Sestosenso by Paul Cocksedge for BMW and FLOS

Sestosenso by Paul Cocksedge for BMW and FLOS

Milan 2011: visitors to an installation by London designer Paul Cocksedge at the Milan showroom of lighting brand Flos could view an animation of a BMW 6 Series car only by putting their heads inside a plastic lamp shade.

Sestosenso by Paul Cocksedge for BMW and FLOS

Called Sestosenso, the installation featured conical lamp shades suspended in a white-walled room.

Sestosenso by Paul Cocksedge for BMW and FLOS

Through the shades visitors can view a movie of the new BMW 6 Series projected on the wall that is invisible to others in the room.

Sestosenso by Paul Cocksedge for BMW and FLOS

More by Paul Cocksedge on Dezeen »
More stories from Milan 2011 on Dezeen »

Sestosenso by Paul Cocksedge for BMW and FLOS

Photos are by Mark Cocksedge.

Sestosenso by Paul Cocksedge for BMW and FLOS

The following information is from the designer:


BMW and FLOS present: SESTOSENSO, a luminary apparition by Paul Cocksedge:

Munich/Milan. Sharing a passion for design, research, experimentation, aesthetic purity and technological innovation, BMW and FLOS have joined forces at Salone del Mobile 2011 to create, thanks to Paul Cocksedge’s talent, SESTOSENSO, a celebration of light. The installation can be visited in the FLOS Professional Space in Corso Monforte 15 from 12th to 17th April.

Sestosenso by Paul Cocksedge for BMW and FLOS

Inspired by the quality and beauty of light and the astonishing new BMW 6 Series, the first BMW with Full-LED headlights, Paul Cocksedge has erected a seamless, curving, white wall extension to the Flos showroom and low-hanging red and white conical lamps. As with the BMW headlights, the source of light remains hidden, only the light itself is guided through a transparent body, rendering the light source invisible and forever changing its qualities. The resultant, intensely soft light caresses, seduces all around.

Sestosenso by Paul Cocksedge for BMW and FLOS

Stepping inside one of the impressive SESTOSENSO red lights, a video of the BMW 6 Series Coupe reveals itself on the vast white wall. As if accessing a sixth sense, there is a hint of movement in the corner of the eye. Through the light we see the car: through the car, we understand the light.

Sestosenso by Paul Cocksedge for BMW and FLOS

The playful sculptural pieces softly illuminate, stimulate and allow contemplation. Cocksedge gives us elegant, ‘functional brilliance’. A hand made Limited Edition of 66 SESTOSENSO light sculptures, designed by Paul Cocksedge Studio for Flos, is released for this special event, to celebrate the perfect fusion of light, design and technology.

Sestosenso by Paul Cocksedge for BMW and FLOS

The new BMW 6 Series Coupe presents itself as a sport car for connoisseurs who enjoy luxury and appreciate trailblazing technology. The adaptive Full-LED headlamps of the new BMW 6 Series Coupe are an innovation in the field of lighting technology. This innovative technique generates bright white light to assure an especially intensive and uniform illumination of the roadway.

Sestosenso by Paul Cocksedge for BMW and FLOS

This technique, which is being serially deployed for the first time in the BMW 6 Series Coupe, facilitates an impressive restaging of BMW design icons such as the round headlamps and the taillights.


See also:

.

A Gust of Wind by
Paul Cocksedge
Drop by
Paul Cocksedge
Veil by
Paul Cocksedge

Dezeen Screen: NewspaperWood by Mieke Meijer and Vij5

NewspaperWood by Mieke Meijer and Vij5

In this movie, filmed at Ventura Lambrate in Milan, Arjan van Raadshooven from Vij5 talks to Dezeen about Newspaper Wood, a wood-like material made from recycled newspapers. Watch the movie »

Dezeen Screen: M-Collection by Niels van Eijk and Miriam van der Lubbe

M-Collection by Niels van Eijk and Miriam van der Lubbe

Dezeen Screen: As part of our movie series filmed at at Ventura Lambrate in Milan last month, designers Niels van Eijk and Miriam van der Lubbe talk about the M-Collection, a furniture range they have designed for the Frits Philips Concert Hall (see our earlier story on Dezeen). Watch the movie »

Mutation by Ora-Ïto for Citroën

Mutation by Ora-Ito for Citroen

French designer Ora-Ïto has designed a spaceship and a sedan chair for car manufacturer Citroën.

Mutation by Ora-Ito for Citroen

The Mutation project was presented in Milan last month.

Mutation by Ora-Ito for Citroen

The two objects, named UFO and Evo Mobil, have design features based on the styling of contemporary Citroën cars.

Mutation by Ora-Ito for Citroen

See all our stories about Milan 2011 »

Mutation by Ora-Ito for Citroen

More stories about transport design on Dezeen »

Mutation by Ora-Ito for Citroen

Here is some more information from Citroën:


Mutation Exhibition
Milan 2011

On the edge of the hypothesis and the contemporary art, this hybrid object is based on the fulfillment of child’s dream with an obvious commitment for the ecology.

Mutation by Ora-Ito for Citroen

In the vocabulary of Ora-Ïto, we find a real assertion expressing and realizing the imagination. Inspired by the fluid curves of the Citroën « Traction Avant » monocoque structure and based on his designer’s competences, Ora-Ïto reflects on the ergonomics of the interior of the first mobile module.

Mutation by Ora-Ito for Citroen

He has worked on the codes, the DNA and the philosophy of the car industry to modernize it with the possibilities and the existing technologies.

Mutation by Ora-Ito for Citroen

Associated to the research and innovation department of dynastic Citroën, he has developed a surprising and unexpected sculptures joining all the parameters and the technologies appropriate for the universe of car manufacturers.

Mutation by Ora-Ito for Citroen

Baptized Evo Mobil, he creates a monotypic kind, which possesses only single specie.

Mutation by Ora-Ito for Citroen

The term « genetic transformation » is used to indicate an irreversible modification of the genetic and hereditary information. If the transformation arrives up to cells then, it is passed on to the descendants of the mutant individual.

Mutation by Ora-Ito for Citroen

This change can get a selective advantage. This is the base of the evolution’s process.

Mutation by Ora-Ito for Citroen

Ora-Ïto has naturally imagined other modules to join the initial project. A continuity of the imagination allowing to multiply actions and give another reflection to « Evo Mobil ». He has created « UFO » which is inspired by an iconic car from Citroën.

Mutation by Ora-Ito for Citroen

The DS model commonly used by the president is now enrolled into the « genetic transformations » from Ora-Ïto artistic vision that play on the strong and iconic details.

Mutation by Ora-Ito for Citroen

The vehicle is based on the future of transport mixed with one of the most famous cars in the world.

Mutation by Ora-Ito for Citroen

UFO sculpture allies the dream to the formal, the future to the technology. The idea to work with several entities allows all the « genetic transformations » to spread a universal message to the car industry through his artistic vision and new directions never investigated before.


See also:

.

MINI Rocketman ConceptArtikcar by Ben WilsonVision EfficientDynamics
by BMW

NewspaperWood by Mieke Meijer and Vij5

NewspaperWood by Mieke Meijer and Vij5

Dutch designer Mieke Meijer and Dutch design studio Vij5 presented a wood-like material made from recycled newspapers at Ventura Lambrate in Milan last month.

NewspaperWood by Mieke Meijer and Vij5

Reading Light by Christian Kocx

NewspaperWood is made by gluing the papers together and then cutting or sanding them to reveal lines that are similar to a wood grain.

NewspaperWood by Mieke Meijer and Vij5

Reading Light by Christian Kocx

The material has been used by designers rENs, Breg Hanssen, Greetje van Tiem, Ontwerpduo, Floris Hovers, Christian Kocx and Tessa Kuyvenhoven to create a range of prototype objects and furniture, including jewellery, a lamp and a display cabinet, which were shown in Milan.

NewspaperWood by Mieke Meijer and Vij5

Press to Open by Floris Hovers

See all our stories about Milan 2011 »
More stories about Mieke Meijer on Dezeen »

NewspaperWood by Mieke Meijer and Vij5

Press to Open by Floris Hovers

Here are some more details from Mieke Meijer and Vij5:


NewspaperWood | KrantHout

project development & collection | Vij5
material concept | Mieke Meijer
first prototype collection designed by | rENs, Breg Hanssen, Greetje van Tiem, Ontwerpduo, Floris Hovers, Christian Kocx & Tessa Kuyvenhoven

NewspaperWood by Mieke Meijer and Vij5

Paper Frames by Ontwerpduo

The layers of paper appear like lines of a wood grain or the rings of a tree …
by designlabel Vij5

NewspaperWood by Mieke Meijer and Vij5

Paper Frames by Ontwerpduo

Introducing a new material: NewspaperWood

EN Every day, piles of newspapers are discarded and recycled into new paper.

NewspaperWood by Mieke Meijer and Vij5

Framed by Breg Hanssen

During her study at the Design Academy Eindhoven in 2003, Mieke Meijer devised a solution to use this surplus of paper into a renewed material: NewspaperWood.

NewspaperWood by Mieke Meijer and Vij5

Framed by Breg Hanssen

NewspaperWood shows a reversing of a traditional production process; not from wood to paper, but the other way around.

NewspaperWood by Mieke Meijer and Vij5

Display Cabinet by rENs

When a NewspaperWood log is cut, the layers of paper appear like lines of a wood grain or the rings of a tree and therefore resembles the aesthetic of real wood.

NewspaperWood by Mieke Meijer and Vij5

Display Cabinet by rENs

The material can be cut, milled and sanded and generally treated like any other type of wood.

Upcycling

About the environmental impact of NewspaperWood

EN NewspaperWood does not aim to be a large scale alternative to wood, nor to use all paper waste into a new material.

NewspaperWood by Mieke Meijer and Vij5

From A to Z by Greetje van Tiem

The main theme in the project is ëupcyclingí with which we show how you can change a surplus of material into something more valuable by using it in another context.

NewspaperWood by Mieke Meijer and Vij5

From A to Z by Greetje van Tiem

Although printing techniques for newspapers are nowadays efficient enough to reduce the test prints and first unusable newspapers to a minimum, there still is enough material available.

NewspaperWood by Mieke Meijer and Vij5

Next to that we use ëyesterdayís newspaperí: the newspapers that are printed but not sold and will turn out to be old news the next day anyway .. a perfect local source for our basic material!

NewspaperWood by Mieke Meijer and Vij5

United by Tessa Kuyvenhoven

To actually upcycle the newspapers into our new wood-like material, we (temporarily) take the newspapers out of the already existing and efficient cycle of paper-recycling.

NewspaperWood by Mieke Meijer and Vij5

United by Tessa Kuyvenhoven

We think it would be ideal to be able to bring our own waste material back into the circle again.

NewspaperWood by Mieke Meijer and Vij5

Sample Series by rENs

Therefore we use a glue to construct the material which is free of solvents and plastici-zers which would make it more difficult to recycle.

NewspaperWood by Mieke Meijer and Vij5

Sample Series by rENs

With this it is not only possible to put our own sawing and sandpapering waste back into the circle, but also to bring the NewspaperWood products to the scrap yard for recycling, although we hope they will be cherished for a long time…


See also:

.

Paperpulp by
Debbie Wijskamp
Corbeille by Amaury
Poudray for Fabrica
A Flip Flop Story
by Diederik Schneemann

Dezeen Screen: the Yachiyo metal rugby Philippe Malouin

Philippe Malouin

Dezeen Screen: In this interview filmed in Milan last month, London designer Philippe Malouin tells us about The Yachiyo metal rug, which is handmade from galvanised steel wire. Watch the movie »

Dezeen Screen: LunaTik and TikTok by Scott Wilson

Dezeen Screen: LunaTik and TikTok by Scott Wilson

Dezeen Screen: designer Scott Wilson (see our previous story) shows us his LunaTik and TikTok watches and tells the amazing story of how he raised $1 million in funding in just a few days. We filmed this interview with him at Ventura Lambrate in Milan and are now stocking LunaTik at our pop-up in New York. Watch the movie »

XXXX_Sofa by Yuya Ushida for Ahrend

XXXX_Sofa by Yuya Ushida for Ahrend

Here are some more images of Yuya Ushida‘s expanding plastic sofa for Dutch company Ahrend, featured in our movie interview with the designer published yesterday on Dezeen Screen.

XXXX_Sofa by Yuya Ushida for Ahrend

Called XXXX_Sofa, the piece is made of 8000 sticks and 2000 rings that snap together.

XXXX_Sofa by Yuya Ushida for Ahrend

The components are injection-moulded from recycled plastic bottles.

XXXX_Sofa by Yuya Ushida for Ahrend

A stool version with 600 parts is available in kit form.

XXXX_Sofa by Yuya Ushida for Ahrend

Ushida originally created the system in bamboo while studying at the Design Academy Eindhoven in the Netherlands.

XXXX_Sofa by Yuya Ushida for Ahrend

Watch our video interview with Yuya Ushida on Dezeen Screen »

XXXX_Sofa by Yuya Ushida for Ahrend

See all our stories about Milan 2011 »

XXXX_Sofa by Yuya Ushida for Ahrend

Here are some more details from the designer:


Dutch office furniture company Royal Ahrend NV is producing transformable furniture XXXX_Sofa and XXXX_Stool designed by Yuya Ushida.

XXXX_Sofa/XXXX_Stool are industrial version of Ushida’s Graduation project SOFA_XXXX for the exam at the Design Academy Eindhoven in June 2010. It was rewarded with the maximum level of 10 and the graduation was cum laude. This original model is handmade of about 8000 bamboo sticks and 2000 rings. The basic idea is that a chair can change into a sofa by a simple movement without any tools…

XXXX_Sofa by Yuya Ushida for Ahrend

A chair becomes a sofa, and a sofa becomes a chair.

“Whenever I see it the beauty of the simple geometrical structure and its repetition always fascinates me. SOFA_XXXX is made of just 4 different lengths of sticks, rings and joints. the parts on their own don’t seem to be special, but when put together in a regular pattern their beauty appears. It can be contracted, which makes it easier for transportation…”

XXXX_Sofa by Yuya Ushida for Ahrend

This was a my concept for SOFA_XXXX, which was my graduation project 2010. I used bamboo sticks and It was all hand made. Therefore it is hard to mass produce. However I prefer to focus on our daily life rather than making an art.

XXXX_Sofa by Yuya Ushida for Ahrend

In order to use as a daily life object, we chose to use plastic injection molding. And you can click in to build it up. It consists of only 8 elements, you can make many shapes. (e.g. Sofa, Stool, Table and Bench etc…)

XXXX_Sofa by Yuya Ushida for Ahrend

Also it is used genuine recycled PET, no glass fiber for strength. I wanted to do something with the PET bottle that overflows in our society.

XXXX_Sofa by Yuya Ushida for Ahrend

My design motto is to make people happy while using things that I have made. Also, I would like to translate a beauty that is surrounding us into my objects.

XXXX_Sofa by Yuya Ushida for Ahrend

XXXX_Sofa and XXXX_Stool suit this very well. Of course these can be used as a furniture, but also you can enjoy the geometrical structure like your own Eiffel tower! Then, if you put together it by yourself, I am sure, it definitely will be existence more than furniture for you.

XXXX_Sofa by Yuya Ushida for Ahrend

XXXX_Sofa is made by 8000 sticks and 2000 rings
XXXX_Stool is made out of around 600 parts (sticks and rings)
XXXX_Stool is available in kit form

XXXX_Sofa by Yuya Ushida for Ahrend


See also:

.

Diederik Schneemann
at Ventura Lambrate
Benjamin Hubert
at Ventura Lambrate
Laurens van Wieringen
at Ventura Lambrate

Dezeen Screen: XXXX by Yuya Ushida

XXXX by Yuya Ushida

Dezeen Screen: In this movie filmed at Ventura Lambrate in Milan last month Japanese designer Yuya Ushida talks to Dezeen about the mechanical engineering behind his XXXX furniture range for Dutch brand Ahrend. Watch the movie »

Democratic Chess by Florian Hauswirth

Democratic Chess by Florian Hauswirth

In this game of chess created by designer Florian Hauswirth of Switzerland, pieces that are taken can be stacked to create new pieces with combined abilities.

Democratic Chess by Florian Hauswirth

Called Democratic Chess, the maple set can be used either as a traditional chess set or played according to Hauswirth’s rules.

Democratic Chess by Florian Hauswirth

The design was presented at Ventura Lambrate in Milan last month as part of a presentation entitled Trattoria Utopia by design collective Postfossil.

Democratic Chess by Florian Hauswirth

See all our stories about Milan 2011 »

Here are some more details from Hauswirth:


Democratic Chess – Postfossil Trattoria Utopia Collection 2011

The game of chess as model for a utopian society

The scenario described by a traditional chess set consists of a monarchy with entourage including a castle/city, soldiers/knights and pawns/people. It is a game of strategy, whereby planning for the next move is essential.

Chess – ‘The Royal Game’ – has been played since time immemorial in the most varied cultures from India to Persia, Russia, to the Vikings. Nowadays, computers are increasingly playing alongside chess masters.

Democratic Chess is a new interpretation of the traditional chess game. Not only the form, but also the function of the figures has been re-interpreted, which means that the flow and content of the game can change. Democratic Chess increases the unpredictability of the game, creating totally new and surprising situations.

New ways of playing are made possible by the shape of the figures. Pieces taken are not eliminated but stacked, thus creating new figures, which have more abilities. For example, a knight or even a second queen can be made from several pawns etc.

Democratic Chess can be played in one of three ways:

  • normal chess (monarchy) with the traditional rules
  • the new, democratic chess, with flexible values and play scenarios
  • A constructive children’s game

Material: maple wood, in coloured varnish

POSTFOSSIL sets up its exhibition ‘Trattoria Utopia’ during the Milan Furniture Fair (12 -17 April 2011) in Ventura Lambrate.

The objects exhibited in the exhibition ‘Trattoria Utopia’ provoke discussion, encourage questions and allow new utopias to arise. The interaction in the space is central, as is the exchange between visitors and designers. Trattoria Utopia ventures a peek at the future, suggests possible scenarios and combines these with impossible ones. Visions are presented, but developed together with visitors. Trattoria Utopia is a meeting place that invites one to spend time, make discoveries and to contemplate.

The collection ranges from cutlery, crockery, seating to toys: Objects that can be found in a trattoria, but which also deal with the postfossil vision. The objects are arranged and displayed on and around a large board. Removed from their pure function as exhibits, they can be tried out and tested by the visitors.


See also:

.

FHNY Collection
by Florian Hauswirth
Postfossil at
Milan 2010
Doublefacette
by Postfossil