Sons LIMITED

Established & Sons LIMITED presents ‘Design Against The Clock’ a series of live design performances at the Mayfair gallery.

Design against the clock at Established & Sons

Above: Tord Boontje and RCA students

A selection of key design figures, reflective of London’s creativity including artist Richard Woods, design duo Committee and sculpture and artist Gavin Turk will work onsite to produce works reflective of their individual design practices.

Above: Gavin Turk

Each finished piece will be exhibited daily at Established & Sons LIMITED. Established & Sons LIMITED will also act as a Design Café for the duration of the Festival, where food and drink will be served and guests can enjoy browsing a Gestalten bookstore.

Design against the clock at Established and Sons

Above: Gavin Turk

A variety of pieces from Established & Sons Collections, including Estd by Established & Sons, will be showcased and limited edition posters will be on sale.

Design against the clock at Established and Sons

Above and top: Committee

Design against the clock at Established & Sons

Above: Committee

Design against the clock at Established & Sons


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