Luno by Martin Jakobsen

A ball of cork provides the stopper for this glass container by Czech designer Martin Jakobsen.

Luno by Martin Jakobsen

The Luno container has a shape similar to the small playing pieces in the board game Ludo, Martin Jakobsen told Dezeen.

Luno by Martin Jakobsen

Natural materials like glass, wood and marble appear throughout Jakobsen’s work. “In this case, cork was definitely what I needed. It is a sufficiently soft material and very good combination together with glass,” he said.

Luno by Martin Jakobsen

The Luno container is now available from Czech design portal Maxi Design.

Jakobsen founded his own studio in 2010 and began designing products for Danish design brand Mojoo in 2011.

We’ve previously featured a set of coloured glass jars with cork lids as well as some more unusual uses of cork, including a torch with a cork body and a cork light fitting that let users pin on their own paper shades.

See all our stories about cork »
See all our stories about homeware »

Photographs are by Eliska Kyselkova.

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Winkel w127 by Dirk Winkel for Wästberg

Berlin-based product designer Dirk Winkel created this slim black desk lamp to show that plastic can be as solid and tactile as metal or wood.

Winkel w127 by Dirk Winkel for Wästberg

“One of the greatest things I was missing in typical designs made of plastic was a significant impression of substance, of materiality,” said Dirk Winkel. “Therefore the next step could only be a design that celebrated the actual material as it is, straightforward, solid and honest.”

Created for Swedish lighting brand Wästberg, the Winkel w127 is made from a fibreglass-reinforced bioplastic containing 60% castor oil from the castor plant, making it recyclable and more environmentally sound than crude oil-based plastics.

Winkel w127 by Dirk Winkel for Wästberg

The lamp also has a multichip LED, which distributes light more evenly than separate LEDs, and comes with either a flat base or a clamp base.

It was launched at Orgatec in Cologne last month, where Danish studio KiBiSi showed an adjustable desk that’s a cross between a car jack and an ironing board, and Dutch architects UNStudio launched clusters of triangular tessellating sofas. See all our stories about products launched at Orgatec.

Other lamps designed for Wästberg include architect David Chipperfield’s brass and rubber task light and designer Inga Sempé’s bowl-shaped LED pendant lamps.

See all our stories about lamps »
See all our stories about lighting »
See all our stories about Wästberg »

Here’s some more information from the designer:


Designer’s statement

When I started thinking about the design, I had the desire to challenge the perception and the common preconceptions of a material that is normally known to people just as ‘plastics’. I knew that I would like to go further than what’s the norm not only in terms of function and the look, but about the feel and tactility of the material as well. Soon it was clear that one of the greatest things I was missing in typical designs made of plastic was a significant impression of substance, of materiality. Therefore, the next step could only be a design that celebrated the actual material as it is, straightforward, solid and honest, with a concept of hiding nothing, but showing its innermost values to the outside. No second skin, no paint coat, the true, bold material in its pure form.

Technically, there was an equal desire to go for a high performance material that delivers the mechanical strength and rigidity for this product to last a long life while offering the possibility of doing large, solid cross-sections which are normally next to impossible in our chosen process of injection molding. The material that was finally fulfilling all these needs in an excellent way is a new development, giving us the desired tactility, the needed technical characteristics and the freedom of design.

Last but not least, making products out of plastic also involves being conscious of the responsibility for our environment. And the chosen material does not stop here: in this lamp, we are using a plastic that is based on over 60% biologically sourced material, which is castor oil, taken from the castor plant which does not compete with worldwide food production due to different agricultural requirements. Therefore the design makes a step ahead by setting the course for producing independently of mineral oil based plastics.

Technical description

Winkel w127 is manufactured of solid fiberglass reinforced biopolyamide. The material is recyclable. The mechanical solution is based on micro gas springs, widely used in the automotive and electronics industries. The gas springs have a lifespan of more than 50,000 compressions and give exceptionally good movement patterns. The shade is adjustable for universal direction of the light. The light technology is based on a highly energy-efficient multichip LED solution. This consists of a cluster of diodes instead of several separate diodes. By using multichip LED, so called multi-shadows are avoided and a very even light pattern is achieved. The diode is cooled efficiently with an advanced cooling construction. The fixture is equipped with both a reflector and a diffuser lens, to give optimal light distribution and light quality. In addition, there is a glare protection system to minimize both direct and indirect glare. Winkel w127 is equipped with a seamless dimmer that is operated by an IR-switch; a built-in timer automatically turns the lamp off after five hours. Winkel w127 is avaiable with base, clamp or pin.

Technical information
Material: fiberglass reinforced biopolyamide
Light source: 1–9 W LED
Light output: lm/W 84
Colour temperature: 3,000 K
CRI: > 90
LED life-span: 50,000 h

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Tablefields by Frederik Roijé

This table by Dutch designer Frederik Roijé has one top on three levels.

Tablefields by Frederik Roijé

Called Tablefields, the design is produced from a single piece of folded sheet metal with three legs made of lacquered ash.

Tablefields by Frederik Roijé

Roijé wanted the table to express the forms of tiered rice fields, which he had become interested in while travelling.

Tablefields by Frederik Roijé

The table is manufactured in the Netherlands and is available in four colours.

Tablefields by Frederik Roijé

Other objects by Roijé we’ve featured on Dezeen include a five-storey chicken coop and a series of aluminium bowls shaped like maps of New York and Amsterdam.

Tablefields by Frederik Roijé

We recently featured another table that appears to be made from a single sheet of metal, while last year we reported on a tiered table that includes mirrors to view its patterned undersides.

Tablefields by Frederik Roijé

Other tables we’ve published recently include a trestle table held in tension by sheets of bowed steel and an office table with swinging chairs mounted around it.

Tablefields by Frederik Roijé

See all our stories about Frederik Roijé »
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Good Morning moka pot and Tuamotu hob by Anderssen & Voll

Oslo designers Andersson & Voll paired a bright yellow moka pot with a cooking hob sculpted from a slab of marble for an exhibition of Norwegian design at the Design Tide Tokyo trade fair this weekend.

Good Morning and Tuamotu by Anderssen & Voll

The Good Morning moka pot updates the classic tiered coffee maker with reference to traditional Japanese teapots, designer Espen Voll of Andersson & Voll explained to Dezeen.

Good Morning and Tuamotu by Anderssen & Voll

“Water and ground coffee beans rise from the basic solid of the cylinder and transform into coffee in the more carefully shaped top part. The materiality is refined in a similar way, going from crude aluminum to enamel and polished wood,” he said.

Good Morning and Tuamotu by Anderssen & Voll

The Tuamotu cooking hob is set in a solid marble base “to emphasise the sculptural qualities of the object,” the designers said.

Good Morning and Tuamotu by Anderssen & Voll

The objects were shown at Design Tide Tokyo from 31 October to 4 November as part of Food Work, a collection of objects for cooking and eating produced by eight Norwegian designers.

Good Morning and Tuamotu by Anderssen & Voll

Other unusual coffee makers we’ve featured include an espresso machine made out of concrete and a kettle that uses a light bulb to heat water.

Good Morning and Tuamotu by Anderssen & Voll

See all our stories about coffee »
See all our stories about cooking »

Here’s some more information from the designers:


Food Work – 8 Norwegian designers on objects of culinary experience.

FoodWork is an independent project initiated by 8 Norwegian designers to be shown at Tokyo Design Tide 2012.

As the title indicates, the topic of the project is food: storage, preparation, presentation, and eating. These objects spring out of simple and ordinary, yet essential and vital, actions that tie people together across cultural differences. The objects are designed for everyday situations in Norway – they are Norwegian. However, we have been inspired by Japanese culture – or rather, by our particular understanding of Japanese culture. In other words: we have attempted to make Norwegian objects that could also be relevant to Japanese living. Our goal is to draw inspiration and knowledge from how our work is experienced in Tokyo.

Tuamotu cooking top

Tuamotu cooking top. The small gas top is your atoll of gastronomic cooking pleasures. The solid marble base and cast iron details are elements of a rustic and contemporary attitude. These are classic and basic materials adjusted to a personalised and compact way of living. Everyday luxury with high quality materials and a timeless expression.

Good Morning coffee pot

A morning without coffee is like sleep. A good morning is fuelling up with your own, home-brewed espresso. This is our dream pot: a hybrid of the classic Italian pots, traditional Japanese handicraft, and Norwegian cravings for extra strong coffee. The pot is made in aluminium, with a walnut handle. The way the pot is divided tells the story of the transition from the crude to the refined – from beans and water to pure pleasure.

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Dewar Glassware by David Derksen

Dutch Design Week: a Victorian scientist’s laboratory experiments inspired Dutch designer David Derksen to create these glass lamps and vases, which have double walls like a Thermos flask.

Dewar Glassware by David Derksen

The Dewar range is named after 19th century scientist James Dewar, who was researching absolute zero temperature when he invented the isolating container that became known as a Thermos flask.

Dewar Glassware by David Derksen

“Laboratory glassware has a very specific formal language,” Derksen said, explaining that the glass tubes are shaped on lathes under extreme heat, while rubber parts are often used in the laboratory to seal or connect the containers. “The material combination is both functional and aesthetically beautiful,” he added.

Dewar Glassware by David Derksen

In Thermos containers, a thin layer of silver is sandwiched between two walls of glass to reflect heat and maintain the temperature inside the flask.

Dewar Glassware by David Derksen

The Flask Vase and Flask Light in Derksen’s collection are made from two layers of glass, between which are layers of silver salvaged from old coffee flasks.

Dewar Glassware by David Derksen

The Dewar Light and Dewar Vase are made from borosilicate glass that has been darkened by radiation. The bases of the lamps and vases are made from silicone rubber.

Dewar Glassware by David Derksen

The project was on show as part of an exhibition called Objects for Sale during Dutch Design Week in Eindhoven last week. See all our stories from Dutch Design Week.

Dewar Glassware by David Derksen

Derksen graduated from the Design Academy Eindhoven in 2009 and completed his masters in Industrial Design Engineering at TU Delft before setting up his studio in Rotterdam.

Dewar Glassware by David Derksen

In Milan this year Derksen worked with designer Lex Pott to create selectively oxidised mirrors for an exhibition called The Front Room.

Dewar Glassware by David Derksen

We previously featured Benjamin Hubert’s collection of glassware inspired by laboratory equipment and Maarten De Ceulaer’s series of coloured lights inside glass vessels and beakers.

Dewar Glassware by David Derksen

See all our stories about glass »
See all our stories about lamps »
See all our stories about vases »

Dewar Glassware by David Derksen

Photographs and styling are by Camille Cortet.

Here’s some more information from the designer:


The Flask Vase, Flask Light, Dewar Light and Dewar Vase are the first outcomes from a continuing investigation into the beauty, form and manufacturing techniques found in scientific glassware. As a direct result of the production processes used in its creation, Laboratory glassware has a very specific formal language. All vessels and instruments start as glass tubes that are reshaped on lathes under extreme heat. Rubber parts are often used to connect the various instruments or to seal the vessels. Acting as a malleable and gentle buffer for the glass, the material combination is both functional and aesthetically beautiful.

Dewar Glassware by David Derksen

This contrast of materials and their aesthetic formed the starting point for this investigation. The project is named after James Dewar, who was in search of the absolute zero temperature point and invented the Dewar flask or isolating container. These containers (also known as Thermos flasks) use two walls of glass which sandwich a thin layer of silver to reflect the heat. These relatively complex parts can be found inside the everyday coffee flask and were the inspiration for this project and its initial outcomes.

Dewar Glassware by David Derksen

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Kishu by Maya Selway

Interieur 2012: objects that seem like half-finished sketches of candle holders, vases, bowls and bottles won British designer Maya Selway second prize in the Object category of the Interieur Design Awards at the Interieur design biennale in Kortrijk, Belgium, last week (+ slideshow).

Kishu by Maya Selway

Each object in the Kishu collection is carefully weighted at its base to support its lopsided structure. “I worked for a long time to get the balance just right,” Selway told Dezeen.

The delicate pieces are made from oxidised copper, and the vase also has a shallow silver dish for holding water.

Kishu by Maya Selway

The bottles and bowls are purely decorative, but the candle holder and the vase can be used as shown.

Selway trained as a silversmith and jeweller at Camberwell College of Arts in London and Bishopsland near Reading, and has also worked making props and building sets for theatre and film.

Kishu by Maya Selway

Other unusual candle holders we’ve featured on Dezeen include one with a sandpaper base for striking matches and a series of stackable candle holders made from copper, steel and lumps of concrete.

At Interieur 2012 we also reported on a concept car by Ross Lovegrove that invites a primitive emotional response and a table, lamp and bookshelf made from concrete by Matali Crasset – see all our stories about Interieur 2012.

Kishu by Maya Selway

See all our stories about candle holders »
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See all our stories about homeware »

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EXTL pendant lights by David Irwin for Deadgood

British designer David Irwin has created pentagonal pendant lights that are bound together by silicon bands for design company Deadgood.

EXTL Lighting by David Irwin for Deadgood

Five identical profiles made from three-millimetre-thick aluminium are held together by three black silicon bands, one at the top and two at the bottom.

EXTL Lighting by David Irwin for Deadgood

All the profiles for one EXTL Light can be cut from the same bar of extruded aluminium, dissected at angles so the two styles can be made from one length.

EXTL Lighting by David Irwin for Deadgood

“This highly engineered solution effectively demonstrates both the efficiency and the precision of this time-honoured industrial process,” says Deadgood.

EXTL Lighting by David Irwin for Deadgood

The lights are available in two slightly different styles, one of which has a wider opening at the base than the other. The surface of the aluminium is finished in either a matt black, gold or silver anodised metal coating.

EXTL Lighting by David Irwin for Deadgood

Deadgood launched the product at 100% Design in London last month.

EXTL Lighting by David Irwin for Deadgood

Stories we’ve previously featured about Deadgood include a seating collection covered in textile offcuts and a lighting range made from wire.

EXTL Lighting by David Irwin for Deadgood

We’ve recently written about an adjustable lamp with a magnetic concrete base and a collection of lamps with empty baskets for bases that can be filled with various heavy objects. See all our stories about lamps.

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Magno Tube Lamp by Doreen Westphal

Dutch Design Week: designer Doreen Westphal has created a lamp with a metal stem that can be positioned upright or at an angle against its magnetic concrete base, currently on show at Dutch Design Week.

Magno Tube Lamp by Doreen Westphal

A copper-coated iron tube containing the power cable is held in place by magnets embedded in the poured concrete base.

Magno Tube Lamp by Doreen Westphal

“People keep trying to figure out how it works but they see no mechanism,” Westphal told Dezeen. “They don’t believe that it works by magnetism because I covered the tube with copper leaf.”

Magno Tube Lamp by Doreen Westphal

The lamp is available as a table or floor lamp, which have slightly different bases.

Magno Tube Lamp by Doreen Westphal

Each allows the tube to attach upright, but when resting at an angle the table lamp balances at 45 degrees, whereas the floor lamp must sit at 60 degrees from horizontal to prevent the longer, heavier tube from tipping it over.

Magno Tube Lamp by Doreen Westphal

The power cable length can be adjusted so that the bulb points upward or hangs down from the end of the tube.

Magno Tube Lamp by Doreen Westphal

Concrete is also used as a base for the flick switch that sits further down the cable.

Magno Tube Lamp by Doreen Westphal

The lamp comes with either a white tube and orange cable or a copper-coloured tube and black cable.

Magno Tube Lamp by Doreen Westphal

Westphal is displaying her work at the On The Road exhibition at Studio Lieverse as part of Dutch Design Week, which continues until 28 October.

Magno Tube Lamp by Doreen Westphal

See all our stories about Dutch Design Week 2012 »
See all our stories about concrete »
See all our stories about lamps »

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Seating Stones by UNStudio

Seating Stones by UNStudio

These triangular sofas by Dutch architects UNStudio were inspired by geological formations.

Seating Stones by UNStudio

Created for furniture manufacturers Walter Knoll, the seats tesselate to form clusters that break up communal spaces like lobbies and lounges.

Seating Stones by UNStudio

They are made of Polyurethane foam on a steel frame and can be upholstered in a variety of colour combinations that are meant to reference a collection of precious stones.

Seating Stones by UNStudio

“The Seating Stones are designed to generate numerous different atmospheres, which is why we included a wide variety of possible configurations and colours but also a selection of materials,” co-founder of UNStudio Ben van Berkel told Dezeen. “We also created something that wasn’t instantly recognisable as a chair and that in fact was somewhat more sculptural as a form.”

Seating Stones by UNStudio

UNStudio are launching the sofa design this week at Orgatec in Cologne, which continues until 27 October.

You can read more stories about UNStudio here»
See all our stories about seating»

Here’s some more information from the designers:


Seating stones

Throughout history natural formations have been used to provide seating elements for rest, relaxation, gathering and communication. Inspired by the rhythmic smoothness of geological formations, the sculptural Seating Stones exhibit a playful take on spatial awareness and versatility, presenting myriad possibilities for placement, color, texture, arrangement and communication.


Seating Stones are designed as individual objects and can be used autonomously. However they can also be placed side by side as a family of forms in a variety of configurations. The shape and contours of the seating elements facilitate a wide range of possible groupings. They can be placed together, either to accommodate privacy or to invite communication; they can be both individual and private or social and open.


Seating Stones are equally versatile when it comes to multipurpose usage, offering a diversity of options for placement; from offices, waiting rooms, lobbies and meeting spaces to use in the home. In all situations the configuration of the seating elements can be arranged to suit individual spaces and the desired ‘connectivity’ of the users.


Inspired by the bright and varied natural fabrics produced by the Incas of Latin America, Seating Stones can be upholstered in a wide variety of fabrics and colours. Furthermore, the fabric types and colours can be mixed, creating different appearances and textures in each element, or in a grouping of individual seats. The fabrics of the Seating stones can therefore reference a simple, individual stone, or alternatively can resemble a mixed formation of richly coloured minerals.

Seating Stones, Walter Knoll, Herrenberg, Germany, 2012

Client: Walter Knoll
Location: Herrenberg, Germany
Size/s: w x l x h: 1596 x 876 x 800
Materials: steel frame and PU Foam, upholstered.
Seat Comfort by belts
Status: will be presented at Orgatec 2012

Credits

UNStudio: Ben van Berkel, Caroline Bos with Martijn Prins, Maurits Fennis and William de Boer
Walter Knoll: Markus Benz and Jurgen Rohm

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XTable by KiBiSi

XTable by KiBiSi

This office desk by Danish design studio KiBiSi is a cross between an ironing board and a car jack – simply turn the handle on the corner to raise or lower the surface.

XTable by KiBiSi

Called XTable, it has mechanical parts hidden in its tabletop that connect the handle with the adjustable scissor legs.

XTable by KiBiSi

“A threaded rod connects the two top parts of the steel frame and is directed to the front via a 90 degree gear,” explained creative director Jens Martin Skibsted. ”When the handle is turned the distance between the two top points will change and the table will lift or lower.”

XTable by KiBiSi

“[It’s] a piece of office machinery that accommodates multiple working positions and daily reshuffling,” the designers added.

XTable by KiBiSi

The desk is accompanied by an optional storage box for office supplies.

XTable by KiBiSi

The XTable was launched at Orgatec trade fair in Cologne this week by Scandinavian brand Holmris.

XTable by KiBiSi

Earlier this week we featured another piece of mechanical furniture – a cabinet that opens like a giant sewing box. Other pieces by KiBiSi we’ve published previously include a sofa that looks like a rolled-up mattress and a pair of rainproof and snowproof headphones.

XTable by KiBiSi

See all our stories about KiBiSi »
See all our stories about desks »
See all our stories about furniture »

Here’s some more information from KiBiSi:


XTable is a manually height adjustable desk.

XTable uses manual kinetic power instead of electricity for height adjustments – saves energy and keeps users active. All technical features are constructively integrated in the table top. It uses a century old principle known from carjacks, ironing boards and other iconic tools. The principle coupled with a desk is a radical redesign of the traditional office desk. XTable is designed with an optional storage solution for office supplies and other belongings.

XTable leverages the production knowhow and crafts heritage from its manufacturer, Holmris. Holmris is a Scandinavian family owned business that has delivered quality office furniture for 3 generations.

With XTable Holmris is set to redefine the office furniture market with a highly competitive, compact and efficient workspace that will be launched at Orgatec, October 23 – 27, in Cologne.

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