Hasta La Ideas

Sweeping lengths of concrete create curving canopies around the perimeter of this golf clubhouse on South Korea’s Changseon Island by Seoul architecture firm Mass Studies (+ slideshow).

The clubhouse was designed by Mass Studies to provide dining and spa facilities for the South Cape Owner’s Club golf resort and it is located at the peak of a hill, where it benefits from panoramic views of the sea.

Described by the architects as being like “a pair of bars bending outward”, the building’s plan comprises a pair of curving single-storey blocks that are both sheltered beneath one X-shaped roof.

“The two curvatures of the building engage with specific moments of its immediate surroundings, hugging the existing context – the rocky hill to the east, and the vista out toward the cape to the west,” said the designers.

The curving canopies follow the bowed walls of the two blocks, but also integrate a series of smooth folds that present dramatic changes between light and shadow.

“From a distance, the appearance of the clubhouse reads horizontal, demure, and subtle,” explained the architects. “However, once in and around the clubhouse, one begins to have a dramatic experience through the perspectival exaggerations and the views framed by the illustrious canopy edges.”

The western arm of the building accommodates the dining areas. A banqueting hall and restaurant are positioned at opposite ends of the block, and both feature fully glazed facades that open out to terraces around the perimeter.

In contrast with this transparent structure, the eastern wing of the clubhouse has an opaque concrete facade that maintains the privacy of club members using spa facilities, but brings light in through clerestory windows.

Areas for men and women are divided between the two halves of the block, but both lead out to private outdoor pools offering views of either the coastline or the distant landscape.

A patio is also sheltered beneath the roof to create an entrance for the clubhouse. There’s a skylight in the centre to allow daylight to filter into the space, while a pool of water is positioned directly underneath.

Here’s a project description from Mass Studies:

Southcape Owner’s Club: Clubhouse

Located on Changseon Island in Namhae Province, at the southern tip of the Korean peninsula, is a resort development – the Southcape Owner’s Club – with several complexes that are strategically positioned throughout the dramatic topography of the archipelagic region.

The apex of the resort is the Clubhouse, which in plan is essentially a pair of bars bending outward. The two curvatures of the building engage with specific moments of its immediate surroundings, hugging the existing context – the rocky hill to the east, and the vista out toward the cape to the west. Simultaneously, the composition of the curved masses allow the building to also embrace what is to the north and south – a grand entry round-about, and a remarkable ocean view to the south, respectively.

An open central zone is formed, anchoring the entire complex in a culmination of an impressive entrance patio under a sculptural open-roof, a reflection pool directly below, and a spectacular framed view of the South Sea. To the east are the more private spa facilities, and to the west, the more public restaurant, private dining, and event facilities.

There is a contrast that takes place, not only programmatically, but also in materiality – solid vs. transparent. The spa area is mostly designed as a closed mass, with a slightly open 1m clerestory running along the entire length of the solid exterior walls and roof, progressing to a fully open release at both ends of the volume, which allows for an outdoor terraced bath for both the men’s and women’s spas with views out to the South Sea and waters beyond the landscape to the north. The dining areas are all glass-clad with extended perimeter terraces to all sides, offering a sense of openness out to the waters and landscape.

The sculpted roof of the Clubhouse is derived through a geometric rigour driven by the systematic structural organisation, which is a response to the three-dimensionality of the natural context. The depth of the curved steel beams are revealed, as if it were a vacuum-formed white concrete membrane, where a series of vaulted concrete canopies ultimately form an x-shaped, exploded circle in plan.

The 3m canopies that outline the entire roof not only function as a shading device, but follow the overall architectural language, as the edge conditions change in direction, up and down, from the north to the south side of the building. It adds to the sensuous movements that are portrayed throughout the building.

From a distance, whether from the deck of a boat afloat the South Sea, or from a distance in the rolling landscape of the island, the appearance of the Clubhouse read horizontal, demure, and subtle. However, once in and around the Clubhouse, one begins to have a dramatic experience through the perspectival exaggerations and the views framed by the illustrious canopy edges.

The Southcape Owner’s Club Clubhouse is a seamless, continuous, and complete object in nature, with a shape in plan that creates a complex relationship with the surroundings, in rhyme with the ria coastline of the archipelagos that are unique to this region.

Type: Sports, Golf Clubhouse
Location: Namhae, Korea
Site Area: 23,066.16 sqm
Site Coverage Area: 7,955.98 sqm
Total Floor Area: 15,101.56 sqm
Building-to-Land Ratio: 34.49%
Floor Area Ratio: 20.39%
Building Scope: B2, 1F
Structure: RC, SC
Exterior Finish: White Exposed Concrete, Serpentino Classico, Travertine Navona, Broken Porcelain Tile
Interior Finish: Serpentino Classico, Travertine Navona, Solid Teak Wood, Venetian Stucco

Architects: Mass Studies
Structural Engineer: Thekujo
MEP Engineer: HANA Consulting & Engineers
Civil/Geotechnical Engineer: Korean Geo-Consultants Co. Ltd.
Lighting Engineer: Newlite
Landscape design: Seo Ahn Landscape
Construction: HanmiGlobal Co. Ltd.
Client: Handsome Corp.

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Chicago firm Studio Gang Architects has completed a boathouse on the northern bank of the Chicago River with a rhythmic roofline intended to capture the alternating motions of a rower’s arm movements (+ slideshow).

Located beside Clark Park in the north-west of the city, the WMS Boathouse provides a home for the Chicago Rowing Foundation. It is one of four boathouses proposed as part of a city-funded regeneration of the Chicago River, and the first of two designed by Studio Gang.

Structural roof trusses that alternate between M and upside-down V shapes give the building its jagged roof profile, which was conceptualised by tracing the time-lapse movements of rowing.

“The architecture is meant to visually capture the poetic rhythm and motion of rowing,” said Studio Gang principal Jeanne Gang, “but by providing a publicly accessible riverfront, it also reveals the larger movement toward an ecological and recreational revival of the Chicago River.”

The boathouse comprises two buildings positioned alongside one another. The first is a single-storey shed for storing rowing equipment, while the second is a two-storey structure containing offices, community facilities, a fitness suite and a rowing tank where teams can practice indoors.

The exterior of the building is clad with a mixture of slate tiles and zinc panels, which share the same silvery grey colouring.

Interior spaces are lined with timber, which also extends outside the building to wrap the inside of balconies and undersides of overhanging eaves.

South-facing clerestory windows extend up to the edge of the roof, bringing high levels of natural light through the building, but also helping to warm the interior in winter and allow natural ventilation during the summer.

Studio Gang’s second boathouse will be located on the south side of the river and is set to complete in 2015.

Read on for more information from Studio Gang Architects:

Studio Gang Architects completes WMS Boathouse at Clark Park

First of the two new boathouses along Chicago River designed and constructed by SGA state-of-the-art, 22,620-square-foot facility now open to the public

Studio Gang Architects (SGA) is pleased to announce the completion of the WMS Boathouse at Clark Park along the north branch of the Chicago River. Designed and built by SGA, the state-of-the-art facility opened to the public on October 19, 2013. It is located at 3400 North Rockwell Avenue on the northwest side of the City of Chicago.

The Clark Park facility is one of four boathouses proposed by Chicago Mayor Rahm Emanuel as cornerstones of his riverfront revitalisation plan, anchoring the river’s future development. Emanuel’s initiative was spurred by the provision of nearly $1 million in grant funds by the United States Environmental Protection Agency to help clean up the river and drive job creation. Studio Gang was commissioned to realise two of the four boathouses, with the second facility to be located along the south branch of the Chicago River at 28th and Eleanor Streets. It is scheduled for completion in 2015.

The WMS Boathouse at Clark Park is currently home to the Chicago Rowing Foundation (CRF). In partnership with the Chicago Park District, the CRF offers a wide range of indoor and outdoor activities year-round, including learn-to-row sessions both in tanks and on the river, youth and masters team rowing, ergometer training, rowing-inspired yoga classes, and lessons tailored to individuals with disabilities.

As the City of Chicago works to transform the long-polluted and neglected Chicago River into its next recreational frontier, Studio Gang’s boathouse at Clark Park helps catalyse necessary momentum. “The architecture is meant to visually capture the poetic rhythm and motion of rowing,” said Jeanne Gang, Founder and Principal of Studio Gang Architects. “But by providing a publicly accessible riverfront, it also reveals the larger movement toward an ecological and recreational revival of the Chicago River.”

The boathouse’s design translates the time-lapse motion of rowing into an architectural roof form, providing visual interest while also offering spatial and environmental advantages that allow the boathouse to adapt to Chicago’s distinctive seasonal changes. With structural truss shapes alternating between an inverted “V” and an “M”, the roof achieves a rhythmic modulation that lets in southern light through the building’s upper clerestory. The clerestory glazing warms the floor slab of the structure in winter and ventilates in summer to minimise energy use throughout the year.

The 22,620-square-foot complex consists of a two-story mechanically heated and cooled training centre, one-story boat storage facility, and a floating launch dock. The main building houses row tanks, ergometer machines, communal space, and an office for the Chicago Park District. Boat storage accommodates kayak and canoe vendors and includes office space, as well as clear span storage for rowing shells and support equipment.

The total building cost is $8.8 million, with $3.2 million in private funding—including $2 million from WMS, $1 million from North Park University, and $200,000 from the Chicago Rowing Foundation—and $1 million matched by Alderman Ameya Pawar (47th ward) with TIF funds.

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An angular steel canopy covered in plants wraps around this refurbished youth and community centre in the Sydney suburb of Waterloo by Australian architects Collins and Turner (+ slideshow).

Collins and Turner extended an amenities block for urban housing and health association Weave by adding a central courtyard and landscaped roof garden, which overlooks the skate park at Waterloo Oval.

The angular frame comprises structural poles and mesh made from galvanised steel, designed to support foliage.

“As the plants mature and grow across the canopy, the building will gradually merge with its park setting, becoming an abstract and sculptural green land-form that punctuates the park boundary and visually merges with the adjacent tree canopies,” said the architects.

The tubular metal structure hides a landscaped roof garden on top of the community centre building.

The garden looks down to a rectangular courtyard on the floor below, paved with timber from reclaimed city power poles. This allows daylight and ventilation to permeate through the building, which was designed specifically for low environmental impact.

“Internally, comfort conditions are passively controlled using natural cross ventilation, exposed thermal mass, and a building envelope shaded by the canopy structure and climbing plants,” said the architects.

Glass doors surrounding the courtyard open into the interior open-plan workspace, designed for 14 staff members. The space is subdivided to accommodate amenities such as two counselling rooms, a manager’s office and a kitchenette.

Retained brick walls from the previous structure are white-washed, and new concrete soffits and structural columns have been added.

On the exterior, the plant-covered protruding triangular sections provide a backdrop for the skate park.

Here’s a project description from Collins and Turner:

Waterloo Youth Family and Community Centre

The building has been transformed into a welcoming counselling facility and communal workspace for Weave.

The refurbished building has additionally become an extension of its landscape setting, combining architecture and horticulture in a unique way to create a new sculptural form that enlivens the southern area of the Waterloo Oval site.

Where possible, elements of the existing amenities block structure have been retained and re-used in the new plan, now focussed around a new central courtyard and crowned by a planted roof structure.

The landscaped roof garden is veiled by a dramatic steel canopy structure that has been designed to support a variety of native climbing and fruiting plants. The canopy is star shaped in plan – the points of the star mark the entry and newly constructed bay window areas in the four corners of the building.

The building is also partially submerged in its setting, as a result of subtle adjustments in the adjacent landscape levels, reducing its apparent size.

As the plants mature and grow across the canopy, the building will gradually merge with its park setting, becoming an abstract and sculptural green land-form that punctuates the park boundary and visually merges with the adjacent tree canopies.

Inspiration

The building design takes inspiration from a number of diverse sources. amongst them, the grass covered iron-age forts of Celtic Wales; the aviary at London Zoo designed by Cedric Price; and the work of John Krubsack an american naturalist who experimented with growing and grafting plants into shapes, creating the first chair that was grown rather than made.

The buildings unusual angular form evokes both the folded planes of Origami, and the triangulated surfaces of invisible stealth planes and boats.

Planning

The interior is arranged in a pin-wheel plan around the central courtyard, and includes a largely open and flexible plan with workspaces for 14 staff.

A reception area, two counselling rooms, a chill out room, managers office, kitchenette, and a small facility for a visiting general practitioner complete the program. Integrated joinery elements and staff amenities subdivide the space and functions.

Materials

Robust galvanised steel is utilised throughout the exterior form in structural sections, grillages, and meshes – such elements and finishes are familiar in the urban landscape of the inner city, seen regularly as railings, crash barriers, shutters and gratings.

Internally, materials are paired back and simply detailed. The retained existing brick walls are white- washed, and contrasted against off form concrete expressed in soffits and new structural columns, and solid timber in floors and handcrafted joinery. Additional colour is provided by furnishings, and the variety of rooftop and courtyard plants which are visible from the majority of spaces.

The resulting interior is clean-lined, light filled and neutral, and will form a simple but functional backdrop to the colour provided by the art and day to day activities of the young people who work-in and visit the Weave facility.

Environment

The building is designed to be robust, low maintenance and long lasting, and will have a low environmental impact, due to minimal use of natural resources and passive means of comfort conditioning. The building is a refurbishment of an existing facility, and has been planned to maintain where possible the existing wall and slab structures.

Internally, comfort conditions are passively controlled using natural cross ventilation, exposed thermal mass, and a building envelope shaded by the canopy structure and climbing plants. The new courtyard brings daylight and fresh air into the depths of the building, minimising reliance on artificial lighting and negating the need for air conditioning. Exposed thermal mass in the concrete super structure enables free cooling. Ceiling fans amplify air movement on still days.

The building also incorporates recycled materials including a wooden block courtyard floor utilising timber from reclaimed city power poles; concrete and pavers that utilise a high percentage of recycled material and fly ash for cement and aggregate replacement; and reclaimed roofing slate crushed as mulch for planting beds. LED lighting is used extensively in the building.

Rainwater is drawn from roof and paved areas and collected in an underground tank adjacent to the structure for use in the irrigation of the plants. The steel canopy structure has been designed as an interlocking but self-supported element, allowing the future demounting and relocation of the structure.

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Bands of light shine through the perforated metal facade of this sports hall by French studio Ateliers O-S Architectes in north-west Paris (+ slideshow).

Located beside a railway embankment in Asnières-sur-Seine, the Gymnase Curie provides a flexible games hall for a nearby school and was designed by Ateliers O-S Architectes to be “visually homogeneous” to its surroundings.

The facade is glazed at street level to reveal the building’s activities to pedestrians walking by, while the remaining sections of the walls are uniformly clad with the perforated metal panels.

Fluorescent tubes are arranged vertically behind the panels to create the illuminated stripes, allowing the building to glow after dark.

“Emerging from the railway embankment as a rock with straight edges, the gymnasium manifests itself through its massive aspect, leaning over an illuminated rift that shows the interior activities,” explained the architects.

Behind the facade, the building has a timber roof structure that is exposed across the ceiling of the hall.

Clerestory windows bring daylight in from the east, reducing the need for artificial lighting.

Changing rooms, storage areas and bathrooms wrap the south and east sides of the building, while a small public square frames the main entrance.

Photography is by Cecile Septet.

Here’s more information from Ateliers O-S Architectes:

Gymnse Scolaire Zac Bords de Seine

The site is characterised by three special features that led our intentions:
» Its dimension: a narrow piece of land, 30m width and 250m long, along a railway embankment
» Its orientation: the site opens to the south on the river La Seine
» A breach generated by the western entrance of the new district under the embankment

The urban challenge was to develop a coherent project on the site scale that uses these features. The breach becomes a unifying square, a strong link between the gymnasium and the outdoor playgrounds. The length of the site is organised by a sequence of wooden planted wall.

Emerging from the railway embankment as a rock with straight edges, the gymnasium manifests itself through its massive aspect leaning over an illuminated rift that shows the interior activities.

The sports hall, that we wanted visually homogeneous, is located along the street, creating a strong visual link between the city and the gymnasium. Around are organised the changing rooms, the facilities and other additional rooms.

An opening on the roof brings diffuse light, completing the light coming from the wide windows on the facades.

The street facades are composed by two levels: a glassed low level that brings life to the street at pedestrian scale, and a high massive level composed of metallic punched panels that highlight the building with vertical lights.

The structure is made of a wooden framework leaning over a concrete basement along the railway. The high laminated timber beams appears on the roof, giving rhythm and depth. This project is a simple answer to sustainable development concerns and to a particular urban context.

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News: wellness entrepreneur Nell Waters is attempting to raise £146,000 on crowdfunding website Kickstarter to build a prototypal ecological urban bathhouse from shipping containers in San Francisco.

Waters wants to create an “urban bathhouse for healthy hedonists” that could pop up on any available lot in the city and operate autonomously from the municipal power and water supplies.

The design of the SOAK spa was developed by San Francisco design studio Rebar, and consists of stacked containers arranged around a courtyard that house changing rooms, toilets, a lounge, a sauna, hot tubs and a roof deck.

“This container-spa joins the wave of tactical urbanism currently happening in San Francisco and other cargotecture projects that have created a local zeitgeist around the recognisably corrugated exterior,” said the project team in a statement. “No city is better positioned to launch this first iteration of the mobile, pop-up spa.”

A small garden next to the entrance would lead to an internal courtyard housing the reception, enclosed showers and two cold plunge buckets. Stairs would provide access to the roof lounge and an additional hot tub.

Rainwater would provide half of the spa’s water, while greywater would be filtered through plants and particle filers and used to irrigate a garden on the rear patio. All of the water used would be heated by solar hot water heaters and photovoltaic panels on the roof.

“The challenge that we set out in developing this proof of concept prototype is to use absolutely the least amount of water possible, use the least amount of energy possible – we try to catch as much as we can from the sky,” explained Blaine Merker from Rebar in a video on the project’s Kickstarter page.

The project team has engaged engineers to analyse the spa’s energy performance and, if it achieves its funding target by 1 January 2014, will work on refining the structural criteria of the containers and assessing water usage with the aim of realising a two-container prototype sometime in 2014.

More details from the project’s co-ordinators follows:

Soak – an urban bathhouse for healthy hedonists

Designed to be modular and self-contained, the urban bathhouse called SOAK identifies with a changing urban landscape and literally pops-up where there is interim use for creative activity, simultaneously taking advantage of lower real estate costs and incubating activity in up-and-coming neighbourhoods. With its unique anti-spa ethos, SOAK creates an experiential bridge between the ancient practice of ritual ablutions and a modern approach to wellness that makes “soaking” a social practice.

SOAK provides a dynamic space for personal wellness, connected experiences, and healthy hedonist gatherings. Built from repurposed shipping containers, the structure of SOAK helps reframe an answer to the question: what is wellness? In part, SOAK’s aim is to change the way we think about water-intensive day spas, instead substituting a creatively designed ecological bathhouse for a modern, urban environment. This container-spa joins the wave of tactical urbanism currently happening in San Francisco and other cargotecture projects that have created a local zeitgeist around the recognisably corrugated exterior. No city is better positioned to launch this first iteration of the mobile, pop-up spa.

Inspired by saunas in Amsterdam, Japanese bathing culture, and San Francisco’s former Sutro Baths, SOAK’s founder, Nell Waters, consulted designers about building a truly ecological urban bathhouse. Was there a way to scale back the opulent use of natural resources? Could they redefine the meaning of wellness through the materials used? Could social interaction replace meditative silence? At SOAK, sustainability, sociability, and healthy hedonism are the guiding principles.

Its structure demonstrates its flexibility. Two shipping containers surround an interior courtyard, one housing the changing facilities, lounge and restrooms, the other housing the hot tubs, a roof deck and sauna. The bathhouse seamlessly transitions between interior space and garden, inviting visitors to soak in the heat, cool off under a cold plunge bucket in the garden, rest among the plants, and lounge with a view of the city on the roof deck. Greywater from hot tubs, sinks and showers is collected and filtered through surge tanks, purifying plants and particle filters. Filtered water is then used to irrigate the siteʼs permanent garden.

Take the urban bathhouse concept to its extreme, and you get SOAK: a pop-up spa inside of shipping containers. Mobile, autonomous, and sleek. One step further and you get something more. An urban bathhouse for healthy hedonists. SOAK hired the San Francisco based Rebar Design Studio and principal Blaine Merker to design the urban bathhouse because of their smart creative process, and award winning reputation.

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