Richard Wood’s cartoon-style prints added to his new Hackney residence by dRMM

London studio dRMM has completed a house and studio for Hackney artist Richard Woods, using his trademark cartoon-style print to add colour to the building’s facade and staircase (+ slideshow).

Woodblock House by dRMM

Richard Woods is best known for the painted woodgrain graphics he applies to furniture and textiles, so dRMM used the pattern to inject the character of the artist into the architectural design.

Woodblock House by dRMM

Panels in shades of white, yellow and green run horizontally along patches of the front and rear facades. They reappear inside the house as treads for the main staircase, which features a rainbow of colours ranging from pale pink and white to bold reds, blues and greens.

Woodblock House by dRMM

Entitled WoodBlock House, the project is described by the designers as “a chance for experimentation that resulted in domestic joy and Spartan pleasure in every aspect of the finished product”.

Woodblock House by dRMM

Functions inside the three-storey building are divided up by storey. A large-scale printing workshop occupies the entire ground floor, while the level above accommodates living spaces and the second storey contains four bedrooms for Woods’ family.

Woodblock House by dRMM

Externally, only the bedroom storey is clad with the colourful plywood. The rest of the exterior is clad with unpainted larch boards that are arranged vertically to contrast.

Woodblock House by dRMM

Timber also lines the walls, floors and ceilings of the two domestic floors. “WoodBlock House also has the unique atmosphere of a house built only in timber and glass, with a sensual quality that has to be seen, touched and smelt to be fully understood,” said dRMM in a statement.

Woodblock House by dRMM

The studio opens out to a yard at the back, ensuring easy access and constant ventilation, while the dining room leads to a balcony terrace where residents can dine al fresco.

The staircase also ascends to another terrace on the roof, which is accessed via a small library.

Woodblock House by dRMM

dRMM used a cross-laminated timber structural system to build the house. Only two types of windows were used, which include full-height sliding windows for the living rooms and smaller “punched hole” windows for bedrooms and corridors.

The interior is completed by a wood-burning stove, leather seating and a few select pieces of furniture by the artist.

Woodblock House by dRMM

This isn’t the first time dRMM has collaborated with Richard Woods. The pair previously worked together to create a gallery space for Modern Art Oxford.

Photography is by Alex de Rijke.

Here’s a project description from dRMM:


WoodBlock House, Hackney, London

WoodBlock House demonstrates a genuine collaboration between architect and client, a chance for experimentation that resulted in domestic joy and Spartan pleasure in every aspect of the finished product.

Woodblock House by dRMM
Ground floor plan – click for larger image

The brief was to create a studio, home and office for UK artist Richards Woods and his family. Woods’ working process requires a large-scale printing workshop where work can be manufactured with adequate space for him and his studio employees. The building had to be designed with the inclusion of an open yard at ground level, to ensure ventilation and ease of access – both essential to Woods’ work process. From the start designs evolved from extensive conversations with the client, whose own work traverses the boundaries between art, architecture and furniture design in the interplay between the functional and the ornamental.

Woodblock House by dRMM
First floor plan – click for larger image

The result was a simple, large workshop and printing studio space on the ground floor, with separate living accommodation above, all characterised by the qualities of timber, good spaces and daylight. The design principles of the scheme can be grouped as follows:

Articulated Massing

The massing and CLT panel structural system is expressed through the articulation of the facade in relief and choice of cladding. The building consists of three elements, the ground and first floor housing workshop and main living area, the second floor box of bedrooms with small rooftop library on the third floor. The building is positioned slightly away from its neighbours flank wall to include the careful brickwork in its composition.

Woodblock House by dRMM
Second floor plan – click for larger image

Timber cladding

The home section of the building is south-facing and sits on top of the north-facing studio. The former is horizontally clad painted plywood using a printing technique for which the artist-client is internationally renown; by contrast the studio is clad in unpainted larch.

Fenestration Principles

A simple, generous fenestration specification has been used throughout. Generally there are two types of window – full height, sliding windows to principal living areas, and smaller ‘punched hole’ windows to secondary living spaces such as bedrooms and circulation. All are laminated timber.

Woodblock House by dRMM
Roof plan – click for larger image

The building is a response to the family’s needs, as well as dRMM’s own commitment to sustainability in architecture through the use of engineered timber. Panelised construction was far quicker than an equivalent brick or concrete construction, and since noise, pollution and site traffic are lessened, relations with the neighbours were good throughout.

Apart from being environmentally sound, WoodBlock House also has the unique atmosphere of a house built only in timber and glass, with a sensual quality that has to be seen, touched and smelt to be fully understood. But perhaps its greatest success lies in something even more intangible: the feeling of a building that is in constant use, brought to life through the noisy combination of family, work and play.

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Endless Stair by dRMM

Architecture firm dRMM has combined fifteen staircases to create an Escher-style installation outside Tate Modern, ahead of the London Design Festival beginning tomorrow (+ slideshow).

Endless Stair by dRMM

“Stairs are always the most interesting things about architecture, they’re places where people meet,” dRMM co-founder Alex de Rijke told Dezeen at this morning’s opening presentation.

Endless Stair by dRMM

The interlocking wooden staircases are configured to create a maze of walkways and a viewpoints towards the city’s skyline across the Thames.

Endless Stair by dRMM

“It’s up to you what you want to look at, it gets you up high so you can see out over the river to St Paul’s,” de Rijke told us.

Endless Stair by dRMM

Visitors can climb up, down, over and under the structure, with some stairs leading from one to another and others to dead ends.

Endless Stair by dRMM

Steps and balustrades are made from cross-laminated timber panels of tulipwood taken from offcuts usually used for skirting boards.

Endless Stair by dRMM

The vertical panels used to form hand rails overlap to look like treads turned on their side, adding to the optical illusion.

Endless Stair by dRMM

Initially proposed to sit next to St Paul’s Cathedral, the installation was relocated to the lawn in front of Tate Modern – an art gallery housed in a former power station on the south bank of the river.

Endless Stair by dRMM

“St Paul’s was an interesting site but it was very constricted, the project was difficult to realise there whereas this space is much more open,” de Rijke. “This seemed like the best possible place to put it.”

Endless Stair by dRMM

The Endless Stair was created in collaboration with the American Hardwood Export Council and engineering firm Arup.

Endless Stair by dRMM

Taking place from 14 to 22 September, the London Design Festival will also feature a giant chandelier installed at the V&A museum. See our map of all the best exhibitions, talks and parties here.

Endless Stair by dRMM

Photos are copyright Dezeen.

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dRMM to install Escher-style staircase outside St Paul’s Cathedral

News: architecture firm dRMM will install 20 interlocking wooden staircases outside St Paul’s Cathedral for the London Design Festival in September.

Unveiled this morning at the London Design Festival 2013 press preview, the design comprises a complex configuration of steps to be made from 44 cubic metres of tulipwood. Visitors will be invited to climb the structure and use it as a viewpoint towards the River Thames, Millennium Bridge and Tate Modern.

“Endless Stair is a three-dimensional exercise in composition, structure and scale,” said dRMM co-founder Alex de Rijke. “The Escher-like game of perception and circulation in timber playfully contrasts with the religious and corporate environment of stone and glass in the city.”

The structure will be made of cross-laminated timber (CLT) panels, which are usually created by layering up softwoods to form cheap and stable panels for fast construction. This installation will instead use a sustainable hardwood – tulipwood – to form lighter and stronger hardwood CLT panels for the first time.

The Endless Stair will be created in association with the American Hardwood Export Council and engineered by Arup. A lighting scheme for the spot will be developed by London studio Seam Design using products from LED company Lumenpulse.

The same team delivered Amanda Levete’s Timber Wave installation outside the V&A museum for the 2011 London Design Festival. The American Hardwood Export Council worked with Royal College of Art students on twelve wooden chairs at last year’s festival.

Alex de Rijke is dean of the School of Architecture at the Royal College of Art in London. Previous architecture projects by dRMM include a golden wedding chapel by the seaside and a house with mobile walls and roof.

The London Design Festival 2013 takes place from 14 to 22 September. See more design events taking place throughout the year on our World Design Guide.

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dRMM’s Sliding House features in the Dezeen Book of Ideas. Special offer: buy the book now for just £10 »

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UK should “learn from the Netherlands” and build floating housing, says Alex de Rijke

The Dutch Way by dRMM

Dezeen Wire: “we’re advocating other UK architects to design on water,” architect Alex de Rijke told Dezeen at the Venice Architecture Biennale this week, where his firm dRMM are exhibiting proposals for floating housing at the British Pavilion.

Above: photograph is by Cristiano Corte

The Dutch Way by dRMM

“Our idea was to learn from the Netherlands and show how their ideas might be applicable to UK waterways,” he said. “There is no shortage of water in the UK and no shortage of rain, but there is a shortage of housing and a shortage of development sites.”

The Dutch Way by dRMM

Above: Water-houses in IJburg, Waterbuurt West, Amsterdam

The studio’s proposals are for an infrastructure of houseboats at London’s Royal Docks, and for the exhibition they present a floating terrace with an outboard engine and plastic floats.

dRMM

Above, left to right: Alex de Rijke, Merlin Eayrs and Isabel Pietri of dRMM, photographed by Valerie Bennett

Named The Dutch Way, the project is one of ten on show for the British Pavilion’s Venice Takeaway exhibition, which showcases ideas for British architecture brought back from other countries around the world by teams of ‘explorers’. Read the brief in our earlier story.

Alex de Rijke is also now dean of architecture at London’s Royal College of Art and gave us a tour of the end of year show plus outlined his new direction for the course earlier this summer.

See all our stories about the biennale here, including an interview with director David Chipperfield and our pick of the five best pavilions.

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