Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

Dutch designers including Piet Hein Eek and Roderick Vos are brought together with workshops for makers with disabilities in a new initiative called Social Label (+ slideshow).

Piet Hein Eek and Roderick Vos collaborate with<br /> disadvantaged makers for Social Label initiative

The Social Label scheme was created by designers Petra Janssen of Studio Boot and Simone Kramer of C-mone, plus Geert van Kempen of healthcare organisation Amarant.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

The initiative links up with existing workshops that provide activities and jobs to makers with mental disabilities, psychiatric problems or addictions, and enables them to produce and sell pieces by well-known designers.

“By making, presenting and selling these meaningful products we create new possibilities for those who have difficulties to participate in society and in the labour market,” Janssen told Dezeen. “That’s what we call socio-economics.”

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

The first collection, called Hoot, was created in a collaboration with Piet Hein Eek and Woodworks, a woodworking shop in Tilburg Noord that teaches people with disabilities how to make furniture.

The result is a range of furniture made from chunky sections of scrap wood, painted in four shades of grey that were selected by Eek. The pieces include a dining table and bench, a cabinet with sliding doors, a console and a lectern.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

“The idea is that it is not only occupational therapy but hopefully a structured way to raise funds with the products that I created, but only for a good cause,” said Piet Hein Eek.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative
Autistic artist Oswin with some of the pots he has shaped

The second product line is a vase, pairing Roderick Vos with Artenzo, a centre for visual arts that works with people who have mental disabilities. The collaboration produces hand-made earthenware pots turned in a variety of shapes by Oswin, an autistic artist.

Each is topped with an identical plastic crown designed by Vos, so although every pot is unique the circumference of the top needs to be the same.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

The aim of the Social Label project is to connect healthcare providers, social enterprises and local businesses to create solutions that bring communities closer together. It is also bringing paid work to groups who traditionally found entering the workforce difficult.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

The benefits of the project work for the designer too, as the team explained. “The designer enlarges his or her portfolio with a special cooperation, moving a value-based approach centre stage to address human dignity, slow design, attention and time.”

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative

Designs by painter Marc Mulders, product designer Dick van Hoff and visual artist Sigrid Calon are also in the pipeline, and Janssen expects there will be three new collaborations each year.

Photography is by Rene van der Hulst

Here’s some information about Social Label:


Social Label

Why ‘Social Label’?

To discover and develop the individual qualities are important policy themes for the government and institutes in health. Art and culture are able to contribute. Creating something of special value, creating products that matter, products that are valued for their functional and aesthetic value is important to all of us, especially to people with a distance to the labour market. That’s what we call: ‘Socio economics’.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative
Members of the Piet Hein Eek and Woodworks workshop group

Our world is changing rapidly. In our own environment, lets say The Netherlands, you can’t miss the signals given by the government. Budget cuts, decentralisation to local or regional government, accompanied by decreased budgets. Of course: people are not waiting for something to happen. The Dutch initiate new opportunities. One of them is really new and can be found in Brabant: Social Label.

Piet Hein Eek and Roderick Vos collaborate with<br /> disadvantaged makers for Social Label initiative
Members of the woodwork group with furniture they’ve created

What is ‘Social Label’?

Social Label is a new concept for work and daily activities for people with a ‘distance to the labour market’. Art and care are combined in this initiative in order to create new product lines. In each of the lines the social welfare workers will have an exclusive bond with a renowned designer. These products will be produced, presented and sold by workers in different social workforce centres.

Piet Hein Eek and Roderick Vos collaborate with disadvantaged makers for Social Label initiative
Makers of the Roderick Vos and Artenzo earthenware pots

The designer enlarges his or her portfolio with a very special cooperation, moving a value based approach centre stage addressing human dignity, slow design, attention and time. Social Label is an initiative of Amarant Group, Studio Boot and C-mone (Articipate!). They explicitly invite others to contribute and cooperate in order to bridge the gap of some of us to the labour market.

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Piet Hein Eek uses offcuts from his scrap wood furniture to make Waste Waste 40×40

Dutch designer Piet Hein Eek has created a collection of furniture made by meticulously gluing together tiny squares of wood, which are cut from the waste material of his famous scrap wood furniture.

Waste Waste 40 40 by Piet Hein Eek

Piet Hein Eek made his name in the 1990s for his Waste furniture assembled by stacking up pieces of scrap material that would otherwise be discarded, and the new Waste Waste 40×40 collection takes the process a step further.

“It’s made of the leftovers from the leftovers,” he told Dezeen when we visited his studio and workshop complex in a former Eindhoven ceramics factory during Dutch Design Week.

Small pieces of timber that can’t be used in the Waste series are cut down into identical squares of 40 by 40 millimetres. These are then glued together to cover the surface of chairs, tables and benches.

Waste Waste 40 40 by Piet Hein Eek

“We all of a sudden have a size which determines the design,” explained the designer. “Everything is determined by this 40 by 40 size, so the thickness of the surface is either 40 or 80 and the leg can be either 40, 80 or 120 in width.”

Waste Waste 40 40 by Piet Hein Eek

“A round table can’t be round any more and it ends up looking a lot like pixels,” he added. The pieces are made from a mixture of timbers and retain traces of different lacquers and paints on the surface, meaning no two pieces are ever identical. Each object will be numbered consecutively.

Piet Hein Eek began making the Waste furniture as a result of his frustration at having to throw away material because it was too expensive to use it for anything – not because the material itself was worthless but because the cost of labour should make the extra effort required to work with differently shaped and sized scraps of material uneconomical.

Waste Waste 40 40 by Piet Hein Eek

He decided to use the material anyway, pretending for a moment that labour was free and materials were worth their weight in gold, and found to his surprise that the products were commercially viable because customers were willing to pay for the extra effort involved.

Waste Waste 40 40 by Piet Hein Eek

“As opposed to almost any other product, the waste products are made with the patience of a saint, quite a feat considering this is an age in which time is a rare commodity for pretty much everyone,” he reflected.

Waste Waste 40 40 by Piet Hein Eek

The original Waste series is made by gluing up scraps of wood in layers, carefully aligning all the irregular pieces and trimming them individually to fit where needed.

Waste Waste 40 40 by Piet Hein Eek

This process leaves behind waste material in smaller quantities and even more awkward shapes that are more difficult to use, though, so Piet Hein Eek reduced the labour required to convert them into the new collection by imposing the fixed shape and size of the squares and using them only as a skin rather than stacking them up to make a structure.

Waste Waste 40 40 by Piet Hein Eek

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Scrapwood Wallpaper 2 by Piet Hein Eek for NLXL

Product news: Dutch designer Piet Hein Eek has produced a wallpaper collection that mimics weathered wood textures.

Scrapwood Wallpaper 2 by Piet Hein Eek

Piet Hein Eek‘s second collaboration with Dutch wallpaper company NLXL comprises eight designs.

Scrapwood Wallpaper 2 by Piet Hein Eek

His original Scrapwood collection was launched with the brand in 2010. This new range expands on the previous designs based on “waste furniture” to include patterns of realistic wood cross sections, beams and planks.

Scrapwood Wallpaper 2 by Piet Hein Eek

The wall coverings have a matte finish to make them look more convincing. “We chose a new, super luxurious matte finish so the wallpaper looks even more realistic than before,” said the designer.

Scrapwood Wallpaper 2 by Piet Hein Eek

First shown at trade show ICFF in New York earlier this year, the collection will be on display during Dutch Design Week 2013 in Eindhoven, the Netherlands, later this month.

Scrapwood Wallpaper 2 by Piet Hein Eek

We’ve also featured wallpaper that reveals images of leafy forests and palatial interiors under different coloured lights, plus a jagged wall decorated with patterned graphics.

See more design by Piet Hein Eek »
See more wallpaper design »

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