RIBA President’s Medals Student Awards 2012 winners announced

RIBA Presidents Medal's Students Awards 2012

News: a concept for rooftop housing built from foam blocks and steel cables (above) is one of the winners of the RIBA President’s Medals Student Awards, announced last night.

RIBA Presidents Medal's Students Awards 2012

Above and top: Sunbloc by students from London Metropolitan University

A team of students from London Metropolitan University receive the RIBA Silver Medal for their graduate project, Sunbloc, which imagines residences that generate their own electricity for infill sites and unused rooftops around London.

RIBA President’s Medals Student Awards 2012 winners announced

Above: Sunbloc by students from London Metropolitan University

Vidhya Pushpanathan, an undergraduate student at the Architectural Association, wins the Bronze Medal with her designs for a system of scaffolding around the buildings of Moscow.

RIBA President’s Medals Student Awards 2012

Above: The Depository of Forgotten Monuments by Vidhya Pushpanathan

Spanning between the nineteenth century Cathedral of Christ the Saviour and the Garage Centre of Contemporary Culture, The Depository of Forgotten Monuments is conceived as a framework for the city’s fragmented architecture.

RIBA President’s Medals Student Awards 2012

Above: The Depository of Forgotten Monuments by Vidhya Pushpanathan

The dissertation medal is awarded to the Bartlett School of Architecture student Matthew Leung, who presented his studies into the development of Chinatown in the Japanese city of Yokohama.

RIBA President’s Medals Student Awards 2012

Above: Oriental Orientalism in Japan – the case of Yokohama Chinatown by Matthew Leung

The RIBA President’s Medals Student Awards are awarded annually to two stand-out design projects and one dissertation from the undergraduate and post-graduate courses of over 300 schools of architecture.

RIBA President’s Medals Student Awards 2012

Above: Oriental Orientalism in Japan – the case of Yokohama Chinatown by Matthew Leung

The winners were announced at a ceremony at the Royal Institute of British Architects in London last night and medals were presented to each of the winners.

“2012 has been a record-breaking year for the RIBA President’s Medals with the highest number of entries ever in the 176 year history of the awards,” said RIBA president Angela Brady. “It is an honour to present these awards to the future trailblazers of the architecture profession.”

See some of the winners from previous years.

Here’s a press release from the RIBA with the full list of awards presented:


Winners of the 2012 RIBA President’s Medals announced at London ceremony

The winners of the 2012 President’s Medals have been announced at a special ceremony at the Royal Institute of British Architects (RIBA) in central London. The prestigious RIBA Presidents Medals, which date back to 1836, reward talent and excellence in the study of architecture.

‘Sunbloc’, a collaborative project by a team of students from London Metropolitan University, received the RIBA Silver Medal (awarded for best post-graduate design work).

Sunbloc is a lightweight and heavily-insulated prototype house constructed using a pioneering system of foam blocks and steel cables. The inexpensive structure is designed to produce more electricity than it consumes over an annual cycle. The judges rewarded the detailed study and solid body of research involved in the project and were highly impressed with the team’s entrepreneurial spirit and ability to complete a real building. The students were tutored by Eva Diu, Nathaniel Kolbe, Jonas Lundberg, Toby Burgess and Iain Maxwell.

Vidhya Pushpanathan from the Architectural Association was awarded the Bronze Medal (for best undergraduate design project) for her project ‘The Depository of Forgotten Monuments’.

‘The Depository of Forgotten Monuments’ addresses Moscow’s paradox of deconstruction and reconstruction. The project suggests a flexible architectural framework. As both a curatorial strategy and an urban prototype, it suggests an opportunity for a hybrid between the city’s cultural and commercial art sites and an allowance for the co-existence of past and future. The project was deemed by the judges to reveal a fresh and sophisticated quality of thinking. Vidhya Pushpanathan was tutored by Maria Fedorchenko and Tatiana von Preussen.

Matthew Leung from the Bartlett School of Architecture, UCL, was awarded the Dissertation Medal for his work ‘Oriental Orientalism in Japan – the case of Yokohama Chinatown’.

The judges considered this a highly accomplished dissertation on the development of a pocket of Chinese style within a major Japanese city. Drawing from an impressive breadth of sources, Matthew Leung meticulously composes a picture that brings a careful reading of history to bear upon the complex contemporary reality. Critically astute, beautifully written and illustrated, this piece never loses sight of the architectural dimension of its topic, offering a thoroughly convincing and sophisticated discussion of an unexpected and topical subject. The dissertation was supervised by Professor Murray Fraser.

A number of other important student awards were also presented at the ceremony:

Bronze Medal Commendation
Paddi Alice Benson from the University of Cambridge for ‘Remember Berlin – kunsthochschule archipelago’

Bronze Medal Commendation
Richard Breen from the University of Newcastle for ‘Afterimage – Projected Morphology: a cyclotel created from perspectives’

Dissertation Medal High Commendation
Kirti Durelle from the University of Sheffield for ‘Poetic Creation: the magical metaphor of architectural design – an investigation into the relationship of exoteric and esoteric dimensions in the practice of architecture and alchemy’

Dissertation Medal Commendation
Stephen Marshall from the Architectural Association for ‘Here isn’t now – Ballard, Silvertown and the forces of time’

Dissertation Medal Commendation
Tom Sykes from Cardiff University for ‘The Site as Muse: Georges Perec and Walking into Topophilia’

SOM Travelling Fellowships
Part 1: Paddi Alice Benson from the University of Cambridge
Part 2: Rebecca Roberts from London Metropolitan University

Serjeant Awards for Excellence in Drawing
Part 1
Vidhya Pushpanathan from the Architectural Association for ‘The Depository of Forgotten Monuments’
Part 2
Martin Tang from Bartlett School of Architecture, UCL, for ‘Manual for Eternal Autumnal Micro-climates: re-imagining Kyoto as the city of a thousand autumns’

RIBA Donaldson Medal
Brook Lin was awarded the RIBA Donaldson Medal. The winner of this medal is selected by the Bartlett School of Architecture to the student who graduates top of the class at Part I.

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Body Jewellery by Stephanie Bila

Body jewellery by Stephanie Bila

Designer Stephanie Bila used bent wood and crystals to create this body jewellery inspired by Japanese baskets for her Central Saint Martins graduate collection.

Body jewellery by Stephanie Bila

Bila used a flexible beech timber to create the ribbed forms, which recall organic structures like shells and skeletons. Swarovski crystals also line the thin edges of some of the pieces.

Body jewellery by Stephanie Bila

“The collection is an exploration of the ability of jewellery to enhance our perception of the human form,” Bila told Dezeen. “Linear sculptures extend, encase, rest upon and surround the body creating a new human architecture.”

Body jewellery by Stephanie Bila

Bila received a scholarship from Swarovski for the final year of her degree at Central Saint Martins and was also selected to participate in this year’s International Jewellery London show as part of the Bright Young Gems initiative for new designers.

Body jewellery by Stephanie Bila

This week we’ve also featured a jewellery collection made from silicone rubber flaps that look like skin and nipples.

Body jewellery by Stephanie Bila

See all our stories about jewellery »

Body jewellery by Stephanie Bila

See all our stories about Central Saint Martins »

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The War Rooms, St. James’s Park by Ned Scott

This series of hand drawings by Bartlett School of Architecture graduate Ned Scott presents a science-fiction world in which London grows a jungle of crops for fuel and food next to Buckingham Palace.

The War Rooms, St. James's Park by Ned Scott

Above: The Mall

The War Rooms, St. James’s Park imagines a future in which the UK’s energy supply has been cut following a war over energy resources in 2050.

The War Rooms, St. James's Park by Ned Scott

Above: The Mall – detail

Scott presents a closed-loop agricultural system where London provides energy and food for itself without relying on imports.

The War Rooms, St. James's Park by Ned Scott

Above: Smart Grid

An anaerobic digester would stand on the outskirts of St. James’s Park, filled with vertiginous crops.

The War Rooms, St. James's Park by Ned Scott

Above: MP’s House

A sky-scraping ‘energy tower’ nearby would have plants growing on every floor, and a smart grid would be installed for efficient energy use.

The War Rooms, St. James's Park by Ned Scott

Above: MP’s House – detail

Scott was inspired by Ebenezer Howard, the late 20th century thinker whose utopian writings led to the creation of several ‘garden cities’ in Britain.

The War Rooms, St. James's Park by Ned Scott

Above: New St. James’s Park

See more work by Bartlett graduates »

The War Rooms, St. James's Park by Ned Scott

Above: Energy Tower

See all our stories about conceptual architecture »

The War Rooms, St. James's Park by Ned Scott

Above: Energy Tower – detail

See all our stories about graduate shows in 2012 »

The War Rooms, St. James's Park by Ned Scott

Above: The Instrument

Here’s some more information from Ned Scott:


The War Rooms, St. James’s Park

The War Rooms takes a science-fictional premise in which the UK’s energy supply networks are terminated following an Energy War in 2050.

The War Rooms, St. James's Park by Ned Scott

Above: Aerial Perspective

The project explores the implications of the decentralisation of the UK’s energy networks and the implementation of a closed-loop agrarian economy.

The War Rooms, St. James's Park by Ned Scott

Above: Aerial Perspective – detail

The science-fictional scenario presented and the subsequent urban strategies proposed address the challenges the UK faces regarding energy security and fuel poverty, and speculates on the hypothetical consequences of a future where the many risks associated with the UK’s long-term energy strategy come to bear

The War Rooms, St. James's Park by Ned Scott

Above: Anaerobic Disaster

The War Rooms, St. James’s Park introduces an institutional framework for agrarian reform, inspired by Ebenezer Howard, which operates on three simultaneous scales representative of the three protagonists of Clifford D. Simak’s ‘City’: Man, Dog and Ant.

The War Rooms, St. James's Park by Ned Scott

Above: Anaerobic Disaster – detail

The War Rooms, St. James's Park by Ned Scott

Above: Energy Warehouse

The War Rooms, St. James's Park by Ned Scott

Above: Energy Warehouse – detail

The War Rooms, St. James's Park by Ned Scott

Above: Howard Boulevard

The War Rooms, St. James's Park by Ned Scott

Above: Howard Boulevard – detail

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Bound Basics by Toon Welling

Bound Basics by Toon Welling

Taut rope is all that holds together this furniture by Dutch design graduate Toon Welling.

Bound Basics by Toon Welling

The criss-crossing lengths of rope take the place of nails and screws for each piece in the Bound Basics collection, which comprises a desk, a chair and a set of shelves.

Bound Basics by Toon Welling

The furniture is held together by ‘tensegrity’, a word coined by architect Buckminster Fuller to describe the way components can be joined and supported by continuous tension.

Bound Basics by Toon Welling

Each piece is assembled from sustainable materials, including hemp rope and FSC-certified plywood.

Bound Basics by Toon Welling

Welling recently graduated from the product design course at Utrecht School of the Arts (HKU) in the Netherlands.

Bound Basics by Toon Welling

Photography is by Wouter Stelwagen.

Bound Basics by Toon Welling

See all our stories about furniture »

Here’s some more information from the designer:


Bound Basics is a line of furniture entirely held together by rope. Their design was inspired by the sculptural works of Kenneth Snelson and Santiago Calatrava. What is immediately apparent about their sculptures is their underlying structural strategies, their ‘tensegrity’. A term coined by Buckminster Fuller, tensegrity is short for tensional integrity. Binding parts in a web of tightened wire or cable, an elegant and stable construct emerges.

Entirely held together by the tensional force of the tautened cord, these structures project a deceptive simplicity and inherent strength. A series of exploratory tensegrity models soon developed into ideas for the Bound Basics, a furniture line that uses ropes instead of nails or screws and investigates the structural advantages of tensegrity.

The designs now collected under the name Bound Basics each attempt to expose the pieces’ construction and internal stability. The choice of the materials — FSC-certified ecological HPL multiplex and hemp rope — follows the same spirit, foregrounding the design strategy over the flash and glamour of high-tech surfaces.

Ultimately, these Basics are just that, basic furniture pieces modest and elegant enough to fit in homes or offices without being distracting, and instead striking a strong and lasting note of simplicity.

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London Thatch by James Kirk

The stark concrete exterior of many of London’s postwar housing blocks could be made more attractive with thatching, proposes architecture student James Kirk (+ movie).

London Thatch by James Kirk

Kirk’s University of Westminster graduation project presents an option for improving rather than demolishing the high-rise buildings by extending apartments outwards and creating a new thatched facade.

London Thatch by James Kirk

A phased development would minimise disruption to existing communities of residents, who Kirk says “don’t wish to move or be moved.”

London Thatch by James Kirk

The plans also feature a school of thatching where residents could be trained in how to apply and repair the new exterior, using reeds sourced from constructed wetlands in the southeast of the city.

London Thatch by James Kirk

See more projects from this year’s graduate shows »

The description below is from Kirk:


A film for my Masters in Architecture, University of Westminster in Design Studio 17.

A thatched approach for the redevelopment of London’s postwar towers. London Thatch makes the case for alteration, extension and remodelling as opposed to demolition as an approach to reworking London’s ageing tower blocks. The approach that is proposed is specific to the site and context, though the attitude is proposed open enough to be repeated elsewhere.

London Thatch by James Kirk

London tower blocks are lively communities, with groups of residents who on the whole don’t wish to move or be moved. It is essential to remember this when designing for the renovation of the buildings that the residents live in. The proposals seek to achieve a maintained architecture which promotes a skilled method of construction and restores a skilled trade south London.

London Thatch by James Kirk

The project proposal is for a building that facilitates the modification of the existing towers, over time. The project allows for a phased redevelopment of the existing towers, providing on site temporary accommodation for families displaced by the construction process. The existing towers will be extended laterally, on a new structure, to increase the living space of the existing flats, and provide private outdoor amenity space for each, improving the quality and amount of space in each of the flats.

London Thatch by James Kirk

Alongside this, a school of Master Thatching is proposed, which will teach local residents a skilled, traditional construction method, the resources and students for which will be used to apply and maintain a new thatched facade for the existing towers. Local people who are in need of work will be able to gain skills, and maintain the existing built environment. The school will train students, maintain the buildings, and promote building using natural materials in the city.

London Thatch by James Kirk

Finally, a constructed wetland of reeds will provide the materials required for the new thatching industry in Bermondsey, as well as filtering and cleaning effluent from the towers before it is disposed of in the Thames, and creating a pleasant, diverse functional landscape around the estate, in the location of an underused outdoor amenity space.

Film by James Kirk
Music kindly lent with permission by Celer & Nicholas Szczepanik, from the album Here, For Now.

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Explorative Canopy Trail by Yvonne Weng wins Foster + Partners Prize 2012

Architectural Association student Yvonne Weng has won the 2012 Foster + Partners Prize with designs that would allow scientists to live in the treetops of the Amazon rainforest.

Explorative Canopy Trail by Yvonne Weng

The prize is presented annually to the AA diploma student whose final project best addresses themes of sustainability and infrastructure.

Explorative Canopy Trail by Yvonne Weng

Weng’s proposals are for a series of lightweight pods and platforms where scientists can study and harvest the medicinal plants of the jungle.

Explorative Canopy Trail by Yvonne Weng

Research laboratories would be contained inside a series of suspended pods that can be lowered to the ground when necessary, while a second set of pods would provide living quarters.

Explorative Canopy Trail by Yvonne Weng

A web of synthetic fibres and steel supports would hold each of the pods in place and provide a solid canopy above the trees.

Explorative Canopy Trail by Yvonne Weng

Last year’s prize was awarded to a sanitation infrastructure concept in Haiti by graduate Aditya Aachi.

Explorative Canopy Trail by Yvonne Weng

We previously published another concept for a treetop research centre – see it here.

Here’s some more information from Foster + Partners:


The Architectural Association Foster + Partners Prize 2012

The Architectural Association and Foster + Partners are pleased to announce the award of the Foster + Partners Prize, which is presented annually to the AA Diploma student whose portfolio best addresses the themes of sustainability and infrastructure. The recipient is selected jointly by the AA and Foster + Partners at the end of each academic year.

Explorative Canopy Trail by Yvonne Weng

Click above for larger image

This year’s prize has been awarded to Yvonne Weng, of Diploma Unit 17, for her project ‘The 6th Layer – Explorative Canopy Trail’. Set in the context of Brazilian Amazon rainforest, the project recognizes the reciprocal relationship between humanity and the forest and sees the forest as a natural infrastructure to work with, instead of against.

Explorative Canopy Trail by Yvonne Weng

Click above for larger image

The design focuses on creating an ultra-lightweight, self-sustaining and easily deployable architectural system, which occupies the space at the top of the tree canopies. The extra layer of space created opens up a new territory that inspires new ways in which to perceive, occupy and experience the forest.

Explorative Canopy Trail by Yvonne Weng

Click above for larger image

Yvonne Weng, and the other six shortlisted candidates, will be invited to exhibit their work in the gallery in Foster + Partners’ studio in October, when there will be a formal reception and a cheque will be presented. The themes of sustainability and infrastructure that underpin the award were selected to highlight themes of common interest to the AA and Foster + Partners and for their significance in contemporary architectural discourse more globally.

Explorative Canopy Trail by Yvonne Weng

Click above for larger image

Mouzhan Majidi, Chief Executive of Foster + Partners, said:
“This is the third year we have awarded this prize and in Yvonne Weng’s project we see it gaining strength. We hope very much that the debate this prize generates will encourage students to address themes that are of increasing relevance to architecture today.”

Explorative Canopy Trail by Yvonne Weng

 Click for larger image above

Brett Steele, Director of the Architectural Association School of Architecture, said:
“The AA School is delighted once again to have participated in the judging of the Foster + Partners Prize. The work of this year’s winner indicates the enthusiasm and imagination shown by AA Diploma students in addressing challenging, topical issues in architecture. We are grateful to Foster + Partners for their continued support of the prize and the innovative work it encourages.”

Explorative Canopy Trail by Yvonne Weng

Click above for larger image

Yvonne Weng, winner of the 2012 Foster + Partners Prize said:
“Programmatically, the project is centred on scientific exploration and harvesting medicinal plants, which provides an alternative use of the forest without destroying it. At the same time, the positive occupation of the territory it enables could provide a level of surveillance that helps to protect both the endangered environment and the indigenous population.”

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