Lamp modelled on an owl’s eye by Jun Yasumoto for Ligne Roset

Owl lamp by Jun Yasumoto for Ligne Roset

This flat circular lamp by Japanese designer Jun Yasumoto was designed to resemble an owl’s wide eyes at night.

Owl lamp by Jun Yasumoto for Ligne Roset

Jun Yasumoto designed Owl lamp for French furniture company Ligne Roset in three variations: a table lamp, reading light and a wall lamp. The white cotton shade can be pivoted around the light source to diffuse the light in a certain direction.

Owl lamp by Jun Yasumoto for Ligne Roset

“This rotation enables the light reflected from the bulb to be modulated, directed, and softened by the other side of the disc, pivoting around the light source rather than confining it,” said the designer.

Owl lamp by Jun Yasumoto for Ligne Roset

A bare fluorescent bulb attached behind the flat shade emits a soft light when illuminated. The table lamp and reading lights are mounted on matte white lacquered-steel bases.

Owl lamp by Jun Yasumoto for Ligne Roset

The lamps were shown at Maison et Objet and imm cologne earlier this year.

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by Jun Yasumoto for Ligne Roset
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Prado sofa with movable backrest cushions by Christian Werner for Ligne Roset

Cologne 2014: German designer Christian Werner has created a sofa for French brand Ligne Roset with backrests that can be placed in any position (+ slideshow).

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

Werner designed the Prado sofa to allow users the freedom to configure the sofa to suit their mood or lifestyle.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

Weighted cushions that act as movable backrests and additional bolster cushions can be arranged in any configuration on top of the large seat, or used to create informal seating areas on the floor.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

From front-on the cushions have a standard oblong shape but sweep out at the back to form a stable base.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

A metal insert in the base enhances the stability of the cushions, while a non-slip surface prevents them from moving once they’re in position.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

The sofa’s deep seat is raised on a black lacquered steel base and is available in two lengths.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

The smaller size comes with two back cushions and two bolster cushions, and the larger with three back cushions and two bolsters.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

Mattress ticking on the reverse side of the seat cushion means it can be flipped over to turn the sofa into an occasional bed, and an optional fitted sheet can also be specified.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

Prado was exhibited by Ligne Roset at the imm cologne trade fair last week, along with a rounded sofa by Philippe Nigro and a combined coffee table and footstool by GamFratesi.

Prado sofa with moveable cushions by Christian Werner for Ligne Roset

Here are some more details from Ligne Roset:


Concept

“I don’t stand if I can sit. I don’t sit if I can lie down.”
“Some people succeed in finding their dream, whilst others create it if they can’t find it.”

It is through these quotations by Henry Ford and Theodor Fontane respectively that Christian Werner brings us his Prado nomadic settee. A way of showing us that the search for freedom and wellbeing has completely guided the design of this model. Quite apart from the habitual style exercise which surrounds a new settee – which consists of a principally aesthetic proposal – Prado represents first and foremost an approach based on the study of lifestyles, or in short, the human being. Here, therefore, we find the same ambition as that which brought us Smala in the early part of the new century.

Prado consists of a vast seat (sizes: 100 x 200 cm and 120 x 240 cm) which may be used either independently or with other elements, on which back cushions may be scattered at will. There is total freedom since these cushions, which are weighted and equipped with an anti-slip system, will remain in place without needing to be leant against or attached to anything. They could therefore be arranged on the floor for a few leisurely moments around a low table, whilst the seat could do duty as an occasional bed simply by turning over its seat cushion, the reverse of which is covered with mattress ticking.

The Oda low and pedestal tables (designed to slide above the seat cushion thanks to their cantilevered tops) were designed as the perfect complements to this settee, making it possible to create corner compositions, for example, or to add occasional tables on which one can place one’s personal effects.

Nomadic settee, removable cushions, 2 sizes 100 X 200 and 120 X 240.

The medium settee comes with 2 back cushions and 2 bolsters. The large settee comes with 3 back cushions and 2 bolsters. Optional armrest cushion (sold either singly or in pairs). Structure, back cushions, bolsters and armrests may be ordered in the same covering material, or in various colours and/or covering materials.

Another important and particularly interesting feature of Prado is the possibility of transforming it into a comfortable bed-settee, for the reverse of the seat cushion is covered in mattress ticking: simply turn the cushion over and use the optional fitted sheet to create a comfortable sleep platform either 100 or 120 cm in width.

Technical description

Structure in panels of chipboard clad in foam 50 kg/m3 and 110 g/m2 quilting.
Seat cushion in polyurethane foam 36 kg/m3 and 110 g/m2 quilting.
Base in Epoxy matt black lacquered steel.
Back cushion in injected foam 60 kg/m3 moulded onto a metal insert, equipped with elastic webbing and with a compartmented goose feather-filled comfort layer (10 % down / 90 % feathers) with 110 g/m2 quilting.
Anti-slip system.

Lumbar cushion filled with new goose feathers (10 % down / 90 % feathers).
Optional armrest cushion in polyurethane foam 35 kg/m3 and 200 g/m2 quilting.
A white 100 % cotton fitted sheet is also available for each settee.

Range

Large settee W 240 D 120 H 87 seat height 40.5
Medium settee W 200 D 100 H 87 seat height 40.5
Optional cushion W 40 D 23 H 15

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Philippe Nigro designs rounded sofa for Ligne Roset

Cologne 2014: French designer Philippe Nigro has created a sofa for French furniture brand Ligne Roset with rounded edges like a bar of soap (+ slideshow).

Cosse sofa by Philippe Nigro for Ligne Roset

Nigro‘s main aim with the design of the Cosse sofa for Ligne Roset was to optimise comfort, so he created a form with gentle contours that sweep around the sitter.

The designer described the shape of the sofa as: “Softly welcoming contours, a soft, delicate all-enveloping form which, sustained by a fine natural wood structure, floats above the ground.”

Cosse sofa by Philippe Nigro for Ligne Roset

The seat features a curved front edge that transitions into undulating armrests and connects to the high, rounded backrest. Webbed elastic suspension adds to the comfort of the cushion.

“Mastery of the constraints of series production, hand in hand with optimized technology and materials, work together to produce freely-flowing shapes such as that of the Cosse settee,” Nigro added.

Cosse sofa by Philippe Nigro for Ligne Roset

Simple wooden battens with a rectangular section are joined to create a minimal frame upon which the bulky body of the sofa rests.

A soldered steel framework supports the dense polyurethane foam shape, which can be upholstered in a choice of fabrics.

Cosse sofa by Philippe Nigro for Ligne Roset

The base can be specified with a natural beech finish or a dark anthracite stain. Two sizes of sofa are available, with a matching footstool completing the family.

Cosse sofa by Philippe Nigro for Ligne Roset

Cosse is being presented by Ligne Roset at its stand located in Hall 11.3 at trade fair imm cologne until Sunday.

Here’s a project description from Ligne Roset:


Concept

Comfort is a sensation. As with all sensations any description will be subjective, but is it not an impression of lightness, such as when a body is liberated from its own weight in the water?

Comfort, therefore, was the inspiration for the Cosse settee, along with the expertise acquired by Cinna over time, such as their capacity to integrate the required technology with the optimization of materials in a way which preserves lightness, perhaps through the use of minimally thick materials and discreet framework which will fade into the background for the benefit of the simplest and lightest possible forms.

Cosse sofa by Philippe Nigro for Ligne Roset

Mastery of the constraints of series production, hand in hand with optimized technology and materials, work together to produce freely-flowing shapes such as that of the Cosse settee.

Softly welcoming contours, a soft, delicate all-enveloping form which, sustained by a fine natural wood structure, floats above the ground.

Cosse sofa by Philippe Nigro for Ligne Roset

The remarkable comfort of the seat, achieved thanks to its elastic-webbed suspension, contributes to this feeling of comfort and lightness.

One will also note those little details which, as always with Cinna, add to the sumptuousness of the model: the meanders of the armrest, for example, and the resulting difficulty of upholstering these, or the extreme slimness of the solid wood feet.

Cosse sofa by Philippe Nigro for Ligne Roset

Technical description

Structure in mechanically-soldered steel; Pullmaflex suspension; polyurethane foam 36 kg/m3 – quilting 110 g/m2. Armrest in moulded foam 60 kg/m3 – quilting 110 g/m2.

Base in natural or anthracite-stained solid beech. Covered in Uniform, or in 2 special fabrics, one of which has been designed by Bertjan Pot (Dia).

Large settee W 215 D 99 H 82 seat height 38
Medium settee W 175 D 99 H 82 seat height 38
Footstool W 82 D 58 H 32

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Inga Sempé unveils Ruché armchair covered with a quilt for Ligne Roset

Paris designer Inga Sempé has added an armchair to her Ruché collection of furniture with quilted covers for French design brand Ligne Roset (+ slideshow).

Ruché Armchair by Inga Sempé for Ligne Roset

Like Inga Sempé‘s earlier sofa and bed in the range, the Ruché armchair comprises a simple wooden frame with a loose padded cover draped over the top for comfort.

Ruché Armchair by Inga Sempé for Ligne Roset

The piece has an asymmetric design, with one armrest the same height as the backrest and the other sitting just proud of the seat so that the user can drape their legs over the side.

Ruché Armchair by Inga Sempé for Ligne Roset

“My idea was to offer different ways of sitting: normal, sideways, straight or slouchy,” Sempé told Dezeen. “As all edges are upholstered, there are no hard parts to avoid.”

Ruché Armchair by Inga Sempé for Ligne Roset

“An armchair is almost as expensive as a sofa so I believe that it should be as comfortable as the main piece of the living room,” she continued. “Sometimes the armchair is more like the poor and less comfortable member of a range that includes a sofa.”

Ruché Armchair by Inga Sempé for Ligne Roset

The design is available with the higher armrest positioned on the left or the right, and it’s intended to be used with an existing ottoman in the range.

Ruché Armchair by Inga Sempé for Ligne Roset

The frame comes in natural or varnished beech, blue-grey or red, while the upholstery can be made up in a choice of Ligne Roset fabrics including velour, wool, thick cloth, microfibres or leather.

“I have to say that I was not behind the choice of the sofa’s colours,” she confided. “It often happens that the company does not want to involve the designer on the colours, and so one discovers it at the fair. Sometimes one could cry; sometimes one can be lucky.”

Ruché Armchair by Inga Sempé for Ligne Roset

Ligne Roset will showcase the new piece at Maison & Objet trade show in Paris from 24 to 28 January 2014, where Sempé has chosen to present it in red and taupe.

“I have chosen this colour to contrast with the red structure, and to be rather happy and enlightening as it has to be presented at this dark time of the year in Europe,” she explained.

Ruché Armchair by Inga Sempé for Ligne Roset

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with a quilt for Ligne Roset
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Naica ceramic lamp by Something for Ligne Roset

Product news: diffused light gently glows from a cavity in the side of this ceramic lamp by designers Something of London and Verona for French brand Ligne Roset.

Naica by Something for Ligne Roset

Inspired by hand-held carbide lamps used by miners in the early twentieth century, Naica bounces light around the void to emit a soft flush of light from one long face.

Naica by Something for Ligne Roset

The lamp’s gently curving corners create a softened profile, which the designers say alludes to the form of a cavern, and the name Naica refers to a working mine located in Mexico.

Naica by Something for Ligne Roset

A fabric-covered cable loops up through the top of the lamp to form a handle.

Naica by Something for Ligne Roset

The product is available in white with either a red or white cavity.

Naica by Something for Ligne Roset

Something was founded by designers Daniel Debiasi and Federico Sandri.

Naica by Something for Ligne Roset

Similar lamps on Dezeen include one held together with a silicone band by Benjamin Hubert, also for Ligne Roset, and another by Luca Nichetto, called Vader after the Star Wars character whose mask it resembles. See more stories about lamp design »

Naica by Something for Ligne Roset

Other recent launches from Ligne Roset include a glass table with three tops, an asymmetric desk and a chair inspired by spaghetti. See all our stories about Ligne Roset »

Naica by Something for Ligne Roset

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for Ligne Roset
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360 degrés by Roberto Paoli for Ligne Roset

Product news: an extra surface swings out from underneath this coffee table by Italian designer Roberto Paoli (+ slideshow).

360 degres by Roberto Paoli for Ligne Roset

Designed for Ligne Roset, 360 degrés has a second shelf tucked underneath the larger table top, which can be rotated outward and positioned on three sides next to the slightly higher surface to create more flat space.

360 degres by Roberto Paoli for Ligne Roset

The additional shelf is balanced on an arm that branches from the single leg supporting the primary table.

360 degres by Roberto Paoli for Ligne Roset

Paoli chamfered the coffee table corners and minimised the profiles by tapering the edges underneath.

360 degres by Roberto Paoli for Ligne Roset

The most recent Ligne Roset products on Dezeen are a table with a cross-shaped notch to store magazines and a console that can be curled round to create a dining table.

360 degres by Roberto Paoli for Ligne Roset

Tables we’ve featured in the past couple of weeks include Zaha Hadid’s limited editions made of marble and some that Nendo coloured using crayons.

See all our stories about table design »
See all our stories about designs for Ligne Roset »

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Cuts by Philippe Nigro for Ligne Roset

Product news: books and magazines slot inside the deep cross-shaped notch in this table by designer Philippe Nigro for Ligne Roset.

Cuts by Philippe Nigro

Designed by Philippe Nigro for Ligne Roset, the Cuts table is made from moulded polyurethane and reinforced with a steel frame.

Cuts by Philippe Nigro

Deep folds disrupt the lacquered white surface to create four tabletops at three different heights.

Cuts by Philippe Nigro

Two years ago in Cologne, Nigro presented interlocking pendant lights and a set of bright yellow divans, tables and a foot stool, both for Ligne Roset – see all designs by Philippe Nigro.

Cuts by Philippe Nigro

Other Ligne Roset products shown in Cologne this year include a chair inspired by cooked spaghetti and an asymmetric desk with a bright yellow top – see all design from Cologne 2013.

See all tables »
See all Ligne Roset »

Here’s some more information from the designers:


Philippe Nigro loves to explore concepts in depth. For years now he has been working with Ligne Roset on the theme of intersections, interweavings and assemblies. He brilliantly demonstrated this with his Confluences settee (2009), and then his indoor/outdoor collections Passio and Résille (2011). In 2010, he blazed a new trail whilst playing with the concept of notches, resulting in the Inséparable footstool/table (2010), a concept which was later masterfully transformed into the Cuts shelving (2011).

In 2013, he develops that same idea of the notch, this time applying it to the low table: a flat surface is ‘disrupted’ by notches to create 4 distinct tops positioned at three different heights. The angulation of the two intersecting notches is 28°.

The irregular architecture of the low table thus obtained contrasts with the slimness (just 8 mm) of the single material and its immaculate whiteness to create a result which is more than appealing: the varying dimensions and differing levels of the tops are practical whilst the notches can be used as magazine storage.

Whichever of its each four sides it is viewed from, its contours are different yet always surprisingly light, like a paper aeroplane.

Low table in 8 mm thick satin white lacquered expanded moulded polyurethane, reinforced with a steel framework.

Width: 100
Depth: 100
Height: 15/23/30

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for Ligne Roset
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Itisy table by Philippine Lemaire for Ligne Roset

Product news: the circular sections of this console by French designer Philippine Lemaire for Ligne Roset can be curled round to make a dining table.

Itisy table by Philippine Lemaire for Ligne Roset

Philippine Lemaire incorporated metal ball joints underneath each sawn-oak circular top so the sections can be realigned.

Itisy table by Philippine Lemaire for Ligne Roset

Segments cut out of three of the four tops allow them to fit together and rotate around each other easily.

Itisy table by Philippine Lemaire for Ligne Roset

Each suface balances on two solid oak legs, which branch from a single stem coated in grey laquer at the joint.

Itisy table by Philippine Lemaire for Ligne Roset

The console was displayed at imm cologne last month, where a paperclip-like lamp and an asymmetric desk were also on show.

Itisy table by Philippine Lemaire for Ligne Roset

Other products launched by Ligne Roset this year include a footstool nipped-in with lengths of cord and a glass table with three circular tops.

Itisy table by Philippine Lemaire for Ligne Roset

See more products from Ligne Roset »
See all our stories about table design »
See all our coverage of Cologne 2013 »

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Lace by Benjamin Graindorge for Ligne Roset

Product news: this footstool by French designer Benjamin Graindorge for Ligne Roset is nipped-in with lengths of cord.

Lace by Benjamin Graindorge for Ligne Roset

Called Lace, the foam upholstery has a cord wrapped around it horizontally two further cords that wrap underneath and puncture the sides. The cords come in ecru or black and the cover is removable.

Lace was presented at Maison&Objet in Paris last month, where other releases from Ligne Roset included an asymmetric desk and chair inspired by spaghetti.

Lace by Benjamin Graindorge for Ligne Roset

Benjamin Graindorge also presented a series of vases with hoods for Paris firm Moustache at the fair and we’ve previously featured his design for a garden that floats on the surface of a fishtank and uses fish waste as fertiliser.

See more products from Ligne Roset »
See more design by Benjamin Graindorge »
See more launches at Maison&Objet »

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Aoyama by Noé Duchaufour-Lawrance for Ligne Roset

Product news: French designer Noé Duchaufour-Lawrance has created a glass table with three circular tops for French brand Ligne Roset.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

Aoyama, which translates as “blue mountain”, is named after a district of Tokyo and was launched at trade fair imm cologne last month.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

The piece features three circular tabletops that overlap to form a single surface, with each top standing on slim rectangular legs. It’s made from slabs of blue-tinted annealed glass that are glued together.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

Other recent projects by Noé Duchaufour-Lawrance include the wooden slatted Market chair for Petite Friture and the leaf-like Naturoscopie II lights.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

Other glass tables we’ve featured on Dezeen include the tessellated Isom tables by Sebastian Scherer and the almost invisible Luminous table by Tokujin Yoshioka.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

imm cologne took place from 14 to 20 January. Other products launched at the fair included an asymmetrical desk by Thibault Desombre and the Ficelle chair by Osko+Deichmann that was inspired by cooked spaghetti.

Aoyama by Noe Duchaufour Lawrance for Ligne Roset

See more stories about at imm cologne »
See more products by Ligne Roset »
See more stories about Noé Duchaufour-Lawrance »

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