Heel chair by Nendo for Moroso

Milan 2013: Japanese design studio Nendo presents a chair inspired by the spike heels on a pair of stilettos at the Salone Internazionale del Mobile in Milan.

Heel chair by Nendo

Made from wood and lacquered in black, the Heel chair has two straight legs at the front, while the pair at the back are curved to meet the central section of a hollow backrest.

“The line of the back legs and their connection to the backrest give this chair the silhouette of a spike heel,” explains Nendo.

Heel chair by Nendo

Heel is manufactured by Italian brand Moroso and is on show from today until 14 April at the Salone Internazionale del Mobile at C29/D30, Hall 16.

Nendo is presenting a number of products in Milan this week, including a collection of furniture and homeware designed in collaboration with Luca Nichetto. The studio also recently refurbished the womenswear floor of Milanese department store La Rinascente.

Heel chair by Nendo

Other designs on show at the Salone Internazionale del Mobile include an outdoor chair by Jasper Morrison and a set of colourful three-legged stools by Industrial Facility.

See more design by Nendo »
See more furniture by Moroso »
See all our stories from Milan 2013 »

The post Heel chair by Nendo
for Moroso
appeared first on Dezeen.

Riya office chair by PearsonLloyd for Bene

Milan 2013: London studio PearsonLloyd is presenting a chair with orange adjustment controls for office brand Bene at the Austrian Design Details exhibition in Milan today.

Riya office chair by PearsonLloyd for Bene

Buttons and levers used to adjust the height, tilt and armrest positions are picked out in orange to make them easier to find, though there is the option to keep them a more subtle grey tone.

Riya office chair by PearsonLloyd for Bene

The seat and back are available in a variety of colour and textile combinations, while the plastic frame comes in a choice of black or white and the base can be ordered in a metallic finish.

Riya office chair by PearsonLloyd for Bene

Optional extras include a high back for shielding noise in open-plan workspaces and a weight-sensitive mechanism for automatic adjustment.

Riya office chair by PearsonLloyd for Bene

The chairs will be on display as part of the Austrian Design Details exhibition in the Salone dei Tessuti, located at Via San Gregorio 29.

PearsonLloyd will also unveil a range of plastic stacking chairs in Milan this week. The studio’s previous designs for Bene include the Docklands range of workstations and PARCS modular office furniture.

See all our stories about designs by PearsonLloyd »
See all our coverage of Milan 2013 »
See our Milan 2013 map »

Here’s the press release from PearsonLloyd:


Riya chair for Bene

London based studio PearsonLloyd will launch its new task chair Riya at Milan furniture fair this April.

Riya office chair by PearsonLloyd for Bene

Riya is the latest project to emerge from the studio’s ongoing relationship with Austrian furniture brand Bene. Like previous products designed by PearsonLloyd for Bene, which include the ground breaking Parcs range and the recently launched Docklands and Bay Chair, Riya is designed to work across the modern office landscape: in touch-down spaces and open plan zones for collaborative tasks, as well as in quiet areas for focussed individual work.

To achieve this, the task chair had to be flexible, and thanks to its new approach to adjustment controls, it is particularly easy to adapt. Instead of rooting around under the seat for hidden levers, the chair boasts visible orange controls that enable workers to change the chair’s ergonomic settings, and effortlessly glide into a comfortable position. While the task chair has all the comfort and support features you’d want from a seat you spend everyday in, its ease of use, coupled with the option for a weight sensitive synchro mechanism, make it a great choice for shared usage spaces.

Riya office chair by PearsonLloyd for Bene

Working in open plan spaces comes with a set of difficulties though, such as unwanted noise and visual distraction. So PearsonLloyd incorporated a high back option for the chair. Far from an indication of status, the high back acts as an acoustic shield, enclosing workers from noise behind them and creating a sense of privacy.

The task chair’s simple form and clean lines provide a great platform for bringing colour and textiles into the office space. Riya is an example of PearsonLloyd’s continued efforts to rid office furniture of the traditional tech aesthetic, and bring some human touches into the workspace.

The post Riya office chair by PearsonLloyd
for Bene
appeared first on Dezeen.

Job Office collection by Studio Job for Lensvelt

Milan 2013: Belgian artists Studio Job will present a desk with a golden nose for a drawer handle as part of a collection for Dutch furniture brand Lensvelt at MOST in Milan this week.

Job Office by Studio Job for Lensvelt

Above: Job Buffet

Another piece in the Job Office collection for Lensvelt is the Job Buffet, a white powder-coated metal cabinet with two doors and a chrome-plated aluminium key that locks it.

Job Office by Studio Job for Lensvelt

The Job Desk also makes use of white powder-coated metal for its top and legs, but instead of a key to open the slim drawer, the user must pull on the golden nose.

Job Office by Studio Job for Lensvelt

Above: Job Desk

The two Job Tables are enlarged versions of the Job Desk.

Job Office by Studio Job for Lensvelt

Above: Job Desk

The Job Desk Lamp uses LED bulbs and features an oversized golden switch under its powder-coated metal shade.

Job Office by Studio Job for Lensvelt

Above: gold nose drawer handles

Each piece in the collection is available in a range of colours: white, green, grey, dark grey, black, red, yellow and blue.

Job Office by Studio Job for Lensvelt

Above: Job Desk Lamp

“Over time, Hans Lensvelt has proven to be an ingenious product developer who consistently transforms our unconventional designs into comprehensive functional products, yet intricately maintaining a sense of wit,” said designer Job Smeets. “Our collaboration constitutes sustainable office furniture, valuing the importance of functionality and high-quality objects that represent their own identity and humour.”

Job Office by Studio Job for Lensvelt

Above: Job Cabinet

The collection is an extension of the Job Cabinet launched by Studio Job in Milan last year – a metal cabinet with a single door that also comes with a gold-coloured key.

Job Office by Studio Job for Lensvelt

These pieces will be on show at the MOST exhibition in Milan from 9 to 14 April, while Studio Job will also show lamps with metal buckets and tubs for shades as part of Moooi’s latest collection – see all design by Studio Job.

This week we’re covering all the highlights from Milan, including Zaha Hadid’s monochrome pendant lamps for Slamp and OMA’s furniture collection for US brand Knoll – see all news and products from Milan 2013 or take a look at our interactive map featuring the week’s best exhibitions, parties and talks.

Photographs are by Roos Aldershoff.

The post Job Office collection by Studio Job
for Lensvelt
appeared first on Dezeen.

Village by Jasper Morrison for Kettal

Milan 2013: British designer Jasper Morrison unveils an outdoor chair for Spanish brand Kettal at the Salone Internazionale del Mobile today.

Village by Jasper Morrison for Kettal

Called Village, the stacking chair by Jasper Morrison is made of aluminium and comes with an optional fabric seat pad and backrest.

“This chair pays respect to the long standing codes of metal stacking outdoor chairs while gently refreshing the look,” says Kettal.

Village by Jasper Morrison for Kettal

The collaboration follows Morrison’s Park Life outdoor chairs for the same brand last year. See all our stories about furniture by Kettal.

Village will be on show at the Salone Internazionale del Mobile from today until 14 April, where Morrison will also show a chair inspired by camping furniture for Italian brand Mattiazzi. See all our stories about design by Jasper Morrison.

See all our stories about design at Milan 2013 »
See our map of the best things to see at Milan 2013 »

The post Village by Jasper Morrison
for Kettal
appeared first on Dezeen.

Tools for Life by OMA for Knoll

Milan 2013: architect Rem Koolhaas has unveiled a collection of rotating, sliding and motorised furniture for US furniture brand Knoll (+ slideshow).

Tools for Life by OMA for Knoll

Designed by Koolhaas’ architecture studio OMA, the Tools for Life collection includes a table with a top that rises and falls at the press of a button, a chair that can be adjusted in the same way and a counter made of three swivelling stacked blocks (above and below).

Tools for Life by OMA for Knoll

Koolhaas said: “We wanted to create a range of furniture that performs in very precise but also in completely unpredictable ways, furniture that not only contributes to the interior but also to the animation.”

Tools for Life by OMA for Knoll

First glimpsed on the runway for Prada’s Autumn Winter 2013 menswear collection back in January the collection, unveiled today at Fondazione Prada in Milan, has been launched to coincide with Knoll’s 75th anniversary.

Tools for Life by OMA for Knoll

Above: swivel armchair with red button to adjust height

Two height-adjustable tables and a swivel armchair are powered by an electric motor and can be raised or lowered by pressing a large red button.

Tools for Life by OMA for Knoll

A low coffee table comprises three transparent acrylic boxes that slide apart to create cantilevered shelves, while upholstered cushions provide casual floor seating and a “table pocket” stores small objects.

Tools for Life by OMA for Knoll

Above: height-adjustable table and chair

Although not shown in these images, OMA has also designed a screen made from panels of foamed aluminum, travertine or wood laminate, a modular bench, another glass table and a height-adjustable stool.

Tools for Life by OMA for Knoll

Above: coffee table

Tools for Life will be on show to the public at Fondazione Prada at Via Fogazzaro 36, from 9 to 10 April.

Tools for Life by OMA for Knoll

Above: adjustable table

The collection was previewed during a Prada menswear show in January, and the fashion house has collaborated with OMA a number of times in the past, including on a shape-shifting pavilion in South Korea and a design for experimental exhibition spaces in Milan – see all Prada projects.

Tools for Life by OMA for Knoll

Above: table pocket for storage

We’re in Milan this week covering all the highlights from the design week, including Zaha Hadid’s monochrome pendant lamps for Slamp and Ronan and Erwan Bouroullec’s installation of cork carousels – see all news and products from Milan 2013 or take a look at our interactive map featuring the week’s best exhibitions, parties and talks.

Photographs are by A.Osio, courtesy of Knoll. Here’s some more information from Knoll:


Knoll, Inc. introduces “Tools for Life,” a new collection of furniture by OMA, the collaborative practice co-founded by Dutch architect Rem Koolhaas in 1975. Knoll tapped Koolhaas, one of the most provocative thinkers and daring form-makers of his generation, to help mark its 75th anniversary. With this collection, Koolhaas joins Knoll’s pantheon of modern masters, which includes such figures as Mies van der Rohe, Eero Saarinen and Frank Gehry. “Tools for Life” offers a contemporary interface between furniture and people, supporting the ebb and flow of work and social life, while adjusting to the different needs of both.

The collection will be on view during the 2013 Salone Internazionale del Mobile at Prada’s Milan exhibition space at via Fogazzaro, 36, where the pieces were first previewed during the Fall Men’s Show earlier this year. Public exhibition hours are 10:00 AM – 8:00 PM, Tuesday, April 9 and Wednesday, April 10.

Commenting on the endeavour, Rem Koolhaas said: “We wanted to create a range of furniture that performs in very precise but also in completely unpredictable ways, furniture that not only contributes to the interior but also to the animation.”

At the core of the collection is Koolhaas’s belief that furniture should be understood as a high-performance tool rather than a design statement.

“I want to talk about work and not the office — the distinction being that today people work everywhere,” added Benjamin Pardo, Knoll design director. “With that in mind, the OMA pieces are more kinetic than static: many are easily adjustable so that with changes in height, adjacency and degree of privacy, almost any space can be transformed to a place of work.”

The simple, no-nonsense palette makes the furniture compatible with a range of residential and workplace interiors. Clear acrylic is juxtaposed with concrete; glass with leather; travertine with steel—beguiling and engaging contrasts that draw attention to individual pieces.

Horizontal “Tools for Life”

The dynamic 04 Counter is the collection’s signature piece. Beginning as a monolithic stack of three horizontal beams, the user can rotate the top two beams and transform this wall-like unit into a series of shelves and cantilevered benches—a metamorphosis from a spatial partition to a communal gathering place. Rigorous engineering and a system of internal bearings and rails facilitate 360 degrees of movement. Patterned wood grain and leather surfaces provide unexpected and subtly sensuous contrasts.

For individual focused or group collaborative work, the 05 Round Table and 06 Table integrate mechanical sophistication with seemingly effortless effect. Both can be adjusted to accommodate lounge seating or even standing. The 05 Round Table features a travertine top with a travertine base or an acrylic top with an aluminum base. An exposed mechanism, powered by an electric motor, elevates or lowers the table.

Conceived as an executive desk, the 06 Table has a two-piece laminated glass top. The two horizontal surfaces, one a work surface and the other intended for storage, are separated by four round, glass columns.

The 03 Coffee Table is a stack of three transparent boxes constructed of clear acrylic. Internal slides allow the individual elements to be rotated and cantilevered, giving users the ability to adjust its overall shape depending on changing needs.

Seating “Tools for Life”

Comfort and privacy are explored in the collection’s two primary seating pieces: 01 Arm Chair and 02 Arm Chair with high back. The 01 Arm Chair is a height-adjustable, swivel lounge chair with a clear acrylic exterior frame and leather interior upholstery. A mechanical column base with a signature red band provides height adjustment at the touch of a button. A concrete base plate grounds the chair. The 02 Arm Chair with high back has the same features, while offering uniquely flexible interior cushioning that when unfolded provides an enveloping privacy.

Adding to the selection, the 11 Floor Seating, featuring simple upholstered cushions, provides alternate seating heights for work, reflection or relaxation.

The 07 Bench and 08 Perch round out the seating options. The modular bench, made of interconnecting and corner blocks, can be adapted based on user needs. A mortise and tenon mechanism locks the blocks in line; a selection of materials allows for seemingly endless combinations. The 08 Perch is an adjustable stool with an internal gas assist mechanism. Featuring an upholstered seat, the Perch consists of three cylinders; the top and bottom cylinders are wood; the middle one is acrylic. Offering height adjustment from 19 to 30 inches, the Perch accommodates different work requirements.

Ancillary “Tools for Life”

The 09 Screen can be used to partition specific zones within an overall open space. A base of clear acrylic supports panels of foamed aluminum, travertine or wood grain laminate that can be cantilevered off-center.

The 10 Credenza serves as a complementary piece to any and all of the horizontal table elements by providing storage pockets that are accessed by a hinged lid.

The post Tools for Life by OMA
for Knoll
appeared first on Dezeen.

Unexpected Welcome by Moooi

Milan 2013: an exhibition of new products for Dutch brand Moooi, including lamps shaped like upturned buckets and bathtubs by Studio Job, opens in Milan’s Tortona district tomorrow (+ slideshow).

Unexpected Welcome by Moooi

Above: Bell Lamp Medium by Marcel Wanders

Moooi’s co-founder Marcel Wanders has created a number of pieces for the Unexpected Welcome collection, such as bell-shaped lights topped with ceramic bows, lamps with stands that look like chunky balusters and sofas scattered with plump white pillows designed to look like clouds.

Unexpected Welcome by Moooi

Above: Labyrinth Chair Grey by Studio Job

Armchairs patterned with maze-like geometries and a cabinet with patchwork surfaces are among the items by Dutch artists Studio Job.

Unexpected Welcome by Moooi

Above: Common Comrades Scholar by Neri&Hu

Slovenian designer Nika Zupanc‘s entirely golden chair and Chinese studio Neri&Hu‘s family of red utility tables also feature in the range.

Unexpected Welcome by Moooi

Above: Bucket Lamp by Studio Job

Last week Moooi revealed a selection of initial sketches and concept drawings by the designers who contributed to the collection.

Unexpected Welcome by Moooi

Above: Construction Lamp by Joost van Bleiswijk

The products will be on display from tomorrow at Via Savona 56 in the Tortona district of Milan, close to where Dezeen has set up a studio in a car wash at the MINI Paceman Garage as part of our Dezeen and MINI World Tour.

Unexpected Welcome by Moooi

Above: Juuyo Peach Flowers by Lorenza Bozzoli

See all our stories about designs for Moooi »
See all our coverage of Milan 2013 »
See our map of Milan 2013 »

The post Unexpected Welcome
by Moooi
appeared first on Dezeen.

Aria and Avia lamps by Zaha Hadid for Slamp

Milan 2013: Zaha Hadid will present two monochrome pendant lamps for Italian brand Slamp at the Euroluce lighting show tomorrow.

Aria and Avia lamps by Zaha Hadid for Slamp

The Aria lamp (above) contains a core of six light sources facing outwards plus a downward-facing spotlight, which shine through 50 sheets of translucent black plastic. Each plastic profile is slightly different so they form a fluid, asymmetric shape when hung radially.

Aria and Avia lamps by Zaha Hadid for Slamp

Avia (above and below) has a similar construction, but the plastic sheets are opaque and can be white or black. This second model is available in two small sizes for residential use and two bigger forms for installation in large spaces.

Aria and Avia lamps by Zaha Hadid for Slamp

The lamps will be unveiled at the Euroluce lighting exhibition taking place alongside the Salone Internazionale del Mobile at Milan Fairgrounds from 9 to 14 April. Slamp‘s stand will be located at A15-B12, Hall 9.

Aria and Avia lamps by Zaha Hadid for Slamp

Above: Aria pendant lamp

Zaha Hadid is also showing twisting auditorium seats and limited-edition marble tables in Milan this week. See all our stories about architecture and design by Zaha Hadid.

Aria and Avia lamps by Zaha Hadid for Slamp

Above: Avia pendant lamp

See all our stories about design at Milan 2013 »
See our map of the best things to see at Milan 2013 »

Aria and Avia lamps by Zaha Hadid for Slamp

Above: Avia pendant lamp

Here’s some extra information from Slamp:


Aria by Zaha Hadid

Aria is a lamp designed by Zaha Hadid which combines dramatic architectural features with the intrinsic weightlessness of the materials, creating a sculpture of light and technology that fascinates and enchants observers.

The 50 individual layers of Cristalflex (a techno-polymer patented by Slamp) work together to make Aria seem as if is about to take flight, characterised by complex yet harmonic forms that embrace the light source in a veiled breath.

The large lamp is formed of a central structure capable of flooding the entire room with light, thanks to 6 light sources and a spotlight directed downwards.

With an 90 cm diameter and 130 cm high, Aria enhances any space, rendering it luxurious without losing any of its contemporary style.

The elegant black veiled finish lends a touch of mystery and seduction.

Avia by Zaha Hadid

Avia combines the majesty of great architecture with a lamp for day-to-day use, perfectly integrating large volumes with advanced lighting techniques and technology.

To give shape to such an ambitious project the designer used 52 different layers of Opalflex, a techno-polymer patented by Slamp, creating an effect of fluidity, dynamism and harmony resulting in a perfect architectural form that gently embraces the light source.

Avia captures the gaze of anyone who draws near, offering constantly changing perspectives and reflections, transforming itself from a simple light source into a genuine sculpture to be admired, making any space more suggestive.

The central structure is capable of providing 360 degrees light, thanks to its numerous light sources and a downwards-facing spotlight.

The lamp is available in 4 different sizes, making it capable of adapting to any kind of space: two smaller sizes, ideal for use at home and two larger versions for enhancing large-sized spaces. Two colour tones are available: the uncontaminated purity of total white and the absolute elegance of total black.

The post Aria and Avia lamps by Zaha Hadid
for Slamp
appeared first on Dezeen.

Quiet Motion by Ronan and Erwan Bouroullec for BMW i

Milan 2013: designers Ronan and Erwan Bouroullec present a courtyard installation of rotating cork platforms for car brand BMW i (+ slideshow).

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

Called Quiet Motion, the project for BMW’s electric car division comprises four carousel-like structures with strips of fabric hanging from the edges, linked by wide circular cork platforms that are also revolving.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

Visitors can climb inside the curtains of textiles and relax as the world slowly passes round them: “You are invited to take part in it and be part of the movement,” explains Erwan Bouroullec.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

The Bouroullec brothers believe that as electric engines make cars quieter, the driving experience and the interior design of vehicles should become simplified and more relaxing.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

“We tried to interpret what it means to have an electric cars,” he continues. “What we propose with this installation is to say that motion, movement, energy in general should probably be quieter, softer and something which is less about speed and aggression.”

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

They combined materials common to car design – bodywork paint and leather – with materials more usually associated with furniture and interiors, like cork and fabrics.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

“We are more and more surrounded by materials that look fake,” says Bouroullec. “In the furniture industry you use less materials and fewer components. I think car interiors have to come back to materials that are more clear, more simple, and more understood by the people and customers.”

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

The installation will be on show at Facoltà Teologica dell’Italia Settentrionale, Via dei Cavalieri del Santo Sepolcro 3, 20121 Milan from tomorrow.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

The Bouroullecs will also present an aluminium sideboard for Italian brand Magis and an update to their Steelwood chair at the Salone Internazionale del Mobile in the city this week. See all our stories about design by Ronan and Erwan Bouroullec.

Quiet Motion by Ronan and Erwan Bouroullec for BMWi

BMW i is the sustainable sub-brand of BMW – check out their folding electric scooter and two electric concept cars or see all our stories about BMW car design.

See all our stories about Milan 2013 »
See our Milan 2013 map »

The post Quiet Motion by Ronan and Erwan
Bouroullec for BMW i
appeared first on Dezeen.

Radice Stools by Industrial Facility for Mattiazzi

Milan 2013: British designers Industrial Facility will unveil these three-legged stools for Italian design brand Mattiazzi in Milan this week (+ movie).

Radice Stools by Industrial Facility for Mattiazzi

Named Radice, the stools combine the front-half of a traditional four-legged stool with an unusual single leg in the middle of the back.

Radice Stools by Industrial Facility for Mattiazzi

“Radice has some tension in its form and it is a slight surprise that the third leg works as well as it does to resolve the overall structure,” says Industrial Facility’s Sam Hecht. “It is in some ways structurally diagrammatic, yet is made comfortable visually and physically because of how this third leg supports the seat.”

Radice Stools by Industrial Facility for Mattiazzi

A low backrest branches upwards from the back leg. Its t-bar shape provides a practical place to hang coats and handbags and is reflected in the bracing at the top and bottom of the legs.

Radice Stools by Industrial Facility for Mattiazzi

The Radice stools have no visible fixings or screws and the seat appears to merely rest on the leg frame.

Radice Stools by Industrial Facility for Mattiazzi

Manufactured by Mattiazzi, the stools will be available in red, yellow, black or natural wood, with additional cushion options. There is also a choice of two heights.

Radice Stools by Industrial Facility for Mattiazzi

This is Industrial Facility’s second product for Mattiazzi: in 2010 they presented a chair called Branca, inspired by the growth of tree branches. See all our stories about design by Industrial Facility.

Radice Stools by Industrial Facility for Mattiazzi

Mattiazzi will show the project at the Salone Internazionale del Mobile from 9 to 14 April, alongside chairs based on camping equipment by Jasper Morrison. See all our stories about Mattiazzi.

Radice Stools by Industrial Facility for Mattiazzi

See all our stories about Milan 2013 »
See our Milan 2013 map »

The post Radice Stools by Industrial Facility
for Mattiazzi
appeared first on Dezeen.

Dezeen Mail: Milan 2013 special

Dezeen + Afrofuture + Adhocracy + Bar Basso party

Milan 2013: we’ve just sent out a special edition of our Dezeen Mail newsletter full of useful information and links about Milan design week, which starts tomorrow – plus read on for details of a party we’re co-hosting at Bar Basso on Thursday evening!

The newsletter contains details of our Dezeen and MINI World Tour Studio at the MINI Paceman Garage at Via Tortona 20 (above) and our digital map of all the best events in town (below).

Dezeen's Milan 2013 map

Plus we’ve been reminiscing about our fab party at Bar Basso three years ago, so we’ve teamed up with Afrofuture and Adhocracy to present another shindig at the legendary watering hole on Thursday 11 April from 10pm (below). See you there – and read the newsletter here.

Dezeen + Afrofuture + Adhocracy + Bar Basso party

The post Dezeen Mail: Milan 2013 special appeared first on Dezeen.