Hi House by Yosuke Ichii

Hi House by Yosuke Ichii

A private balcony is concealed behind the black galvanised steel exterior of this house in Yao, Japan, by architect Yosuke Ichii.

Hi House by Yosuke Ichii

The screened terrace is situated on the middle floor of the three-storey Hi House, revealed on the facade by a narrow window at ankle-height.

Hi House by Yosuke Ichii

This cantilevering balcony shelters the front door and driveway.

Hi House by Yosuke Ichii

Living and dining areas occupy the first floor of the house, whilst bedrooms are located above and below.

Hi House by Yosuke Ichii

A rectangular opening in the roof reveals another balcony on the top floor.

Hi House by Yosuke Ichii

Yosuke Ichii previously completed a house in Osaka in collaboration with Isolation Unit – see our earlier story.

Hi House by Yosuke Ichii

Other popular Japanese houses published this month on Dezeen include one with a circulating route of staircases and another resembling a half-submerged submarinesee all our stories about Japanese houses here.

Hi House by Yosuke Ichii

Photography is by Takumi Ota.

Hi House by Yosuke Ichii

Here’s some more information from the architect:


Hi house

1 division is lotted in the narrow area at this place developed in 1970′s.

Hi House by Yosuke Ichii

Each housing is built by the biggest volume and equals, it’s an uptown which crowds.

Hi House by Yosuke Ichii

Strip stairs are installed in the center of the building, it’s made void space and a big skylight is being put on the upper part.

Hi House by Yosuke Ichii

Light shines from there to the first floor hall, enveloped in soft light throughout.

Hi House by Yosuke Ichii

To open and shut a window electrically, a void will be stack effect, and for air to flow and discharge collected heat around the ceiling, a new wind is to enter from a lower floor, and you can have time comfortably.

Hi House by Yosuke Ichii

Privacy from a neighborhood is protected by making the wall in the balcony which connects with a living room expensive, and even if many people gather, a relative and my friend have secured the enough size for one room space including an outside deck.

Hi House by Yosuke Ichii

The simple space where the eyes don’t stop to put it in the wall using a transformed pillar as 200×100 is being produced.

Hi House by Yosuke Ichii

The light and open space which can’t be imagined from the outward appearance is spread in the interior, is narrow and is the housing which doesn’t make a built-up area feel by controlling sunlight, a breeze and the eyes.

Hi House by Yosuke Ichii

Location : Osaka Prefecture
Japan architects : Yosuke Ichii
Architect structural engineers : Takashi Manda Structural Engineer
Site area : 74.10 m²
Building area : 51.60 m² total
Floor area : 125.24 m²
First floor area : 38.90 m²
Second floor area : 46.03 m²
Third floor area : 40.31 m²
Structure : steel frame, 3 stories
Completion date : September, 2010
Family composition : grand mother and couple and brother
Photo : Takumi Ota

Hi House by Yosuke Ichii

Hi House by Yosuke Ichii

Click above for larger image

Hi House by Yosuke Ichii

Click above for larger image

Hi House by Yosuke Ichii

Hi House by Yosuke Ichii

Hi House by Yosuke Ichii

Hi House by Yosuke Ichii

Hi House by Yosuke Ichii


See also:

.

House in Sakuragawa by
Suppose Design Office
Yachiyo by Atelier
Tekuto
Y House
by TOFU

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

Following our story about Shigeru Ban’s apartments secured by rolling metal shutters, here’s a concrete house near Stuttgart that can be sealed with sliding screens.

House KW by Käß Hauschildt Architects

Located in the Esslingen district, the three-storey House KW by German architects Käß Hauschildt is nestled against a sloping meadow overlooking an orchard.

House KW by Käß Hauschildt Architects

A concrete staircase connects multipurpose ground floor rooms with first floor living areas and second floor bedrooms.

House KW by Käß Hauschildt Architects

Concrete ceilings are exposed throughout the house.

House KW by Käß Hauschildt Architects

See also: our earlier story about a house that becomes a fortress by night.

House KW by Käß Hauschildt Architects

Photography is by Antje Quiram.

House KW by Käß Hauschildt Architects

Here’s some more information from the architects:


Home for a family of 4, the house is located on the outskirts of the development area “Mittlere Rosselen” in Esslingen near Stuttgart, Germany.

House KW by Käß Hauschildt Architects

Sloping down in east-west orientation, the hillside property is merging into the surrounding meadow orchards with their old trees.

House KW by Käß Hauschildt Architects

Being three-storey facing the residential road, the building is two-storey only on the garden side.

House KW by Käß Hauschildt Architects

The house is entered on ground floor level.

House KW by Käß Hauschildt Architects

Stairs lead from the entrance hall to the living area on the first floor where kitchen, living and dining room are arranged as a round trip around the central staircase.

House KW by Käß Hauschildt Architects

The large windows offer superb views over the surrounding meadows and allow nature into the rooms.

House KW by Käß Hauschildt Architects

The second floor accommodates bedroom, children’s rooms and bathroom.

House KW by Käß Hauschildt Architects

Despite the compact floor plan, vista across the complete building length create a generous impression of the rooms.

House KW by Käß Hauschildt Architects

Building construction has been implemented using a minimum of trades and materials.

House KW by Käß Hauschildt Architects

On the outside the building shows a rough concrete skin with precisely cut in openings.

House KW by Käß Hauschildt Architects

As such a self-supporting facade it is, in comparison to alternative materials, particularly sturdy and timeless.

House KW by Käß Hauschildt Architects

The interior is defined by white plaster block walls and exposed concrete ceilings and stairs.

House KW by Käß Hauschildt Architects

Doors, build-in furniture and kitchen are white and blend in unobtrusively with the rooms.

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects


See also:

.

Safe House by Robert
Konieczny
House in Kohgo by
Yutaka Yoshida
Hiedaira House by
Thomas Daniell

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Metal Shutter Houses by Shigeru Ban Architects

After hours, rolling metal shutters fasten across these New York apartments designed by Japanese architect Shigeru Ban.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Surrounded by art galleries in a West Chelsea neighbourhood, the Metal Shutter Houses rise above a gallery on the ground floor.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

The eleven-storey block contains eight duplex apartments, each with balconies facing the street.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Activated by a motor, individual perforated shutters slide over each balcony to entirely conceal the glazed facades of the apartments behind.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

A central elevator provides access to the apartments, which each have private lobbies before their front doors.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Early renderings of the building were published on Dezeen back in 2007 – see our earlier story to compare.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Another recently featured Shigeru Ban project was a temporary housing block made from shipping containerssee all our stories about Shigeru Ban here. The block also shares fortress-like characteristics with a Polish house featured on Dezeen last month.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Photography is by Michael Moran.

Here are some more details from the architects:


Metal Shutter Houses

Location

The Metal Shutter Houses, designed by the internationally renowned Japanese architect, Shigeru Ban, are located on the south side of West 19th Street, between 10th and 11th Avenues in West Chelsea’s art gallery district, steps away from the High Line, the Hudson River, Chelsea Piers, and the Hudson River Park. The block offers a bold display of the new New York: the Frank Gehry-designed IAC Headquarters are next door and Jean Nouvel’s 100 11th is across the street. Low-profile warehouse buildings throughout the neighborhood allow for long city views, including the Empire State building, from each floor of the Metal Shutter Houses.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Click above for larger image

Building

This marks the first new construction condominium residences in the United States by Ban. Known for his “poetic” architectural style, Ban has tailored what could be characterized as contextual invention to this unique 11 story structure. Such highly sensitive ingenuity has been seen in some of his previous house designs, such as the Curtain Wall House (Tokyo, Japan), the Paper House (Yamanashi, Japan), and more recently, the Furniture House 5 (Sagaponac, New York). While Ban’s work is continually so inventive that one cannot generalize his “look,” the Metal Shutter Houses’ variable façade demonstrates Ban’s fascination with use of unusual materials (or use of common materials in new contexts) and mobility of parts, often inspired by the simplicity of traditional Japanese architecture as well as the modern lines of the International school.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

The Metal Shutter Houses is a dynamic building. The façade’s motorized perforated metal shutters serve as light-modulating privacy screen at the outer edge of each residence’s terrace adjacent to the double-height living rooms. This subtle “removable skin” echoes the neighboring gallery after-hours shutters, subtly contextualizing the building within its site. The building can literally become a uniform minimal cube, or it can open completely (as well as virtually unlimited permutations between). South of the loggia, twenty foot tall, upwardly pivoting open completely, thus blurring the boundary between the inside and outside – the double height living room and loggia become one. Similarly, a series of interior sliding glass doors create an open “universal floor” in each of the duplex houses – one vast and uninterrupted expanse which transitions seamlessly from inside to outside, or partition the space into private areas.

Metal Shutter Houses by Shigeru Ban Architects and Dean Maltz Architect

Residences

» 11 stories featuring 8 duplex houses, an art gallery and lobby on the ground floor.
» 3 three-bedroom “single-bay” duplex houses with 1,949 sq. ft. interior space (including the 80 sq. ft. double height loggia) and two 70 sq. ft. south balconies.
» 3 four-bedroom “double-bay” duplex houses with 2,700 sq. ft. interior space (including the 160 sq. ft. loggia) and two 93 sq. ft. south balconies.
» 1 five-bedroom East West house with 4,644 sq. ft. interior space with 47’ wide living room (including the 240 sq.ft. double height loggia), two 70 sq.ft and two 93 sq.ft, south balconies.
» 1 four-bedroom “triple bay” duplex penthouse with 3,319 sq. ft. interior space, 750 sq. ft.¹ north entertainment terrace, 162 sq. ft. master bedroom terrace, two 137 sq. ft.¹ south balconies and 677 sq. ft. exclusive roof deck with garden shed.

Residence features

» All units are floor through duplexes.
» Private elevator vestibule.
» Solid ¾” quarter sawn 4½” white oak flooring throughout living areas.
» North, South and West (select residences) exposures.
» Great room with double height 20’ceiling –ideal for displaying large works of art.
» Shigeru Ban designed perforated metal shutters to enclose loggia – allowing for adjustable light control and privacy.
» 20’ floor-to-ceiling upward pivoting glass walls allow for great light air, views, and a seamless transition to double height outdoor space.
» Flexible use library/bedroom 3 or 4 with balcony and sliding glass walls.
» Highly flexible lower level entertaining floor — the sliding glass walls provide seamless access from the rear library terrace all the way to the double height terrace in the front, or close for privacy.
» Study overlooking double height living room with Ban designed white lacquer desk in matte finish (select residences).
» Floor-to-ceiling white lacquer cabinetry in matte finish custom designed by Shigeru Ban provides unique and ample storage space in living areas and bedrooms.
» Shigeru Ban designed die cast Aluminum door levers by Oshima in white zincart finish.
» Radiant floor heating in double height living room.
» High performance 4 pipe fan coil heating and air conditioning (multi-zoned) for year round individual control and comfort.
» Cable/satellite television ready, CAT 6 telecommunications wiring throughout each unit.
» Miele washer and dryer.

Team

Design architects: Shigeru Ban Architects + Dean Maltz Architect
Interiors: Shigeru Ban Architects + Dean Maltz Architect
Executive Architect: Montroy DeMarco, LLP
Developers: HEEA Development LLC, a development of Spiritos Properties and Klemens Gasser
Exclusive Marketing &
Sales Agent: Corcoran Sunshine Marketing Group

Address: 524 West 19th Street, New York, NY 10019


See also:

.

Multi-storey temporary
housing by Shigeru Ban
Dellis Cay villas
by Shigeru Ban
Dezeen interviews
Shigeru Ban

Holman House by Durbach Block Jaggers

Holman House by Durbach Block Jaggers

A Picasso painting inspired this cliff-top house near Sydney by architects Durbach Block Jaggers.

Holman House by Durbach Block Jaggers

Above photo is by Brett Boardman

The curved forms of the kitchen and living room, which project over the sea supported by four angled stilts, are derived from the torso of Picasso’s The Bather.

Holman House by Durbach Block Jaggers

Above photo is by Anthony Browell

The two-storey Holman House was completed atop the 70 metre-high cliff at Dover Heights back in 2004.

Holman House by Durbach Block Jaggers

Above photo is by Brett Boardman

Stone walls surround bedrooms on the ground floor, which nestle against the rock face.

Holman House by Durbach Block Jaggers

Above photo is by Brett Boardman

Terraces surrounding the house at different levels provide two patios, a top floor garden and a lower level swimming pool.

Holman House by Durbach Block Jaggers

This project is the third Australian house published on Dezeen in the last week, following one residence with an oversailing glass roof and another that incorporates cantilevering concrete slabs – see all our stories about projects in Australia here.

Holman House by Durbach Block Jaggers

Photography is by Peter Bennetts, apart from where otherwise stated.

Holman House by Durbach Block Jaggers

Here’s some more information from the architects:


Holman House
Dover Heights, Sydney

Sited on the edge of a 70-metre high cliff, the plan of Holman House refers to Picasso’s painting The Bather.

Holman House by Durbach Block Jaggers

It contains a complex series of fluid living spaces set within a meandering perimeter that arcs, folds and stretches in response to sun, landscape and views.

Holman House by Durbach Block Jaggers

Above photo is by Reiner Blunck

Living and dining areas cantilever out over the ocean, allowing dramatic views up and down the coast.

Holman House by Durbach Block Jaggers

Above photo is by Reiner Blunck

The lower floor forms a base that is built from rough stone walls like an extension of the cliff below.

Holman House by Durbach Block Jaggers

These walls continue along the cliff edge to form a series of eccentric terraced gardens and a vase-shaped rock pool.

Holman House by Durbach Block Jaggers

Above photo is by Brett Boardman

Architects: Durbach Block Architects

Holman House by Durbach Block Jaggers

Above photo is by Brett Boardman

Project team: Neil Durbach, Camilla Block, David Jaggers, Lisa Le Van, Joseph Grech, Adrian Gessner

Holman House by Durbach Block Jaggers

Completion: February 2004

Holman House by Durbach Block Jaggers

Click above for larger image

Holman House by Durbach Block Jaggers

Click above for larger image

Holman House by Durbach Block Jaggers

Click above for larger image

Holman House by Durbach Block Jaggers


See also:

.

Casa 11 Mujeres by
Mathias Klotz
Urezkoenea House
by Peña Ganchegui
D House by
Panorama

London City Farmhouse by Catrina Stewart

London City Farmhouse by Catrina Stewart

Faeces, electric eels and fruit would power conceptual communities designed by Bartlett School of Architecture graduate Catrina Stewart.

London City Farmhouse by Catrina Stewart

The City Farmhouse project proposes housing communities on stilts above clusters of public toilets, where visitors would be required to donate faeces and urine on arrival.

London City Farmhouse by Catrina Stewart

Electricity would be generated from methane gas released when the harvested excrement is broken down.

London City Farmhouse by Catrina Stewart

Faeces and urine could also be used to produce compost and water for community gardens.

London City Farmhouse by Catrina Stewart

Streetlights would be powered by fruit acid and elevators would be powered by electric eels, kept as pets by residents.

London City Farmhouse by Catrina Stewart

In 2009 Dutch designers Tjep designed a series of self-sufficient farms that reuse waste and could be scaled to accommodate a single inhabitant, a small community or an amusement park.

London City Farmhouse by Catrina Stewart

Other recent architecture graduate projects include an upside-down skyscraper and a tower that shoots artificial bees into the air – see all our stories about this years graduate shows here.

London City Farmhouse by Catrina Stewart

Here are some more details from Catrina Stewart:


London City Farmhouse

The City Farmhouse project is a prototype that looks at forming new self-sufficient communities, which integrate agriculture and housing within the city of London.

The Farmhouses and vertical colour gardens will be open to the public, and will rely on its colours and visitors to achieve self-sufficiency.

London City Farmhouse by Catrina Stewart

Visitors and residents will be expected to make a donation of faeces and urine when they visit the building. These will be used to produce water, compost and electricity for the Farmhouses. Methane gas released by the waste produced in biogas digesters can then be used directly or to produce electricity.

London City Farmhouse by Catrina Stewart

Without its public toilets the community would not be able to survive. The more visitors the building can attract the more power, food and water will be produced. New public toilets will be erected across the borough in order to collect human waste to power the Farmhouses. New communities will begin to grow around the more popular public toilets, creating new Farmhouses.

London City Farmhouse by Catrina Stewart

The Farmhouse project explores the use of colour to attract people to the building and entice them into using the public toilets by using the same principles used for colour in marketing and advertising. Colours are therefore used less for their aesthetics and more for their functional properties.

London City Farmhouse by Catrina Stewart

Nothing in the Farmhouse is disposed of, everything is recycled and reused to fuel something else.  Old and new technologies are used to harness energy and food from almost anything, animals are no longer used for their meat but rather as a source of energy.

London City Farmhouse by Catrina Stewart

Cows are farmed for their methane gas, electric eels are kept as pets to power the elevators in the building and fruits are used to to power the street lights.


See also:

.

Oogst
by Tjep.
Public Farm One by
Work Architecture Company
Union Street Urban Orchard
by Heather Ring

House in Pedrogão by Phyd Arquitectura

House in Pedrogão by Phyd Arquitectura

This dreamy holiday bunker designed by Portuguese studio Phyd Arquitectura is sunk into the landscape, overlooking the hills near Torres Novas.

House in Pedrogão by Phyd Arquitectura

The monolithic House in Pedrogão is made from concrete and has a glazed facade that provides residents with a panoramic view of the surroundings.

House in Pedrogão by Phyd Arquitectura

The house sits upon the rear of a timber-covered plinth, which has a swimming pool at the opposite end.

House in Pedrogão by Phyd Arquitectura

Behind the front living area are enclosed rooms that include a kitchen, two bathrooms, a bedroom and a study.

House in Pedrogão by Phyd Arquitectura

The house was completed in 2008.

House in Pedrogão by Phyd Arquitectura

This is the second Portuguese project published on Dezeen this month, following a completely white house with an asymmetrical roofsee all our stories about projects in Portugal here.

House in Pedrogão by Phyd Arquitectura

Photography is by Montse Zamorano.

The following information is from Phyd Arquitectura:


Time Suspension – and the creating act

I take Saramago once again: “My relation with time is, above all, very specific….when trying to express it graphically; I understand time as a large screen, a huge screen, where every single event is projected, including the oldest and the most recent. On that screen, everything is side by side in a kind of chaos as if time was compressed and flattened on that surface; as if events, facts and people were shown and assembled chaotically instead of being diachronically assembled, and we were meant to find a meaning.”

House in Pedrogão by Phyd Arquitectura

That idea of time, Flat Time, described in Saramago’s words, could be the ultimate dream we aspire to. That idea of architecture as a tool for capturing places, topographies, landscapes, customs and people. That project fulfils the mission of retaining, composing, organizing customs and qualities of the place. A Flat Time, cleared up by topography, arranged by function and disposed by space qualification.

A profound architectural image of space disposition and organization, this possibility of imagining a Flat Time where inhabiting is made possible, where our work and labour is naturally defined by various space elements.

House in Pedrogão by Phyd Arquitectura

A Flat Time that enables us to;

Live below the soil and above the air.
Live in substance and in landscape.

As if there was a character particular to things and to Architecture, where the logic of construction of the Imaginary is rooted in the logical nature of making, disposing, assembling, organizing, in such a way we can say there is a Nature of Things.
As if Architecture has always built a truth and its opposite. In a relation between lightness and weight, that antithesis, that gravitational illusion has always nurtured the dreams of architects throughout the history of Architecture. It has been limited by skill and dream. The Architecture we make should pursue the building of lightness, with the weight characteristic to substance, which is imposed by the skill of its own time.

House in Pedrogão by Phyd Arquitectura

Click above for larger image

Addition

The project harbors only one level inserted on the terrain, th rough the construction of a level platform. This strategy of construction benefits from the terrain dangling, allowing by a very simple manner the perfect harmony with the surrounding nature, emerging with its volume from the pending of the landscape, assuming it’s quotas as their own.

The access is provided by the superior level of the terrain, emancipating the exterior areas, and the favorable areas to unburden views creating a unique relationship with the surrounding. The level platform mentioned above enabled the project for the housing areas and swimming pool on its superior end, and the technical areas on its inferior end.

House in Pedrogão by Phyd Arquitectura

Click above for larger image

Gross area = 285.76 m2
Floor area = 108 m2
Area of land = 17920 m2

The project constituted by two areas of housing, the area most “embedded” in the field, and the pool area of support and preparation of food directed to the southwest, taking advantage of the views. These two areas are separated by an area of health installations. As facilities outside areas, are located between the pool and its area of support.

Laterally to the swimming pool, at a lower level is a technical area.

Stating, the project is consisted by 9 (nine) different areas; 1 living room, 1 room, 2 toilets, 1 area of preparation of food, 1 area of support and meals, 1 area of support to the pool, 1 swimming pool, 1 technical area.

House in Pedrogão by Phyd Arquitectura

Click above for larger image

Energy efficiency

The measures further to improve the energy performance of buildings have taken into account outdoor climatic and local conditions as well as indoor climate environment and cost-effectiveness.

The energy performance of the house has been calculated on the basis of a methodology, at a regional level, according to the European Energy Performance of Buildings Directive 2009/91/CE.

It has been given most importance to thermal insulations, heating and air-conditioning installations and the use of renewable energy sources culminating on the design of the house. Meeting the energy performance requirements tailored to the local climate, exploring its full potential.

House in Pedrogão by Phyd Arquitectura

Click above for larger image

Project category: Concrete
Name of the project: House in Pedrogão
Name of the architect: Paulo Henrique Sousa Durão
Year of construction: 2008
Site location: Pedrogão: Torres Novas, Portugal

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

An oversailing glass roof and steel mesh curtain protect a two-storey extension and terrace at a historic Sydney house.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

The double-height curtain provides shade and privacy but can be drawn back to open the house to the remodelled garden.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Australian architects Allen Jack+Cottier converted the High Victorian house in collaboration with designer Belinda Koopman, while the garden was redesigned by Vladimir Sitta.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

The house formerly contained a private zoo, according to the architects.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Glass Loggia House was recently awarded two Houses magazine awards.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

While this house uses a mesh curtain for cooling and privacy, we recently published a house that achieves the same using mist – see our earlier story here.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

See also our previous story about a sports centre designed by Allen Jack+Cottier.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Photography is by Nic Bailey of Allen Jack+Cottier.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Here’s some more information from the architects:


Glass Loggia House wins two prestigious HOUSES Magazine awards for design excellence
18th July 2011

Allen Jack+Cottier, Belinda Koopman and Vladimir Sitta of Terragram, have been honoured among Australia’s best house, garden and apartment designers at the inaugural HOUSES magazine awards in Melbourne on Friday evening, for their work on Glass Loggia House in Glebe, NSW.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Their transformation of the dark rear living spaces and run down garden of a grand two storey High Victorian style residence in Sydney’s inner west won the Outside category, and also a High Commendation for House Alteration and Addition under 200 m2.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

The judges noted “The approach of both the landscape architect and architect respects the remnants of the past, adding another layer to history. Through a suite of new spaces the house and garden is now more engaged with the people who live there… The walls, rooms, corridors, platforms, and curtains create a palpable ambiguity about what is inside and outside, old and new.”

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

The house was originally a private zoo, so when work started in 2003 Vladimir Sitta retained and reused building fabric remnants to construct a “Garden of Ghosts” with a polished concrete pool ‘fenced’ by a fish skeleton vitrine and plant filled moat.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Jim Koopman, Director – Architecture, Allen Jack+Cottier, said “ We conceived a double volume glass loggia sheltered on the west by an existing cypress stand to create a useable outdoor area in a way that responds to the grand scale of the existing building ,and was appropriate to the conservation area.

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Click above for larger image

“The loggia and new rooms are designed to exploit the ambiguities between what is inside and what is outside with a dramatic external steel mesh curtain shading the whole north- west facade, which operates to transform the loggia and garden spaces for different family functions.”

Glass Loggia House by Allen Jack+Cottier, Vladimir Sitta and Belinda Koopman

Click above for larger image


See also:

.

Brooks Avenue House
by Bricault Design
Park Avenue South
by Studioctopi
Elm & Willow House
by Architects EAT

House 20 by Jolson

House 20 by Jolson

Australian architects Jolson have completed a house in Melbourne where cantilevering concrete slabs appear to balance on top of a bronze garden wall.

House 20 by Jolson

Residents enter the middle floor of the three-storey House 20 beneath this cantilever.

House 20 by Jolson

A basement floor is set into the sloping landscape below and contains an indoor swimming pool, gym, steam room and games room.

House 20 by Jolson

A small pond is also located on this floor, at the base of a light well that is driven through the full height of the house.

House 20 by Jolson

Living and dining areas are located on the ground floor, while bedrooms and studies can be found on the top storey.

House 20 by Jolson

Alarming cantilevers have featured on a number of buildings on Dezeen lately – see all the stories about cantilevers here.

House 20 by Jolson

See more stories about Australian projects on Dezeen »

House 20 by Jolson

Photography is by Peter Bennetts.

House 20 by Jolson

Here are some more details from the architects:


House 20

A series of concrete buttresses extrude from the sloping natural ground line reinforcing the north-south orientation. These rhythmic elements form a continuous datum upon which the first floor rests; concrete blades in an east-west orientation, which cantilever and stagger beyond the precipice of the bronze wall below. This craning assemblage hovers over an organic knoll of delicately curling asparagus fern, and shelters the entry below.

House 20 by Jolson

The house is a sculptural object. The brutal exterior surfaces of the forms jostling concrete blades penetrate the interior, diffusing the interior/exterior threshold and creating a series of individual rooms. The interior unfolds as it is engaged with, rooms fold into each other and are defined by layers not walls.

House 20 by Jolson

The interior is dissected by a 3 story void; an empty vertical room within a room. The upper and lower floors are veiled by a knitted stainless steel mesh which allows textured shadow to dance within the interior.

House 20 by Jolson

The kitchen & scullery are designed as a piece of furniture to divide the continuous living spaces.

House 20 by Jolson

The basement experience embraces dark tones, rich textures, and celebrates ambient natural light. There is a strong dialogue between surfaces and object; polished monolithic black stone, raw mild steel, black leather, knitted mesh, and ‘slick’ body of black water that embodies the indoor pool.

House 20 by Jolson

The first floor is the clients retreat with Master bedroom, dressing room and ensuite. The Study hovers above the landscape knoll and engages with the streets’ plane trees. The contrasting light and dark furniture pallet articulate ‘her’ study from ‘his’ amongst the blade walls.

House 20 by Jolson

The building faces north and draws in sunlight across its breadth. Along the terrace horizontal awnings extend toward the landscape to maximize shade as required. The void acts as a thermal chimney, drawing fresh air through and expelling above. At its base the pond has a cooling effect. The steel mesh veil reduces direct sunlight entry.

House 20 by Jolson

The design affronts the general fascination with mock architectural styles, or adorned boxes with inward looking spaces and a total lack of relationship with site and environment. It engages with the notion of grandness without drawing on imitation, decoration, porticos or columns. Anti-decorative, anti-column.

House 20 by Jolson

Location: Inner City Melbourne, Australia
Date of Construction Completion: 21/09/2010
Gross Floor Area: 1250m²

House 20 by Jolson

Practise Team: Stephen Jolson, Mat Wright, Abe McCarthy, Andrew Prodromou, Chloe Pockran, Sue Carr, Jaclyn Lee
Construction Team: Len Bogatin and Associates

Consultant team:
Arup Melbourne (Structural/Civil Engineer)
Medlands (Electrical/Mechanical/Hydraulic Engineer)
SBE (Environmental Consultant)
WT Partnership (Cost Consultant)
BSGM (Building Surveyor)
Aloha (Pool)
Urban Intelligence (Home Automation)
Julian Ronchi (Landscape)

House 20 by Jolson

Primary Materials used:
Structure: Concrete
Facade Undercroft Wall: Bronze Panels
Glazing: Frameless & Anodized Aluminium
Flooring: Timber & Bluestone
Internal Walls: Concrete, Plaster, Polished Plaster, Bluestone

House 20 by Jolson

Products used:
Lightwell Mesh: Locker Group
Timber Floorings: Eco-Timber
Lift: Kone
Air Conditioning: Daikin Ducted
Appliances: Miele, Subzero, Qasair
Door Hardware: Bellevue
Gas Fire: Realflame
Concealed Speakers: Stealth Acoustics
Home Automation: Urban Intelligence – employing CBUS
Garage Door: Ross Doors
Cabinetry Manufacture: Splinters Joinery
Bronze Panelling: Bronzeworks
Trenches & Grate: Aco & Stormtech


See also:

.

Balmain House by Carter
Williamson Architects
Port Fairy House 2 by
Farnan Findlay Architects
Ross Street by Robert
Mills Architects

Multi-storey Temporary Housing by Shigeru Ban Architects

Multi-storey Temporary Housing by Shigeru Ban Architects

Shigeru Ban Architects have designed temporary homes for Japanese disaster victims inside a chequerboard of stacked shipping containers.

Multi-storey Temporary Housing by Shigeru Ban Architects

Above and below: prototype unit

Once the Multi-storey Temporary Housing is constructed it will provide 188 homes in Onagawa for those left homeless by the Japanese earthquake and tsunami.

Multi-storey Temporary Housing by Shigeru Ban Architects

The containers can be placed on unlevel terrain or narrow sites and should be able to withstand future earthquakes.

Multi-storey Temporary Housing by Shigeru Ban Architects

Containers can be stacked up to three storeys high, with open spaces between each apartment.

Multi-storey Temporary Housing by Shigeru Ban Architects

The architects, who have constructed one prototype apartment, suggest that temporary residents may choose to stay in the containers permanently.

Multi-storey Temporary Housing by Shigeru Ban Architects

Since the disaster in Japan, Dezeen has published a few projects by designers to raise money for victims – see all the stories here.

Multi-storey Temporary Housing by Shigeru Ban Architects

Another recent story on Dezeen features shipping containers that provide a sea-facing observation deck – click here for more stories about container architecture.

Multi-storey Temporary Housing by Shigeru Ban Architects

Images are from Shigeru Ban Architects

Multi-storey Temporary Housing by Shigeru Ban Architects

Here’s some more information is proved by the architects:


Multistorey Container Temporary Housing

Temporary housing are starting to be deployed disaster areas.

Multi-storey Temporary Housing by Shigeru Ban Architects

However, the number of the amount of housing required is insufficient. The main reason is that most of the damaged coast areas are not on level terrain.

Multi-storey Temporary Housing by Shigeru Ban Architects

Usually, temporary housing is suitable for flatlands, and providing the required number of units is difficult.

Click above for larger image

Our project to Onagawa, Miyagi prefecture is to use existing shipping containers (20 feet) and stack them in a checkerboard pattern up to three stories.

Multi-storey Temporary Housing by Shigeru Ban Architects

Click above for larger image

The Characteristics of multistory temporary housing:

» shorten the construction period by usage of existing containers
» possible to build up tp 3 stories and to be build in narrow sites or slope lands
» placing containers in a checkerboard pattern and create a open living space in between
» excellent seismic performance
» can be used as a permanent apartment


See also:

.

Housing for New
Orleans
Sand-bag houses by
MMA Architects 3
Pallet House
by I-Beam

Villa 4.0 by Dick van Gameren

Villa 4.0 by Dirk Van Gameren

Dutch architect Dick van Gameren has converted a family house outside Hilversum by punching three faceted skylights through the roof and driving a corridor through the middle.

Villa 4.0 by Dirk Van Gameren

The project has been named Villa 4.0 since this is the fourth major rebuilding of the single-storey house, which was built in the sixties and which has a plan based on hexagons.

Villa 4.0 by Dirk Van Gameren

Floor-to-celling glazing surrounds a new sunken living room at the back of the house.

Villa 4.0 by Dirk Van Gameren

A hexagonal block in one corner encloses three bedrooms with bamboo floors.

Villa 4.0 by Dirk Van Gameren

Other Dutch houses recently published on Dezeen include one with a fabric facade and another with an inwardly pitching roof – see all our stories about Dutch houses.

Villa 4.0 by Dirk Van Gameren

Photography is by Marcel van der Burg – Primabeeld.

The following is provided by the architects:


When the client set off with his family on a round-the-world sailing trip in 2007, he had no idea that this would lead him to the villa in which he lives today. Daily life on board ship was quite different from that on land: you had to generate your own electricity, make potable water with a watermaker, separate waste products down to the smallest scale and of course exploit the wind for travel purposes. All at once, things he and his family had scarcely considered on land became crucial matters. Back in the Netherlands, this fact of automatically considering aspects of sustainability became the springboard for their new house: Villa 4.0.

Villa 4.0 by Dirk Van Gameren

In the leafy Gooi region around Hilversum they found an attractive plot of land containing a simple bungalow dating from 1967 on a hexagonal ground plan. This became the stepping-off point for a major building project involving many specialists and with sustainability taken up in the plans wherever possible. So instead of demolishing the bungalow – which had already been radically altered in 1972 and 2001 – it was to be recast. The reuse principle is also in evidence in the garden design; trees and bushes have been replanted to fulfil a new duty in the garden and felled trees are stored away as firewood for the high efficiency wood burning stove in the kitchen. Heat pump, solar boiler and LED lighting are among the energy-efficient solutions deployed for handling all the big energy consumers, from heating, cooling and hot water to electricity. Some are feats of technology, others are proven yet largely forgotten solutions such as a clothes horse for drying clothes or a bicycle as the principal means of transport.

Villa 4.0 by Dirk Van Gameren

Design

Although the many modifications and additions had made the house bigger, it had also become increasingly inward-looking. The expanding wings were steadily enclosing the heart of the house with the hall and living quarters, and direct contact between the house and the magnificent surroundings was largely lost. The original detailing and material form were consistently adhered to during all previous interventions but the result was now thoroughly outmoded and of a poor technical quality.

Villa 4.0 by Dirk Van Gameren

The house has now been given its fourth look. Dick van Gameren Architecten was commissioned for the design, the principle guiding this most recent intervention being to create a house that is much more sustainable and able to reinstate the lost relationship between it and the landscape.

Villa 4.0 by Dirk Van Gameren

Dick van Gameren Architecten kept as close as possible to preserving the existing house, which gave the first step towards a sustainable end result. Taking the existing structure as the basis, the outer walls and roofs were modernized by adding insulation and replacing all windows and larger areas of glazing. The walls in the central section of the house were removed to create a new living hall looking out onto the surroundings on four sides. In addition, the physical bond between house and landscape has been consolidated by an all-glass pavilion attached to the living hall that reaches out to the brook flowing past the house.

Villa 4.0 by Dirk Van Gameren

Interior

The client desired a timeless interior. To this end the IDing interior design firm took ‘interior follows exterior’ as its stepping-off point and gave most of the rooms concrete floor slabs. This is because of that material’s durable and maintenance-friendly quality but also because it weds well with the finish of the external walls. Expansion joints made in the concrete floor continue the direction taken by the walls both inside and out onto the concrete paths in the garden. This strategy picks out the sight lines in interesting ways. The corners between walls, the kitchen, the sunken sitting area and the desk in the study all follow the architecture of the bungalow.

Villa 4.0 by Dirk Van Gameren

The harmony between internal and external space was a key design determinant, particularly in terms of colour, sight lines and lighting. Besides the aforementioned expansion joints many natural colours have been applied to ensure the house’s sense of timelessness. Exceptions to this are the natural wool felt upholstery of the settee in the kitchen and the sunken sitting area in the living room, which are a mass of colour. Curtains, all of which can be drawn up into rails in the ceiling, are in neutral tints.

Villa 4.0 by Dirk Van Gameren

Sustainability informs as much as possible of the interior. Thus, the kitchen boasts an ecological, high efficiency wood stove which after two heating sessions of 1.5 hours provides 24 hours of agreeable warmth. Not just that, the stove achieves low emission at high temperatures. The bedrooms have bamboo floors as a sustainable alternative to wood. Bamboo was chosen because it is a rapidly lignifying grass of extremely fast growth and therefore far more sustainable than any wood type. All lighting inside the house is LED based. Once again this choice is informed by sustainability; an LED lamp lasts roughly 50 times as long as an incandescent lamp and consumes about 90% less electricity.

Villa 4.0 by Dirk Van Gameren

Landscape

Like all the other specialists, landscape architect Michael van Gessel drew inspiration from the existing situation: magnificent beeches on the high-lying avenue, their branches reaching far across the steep slope, the garden’s choice position directly along the brook and several magnificent trees and shrubs round the house inspired him to draw up a new garden design whose reuse of existing plants and trees accorded well with the wishes of the client.

Villa 4.0 by Dirk Van Gameren

The special areas of the garden have been emphasized to the full by removing all extraneous elements – conifers, the many maples, low shrubs and the bare slope – to make room for a large lawn and a generous planting or replanting of perennials and flowering shrubs along the property boundary. Throughout the year, the garden presents an ever-changing though always ‘natural’ picture with a wealth of flowers and leaf shapes appropriate to both the underlying principle and the changing orientation to the sun.

A salient detail is that a large oak has been planted in the patio of the house. This makes it seem as if the house has detached itself from the edge of the woods to move into the open space in full view of the sun. Like the floor of the house the hard landscaping – entrance, parking and terraces – consists of large slabs of helicoptered concrete so that house and garden, inside and outside, flow one into the other as if it were the most natural thing.

Villa 4.0 by Dirk Van Gameren

Villa 4.0 took two years to design and build and has now been appropriated by the client.

Villa 4.0 by Dirk Van Gameren

More on aspects of sustainability in Villa 4.0 – The Netherlands

Sustainability is a concept that has been crucial in informing all components of the design, construction and daily use of the house. Rather than create an icon of sustainability, the idea was to consider practically and level-headedly at every step how the house could be least taxing on the environment in both the short and the long term. Key points of departure were maximum reuse of built elements and materials already on site and the use of sturdy and proven techniques to achieve the lowest possible energy consumption. The clients see a sustainable house not as the end of the story but as an inspirational spur to a way of life that places concern for mankind and nature and care of our planet at centre stage.

Villa 4.0 by Dirk Van Gameren

Reuse

The design steps off from the existing house, so that along with comprehensively improving the quality of both space and building performance it makes the most of the materials already on site. Components of the existing house that had to be removed have been reused elsewhere in the design where possible.

Roofs and facades have been insulated or reinsulated (R Value 3.5). The floor too has been insulated (R Value 3) and finished with a smooth continuous concrete deck floor on compression-resistant insulation. The old wood frames have been replaced with new aluminium-framed facade units of insulated glass (U Value 1.1)

Villa 4.0 by Dirk Van Gameren

Energy and indoor climate

A floor heating system has been laid into the new concrete deck floor that can heat or cool the rooms using low temperature heating (water < 35°C). A second system has been installed in the bedroom ceilings to facilitate additional cooling in summer. The entire system is fed by a thermal storage unit. All rooms can be regulated individually. Self-generated energy is not being treated as an option for the time being. The surrounding trees mean that there is much shade for a large part of the year and little wind. The part of the roof that does catch the sun all year long is provided with a solar boiler for hot water facilities (head pipe system).

Villa 4.0 by Dirk Van Gameren

Ventilation of the house is premised on the natural circulation of air throughout the building. Ventilation units in the outer walls make it possible to regulate the exact quantity of air entering the building. In summer, ventilation can be stepped up using a mechanical discharge system in the roof lights of the central hall. Of the two spaces with a lot of glazing, the kitchen has a glass sliding roof and the living room a roof hatch that allows for additional ventilation in warm weather. The ventilation units enable the house to be aired without having to leave windows and doors open.

Villa 4.0 by Dirk Van Gameren

Click above for larger image

Another source of cooling is by means of a roof-top pump that draws up water from the brook and sprays it onto the roof. The water then flows back into the brook. There is a high efficiency wood burning stove in the kitchen, fuelled with wood from the garden. The heat yield supports the heat pump, thereby reducing the energy consumption of the thermal storage system. The house’s open layout ensures that heat from the stove can spread throughout the house.

The living room heats up quickly in winter by being oriented to the south and having all-glass facades, and thus serves as a heat source for the house as a whole.

Villa 4.0 by Dick van Gameren

Interior

All living spaces receive daylight from more than one direction. Storage units, bathrooms and other ancillary spaces also receive daylight, some of it indirect. All artificial lighting is LED-based. Much of the furniture is built-in and where possible made of sustainable materials: wood floors and wardrobes – bamboo, kitchen cupboards – Ecoplex (poplar) laminate,  settees in the living room and kitchen, curtains in the nurseries – woolfilt,  floor covering in the sunken sitting area -bamboo.

Villa 4.0 by Dick van Gameren

Water and garden

Rainwater on the roofs is run off directly into the brook. All waste water (greywater) is run off into a tank where it is purified organically and then discharged into the brook. Only biodegradable cleansing agents are used in the house. The new garden layout is informed as much as possible by the replanting of existing trees and shrubs. This gives a greater openness but also more privacy where this is required. The garden is sprinkled exclusively with water from the brook. An electric lawn mower robot keeps the grass at the correct height, and the planting in the garden can be tended without the need for herbicides and artificial fertilizers.


See also:

.

Villa Geldrop by Hofman
Dujardin Architects
Villa 1 by Powerhouse
Company
H House in Maastricht
by Wiel Arets