Postalco Wheel Printer

Mike Abelson sets up a unique print shop at NYC’s Creatures of Comfort
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Designers are typically inspired people, and those who have a natural talent can often spot a creative use for even the most familiar object—like the wheel, for example. Such is the case for Postalco‘s imaginative co-founder Mike Abelson, who became obsessed with wheels after seeing the mark that one left on a piece of paper trapped in the sliding glass door of his Tokyo home. This fascination with an object’s unintended purpose led Abelson to create a wheel printer that could add a distinct set of stripes to his finely crafted Postalco notebooks. “If you really step back and think about what printing is, and think about it as mark-making, then in a way this is printing too,” he explained to us at NYC boutique Creatures of Comfort, where he has set up the printer for a one-week residency.

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Made entirely from scratch out of household products, the Postalco Wheel Printer is a bit of a Rube Goldberg machine, but Abelson delights in its ability to produce rough, imperfect stripes—an aesthetic that the Japanese have a difficult time allowing. A trained product designer (he helped launch Jack Spade), Abelson spent six months building the printer, experimenting with different wheels and methods.

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With Postalco products safely in the hands of quality craftsman, for Abelson the printer is a way to get in on the production side of things, as well as to add to the notebooks’ notoriously handsome but monotone colorways. “Our products are really plain and simple, and are really just sort of geometric. I thought it would be interesting to have something that took place on the surfaces,” he says.

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With tiny soy sauce bottles holding the ink, the Postalco Printer operates off of a wooden wheel that Abelson cranks on the side as a notebook passes through, and the carefully placed wheels leave their distinct marks. Those in NYC can pick up one of the one-off notebooks at Creatures of Comfort, which feature special blue and yellow colorways.

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The Postalco Wheel Printer will be on display at Creatures of Comfort starting today through 10 July 2012, alongside a new film by Koki Tanaka, which shows the mixed-media artist using various Postalco products in humorous, unconventional scenarios.

See more images of the Wheel Printer in the slideshow below.


Cacophany Bell by Tord Boontje with Laikingland

Milan 2012: more about Hackney designers in Milan last week – this tangle of bent rods and random objects is actually a doorbell by Dutch Shoreditch-based designer Tord Boontje that was shown at the Ventura Lambrate design district.

Cacophany Bell by Tord Boontje for Laikingland

When visitors push the doorbell button the whole structure starts to tip first one way then the other, causing a hammer on wheels to career round the track and bash into any objects the owner chooses along the way.

Cacophany Bell by Tord Boontje for Laikingland

The Cacophany Bell was developed with kinetic objects company Laikinglandsee more of their contraptions here, including an applause machine and a mechanical hand that continuously drums its fingers.

Cacophany Bell by Tord Boontje for Laikingland

The Ventura Lambrate design district was open from 17 to 22 April.

Cacophany Bell by Tord Boontje for Laikingland

See all our stories about Ventura Lambrate 2012 here.

Cacophany Bell by Tord Boontje for Laikingland

Back in London, Boontje is currently professor and head of design products at the Royal College of Art in London, and recently opened his new shop and studio on Charlotte Road in Shoreditch.

Cacophany Bell by Tord Boontje for Laikingland

Here’s some more information from Laikingland:


Laikingland presents “With Movement” at Ventura Lambrate 2012

Laikingland is a creative label whose fundamental theme is movement. Each year, kinetic objects are developed collaboratively with invited artists and designers. The exhibition “With Movement” acknowledges both the objects and the collaborative process developed with each artist and designer.

Cacophany Bell by Tord Boontje with Laikingland

“Through the gap in the shutters, I can see him coming up the path, he is past the gate already. Quick, can I hide? Why, would I? Should I not be glad that he is coming? What if…

Too late, I can see his hand reaching out for the buzzer, I know I have only a few seconds left. The finger presses the button, the wireless connection is made, I look up at the ceiling.

The hammer on wheels is released, with hesitation it starts to move along the fine metal wire track. It picks up speed and rushes down the first steep slope of the track, it crashes into a steel watering can, BANG. Without slowing down the hammer keeps moving towards a glass bottle, the sound of impact is a glassy PING. Onwards through the steep corners towards the dried leaves, the doll, the tin can, CRUSH THUMP TING and finally heading towards the bell, where it ends with a loud CLANG.

Although, it does not quite end there The weight of the hammer now tips the balance of the precariously hung track and the whole thing starts to tilt over. Slowly the hammer on wheels starts to move again, exploring new forces of gravity. Giving in to a new sliding motion as the track changes shape again and the hammer reaches it’s starting point again where it comes to rest.

The noise, the cacophony, is still echoing through the house, while I wait for him to press the buzzer again.” – Tord Boontje,

Laikingland is a creative label, based in both the UK and The Netherlands, who design and manufacture beautifully crafted kinetic objects that engage, and evoke a sense of play and nostalgia.

The company was founded in 2008 and is built upon a life long friendship between artist, Martin Smith and engineer, Nick Regan. Since it’s inception Laikingland has specialised in producing highly crafted limited editions, working closely with invited artists and designers to realise their kinetic ideas.

Alongside the products developed and manufactured by Laikingland, projects to create one-off, special edition and exclusive kinetic objects, spaces and commissions are also undertaken.

All our work is produced in small batches or limited editions and is hand assembled in the North of England by our team of highly skilled craftsmen, artisans and jewellers.

Martin Smith is the Art Director of Laikingland. He lives and works in West Yorkshire, UK. He has 17 years experience as a practicing Artist, with work ranging from small kinetic devices to large-scale gallery commissions and architectural interventions.

In his role as Art Director, Martin has overall responsibility for the design selection process, he curates the product range and collaborates at the concept stage with each artist and designer. Through his vast experience of surprising yet elegant mechanisms, he influences both the movement of the kinetic objects and the direction of the Laikingland brand.

Nick Regan is the Engineering Director of Laikingland. He was born and raised in West Yorkshire, UK, but now lives and works in Utrecht, the Netherlands. He has 16 years product development and engineering management experience in the global automotive industry. He has worked with many of the world’s leading automotive companies in the UK, Europe, USA and Asia.

Key:

Blue = designers
Red = architects
Yellow = brands

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

Birth of a Book

Glen Milner a réalisé pour le Daily Telegraph une vidéo sur la naissance d’un livre. Filmant l’imprimerie de Smith-Settle à Leeds, la vidéo arrive à retranscrire la magie de la réalisation d’un livre avec des méthodes traditionnelles. Un rendu à découvrir dans la suite.



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SyFy – DreamMachines

SyFy propose une nouvelle émission appelée “DreamMachines”. Présentée par les frères Parker, cette émission cherchera à construire des machines que nous pensions seulement réalisables dans nos rêves. La vidéo de présentation a été conçu par OneSize. A découvrir dans la suite.



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Brain Pulse Music

Music recorded from EEG waves helps to heal tsunami victims

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In the wake of last year’s devastating tsunami, artist Masaki Batoh sought to address the emotional wreckage caused by the Great East Japan Earthquake. The multi-talented Batoh has combined two decades of acupuncture work with his career as head of the musical group Ghost to create an album dedicated to those affected by the event. Dropping tomorrow, Brain Pulse Music (BPM) sets traditional spiritual tracks alongside music recorded from the brain waves of patients.

“Music and acupuncture treatment are really one and the same to me, an extension of my spiritual expression,” explains Batoh. “It’s a very natural thing.” The musician wanted to produce an album that would help the healing process in the same way that acupuncture relieves stress. “The Japanese were hurt and beaten down by the great quake, very frequent aftershocks, no fuel at gas stations, no safe food and the explosions of nuclear reactors hit by the quake and tsunami,” he recounts. “This is the requiem for dead and alive victims.”

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Two of the tracks on the album were created by recording signals from a modified EEG machine. The songs are purely improvisational, created by non-musicians in therapy-session settings. This method comes from Ghost’s history of using improvisation, during which band members would be kept in separate compartments to minimize communication. Batoh specializes in treating developmentally disabled patients, and the machine is designed to help them normalize brain levels. By providing an audible response to cognitive changes, they are able to learn to gain some control over their mental activity.

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The machine itself involves a headgear sensor that communicates with a motherboard. EEG waves are sent via radio to the motherboard, which outputs the signal as a sound image. Eventually, the “performer” learns to control the signal and can actually create music from their mind. The goal is to quiet the mind to a meditative state and allow the sensors to interpret the slight pulsations from the brain. Created by an electric pedalboard company, the custom-built machine is modeled off of medical EEG recording equipment.

The other tracks on the album come from the Kumano manuscript, Batoh’s name for his replications of religious melodies heard in his youth near the sacred Kumano Kodo pilgrimage route. Hoping to effect positive change in the recovery of his countrymen, Batoh is donating profits from BPM towards a fund for orphaned children. Additionally, the Brain Pulse Machine has been reproduced and is available for purchase.

Check out the video of Batoh’s BPM Machine at work, along with the two brain wave tracks from the album.


Archive of Years to Come by Koby Barhad

Archive of Years to Come by Koby Barhad

Having noticed piles of old books used as props in fashionable boutiques and bars, Royal College of Art student Koby Barhad created this “time machine” to accelerate the ageing of new tomes into objects with a sense of history.

Archive of Years to Come by Koby Barhad

The Archive of Years to Come machine treats books with UVC radiation lamps and high humidity levels inside a sealed chamber and takes four hours to age a book by a whole year.

Archive of Years to Come by Koby Barhad

Barhad developed the project for a south London library while studying MA Design Interactions at the Royal College of Art in London.

Archive of Years to Come by Koby Barhad

In 2010 we showed a machine designed by British designer Austin Houldsworth to rapidly fossilise organic material – see the machine here and the results of an experiment to fossilise a pineapple and a partridge here.

Here are some more details from Koby Barhad:


Archive of Years to Come

The “Archive of Years to Come” is a book-ageing machine, a chrono-chamber. Inside, a book lives a synthetic history line. Spending four hours inside the chamber is the equivalent of one real year.

Archive of Years to Come by Koby Barhad

The work explores the tendency to glorify the obsolete, to make meaning of a process. It is a technology to give value. The project was originally designed for the “South Lambeth” library in London. It’s purpose was to create a new myth around a historical library building (one of the Tate’s free libraries that is currently under threat of closure). Having no documented history or records of its own past, I decided to create a working “time machine” that enable it to age the present in order to give it a new past.

Archive of Years to Come by Koby Barhad

At the time I was working on the project I noticed that the high streets are filed with shops decorating their goods with old books. £40 shoes standing on a pile of used books, library wallpapers, torn old pages decorating a storefront manikins. Except from what seems as a sale strategy (smart old jeans for intelligent people), it echoes McLuhan’s argument from almost 50 years ago. Books are obsolete and they will become an “art form”. They became materials for new designs, they became an art form, they became the subject of art. So what is that we evaluate in books now?

Archive of Years to Come by Koby Barhad

Dezeen Screen: Sarah Colson

Dezeen Screen: Sarah Colson

Dezeen Platform: in this movie Royal College of Art graduate Sarah Colson presents her Portrait Machine, an interactive tool that allows her to create layered portraits using a sheet of glass, acetate and a distortion lens. Watch the movie »

Dezeen Screen: Faceture by Phil Cuttance

Faceture by Phil Cuttance

London designer Phil Cuttance has built a machine to cast faceted vases that are unique every time. Watch the movie »

Faceture by Phil Cuttance

The Faceture series is made of water-based resin, rotated inside a folded mould as it hardens.

Faceture by Phil Cuttance

The mould can be altered before each casting by pushing and pulling parts of the folded plastic net inwards and outwards.

Faceture by Phil Cuttance

Royal College of Art graduate Julian Bond developed a similar process in 2010 by pushing plaster rods back and forth to continuously alter the cast form. See his work here.

Faceture by Phil Cuttance

Other projects by Cuttance on Dezeen include vases made by welding plastic offcuts together and coat hooks made from toy animals.

Faceture by Phil Cuttance

Images are by Petr Krejčí and Phil Cuttance.

Faceture by Phil Cuttance

Here’s some more information from Cuttance:


FACETURE vases

The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique.

The FACETURE process

First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid.

The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use.

Each vase is handmade, unique, and numbered on the base.

Available in two sizes:

Tall – 45 x 12 cm approx
Small – 34 x 8 cm approx

Standard colours – Charcoal, blue, yellow, pink, white. Custom colours available.

The FACETURE project was created with the support of Creative New Zealand.

Watch this movie on Dezeen Screen »

Gravity stool by Jólan van der Wiel wins [D3] Contest at imm cologne


Dezeen Wire:
designer Jólan van der Wiel has won the €3000 first prize in the [D3] Contest for young designers at trade fair imm cologne in Germany for his Gravity Stool shaped by magnets. He showed the machine used to make the pieces at Dezeen Platform in September and you can watch it in action in our movies on Dezeen Screen.

The second prize of €2000 was awarded to Lee Sanghyeok for his Listen to Your Hands Table and the third prize of €1000 went to Marc Bell & Robin Grasby for the Apollo lamp.

Read more about Jólan van der Wiel here and more about Cologne 2012 here.

M.A.D. Gallery

Kinetic art and horological design at MB&F’s recently opened boutique in the heart of Geneva

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The collective group of timepiece innovators and artisans at MB&F have created a new way to showcase their yearly masterpieces alongside some of the world’s most equally elaborate pieces of kinetic art in Geneva’s recently opened M.A.D. Gallery (M.A.D. stands for Mechanical Art Devices). Although each piece is for sale, they have styled the space as more of a gallery than a boutique, displaying items on pedestals and against stark walls.

The gallery, which has opened just in time for the upcoming Salon International de la Haute Horlogerie in Geneva, will stock MB&F’s complete line of Horological Machines, along with a carefully curated collection of some of the world’s more unconventional examples of engineering, each sharing a common thread of unconventional design. These represent some of the mechanical art devices sourced from around the world that give the gallery its name.

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Resembling some kind of science fiction creature, Frank Buchwald’s Machine Lights are inspired by art, architecture and natural form. The designer draws on his artistic background as an illustrator and painter in the development of his lighting designs, each of which was chosen for its high-end finishing and unparalleled creativity—two important factors that draw a parallel with MB&F’s design ethos.

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The UK-based design firm Laikingland created Fingers, an “eternally tapping” replication of the artist’s own hand in cold-cast aluminum. Limited to just 25 pieces, the curious, battery-powered device is made entirely of a motor, steel and aluminum.

Sculptures by Xia Hang buck the generally accepted “do not touch” rule by encouraging interaction with the works’ audience. The stainless steel sculptures can be disassembled and reassembled for an endless amount of extension possibilities.

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MB&F’s latest Horological piece, the new Legacy Machine No. 1 is also on display at M.A.D. This extravagant timepiece features a three-dimensional movement consisting of 279 components (including 23 jewels). For an in-depth look at what the M.A.D. Gallery aims to achieve, watch their comprehensive video.

M.A.D. Gallery

Rue Verdaine 11

Geneva, Switzerland