Kitchenware by Ole Jensen for Room Copenhagen

Product news: a collection of kitchenware by Danish designer Ole Jensen is now in production with design brand Room Copenhagen.

Kitchen collection by Ole Jensen for Room Copenhagen

Jensen‘s collection for Room Copenhagen includes a family of products for storage, cooking and serving that includes containers, bowls, cups, jugs and plates.

Kitchen collection by Ole Jensen for Room Copenhagen

The plastic and wooden kitchenware is characterised by rounded shapes in bright yellow and muted tones.

Kitchen collection by Ole Jensen for Room Copenhagen

The series includes classic Ole Jensen designs such a tilting colander he designed in 1995, which works as a combined sieve and serving dish.

Kitchen collection by Ole Jensen for Room Copenhagen

A range of curved storage containers with grey lids also features.

Kitchen collection by Ole Jensen for Room Copenhagen

The products will be available in stores across Europe this autumn and in the USA by early 2014.

Kitchen collection by Ole Jensen for Room Copenhagen

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Lulu lamp by Jean-Sébastien Lagrange

lulu light by Jean-Sébastien Lagrange

Product news: industrial designer Jean-Sébastien Lagrange has created this lamp from interlocking sections of Tyvek.

lulu light by Jean-Sébastien Lagrange

Lagrange‘s lampshade is made of repeated strips of Tyvek, a synthetic paper-like material.

lulu light by Jean-Sébastien Lagrange

The lamp’s structure is entirely made by folding sections of the material. These are fastened together with two colourful rings – a small one at the top and a larger one around the base.

lulu light by Jean-Sébastien Lagrange

Made from repeated lightweight pieces, the lamp can be shipped flat and assembled by anyone.

lulu light by Jean-Sébastien Lagrange

Jean-Sébastien Lagrange has also designed a poster that doubles as a lamp.

Other Tyvek products that have featured on Dezeen include a concertinaed structure for an exhibition about performance art and  vases made from a thin curl of the material.

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Photography by Véronique Pécheux.

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Landscape daybed by Outofstock

Product news: this daybed by design studio Outofstock is shaped to reference landscape elements (+ slideshow).

landscape daybed by Outofstock

Outofstock‘s Landscape daybed has a backrest designed to look like a mountain peak, which joins to a flat cushioned surface. This cushion includes three pleated pockets that resemble waves breaking on a beach.

landscape daybed by Outofstock

“Landscape is a daybed inspired by land topography elements,” said the designers. “Its form and pleated details is derived from our observational study of various sitting and lounging postures.”

landscape daybed by Outofstock

With legs outstretched or tucked up, users can chose which pocket to warm their feet in.

landscape daybed by Outofstock

The daybed is produced by Danish brand Bolia and it comes in three different colours with matching bolster cushions.

landscape daybed by Outofstock

Our most recent stories about seating include a padded sofa designed to look like risen bread and a wooden bench that turns into a see-saw.

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Swing Bar by Duffy London

Product news: furniture brand Duffy London has surrounded this bar with swinging seats instead of stools.

Swing Bar by Duffy London

Duffy London suspended 24 chairs around all four sides of the rectangular Swing Bar.

Swing Bar by Duffy London

Hung on thin wires from a freestanding frame, the chairs appear to float in midair.

Swing Bar by Duffy London

The steel bar is powder coated in white, black or combinations of the two, plus other options on request.

Swing Bar by Duffy London

Duffy London previously used the same concept for a boardroom meeting table and we’ve also published a swinging sofa.

Other bar designs that have featured on Dezeen include one set among ribbed timber framework and another made of 420 IKEA storage boxes.

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Balance table by Raw Color for Arco

Product news: graphic design studio Raw Color has collaborated with Dutch furniture company Arco to reissue Arnold Merckx’s Balance table (+ movie).

The Balance can be supplied both as a fixed and an extendable table.

Originally designed by Merckx for Arco in 1988, the Balance table celebrates its 25th birthday this year.

The Balance can be supplied both as a fixed and an extendable table.

Raw Color’s Balance 25 set of tables maintains features including the concrete trumpet foot, a simple extension system and round table tops.

The Balance can be supplied both as a fixed and an extendable table.

The range comes in new colours, natural, grey, rosa and green, with fixed or extendable surfaces.

The Balance can be supplied both as a fixed and an extendable table.

Other table designs include the A-Joint Table produced by Very Good & Proper and a glass table whose legs are formed by a single steel pipe.

The Balance can be supplied both as a fixed and an extendable table.

See more products by Arco »
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Mini Jambox by Jawbone

Product news: industrial designer Yves Behar has added a pocket-sized version to Jawbone‘s range of Jambox wireless speakers (+ slideshow).

Mini Jambox by Jawbone

San Francisco electronics brand Jawbone released the Mini Jambox as the smallest in its range of speakers, which can wirelessly connect with phones, laptops and other bluetooth devices to play music.

Mini Jambox by Jawbone

Jawbone’s creative director Yves Behar told Dezeen that the latest speaker was developed to make listening to music on the go a more communal activity.

Mini Jambox by Jawbone

“People’s experience of music is pretty selfish and very much focused on earphones,” said Behar. “I think now we expect speakers to be used everywhere, from underground to office settings.”

Mini Jambox by Jawbone

The speakers are made from extruded aluminium, reinventing the manufacturing process from the original Jambox to reduce the number of parts and assembly steps.

Mini Jambox by Jawbone

“You really have to develop some manufacturing techniques that are very, very advanced in order to make a product that is affordable,” Behar said.

Mini Jambox by Jawbone

A CNC machine was used to create five textured patterns on the front of the speaker and users can chose between nine different metallic colours.

Mini Jambox by Jawbone

The speaker is managed through an app, where Mini Jamboxes in range appear as icons in their colour and texture. Many users can connect to one Mini Jambox at a time, so everyone can contribute to the music they’re listening to.

Mini Jambox by Jawbone

“We play the game ‘who’s music is this?’,” said Behar. “Essentially [the Mini Jambox] becomes something that allows people to jump in and play their own music.”

Mini Jambox by Jawbone

In Milan two year ago, tracks submitted by Dezeen readers were played through an installation of Jamboxes called Jamscape. Earlier this year Jawbone released the UP activity-tracking wristband, which monitors how you move, sleep and eat.

We’ve also featured a gadget that plays music wirelessly through vintage speakers and a wireless speaker that you wear over your sneakers.

See more design by Yves Behar »
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See more products by Jawbone »

Here is some additional information sent to us by Behar:


The Making of the Mini Jambox

The Mini Jambox is the latest entry in the category-leading family of Jawbone speakers. The original Jambox design ushered in the era of the wireless speaker with critical and commercial success. When we first explored what the Mini Jambox could be we dreamed of a very small and pocketable size, of an experience so simple and yet game changing, and of materials and processes so refined they had previously only been used in top-end audio products. Jawbone design goals are to seamlessly integrate technology and everyday life. Mini Jambox is built on the foundation that life is constantly moving; with Mini Jambox you can pick up and bring your sound environment with you. We call it pocketable sound.

Mini Jambox by Jawbone

The design explorations for Mini Jambox started with a blank sheet and the idea to completely re-invent the wireless speaker, as we knew it. “It’s a strange moment when everyone loves your last product, and yet you realise the next one will have to be conceived and re-invented as if we were designing it for the first time,” says Yves Behar, CCO of Jawbone.

The user-centred insight and starting point for Mini is that people love the small Jambox size, and yet they want to take the product with them without hesitation about size or weight, from a jacket pocket to a small handbag. Delivering clear, high quality sound in a small space requires a very rigid enclosure with inherent structural integrity. To fulfil this need we explored many roads. Eventually aluminium extrusions combined with a very advanced and patented assembly method became the clear winner. This new approach enabled us to achieve the most efficient use of space, as outer skin and structural skeleton are one and the same. Form and function are truly intersected, as the overall size is the smallest, yet the rigid acoustic cavity affords maximum volume for the sound chamber. The extrusion and material also confers Mini with the strength and robustness needed in a physical object made for portability.

Mini Jambox by Jawbone

“In order to innovate, we have to take a process and push it somewhere entirely new,” says Yves. The demanding pursuit of refining the aluminium extrusion into an entirely new construction and aesthetic took twelve months, flexing what might be possible with a mechanical engineering assembly that requires fewer parts and assembly steps, stewarding major leaps in production capabilities at scale. “The result is that the Mini exterior skin is also the internal skeleton, in one fluid gesture; we are not just wrapping internal components with a sexy package, the package is the sound chamber.”

The Jawbone design language has always pursued minimal construction and geometry, made personal through the integral use of relief textures that are both personal and tactile. On Mini, we are pushing the boundary of rough and fast CNC, typically used to machine mechanical internal details. We flip the use of this usually hidden process, employing it externally to reveal beautiful capabilities for textures. We used large CNC cutting bits programmed to sculpt a few marks in the aluminium at high speed; the resulting intersections create new unexpected patterns. The beautiful reliefs, enhanced by reflecting light on Mini, are the result of a craft methodology developed with small machine shop partners, requiring a deep collaboration between designers, machinists, and engineers.

Mini Jambox by Jawbone

The CNC process innovation has transformed what’s both possible and efficient in using aluminium. We turned CNC, an industrial process, into a brush we can paint with. Mini Jambox speakers’ highly specialised perforations and unique framework channel sound for clear, elegantly routed sound. Functionally driven design that is also expressive.

The five textures and nine anodised colours allow people to make Mini into their own personality. The textures also provide a tactile grip, and each of them is carefully matched to an anodised colour that shows aluminium relief best.

From the design to the user interface and packaging, we believe Mini Jambox is our crown jewel of Jawbone design and craft. “Every element goes back to the purest expression of simplicity, performance, and elegance,” says Yves. Mini combines beautiful design and experience at the most minimal size. Providing unparalleled and uncompromised listening in a breakthrough highly portable mini package, Mini Jambox blasts rich sounds at high volume. The integrity of the Mini materials and craft enhances our music experience in ways we could only have dreamed off.

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Wine bottle by Zaha Hadid for Leo Hillinger

Wine bottle by Zaha Hadid for Leo Hillinger

Product news: London architect Zaha Hadid has designed a curvaceous wine bottle for Austrian winemaker Leo Hillinger.

Zaha Hadid created the limited-edition design for Leo Hillinger‘s Icon Hill 2009 vintage red wine, of which 999 bottles were made.

One side has a concave indentation with the same curve as the back of the bottle so a row of them can interlock. A dimple in the base allows sediment to gather and provides a thumb hold for pouring.

Wine bottle by Zaha Hadid for Leo Hillinger

“The elongated volume of the bottle has been derived from the profile of liquid droplets,” said Hadid. “A continuous spatial curve was then projected onto the bottle’s surface, defining areas for the concave indentation and suggesting the waves created when droplets break a liquid’s surface.”

The shape was created using NURB-based software, then the glassware was formed in cast-iron moulds.

It comes in a box with the form of the bottle cut from striations, a common feature of Hadid’s designs. See our feature on striations in architecture and design here.

Wine bottle by Zaha Hadid for Leo Hillinger

Other designs for alcohol we’ve featured include packaging for coffee-flavoured beer designed by Nendo and a set of seven wine glasses inspired by the seven deadly sins.

See more architecture and design by Zaha Hadid »
See more design for drinking »


Icon Hill is an exceptional red wine cuvee of 2009 vintage, produced by the renowned Austrian winemaker Leo Hillinger in a limited edition of 999 bottles that have been designed by Zaha Hadid Architects to reflect the wine’s bold and distinctive character.

The elongated volume of the bottle has been derived from the profile of liquid droplets. A continuous spatial curve was then projected onto the bottle’s surface, defining areas for the concave indentation and suggesting the waves created when droplets break a liquid’s surface.

The concave indentation and the bottle’s surface have the same curvature, enabling a set of bottles to interlock and be perceived as singular whole. A smaller indent and volume has been created at the base of the bottle for correct handling and to accommodate any tartrates.

To achieve the precision and accuracy required for production, the shape of the bottle was created using NURB-based CAD software. The bottle manufacturer directly implemented this 3D master geometry to produce the cast iron moulds for the glass forming process.

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A-Joint Table by Henry Wilson for Very Good & Proper

Product news: British furniture brand Very Good & Proper has started producing this table by Australian designer Henry Wilson, which incorporates his trademark A-Joint.

A-Joint Table by Very Good and Proper

Henry Wilson designed the A-Joint as a system for joining various standard cuts of timber.

A-Joint Table by Very Good and Proper

The joint consists of a metal body and wedge that fix pairs of legs in an A shape. Horizontal braces beneath the table surface are then screwed into the top of the metal piece, locking all the elements together.

A-Joint Table by Very Good and Proper

Very Good & Proper is now producing the A-Joint Table in the UK. It is available in lengths from 1.5 to three metres in oak, ash or sapele wood, plus others on request.

A-Joint Table by Very Good and Proper

Earlier this week we featured a chair that Very Good & Proper designed for a Shoreditch restaurant, which they recently put into production.

Other recent table designs on Dezeen include a ping-pong table that has been pared down to look like a domestic table and a table designed on a surfboard.

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Font Alphabet Puzzle by Looodus

Product news: Milan company Looodus has designed a toy that allows children to learn about typography and the alphabet at the same time.

Font Alphabet Puzzle by Looodus

Looodus laser cut each of the 26 letters in the alphabet in the shape of a typeface that begins with that letter, so T is represented by Times New Roman and P is written in Playbill.

Font Alphabet Puzzle by Looodus

The letters slot into a wooden board with the names of the fonts inscribed under each.

Font Alphabet Puzzle by Looodus

Fonts were carefully selected for their shapes and sizes, and come in shades of green, blue or red.

Font Alphabet Puzzle by Looodus

The designers originally created the Font Alphabet Puzzle for their young daughter. “There are opportunities which arise every day to be creative and make quick fun toys for her, using the most rudimentary materials and sometimes these mini prototypes can become more refined products,” said Looodus co-founder Kurt Stapelfeldt.

Font Alphabet Puzzle by Looodus

Looodus was founded in Milan this year by Stapelfeldt and photographer Denise Bonenti.

Font Alphabet Puzzle by Looodus

Other toy designs that have featured on Dezeen include dolls’ houses designed by 20 architects and designers including Zaha Hadid and David Adjaye and a tricycle crafted from bambooSee more toy designs »

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Scrapwood Wallpaper 2 by Piet Hein Eek for NLXL

Product news: Dutch designer Piet Hein Eek has produced a wallpaper collection that mimics weathered wood textures.

Scrapwood Wallpaper 2 by Piet Hein Eek

Piet Hein Eek‘s second collaboration with Dutch wallpaper company NLXL comprises eight designs.

Scrapwood Wallpaper 2 by Piet Hein Eek

His original Scrapwood collection was launched with the brand in 2010. This new range expands on the previous designs based on “waste furniture” to include patterns of realistic wood cross sections, beams and planks.

Scrapwood Wallpaper 2 by Piet Hein Eek

The wall coverings have a matte finish to make them look more convincing. “We chose a new, super luxurious matte finish so the wallpaper looks even more realistic than before,” said the designer.

Scrapwood Wallpaper 2 by Piet Hein Eek

First shown at trade show ICFF in New York earlier this year, the collection will be on display during Dutch Design Week 2013 in Eindhoven, the Netherlands, later this month.

Scrapwood Wallpaper 2 by Piet Hein Eek

We’ve also featured wallpaper that reveals images of leafy forests and palatial interiors under different coloured lights, plus a jagged wall decorated with patterned graphics.

See more design by Piet Hein Eek »
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