Kulle day bed by Stefanie Schissler features a bobbly surface

Cologne 2014: this day bed by young designer Stefanie Schissler is intentionally lumpy to encourage users to snuggle into it.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The Kulle day bed by Stefanie Schissler has an undulating surface caused by the different sized pieces of upholstery foam concealed beneath its stretchy boiled-wool surface.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The German designer wanted to create a piece of furniture for relaxation that invites the user to lay down through its appearance.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

“The look is something new, which is arising curiosity in people,” Schissler told Dezeen. “It is designed to arise the urge to touch and feel it.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The small cubes of leftover foam used have different densities and heights so the squashiness varies across the surface. “Every bobble feels different,” Schissler explained. “You can feel them but in a very gentle and pleasant way. A lot of people describe it as a massage for the body.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

She added that the piece is not really meant for sitting on but as a landscape for relaxation. “The bobbles at the back are slightly higher so that you can lean your head on them to read a book, but in general the daybed is a piece that is not made to sit on, but to really lie in it, feel it and simply relax.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

Schissler graduates this year from Hochschule für Gestaltung Schwäbisch Gmünd in Germany, but developed this project during an exchange semester at Lund University in Sweden.

She presented the day bed as part of as part of the [D3] Design Talents exhibition at imm cologne earlier this month.

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features a bobbly surface
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Glerups Slippers: Natural wool slip-ons for the coziest comfort and warmth

Glerups Slippers


Referred to as “the indoor shoe,” Glerups’ line of super-soft slippers provides delightful comfort within a snug structure. Its 100% natural wool composition whisks moisture away while sustaining, maintaining…

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Desire Books Iron-On Patches: Handmade felt accessories embroidered with wisdom, heart and style

Desire Books Iron-On Patches


If you’re out to customize any of the new clothes, jackets or backpacks you may have received over the holidays, or embellish your older apparel, Desire Books’ new line of embroidered );…

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Viktor & Rolf’s first flagship boutique is covered with grey felt

The interior of Dutch fashion house Viktor & Rolf‘s first flagship store in Paris has been covered in grey felt by French studio Architecture & Associés.

Viktor & Rolf flagship store in Paris by Architecture and Associes

Architecture & Associés was asked to create an unobtrusive design for the duo’s recently opened store on Rue Saint-Honoré, close to Paris’ famous shopping square Place Vendôme.

“We said we would like a store that’s invisible or a store that’s hardly there because often we find store designs very intrusive and just too much,” Viktor & Rolf co-founder Viktor Horsting told Dezeen.

Viktor & Rolf flagship store in Paris by Architecture and Associes

Grey was chosen to line the interior as it provided a simple environment to showcase the duo’s products and is also used in the set designs of the brand’s catwalk shows.

“We wanted to create an environment where the clothes would really stand out,” said Horsting. “Grey is a very good colour as a backdrop because it’s very neutral. It’s a total surreal experience because you’re in an environment that’s entirely made out of fabric, but at the same time it’s something architectural. We like that surrealism.”

Viktor & Rolf flagship store in Paris by Architecture and Associes

The store houses men and women’s ready-to-wear clothing, accessories such as bags and shoes, plus the brand’s line of fragrances.

Neoclassical elements such as arched niches along the walls and a colonnade of arches running over the staircase create shadows to break up the monochrome.

Viktor & Rolf flagship store in Paris by Architecture and Associes

Shelves for displaying products sit in the niches, some of which are illuminated with white light from behind similar to the ceiling panels.

The felt also muffles the sounds of browsing shoppers in an attempt to make the large 650-square-metre store feel more intimate.

Viktor & Rolf flagship store in Paris by Architecture and Associes

“We wanted to emphasise the personal experience of shopping,” Horsting said. “I have to say that it was a little bit of a guess. Of course we thought that the felt would change certain acoustics of the space but we couldn’t really imagine it, so when we were there over the weekend we were glad to hear that the effect was as we had hoped.”

“You’re really by yourself even though it’s a big space, and even though the architecture is rigorous and graphic, it’s not imposing or too grand,” he continued. “It’s really an intimate place. It’s quite beautiful.”

Viktor & Rolf flagship store in Paris by Architecture and Associes

The store opened last week to coincide with Viktor & Rolf’s twentieth anniversary, which was also marked by the house’s return to haute couture in July. The designers will show their Spring 2014 collection in January next year.

Read on for more information from the team behind the design:


The store will be on Rue Saint-Honoré, just a stone’s throw from the Place Vendôme.

The miscellanea of the Viktor & Rolf world will all be available at the boutique: men and women’s ready-to-wear, shoes, the iconic “Bombette” line of bags and leather goods, glasses, accessories and of course, the line of fragrances.

Driven by a taste for the paradoxical, the designers desired an eternal environment for their ever-changing collections, in their own words: “a striking world where every and anybody’s desires or fantasies can be borne upon what we do”.

Viktor & Rolf flagship store in Paris by Architecture and Associes

The innovative design, conceived by Pierre Beucler and Jean-Christophe Poggioli of Architecture & Associés, combines the palatial grandeur of Renaissance Italy with the classicism of the French tradition for a startlingly avant-garde universe.

The spirit of unorthodox innovation that has always driven Viktor & Rolf, whose work has often been characterised by its subtle exploration of scale and shadow, inspired the architects towards a spectral architecture crafted entirely of grey felt. This single-material strategy makes for a phantasmagorical space of shifting apparitions where the uniform surface of the walls, floors and furniture, as a kind of all-enveloping interior skin, creates the effect of complete unity.

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is covered with grey felt
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Felt-upholstered rocking chair by Giancarlo Cutello

A single piece of felt wraps around the back and armrests of this solid wooden rocking chair by Rome designer Giancarlo Cutello (+ slideshow).

Ivetta Chair by Giancarlo Cutello

Cutello designed the Ivetta chair for Italian design brand Formabilio and it is made from locally sourced solid beech.

Ivetta Chair by Giancarlo Cutello

“The one-piece seat is attached to the leg structure using two wooden screw pegs, eliminating the need for the use of adhesive and allowing periodical adjustment of the seat,” Cutello told Dezeen.

Ivetta Chair by Giancarlo Cutello

The Ivetta chair is available with or without the rockers and comes in blue or beige.

Ivetta Chair by Giancarlo Cutello

The seat is upholstered in the same fabric as the cover.

Ivetta Chair by Giancarlo Cutello

The chair is delivered flat-packed for self-assembly.

Photography is by Laura Pozzi.

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by Giancarlo Cutello
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Five iPad Air Cases: A handful of covers for the devout minimalist to the tech-driven

Five iPad Air Cases


Today the iPad Air hit shelves, and many sleep deprived loyalists will head home happy with a lighter pocket book and a hardly heavy bag in hand. The new, impossibly lightweight tablet is as appealing as ever, and you probably want to keep…

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SuperDuper Handmade Hats: The brand embarks on the time-honored Italian trade with totally new approach

SuperDuper Handmade Hats


When we think of Made in Italy, we usually assume that family traditions, ancient techniques and heritage are naturally involved. SuperDuper Handmade Hats are the exception. The Florence-based company produces entirely handmade hats using unique wooden…

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Motek by Luca Nichetto for Cassina

Motek by Luca Nichetto for Cassina

Product news: the seat of this chair by Venetian designer Luca Nichetto is made of folded felt.

Motek by Luca Nichetto for Cassina

Called Motek, the design by Stockholm-based Luca Nichetto for Italian brand Cassina is pressure-moulded to make it rigid enough to support a person’s weight without losing the lightweight qualities of the fabric.

Motek by Luca Nichetto for Cassina

Origami-inspired folds give extra support to the structure.

Motek by Luca Nichetto for Cassina

The design comes with wooden or steel legs and there’s also a version upholstered in leather.

Motek by Luca Nichetto for Cassina

Nichetto presented the chair at the Salone Internazionale del Mobile in Milan last month, where he also showed cabinets carved with geometric patterns for Casamania and a TV-like lamp for Foscarini – see all design by Luca Nichetto.

Motek by Luca Nichetto for Cassina

Read our interview with the new Salone del Mobile president on how he plans to tackle issues that “damage Milan” and see all our stories about Milan 2013.

Motek by Luca Nichetto for Cassina

Other felt products we’ve featured recently include a chair with a pressure-moulded seat by Patricia Urquiola for Moroso and a seed-shaped pod for working or napping in peace – see more stories about designs in felt.

Motek by Luca Nichetto for Cassina

Here’s some more information from Luca Nichetto:


The inspiration behind Motek chair is a sheet of paper, which is flexible and lightweight by its very nature. Originally, a sheet of paper cannot bear weights, but the Japanese art of origami – which, with a series of folds, creates forms and structures that can support weights – the same sheet takes on a new lease of life.

Thanks to a new technology for Cassina, such as pressure molding, a sheet of felt is folded, which will bring the necessary rigidity to the body of the chair for it to support weights without losing the lightness of the original material.

Motek by Luca Nichetto for Cassina

In this project, the search for details and the experimentation with materials typical of the collaboration between Nichetto and Cassina led to a felt version of the chair, which comes in three different shades, as well as to a leather version, where the seams highlight the folds characterizing the aesthetics of the seat.

The adaptability to the different consumers’ tastes is yet another feature sought by Nichetto for Motek, which was obtained through a series of combinations of structure, legs and body.

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for Cassina
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Hush by Freyja Sewell

Clerkenwell Design Week 2013: British designer Freyja Sewell’s felt cocoons have gone into production and were on show in a Victorian former prison in London this week (+ movie).

Hush by Freyja Sewell

Hush by Freyja Sewell is a felt pod constructed entirely from biodegradable materials, which users can crawl into to work or rest in private.

Hush by Freyja Sewell

“By creating an enclosed space, Hush provides a personal retreat, a luxurious escape into a dark, hushed, natural space in the midst of a busy hotel, airport, office or library,” explains Sewell.

Hush by Freyja Sewell

The outer shell of the pod is made from a single piece of industrial wool felt, while the internal padding is made from recycled wool fibres discarded by carpet manufacturers.

Hush by Freyja Sewell

Hush is manufactured by Ness Furniture in Durham and was presented by Sewell at the House of Detention as part of Clerkenwell Design Week.

Hush by Freyja Sewell

Also on show at Clerkenwell design week was a pendant lamp made from twenty-six cable ties and shelving by Michael Marriott.

Another pod-like chair we’ve recently featured is the Kenny chair by Raw Edges, which is made from a single loop of material. 

See all our stories about chair design »
See all our stories about felt »
See all our stories about Clerkenwell Design Week »

Here’s a bit more information about Hush:


Freyja Sewell set out to create a private space within a publicworld, constructed from natural, biodegradable materials. Three years in the making, HUSH is now available for purchase.

Open plan offices and public buildings, CCTV, online profile sharing, cameras built into our laptops; never has it been easier for humans to connect, but what about when we want to withdraw? There are now 21 cities with populations larger than ten million, and it is predicted that there will be many more in the future. It is essential to continue to develop new ways of allowing people to comfortably co-exist in these increasingly densely populated environments.

By creating an enclosed space HUSH provides a personal retreat, a luxurious escape into a dark, hushed, natural space in the midst of a busy hotel, airport, office or library. HUSH provided a quiet space in an age of exponential population growth, where privacy and peaceful respite is an increasingly precious commodity.

The main body of HUSH is cut from a single piece of 10mm industrial wool felt. Wool is naturally flame retardant, breathable, durable and elastic; it is also multi-climatic, meaning it is warm when the environment is cold and cool when it’s warm. It is of course biodegradable and so won’t clog up landfill after disposal. It is produced sustainably from animals out in the open, with each sheep producing a new fleece each year. The internal padding of HUSH is made from recycled wool fibers, produced as a by-product of the British carpet industry.

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Freyja Sewell
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Felt light

Felt è un progetto uscito nel 2010. Ispirato ai cappelli in feltro, consiste in un involucro stampato, un diffusore e una lampadina a basso voltaggio. Disegnata da Atelier I+N.

Felt light

Felt light

Felt light