“My sketches are really awful” – Nendo’s Oki Sato

In our second movie filmed at the opening of the new Camper store in New York, Japanese designer and Nendo founder Oki Sato admits to Dezeen that he is not very good at drawing, but that his sketches are an important first step in all of his designs. 

"We created an interior by copying and pasting a single product" - Oki Sato
Oki Sato, founder of Japanese design Studio Nendo

“I’m not a good sketcher,” Sato says. “But it’s really the story that’s the most important thing for myself. When I meet a new client, if I can’t come up with a nice story for them then it’s really difficult for me to proceed with that project.”

"My sketches are really awful" - Nendo's Oki Sato
Sketch showing Sato’s idea for the interior of Camper’s New York store

Despite his limitations as a draughtsman, Sato says he still starts every project with a sketch, because he believes it helps him to convey the story behind the design in the most simple way.

"My sketches are really awful" - Nendo's Oki Sato
Camper’s New York store by Nendo

“The process is fairly basic,” he says. “I start from rough sketches, stupid sketches, and then we move to renderings and models. I have a feeling that when you’re a good sketcher, when you draw pictures and sketches in a very beautiful way, it makes the story a bit blurry.”

"My sketches are really awful" - Nendo's Oki Sato
Sketch of Nendo’s Drop bookshelves for Cappellini

He continues: “Since I’m not good at [sketching], it helps me. [They’re] really awful sketches, but it has to be something that everyone can understand and I think that’s important. The simpler the sketches, the better the story is I think.”

"My sketches are really awful" - Nendo's Oki Sato
Nendo’s Drop bookshelves for Cappellini

Once he has sketched out his initial ideas, Sato says that it is also very important for him to make models of his designs.

"My sketches are really awful" - Nendo's Oki Sato
Sketch showing the idea behind Nendo’s Splinter furniture collection for Conde House

“We make a lot of models,” he says. “We have three rapid prototyping machines in the studio which work 24 hours a day. We’re considering buying one or two more because it’s really important to see the form physically.”

"My sketches are really awful" - Nendo's Oki Sato
Nendo’s Splinter furniture collection for Conde House

Nendo works in a wide range of disciplines, designing large interiors like the new Camper Store in New York as well as tiny products such as Data Clip, a USB drive shaped like a paperclip. Sato says that he approaches all projects in the same way.

"My sketches are really awful" - Nendo's Oki Sato
Sketch of Nendo’s Bird-apartment

“I enjoy designing anything,” he says. “Whether it’s a paperclip or a big interior, it’s basically the same for me. I’m just addicted to design and I just enjoy whatever it is I’m doing.”

"My sketches are really awful" - Nendo's Oki Sato
Nendo’s Bird-apartment

The key to good design, Sato believes, is simplicity.

“A good idea has to be something that you can tell your mother or a small child who knows nothing about design,” he says. “If she thinks it’s interesting, I think that’s good design.”

"My sketches are really awful" - Nendo's Oki Sato
Sketch showing the idea behind Nendo’s Osaka Camper store interior

Watch our interview with Oki Sato on Camper’s New York store  »
See all our stories about Nendo »

"My sketches are really awful" - Nendo's Oki Sato
Nendo’s Osaka Camper Store interior

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“We created an interior by copying and pasting a single product” – Nendo’s Oki Sato

In this movie Dezeen filmed at the opening of the new Camper store in New York, Japanese designer and Nendo founder Oki Sato explains why he covered the interior walls of the store with over a thousand white plastic shoes.

"We created an interior by copying and pasting a single product" - Oki Sato
Oki Sato of Nendo

“I’ve been working with Camper for the past few years on their small retail stores,” says Sato.

“The concept [for the small stores] was these shoes walking in mid air, showing that Camper shoes are not for running fast or for luxury or things like that, but something to enjoy walking.”

See Nendo’s design for Camper’s Osaka store with shoes that seem to walk around on their own »

"We created an interior by copying and pasting a single product" - Oki Sato

However, Sato goes on to explain that designing the interior for the larger New York store located on Fifth Avenue, one of world’s biggest shopping streets, was much more challenging.

“Camper asked me a few months ago to find a solution for the big stores that have really high ceilings,” he says. “Because the product is obviously very small, we weren’t sure how to use the ceiling height. Before they used a lot of graphics on the ceiling but it looked really empty.”

"We created an interior by copying and pasting a single product" - Oki Sato

Nendo‘s solution was to completely cover the walls in the store with white plastic replicas of Camper Pelotas, the brand’s signature shoe design. The current collections are then displayed amongst these replicas in spaces at the base of the walls where customers are able to reach.

“What it’s doing is making the products really stand out – the colours, the forms of the products,” says Sato. “It starts from a single product but by copying and pasting it becomes an interior element. It catches a lot of light and shadow and gives a lot of texture to the space.”

"We created an interior by copying and pasting a single product" - Oki Sato

The protruding shoes also provide an important acoustic benefit, Sato says: “It absorbs the sound so it feels much more comfortable as well.”

"We created an interior by copying and pasting a single product" - Oki Sato

Sato goes on to explain that he believes physical retail environments are still important, despite the rise of shopping online.

“Just one click on the internet and you can buy any of these shoes from wherever you are,” he says. “But I guess it’s really the experience of the space that is the most important thing. It’s a space that you have to be there, you have to feel something.”

"We created an interior by copying and pasting a single product" - Oki Sato

“In the end if a guy comes into the store and he doesn’t want to buy any shoes in the beginning but he gets excited and he buys a shoe I think that’s the victory of design. That is the goal for interior design in a way.”

See all our stories about Nendo »
See all our stories about Camper »

Dezeen was in New York as part of our Dezeen and MINI World Tour.

Watch all our Dezeen and MINI World Tour movies from New York »

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“There’s never been a better time for New York design”

Dezeen and MINI World Tour: in our final movie from New York, design journalist Monica Khemsurov takes us to exhibitions around the Noho Design District and imparts an optimistic outlook for young designers in the city.

Dezeen and MINI World Tour - Noho Design District

Khemsurov, along with her online design magazine Sight Unseen co-founder Jill Singer, set up the Noho Design District in 2010, aiming to provide an alternative platform to the ICFF trade fair.

Dezeen and MINI World Tour - Noho Design District
New Museum of Contemporary Art by SANAA on Bowery, which forms Noho’s eastern border

“The idea was to be an offsite show for New York design week, in which young designers could show their work,” she says. “We wanted to make a neighbourhood that felt more intimate and had more of a fun, experimental feel than what has been shown at New York design week in the past.”

Dezeen and MINI World Tour - Noho Design District
Noho Next exhibition

Noho is named after its location north of Houston Street in Manhattan, bounded by Broadway to the west and Bowery to the east. On the first stop of our tour, Khemsurov takes us to the district’s hub exhibition Noho Next, curated by Sight Unseen and featuring new work by twelve American designers.

Dezeen and MINI World Tour - Noho Design District
Canoe at the Here & There exhibition

Next up is the Here & There of design for travel at the showroom of design studio Various Projects, which features a canoe made from Dacron, kevlar and wood by designers  Colgate Searle and Matthias Pliessnig that Khensurov assures us is “fully functional, water safe and can be floated on a lake.”

Dezeen and MINI World Tour - Noho Design District
Dana Barnes’ installation at the Merchant’s House Museum

A braided textile piece woven by New York artist Dana Barnes is picked out at the preserved 19th Century Merchant’s House Museum. “Sight Unseen invited seven American designers to install their work made with modern craft techniques,” Khensurov explains.

Dezeen and MINI World Tour - Noho Design District
Trophy exhibition

We then go beneath the Standard East Village hotel to the Chez Andre nightclub to see the American Design Club’s exhibition titled Trophy. “This show is about everyday trophies or objects that are momentos or that commemorate moments of your life,” Khemsurov says.

Dezeen and MINI World Tour - Noho Design District
Noho Next exhibition

Finally, she shares her thoughts on New York design scene’s current status: “In the past five years, a lot of young designers have gone out on their own and started their own studios.

“A lot of people are producing their own work, which gives them more freedom to express themselves and make interesting and exciting design, so I think there’s never been a better time for the New York design scene.”

Dezeen and MINI World Tour - Noho Design District
Noho Next exhibition

We drove around New York in our MINI Cooper S Paceman.

The music featured in the movie is a track called You Go To My Head by Kobi Glas. You can listen to the full version on Dezeen Music Project.

In our previous reports from New York, Willy Wong introduces the NYCxDesign festival and Stephen Burks takes us on a tour of the city’s High Line park.

See all our coverage of New York 2013 »

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“There’s a real reason to invest in New York’s design sector”

Dezeen and MINI World Tour: in our third report from New York, Willy Wong, chief creative officer for the city’s marketing and tourism agency, introduces the new NYCxDesign festival and explains why the city is starting to put more money behind its design industries.

"There's a real reason to invest in design in New York"
Willy Wong, chief creative officer at NYC & Company

NYCxDesign, which launched this year, is a new design festival that encompasses a range of existing shows including the Frieze New York art fair, the International Contemporary Furniture Fair (ICFF), Wanted Design and NoHo Design District, as well as a programme of new events such as designjunction’s Intro NY.

"There's a real reason to invest in design in New York"
Wanted Design 2013

Wong explains that one of the motivations behind NYCxDesign was a report by the Centre for an Urban Future think tank, which identified the untapped economic potential of New York’s design sector.

"There's a real reason to invest in design in New York"
Intro NY 2013

“A few years ago there was a report that identified design as an industry that the city should really embrace,” says Wong. “There should be a moment in time when the city actually celebrates all of the great design that happens in New York.”

"There's a real reason to invest in design in New York"
Lighting installation in New York designer Lindsey Adelman‘s studio in NoHo

“In 2009 they discovered that there were almost 40,000 designers in New York, and that’s a huge concentration compared to other cities in the US,” he continues. “So there’s a real reason to invest in the sector.”

"There's a real reason to invest in design in New York"
3D printers by New York company MakerBot on show at ICFF

The influx of visitors that come to New York each year for the big design shows is also good for the economy, Wong goes on to explain.

“Events like ICFF bring in close to 30,000 people a year, and that’s just for ICFF,” he says. “Whenever we are taking on an initiative, we are looking at both the qualitative cultural effects but at the same time the economic impact.”

"There's a real reason to invest in design in New York"
The High Line

Wong believes that the city’s current mayor, Michael Bloomberg, who has been in office since 2002, has “focussed on design as a competitive advantage for the city,” citing the High Line as an example of the kind of project that has helped to improve New York’s built environment. “There’s a real consideration on transforming what it means to be a city.”

"There's a real reason to invest in design in New York"
Our MINI Paceman in New York

We drove around New York our MINI Cooper S Paceman.

The music featured in the movie is a track called You Go To My Head by Kobi Glas. You can listen to the full version on Dezeen Music Project.

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M.A.S.S.A.S. by Patricia Urquiola for Moroso

Product news: these sofas with exaggerated seams by Spanish designer Patricia Urquiola are now in production with Italian furniture brand Moroso.

Thirteen modular pieces make up Urquiola‘s M.A.S.S.A.S., an acronym for Moroso Asymmetric Sofa System Adorably Stitched.

M.A.S.S.A.S. by Patricia Urquiola for Moroso

The solid forms are crossed with raised seams over the arms and backs, plus some modules have discrete pockets that sit on the outer sides of the arms.

Moroso originally debuted the prototypes in Milan last year and the production models were also displayed at ICFF 2013.

M.A.S.S.A.S. by Patricia Urquiola for Moroso

In Milan this year Patricia Urquiola presented a family of chairs influenced by the shape of a hood and a seat with a backrest wrapped in rush, both also for Moroso.

The latest sofas we’ve featured include chunky grey seating resembling jagged icebergs and a settee that breaks down into a bed, two armchairs and two footstools.

M.A.S.S.A.S. by Patricia Urquiola for Moroso

See more sofa design »
See more design by Patricia Urquiola »
See more products for Moroso »

More information from Moroso follows:


M.A.S.S.A.S., an acronym for Moroso Asymmetric Sofa System Adorably Stitched, is Patricia Urquiola’s delightful new modular sofa system that makes full use of this Italian company’s unique and highly skilled abilities as haute couture producers of soft seating. A compact and controlled shape is well-defined by cuts and lines that map out the asymmetric fabric placement. Visible, raised stitching runs around the perimeter to deconstruct the otherwise solid surface. While the structure is of polyurethane foam, its softness is the result of a bonded combination of fabric and polyester fiberfill.

M.A.S.S.A.S. by Patricia Urquiola for Moroso

There are 13 individual pieces, including chairs and sofas that can be formed into corner turning shapes in a range of sizes. Designed to go with this seating group are the Fishbone Tables. Both of these products, introduced in Milan 2012, are now in production.

Urquiola’s partnership with Moroso began in 1998 when she was asked to produce designs under her own name, making Moroso the first manufacturer to produce her work. Since then Urquiola has been working with Moroso, designing not only furniture but also her first US interior project- the New York City Moroso store. Over the years, Patrizia Moroso, creative director and Urquiola have become great friends, as evidenced by Ms. Moroso’s cherished new home in Udine, designed by Urquiola.

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Monocle lamp by Rich Brilliant Willing

Monocle lamp by RBW

New York 2013: this compact wall-mounted bedside lamp launched at ICFF can be swivelled to angle light where it’s needed.

Monocle lamp by RBW

Rich Brilliant Willing‘s anodised aluminium LED light can be rotated 350 degrees on the wall and pivoted 180 degrees on a cradle to point in the required direction.

Monocle lamp by RBW

Either a flat circular cap for direct illumination or a frosted bubble that creates a diffused glow can be fitted over the bulb.

Monocle lamp by RBW

The design debuted at ICFF in New York last month, alongside a lightbulb with a tiny chandelier inside.

Monocle lamp by RBW

We filmed a couple of movies while in New York for our Dezeen and MINI World Tour – watch Stephen Burks explain how architecture and design are changing the city and see him give a tour of the High Line elevated park.

Monocle lamp by RBW

Recent lamps we’ve featured include chalice-shaped designs with orange glass shades above concrete bases and a set based on glass vats found in a milking parlour.

See all our stories about lamps »
See all our coverage of New York 2013 »

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King Edison pendant lamp by Young & Battaglia for Mineheart

King Edison pendant lamp by Young and Battaglia for Mineheart

New York 2013: designers Young & Battaglia debuted a glass pendant lamp with a tiny chandelier inside for design brand Mineheart at ICCF last month.

A miniature brass chandelier sits within a hand-blown glass shade that is shaped like a light bulb but with an open bottom. Minute candles set on two tiers each give off a small glow.

King Edison pendant lamp by Young and Battaglia for Mineheart

Designed with chrome fittings, the lamp hangs from the ceiling on a two-metre-long braided cable. A longer cable can be supplied on request. The King Edison lamp is named after Thomas Edison, the inventor of the lightbulb, and references regal chandeliers.

Young & Battaglia have also designed wallpaper to turn any room into an Italian palazzo for Mineheart. Dezeen’s most recent stories about lamps include a chalice-shaped set with concrete bases and terracotta table lights with conical shades.

King Edison pendant lamp by Young and Battaglia for Mineheart

Other products launched in New York included a tap by Philippe Starck that uses half the water of a regular faucet and an elongated chair with a faceted back. We travelled to New York design week for our Dezeen and MINI World Tour. Watch Stephen Burks give a tour of the city’s High Line park here and see all our coverage of the event here.

See more lamp design »

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“The High Line’s responsible for New York’s best upcoming architecture”

Dezeen and MINI World Tour: in our second movie from New York, designer Stephen Burks takes us to the High Line and explains how the elevated park is helping to transform the surrounding areas of the city.

Stephen Burks on the High Line New York
The High Line, New York

Designed by landscape architects James Corner Field Operations along with architects Diller Scofidio + Renfro and garden designer Piet Oudolf, the High Line park runs through New York’s Chelsea neighbourhood along the lower west side of Manhattan on 1.5 miles of repurposed elevated railway.

Stephen Burks on the High Line New York

“For decades [the High Line] was an overgrown railroad track, left over from an era when elevated trains roared through Manhattan,” says Burks. “Today it’s a multi-million dollar park that’s welcoming hundreds of thousands of visitors a day.”

Stephen Burks on the High Line New York

The park was completed in 2009 and Burks believes the project has been the catalyst for the regeneration of the Chelsea area and the Meatpacking District next to it.

Stephen Burks on the High Line New York
100 11th Avenue by Jean Nouvel

“The High Line is really connecting the dots of the city’s best upcoming architecture,” he says, pointing out Jean Nouvel‘s 2010 apartment block 100 11th Avenue and Shigeru Ban‘s Metal Shutter House, completed in 2011, both of which cluster around an earlier Frank Gehry office building.

Stephen Burks on the High Line New York
Shigeru Ban’s Metal Shutter House pressed up alongside Frank Gehry’s IAC Building

A little further along the park is HL23, a new apartment building by Niel Denari, which Burks explains is the American architect’s “first multi-story building in America”.

Stephen Burks on the High Line New York
HL23 by Niel M. Denari Architects

Further north again is Hôtel Americano, designed by Mexican architect Enrique Norten of TEN Arquitectos, which features a new bar in the basement by German artist Tobias Rehberger.

http://www.dezeen.com/2013/05/18/new-york-bar-oppenheimer-by-tobias-rehberger/
New York Bar Oppenheimer by Tobias Rehberger

At the southern end of the park, construction is underway on Renzo Piano‘s new building for The Whitney Museum of American Art, which is moving across town to the Meatpacking District from it’s current location on Madison Avenue on the upper east side of Manhattan.

“All of these new contemporary projects probably wouldn’t have been placed here had it not been for the High Line,” says Burks.

Stephen Burks on the High Line New York

Burks is also a big fan of the High Line itself. “Some of the things that I love about the High Line in terms of design is the way that they’ve seamlessly integrated the design elements with nature and with elements that look like it just kind of happened,” he goes on to say.

“[It’s] almost as if this very beautiful paved surface with finger-like projections into the lawns just landed here amongst the wild grasses, amongst the trees. It’s a great work of landscape architecture.”

Stephen Burks on the High Line New York

We drove to the High Line in our MINI Cooper S Paceman.

The music featured in the movie is a track called You Go To My Head by Kobi Glas. You can listen to the full version on Dezeen Music Project.

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Blankets by Snøhetta for Røros Tweed

Product news: Norwegian architecture firm Snøhetta showed this range of blankets in New York.

Blankets by Snøhetta for Røros Tweed
Mountain Fold

Snøhetta first presented the Mountain Fold blankets as prototypes for traditional Norwegian firm Røros Tweed tweed last year, but they’re now going into production alongside two new designs by the firm called Color Noise and Islandskap.

Blankets by Snøhetta for Røros Tweed

The Mountain Fold design features a seemingly abstract geometric design, but is meant to represent the Snøhetta mountain – after which the firm was named – when folded in a certain way.

Blankets by Snøhetta for Røros Tweed

It comes in six different colours representing six different architecture projects by the studio.

Blankets by Snøhetta for Røros Tweed
Islandskap blanket

The two new designs were chosen from an internal competition between all the company’s designers.

Blankets by Snøhetta for Røros Tweed

All the blankets are made of 100% Norwegian sheep’s wool.

Blankets by Snøhetta for Røros Tweed
Color Noise blanket

The range was on show at ICFF in New York last month, when Dezeen was in town as part of our Dezeen and MINI World Tour. Watch our first movie report from New York, in which Stephen Burks talks about how the city is evolving.

Blankets by Snøhetta for Røros Tweed

Based in Oslo and New York, Snøhetta recently broke ground on the San Francisco Museum of Modern Art extension.

Blankets by Snøhetta for Røros Tweed

See all our stories about architecture by Snøhetta »
See all our stories from New York 2013 »
See more blanket designs »

Blankets by Snøhetta for Røros Tweed

Here’s some more information from Røros Tweed:


At the 2013 ICFF, Røros Tweed, the traditional Norwegian Blanket manufacturer, announced the American launch of several new blankets designed by Snøhetta: the Snøhetta Mountain Fold, Color Noise, and Islandskap.

The first design was announced last year when the Mountain Fold was commissioned by Paul Makovsky of Metropolis Magazine, curator of the Inside Norway booth at ICFF 2012. The design was produced as a prototype but due to the overwhelmingly positive response, it will be available at American retailers in August 2013.

By following the strict graphic pattern, the Snøhetta Mountain Fold can be folded into the profile of the mountain Snøhetta at Dovre in Norway, the namesake of the architecture and design studio. The blanket is available in 6 different colors representing 6 different architectural projects designed by Snøhetta.

Blankets by Snøhetta for Røros Tweed

Each blanket can be also arranged or folded in a different way, presenting itself with different amount of pattern and color, and may serve as a blanket pillow due to its puffy nature when folded.

Following the success of the Mountain Fold blanket, Snøhetta has developed two additional designs, both representing a graphic presentation of architecture in abstract forms. Islandskap and Color Noise were developed after Snøhetta held an internal contest amongst all of its designers from New York and Oslo.

Retailers carrying the Røros Tweed brand include Anthropologie, Design Within Reach and Scandinavian House. Røros Tweed blankets are made out of 100% Norwegian high quality sheep wool.

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Organic tap by Philippe Starck for Axor

Product news: a tap presented by French designer Philippe Starck in New York this week uses half as much water as regular taps.

Organic tap by Philippe Starck for Axor

Ninety jets spurt combinations of air and water to give the sensation of more falling water than is actually being used. These nozzles are made of silicon to prevent limescale formation.

“We have created a new type of water, which we call ’empty water’,” Starck told Dezeen. “You have the feeling of having a lot of water, but with less.”

Organic tap by Philippe Starck for Axor

Designed for bathroom brand Axor, the Organic faucet is turned on at the nozzle to either an economy or a boost setting, keeping the hands low in the bowl to avoid splashing the surrounding basin and surfaces.

Organic tap by Philippe Starck for Axor

The temperature is preset at the top of the tap, so water comes out at the desired warmth each time it’s used and none is wasted while fumbling to adjust the heat. “When we change temperature we lose a lot of water,” said Starck. “We don’t need to change temperature – we always use water at more or less the same temperature. That’s why we’ve added a pre-set feature.”

Organic tap by Philippe Starck for Axor

Its shape is derived from natural forms. “It’s something very, very pure,” he said. “The lines come from our body, from vegetation.” This version is a development of the Starck’s original design for Axor (below), first conceived 20 years ago and influenced by a simple outdoor farm tap.

Organic tap by Philippe Starck for Axor

We’ve recently featured a combined tap and hand dryer by Dyson, and other faucets on Dezeen include gently rounded bathroom fittings by Matteo Thun & Partners and a curving sculptural tap by Zaha Hadid.

See more tap design »

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