Rewrite by GamFratesi for Ligne Roset

Rewrite by GamFratesi for Ligne Roset

Cologne 2011: the Rewrite desk by Copenhagen designers GamFratesi (see our earlier story) has been put into production by French brand Ligne Roset.

Rewrite by GamFratesi for Ligne Roset

The desk has a cave-like shield on top to create a private working environment.

Rewrite by GamFratesi for Ligne Roset

This fiberglass cocoon is covered in foam and woolen fabric, while the desk itself is made of walnut.

Rewrite by GamFratesi for Ligne Roset

A slit in the back of the surface accommodates cables while a lacquered steel container underneath hides laptop transformers and loose wires.

See the prototype in our earlier story.

The product was shown at imm cologne, which took place 18-23 January. See all our coverage of the event here »

More furniture on Dezeen »
More about GamFratesi on Dezeen »
More about Ligne Roset on Dezeen »

Here’s a little information from Ligne Roset:


GamFratesi is a design agency which was founded in Copenhagen in 2006 by Danish architect Stine Gam and Italian architect Enrico Fratesi. This Italian-Danish coupling brings together two gifted European design traditions: a magical union between Southern and Northern design. And the result: the Rewrite desk, designed like a bubble, a little jewel of modernity and softness.

Those who work from home do not necessarily want their living rooms to resemble an open plan office! At once aesthetic and functional, this astonishing study cocoon, covered in a sound-absorbing woollen material, is perfect for preserving both concentration and intimacy.

AESTHETICS

The soundproofed ball affords protection from both light and external noises and also dampens sounds emanating from within it. The natural, precious materials of which it is composed, walnut and Kvadrat Divina wool, reinforce the overall feeling of softness and security.

The astonishing appearance arises from the unexpected meeting between the déjà-vu and a surprising new element: the desk section is quite traditional in terms of its shape and materials (a wooden table), but when one adds its bubble, it breaks free of all historical or proportional references.

The functional aspect is covered by a lacquered metal chest, fixed beneath the desk, which conceals transformers and electrical cables, and by a slit cable port in the top of the desk. Whist staying connected, the user can isolate himself and construct for himself a very private space which is nonetheless still linked to the outside world…Thanks to its rounded shape, the Rewrite desk can be located as a ‘point’ anywhere in a room, be it living room, bedroom or even a large hallway.

Rewrite has already been displayed at the Danish Museum of Art and Design, Copenhagen.

Desk with legs in solid walnut and top in walnut veneered MDF, with the exception of the slit cable port in the rear section which is made from solid walnut. Ball/screen in fibreglass clad in polyether foam and Divina craie on both its internal and external faces. Chest in white lacquered steel to take transformers and cables, located beneath the top.


See also:

.

Jean Nouvel for
Ligne Roset
Ronan & Erwan Bouroullec
for Ligne Roset
Inga Sempé
for Ligne Roset

Saint James and Simple Bridge by Jean Nouvel for Ligne Roset

Saint James by Jean Nouvel for Ligne Roset

Cologne 2011: more from Jean Nouvel for Ligne Roset at imm cologne, this time the reissue of the French designer’s Saint James collection (above) and Simple Bridge (below).

Loriginal by Jean Nouvel for Ligne Roset

Saint James was originally designed by Nouvel for a restaurant, where the elasticated covers over the foam pads were changed for each new customer.

Saint James by Jean Nouvel for Ligne Roset

The collection includes a chair with or without arms and a pouf.

Saint James by Jean Nouvel for Ligne Roset

The Simple Bridge was originally part of Nouvel’s Elémentaire collection, now reissued as a sofa, armchair and footstool, characterised by the curved shape cut away from both arms and footstool.

Saint James by Jean Nouvel for Ligne Roset

See also: Simplissimo by Jean Nouvel for Ligne Roset at imm cologne.

More about Jean Nouvel on Dezeen »
More about Ligne Roset on Dezeen »
More coverage of Cologne 2011 »

Loriginal by Jean Nouvel for Ligne Roset

imm Cologne takes place 18-23 January 2011. See all our coverage of the event »

Loriginal by Jean Nouvel for Ligne Roset

Once again we’ve teamed up with imm Cologne to hold a free series of Dezeentalks at [D3] Design Talents. More details »

See films of all the Dezeentalks at last year’s fair here.

Here are some more details from Ligne Roset:


Saint James

CONCEPT. “This chair was originally designed for an extremely luxurious restaurant, with a white cotton cover which was changed for each new customer. Even so it had great simplicity whilst expressing with its very form the idea of great comfort, like an invitation to sit down and eat well. It was especially designed for this location, but it is the right of every piece of furniture to go wherever it wishes. Its friendly character has always ensured that it is viewed with a certain amount of humour. Its spirit is this openness, this declared fluidity. Contemporary techniques have enabled us to make gains in terms of both comfort and lightness. Just like a construction set, the elements of the armchair are separate: the curved metal stems link four ‘bubbles’ with removable covers.” Jean Nouvel

AESTHETICS

A devotee of unembellished design, Jean Nouvel has reduced the elements of the structure (feet, arm supports, junction of seat-back) to their most simple expression in order to offer, by contrast, generous, highly welcoming proportions in the case of those areas which come into contact with the body (seat and back cushions, armrests).

The Saint-James seating combines simple and very light lines of steel, elegantly curved, with the sensual fullness of the seat, back or arm cushions. Its threadlike, spidery appearance in no way precludes excellent comfort.

Simple Bridge

CONCEPT

“This seat had in the Elémentaire collection, which was originally produced by Ligne Roset. Elementarity has always been, for me, a rather anti-design position. I designed this armchair for the centre des congrès de Tours in the early 90’s. To say the least: now, I want THIS armchair – because the seating of the 1930’s to 70’s, when put into the architecture of the 1990s, is like quotations which have been displaced. I tried to make a design with no stylistic effect in and of itself, with just a little ergonomy and comfort. This armchair should be capable of adapting to all situations. One should rethink them constantly, taking account of the locations into which they will have to fit. So it could be higher, lower, wider, the essential element being that its materials and proportions remain strict and correct.” Jean Nouvel

AESTHETICS

It was clearly the designer’s intention to create a lucid, transparent piece which marks a return to traditional geometric forms: minimalism as a means of achieving perfection in terms of form. On the bridge, a quasi-cube around 65 cm2, a sweeping curve cuts across the seat and front edge of the arms to optimise the comfort and the harmonious balance of proportions.

Simple Bridge reinvents the‘club’, a comfortable, masculine chair, but with an extreme purification in terms of form.The design of the curve of the arms is sufficient to bring a certain dynamism to the overall piece.

And yet, the apparent simplicity of Simple Bridge conceals the very skills necessary to its execution: there can be no approximations in terms of cutting, sewing or upholstery if the severe edges of the seat are to remain perfectly straight.

Finally, to remain true to its designer’s desire for simplicity, Simple Bridge demands, as a priority, a timeless covering : a smooth hide or a black, white or grey polyurethane-coated fabric.


See also:

.

Ploum by Ronan & Erwan Bouroullec for Ligne Roset Ruché by Inga Sempé
for Ligne Roset
More about
Jean Nouvel

Simplissimo by Jean Nouvel for Ligne Roset

Simplissimo by Jean Nouvel for Ligne Roset

Cologne 2011: French architect Jean Nouvel presents a new collection of furniture for Ligne Roset at imm cologne in Germany this week.

Simplissimo by Jean Nouvel for Ligne Roset

Called Simplissimo, the series includes a banquette, chaise longue, fireside chair, footstool and bench, all with simple upholstery on a tubular frame.

Simplissimo by Jean Nouvel for Ligne Roset

More about Jean Nouvel on Dezeen »
More about Ligne Roset on Dezeen »
More coverage of Cologne 2011 »

Simplissimo by Jean Nouvel for Ligne Roset

imm Cologne takes place 18-23 January 2011. See all our coverage of the event »

Simplissimo by Jean Nouvel for Ligne Roset

Once again we’ve teamed up with imm Cologne to hold a free series of Dezeentalks at [D3] Design Talents. More details »

Simplissimo by Jean Nouvel for Ligne Roset

See films of all the Dezeentalks at last year’s fair here.

Simplissimo by Jean Nouvel for Ligne Roset

Here are some more details from Ligne Roset:


CONCEPT

“I like simple objects, produced in a natural way, with a little wood, foam and plastic. This is a direct aesthetic, which goes straight to the point, inspired by ‘fitness’. This faux banality renders such objects moving. Different and similar, like the members of a family which will grow and take on colour over the generations.” Jean Nouvel

AESTHETICS

Viewed in profile, the Simplissimo fireside chair seems to have been designed with two strokes of a pen: one for the base, a 3-segment broken line which gives its ergonomic slope to the seat-back assembly, itself a 2-segment broken line.

Thus the comfort arises from the design and the materials, employed with great economy of means on the seat and back. Thanks to the elegance of its light, transparent design, Simplissimo occupies its space with quite some degree of personality.

Simplissimo is available as a banquette, chaise longue, fireside chair, footstool and bench.

QUALITY OF MANUFACTURE & COMFORT

Construction: frame of seat and back in bent, soldered tubular steel and MDF. Back panel in plywood. Base in tubular steel, either matt chromed or finished in matt black lacquer, with protective gliders.

Comfort: suspension of seat and back via a sheet of grooved polypropylene, overlaid with an integral seat cushion in high resilience polyurethane Bultex foam 60 kg/m3- 7.5 kPa and 110 g/m2 polyester quilting.

Making-up: the upholstery hugs the curves of the metal structure and deliberately allows gathers in the four corners, which contribute to the overall aesthetic of the model.

Exclusively available in Kanda and Scuba fabric: polyurethane coating on a polyester backing, with a peachskin feel and matt aspect.


See also:

.

Ploum by Ronan & Erwan Bouroullec for Ligne Roset Ruché by Inga Sempé
for Ligne Roset
More about
Jean Nouvel

Ploum by Ronan & Erwan Bouroullec for Ligne Roset

Ploum sofa by Ronan and Erwan Bouroullec for Ligne Roset

Cologne 2011: French design brand Ligne Roset have launched a sponge-like sofa by designers Ronan & Erwan Bouroullec at the imm cologne fair in Germany this week.

Ploum sofa by Ronan and Erwan Bouroullec for Ligne Roset

Ploum is upholstered in just two pieces of stretchy, foam-backed fabric and is described by the brothers as “like a ripe, voluptuous piece of fruit”.

Ploum sofa by Ronan and Erwan Bouroullec for Ligne Roset

The sofa comes in three- and four-seater versions.

Ploum sofa by Ronan and Erwan Bouroullec for Ligne Roset

See all our stories about Ronan & Erwan Bouroullec »
See all our stories about Ligne Roset »

Ploum sofa by Ronan and Erwan Bouroullec for Ligne Roset

imm Cologne takes place 18-23 January 2011. See all our coverage of the event »

Once again we’ve teamed up with imm Cologne to hold a free series of Dezeentalks at [D3] Design Talents. More details »

Here’s some text from Ligne Roset:


“We attempted to make a very comfortable contemporary settee. Ploum is a vast shape on which the whole body rests on a soft, welcoming surface. Its seat is relatively low, it seems organic. Perhaps the use of a stretchy fabric is like a symbolic parallel to a contemporary lifestyle, in which flexibility of use and comfort seem to us to be essential. We pictured it like a ripe, voluptuous piece of fruit.”

Such was the intention of Ronan and Erwan Bouroullec, who wanted to give special consideration to those special moments during the day when we each want to relax and perhaps catch up with the other members of the household. It is therefore important that the greatest comfort afforded by the settee is the one which enables the body to relax in any position, from sitting to lying. The 4-seat settee also offers, in a very specific manner, a croissant-shape which tends to turn people towards each other around a common centre.

The Ploum settees are the fruit of a great deal of research into comfort, leading to a specific combination of two materials, used jointly: a stretchy covering fabric and an ultra-flexible foam. The combination of these two materials, when associated with the real dimensional generosity of the Ploum settees, offers an extreme level of comfort whilst offering the body the chance to adopt a number of possible postures.

Erwan and Ronan Bouroullec

Ronan and Erwan Bouroullec, both born in Quimper, studied at the Ecole nationale supérieure des arts décoratifs, Paris and the Ecole nationale supérieure d’arts de Cergy-Pointoise respectively. Ronan (born 1971) and Erwan (born 1976) came together in 1999 to carry out their work within a framework of permanent dialogue and a shared requirement for greater precision and delicacy.

Today, their works are produced by Vitra, Magis, Alessi, Established & Sons, Axor Hansgrohe, Kartell, Kvadrat, Cappellini, Camper, la Galerie kreo and Ligne Roset (Outdoor folding chair – 2001, Facett seating – 2005, distribution of Clouds decorative modules in Kvadrat – 2009). Their works can be found in the collections of institutions such as the musée national d’Art moderne, the centre Georges Pompidou, the musée des Arts décoratifs, Paris, the Museum of Modern Art, New York, the Chicago Art Institute, the Design Museum London, or even the Moijmans van Beuningen museum, Rotterdam. In autumn 2011, the Centre Pompidou Metz will stage the first great retrospective of the work of Ronan and Erwan Bouroullec in France.

Ronan and Erwan Bouroullec seek to make objects which are singular, elegant and sensual of form, and sustainable and adaptable in terms of function.They seem to have a predilection for certain themes: concepts such as elements which may combine to facilitate multiple use (Axor Bouroullec bathroom collection 2010) and half-closed spaces which serve to (re)define the concept of space (Lit Clos bed, 2000; la Cabane, 2001; Alcôve armchairs, 2007; North Tiles and Clouds textile tiles) are all part and parcel of their desire to preserve intimacy by structuring space.

The Ploum settees are the fruit of much research into comfort which led them to combine two specific materials: a stretchy covering fabric and an ultra-flexible foam.The combination of these two materials, when associated with the real dimensional generosity of the Ploum settees, offers an extremely high level of comfort whilst giving the body the chance to adopt a number of possible postures.

In effect, the quilted fabric employed, which in fact comprises a thick layer of polyester quilting sandwiched between two superimposed woven layers and held in place by points of stitching, offers a warm and comfortable visual aspect and a soft feel. Furthermore, its elasticity enables it to cover the continuous curve of the seats, high backs and arms in one single piece of fabric: a rhythmic repetition of points of stitching is what enables it to maintain its position.

Secondly, even whilst held in place by the points of stitching, this stretchy covering retains a great capacity to stretch and then regain its original shape, enabling the hyperflexible foam to ‘play’ beneath the weight of the body and to mould itself perfectly to the shape of the user, much as the sand might do so on a beach.

The hyperflexible polyurethane foam used for the comfort layer covering the entirety of the structure of the seat allies a great capacity to lose its shape in order to perfectly support the body in all positions with a lasting ability to rapidly regain its original shape, thus guaranteeing the longevity of Ploum.

The seat of the large settee, which may accommodate up to 4 persons, has a slightly closed angle perfect for encouraging sitters to move closer together, which in turn facilitates conversation between the occupants of the settee. In fact, the generous dimensions of the Ploum settees and their open, welcoming shape have been specially designed to accommodate a variety of positions, from sitting to lounging, or even fully reclined.

The great flexibility of contact associated with a freely-formed shape turn Ploum into a veritable nest: in fact, all positions are possible here, both back and head enjoy the same soft contact, no matter which part of the seat is concerned, even the arms.

Construction: Steel tubing, wire and mesh. Covered base.

Comfort: Integral seat in high resilience polyurethane Bultex foam 48 kg/m3 – 3.6 kPa and integral back in Bultex foam 26 kg/m3 – 1.4 kPa with comfort layer in hyperflexible polyurethane foam 30 kg/m3- – 1.8 kPa. Comfort is reinforced by the nature of the Mood fabric : a double-layer quilted stretchy weave, held in place by points of stitching.

Making-up: Cover made from a woven fabric generously padded with polyester quilting and quilted by points of stitching. Covers may be removed by an upholsterer.

Fabrics: Exclusively available in Mood fabric.


See also:

.

Quilt by Ronan & Erwan
Bouroullec
Star System by Enrico Buscemi
and Piergiorgio Leone
Ruché by Inga Sempé
for Ligne Roset

Ruché beds and tables by Inga Sempé for Ligne Roset

Ruché beds and tables by Inga Sempé for Ligne Roset

French designer Inga Sempé will present these quilted beds for design brand Ligne Roset at imm Cologne next week.

Ruché beds and tables by Inga Sempé for Ligne Roset

A continuation of Sempé’s Ruché collection of seating shown at imm Cologne last year, the beds have a solid beech frame and quilted cover draped over the top.

Ruché beds and tables by Inga Sempé for Ligne Roset

A series of tables by Sempé will also be on show, comprising lamnated wood tops, steel frames and a leather basket.

Ruché beds and tables by Inga Sempé for Ligne Roset

See also: Ruché by Inga Sempé for Ligne Roset at imm Cologne 2010

Ruché beds and tables by Inga Sempé for Ligne Roset

imm Cologne takes place 18-23 January 2011 and once again we’ll be holding a free series of Dezeentalks with [D3] Design Talents. More details »

See films of all the Dezeentalks at last year’s fair here.

The details below are from Ligne Roset:


RUCHÉ BED

Design Inga Sempé 2011

“What interests me is not luxury hotels but everyday life.” Inga Sempé

As with the Ruché settee, the Ruché bed is lifted from the ground by a simple, fine structure which supports a comfortable sleep platform.

The structure of Ruché is in solid beech, either stained or natural. Inga Sempé insisted on offering a version in natural beech: “natural wood is beautiful, qualitative, authentic; it is modern, and at the same time restful, for it is one of the rare natural elements one can have in one’s own home. The angles of the feet are worked ‘en congé’, which both refines them and protects the grain of the wood from shocks.

Ruché beds and tables by Inga Sempé for Ligne Roset

Upon its slim legs, the headboard and frame of the Ruché bed are dressed with distinctive quilting, a kind of boutis stitch of padding made using a cross-hatching of interrupted seams. Alternately flattened by the stitches then set free, the fabric ‘curls’ in places, giving rise both to its unique appearance and to its name, Ruché (a gathered or pleated fabric which serves as decoration on a piece of clothing). The highlights arising from these changes in level are very rich and their shading varies depending on the fabric used. A plain cloth is enriched with reliefs, a velour captures light from every angle…this quilting, simple and finely-worked, was the subject of much research and many trails, at the outset on my little sewing machine at my agency, then in the prototyping shop in Briord, on the seamstresses’ profession-grade machines, and finally there were tests on the programmed sewing robot on which the beds were to be produced.

Ruché beds and tables by Inga Sempé for Ligne Roset

For Ligne Roset, Ruché also brings together the unusual and the traditional. The unusual thing about this piece is its solid wood structure, and the great traditional element: the quilting, the very heart of its savoir-faire. Its rangy uprights and the undulations of its duvet combine to produce a harmonious union of rigorous straight lines and soft, welcoming curves.

Ruché beds and tables by Inga Sempé for Ligne Roset

Slender and fine, Ruché is nonetheless soft and welcoming. Its quilting was developed with a view to offering great comfort. One can lean back against the headboard in complete comfort. With high, buttoned headboards and raised sleep platforms fast becoming the desired features for luxury beds, the sheer originality and very personal approach of the Ruché bed brings complete renewal to a somewhat tired genre. That said, devotees of lower sleep platforms have not been forgotten.

Ruché beds and tables by Inga Sempé for Ligne Roset

In effect, the Ruché bed is offered in 2 widths (160 x 200 and 180 x 200) and 2 heights (headboard 110 or 85; bed frame 42 or 27 cm). Raised from the ground by its 4 legs, it makes vacuuming a breeze. Its frame accommodates all sorts of slatted bases and mattresses: thick mattresses are recommended. The Ruché bed may be complemented by bedside tables and a bench for the foot of the bed.

Ruché beds and tables by Inga Sempé for Ligne Roset

Construction:

Structure and legs in solid beech, reinforced by 3 cross-members in rectangular-section tubular steel 100 x 40 mm. Headboard in 3 layers of criss-cross slats. Protective gliders. Base offered in 4 finishes: matt varnished natural beech, or red, blue or anthracite-stained beech.

Headboard cushion in polyurethane foam 30 kg/m3 – 1.8 kPa.

Cover of headboard and bed frame quilted with 300 g/m² polyester and hyperflexible polyurethane foam 30 kg/m3 – 1,8 kPa. The highly sophisticated execution of the quilting is achieved by a programmed sewing robot.

Fully removable covers. Most plain fabrics may be used with the model Ruché: velours, wools, thick cloths, microfibres and leathers.

Bedside table, bench and low table:

Structure of top in natural beech multiply, either matt varnished or stained red, blue or anthracite. Base in satin black lacquered steel. Basket in thick full-grain, aniline-dyed matt finished Catalan bullhide (choice of colours).


See also:

.

Delta by Inga Sempé
for Tectona
Dual-directional lamp
by Inga Sempé
Inga Sempé at
Cologne 2010