Dezeen Super Store featured on Deutsche Welle

Dezeen Super Store featured on Deutsche Welle

Dezeen Wire: German broadcaster Deutsche Welle have featured our pop-up design shop Dezeen Super Store in a feature on temporary shops in London during the Olympics, including an interview with Dezeen editor-in-chief Marcus Fairs. It also shows the nearby Opening Ceremony shop furnished by Faye Toogood, Boxpark in east London and temporary boutiques at Selfridges department store, where the Nike+ House of Innovation hosts our event tonight.

Watch the program on the Deutsche Welle website »

Dezeen Super Store
38 Monmouth Street, London WC2
1 July – 30 September 2012

www.dezeensuperstore.com

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MVRDV to build LEGO towers for Venice Architecture Biennale

Porous City by MVRDV

Dezeen Wire: Dutch architects MVRDV will create 676 miniature LEGO towers at the Venice Architecture Biennale later this month for an exhibition to promote the inclusion of architectural discourse within European Union development policies.

Porous City by MVRDV

Top and above: Porous City

Named Porous City, the exhibition will form part of a series initiated by the European Forum for Architectural Policies (EFAP) and will open at Spazio Punch in Giudecca on 26 August.

Freeland by MVRDV

Above: Freeland

The architects will also present another exhibition for the biennale, named Freeland, where cartoon animations will highlight the issues of urban planning by creating a series of utopian scenarios.

Biennale director David Chipperfield talked to Dezeen about his theme for the event in an interview we filmed earlier this year.

See more stories about MVRDV here, including a recently completed call centre with QR codes on the facade.

Here’s some more information from MVRDV explaining all of their activities at the biennale:


MVRDV and The Why Factory at the 13th Venice Architecture Biennale with Freeland and EU CITY Program

By invitation of Director David Chipperfield, MVRDV and The Why Factory contribute to the 13th International Architecture Exhibition, entitled Common Ground. The main contribution consists of the collaborative project ‘Freeland’ forming part of the single exhibition in the Central Pavilion at the Giardini. Further contribution is made by Winy Maas and The Why Factory with ‘Porous City’ to the EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP) representing Europe for the first time at the Venice Architecture Biennale.

Presented as an animated documentary on a multi-screen surround projection, Freeland explores the prospects of complete liberation of urban planning. It questions whether classical centralized planning is still needed in times of increased individualization and if instead a self-organized city can be imagined. What can be organized individually and when will we need our neighbours? What are the “minimal common grounds” of our developments? Freeland is rooted in two projects: it combines the practical side of the development strategy designed by MVRDV for Almere Oosterwold with the research on bottom up urbanism addressed by the AnarCity studio led by The Why Factory at TU Delft and the Berlage Institute.

MVRDV’s Almere Oosterwold is a revolutionary model in urban planning as it steps away from governmental dictate and invites organic urban growth, stimulating initiatives by which inhabitants can create their own neighbourhoods including public green, energy supply, water management, waste management, urban agriculture and infrastructure.

The Why Factory’s AnarCity unveils utopian scenarios that fantasize on radical liberated urbanization in different situations and contexts such as the fall of government, climate crises or voluntary anarchism. The movie takes the viewer on a time-travel back to the utopian Freeland. Successes, failures and surprises play out in a series of intriguing narratives.

Besides the main contribution ‘Freeland’, Winy Maas and The Why Factory are involved in additional programs and events of the 13th International Architecture Exhibition at various locations. At Spazio Punch at Guidecca ‘Porous City’, an exhibition of 676 LEGO towers at a scale of 1:000 will be on display at the launch of the EU CITY Program, a manifestation representing Europe for the first time at the Venice Architecture Biennale.

The EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP), advocates the importance of architecture as a common ground for European cultural expression. EFAP is concerned with the urgency for architecture, urban design and creative industries to be part of the European Union policies and starts a discourse through the EU CITY Program about how the European Union can evolve the frameworks of city making towards cities that meet our needs.

Furthermore Winy Maas has been appointed advisor for the first ever Kosovo entry, and The Why Factory will present the AnarCity movie by the Berlage Institute and launch two books .

‘Freeland’ is a collaborative project by MVRDV and The Why Factory and was made possible by the financial support of the City of Almere. Rotterdam based SYNPLE made the animation. The ‘Porous City’ showcase has been generously supported by the LEGO Group, Denmark.

The Exhibition Common Ground in the Central Pavilion at the Giardini and the Arsenale will present 63 projects by architects, artists, photographers, critics and scholars who have involved other colleagues in their projects with whom they share a Common Ground, making it a total of 110 participants.

The launch of the EU City program will take place on Monday, 27 August at the central venue of the Architecture Biennale. The exhibition Porous City will be opened on Sunday, 26 August at 18.00 at the Spazio Punch, Giudecca 800/o, Venezia 30133, Italia. The 13th International Architecture Exhibition will be open to the public from 29th of August through 25th of November 2012 with previews on 27th and 28th of August.

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Wiel Arets Named Dean of IIT College of Architecture

Wiel Arets

Dezeen Wire: Dutch architect Wiel Arets has been appointed as dean of the College of Architecture at the Illinois Institute of Technology.

Arets will join IIT in the autumn, taking over the role from Donna Roberston who resigned earlier this year.

See projects by Wiel Arets Architects on Dezeen »

Photography is by Ineke Oostveen.

See the full press release below:


Wiel Arets Named Dean of IIT College of Architecture

Illinois Institute of Technology Provost Alan Cramb announced today the appointment of Wiel Arets as the new dean of the IIT College of Architecture. Born in the Netherlands, Arets, an internationally acclaimed architect, educator, industrial designer, theorist, and urbanist, is known for his academic progressive research and hybrid design solutions. He is currently the professor of building planning and design at the Berlin University of the Arts. His architecture and design practice, Wiel Arets Architects, has multiple studios throughout Europe and its work has been nominated for the European Union’s celebrated ‘Mies van der Rohe Award’ on numerous occasions.

Arets, who was dean of the Berlage Institute in Rotterdam from 1995-2002, will join IIT this fall and will lead an academic program originally shaped by the vision and work of Ludwig Mies van der Rohe. Considered by many to be one of the founders of modern architecture and design, Mies chaired the IIT architecture program from 1938-1958 and designed the IIT Main Campus, home to many of his iconic structures including S. R. Crown Hall.

Arets currently has projects under construction throughout Europe and Japan, including the Allianz Headquarters in Zürich, Switzerland, Amsterdam Centraal Station’s IJhal, the Schwäbischer Verlag in Ravensburg, Germany and the A’ House in Tokyo. His many distinguished projects include the library on the Uithof campus of Utrecht University, the Academy of Art & Architecture in Maastricht, the Euroborg Stadium in Groningen, and the Hedge House in Wijlre, the Netherlands.

“The College of Architecture at Illinois Institute of Technology has a global reputation and attracted outstanding candidates for dean from leading programs worldwide. It is indicative of the position of the IIT College of Architecture that we have found such an accomplished architect to lead the school in a new direction,” said Cramb.

Arets has been a guest professor at many of the world’s preeminent architectural universities, including the AA London, Columbia University and Cooper Union—and served on the Advisory Council of Princeton University from 2003-2012. He graduated from the Technical University of Eindhoven in 1983, where he obtained his Master of Science in Architecture.

The IIT College of Architecture offers a five-year Bachelor of Architecture program, four master’s programs and the Doctor of Philosophy in Architecture. Accredited by the National Architectural Accrediting Board (NAAB), the college attracts students from around the world.

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Software that can tell what city it’s looking at

Software that can tell what city it's looking at

Dezeen Wire: researchers from Carnegie Mellon University in Pittsburgh and Ecole Normale Supérieure in Paris have designed software that can look at a photo and identify the city in which it was taken by recognising building typologies.

The software uses images extracted from Google Street View to cross-reference architectural elements like balconies, windows and street signs and identify patterns unique to particular locations.

This movie explains how it works:

Visit the project website for more information »

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NV200 London Taxi by Nissan

Dezeen Wire: car brand Nissan has unveiled its design for a new fleet of black cabs for London.

NV200 London Taxi by Nissan

The Nissan NV200 London Taxi features a glass roof for better sightseeing.

NV200 London Taxi by Nissan

The rear has sliding doors and accommodates three passengers on a bench facing forwards plus two on flip-down seats facing backwards.

NV200 London Taxi by Nissan

There are also anchors for a wheelchair and the rear seats are on sliders to create more space when required.

NV200 London Taxi by Nissan

The front passenger seat has been removed to make more room for carrying luggage.

NV200 London Taxi by Nissan

Taxi versions of the NV200 have already been unveiled in Tokyo and New York, and subject to testing the diesel version is expected to be available to London cab drivers later this year.

NV200 London Taxi by Nissan

An all-electric version is also set to undergo trials in London next year.

NV200 London Taxi by Nissan

Here’s some more information from Nissan:


Nissan unveils a new Hackney Carriage for the Capital

» Affordable and 50% more fuel efficient, than alternative cabs
» Complies with TfL regulations, including 25ft turning circle
» All-electric e-NV200 prototype London Taxi to be tested in 2013
» Fully backed by London Mayor, Boris Johnson, the Licensed Taxi Drivers’ Association and disability groups
» Designed for superior comfort, space, convenience and accessibility
» Nissan has unveiled a bold new vision for the future of the London ‘black cab’ and its 300,000 daily users – the Nissan NV200 London Taxi.
» The NV200 London Taxi will offer significantly reduced CO2 outputs compared to current taxi models – a focus in line with the Mayor Boris Johnson’s Air Quality strategy for London.

An all-electric e-NV200 concept is also set to undergo trials in the Capital. The Mayor has joined disability groups and the influential London Taxi Drivers’ Association in welcoming the launch of the Nissan NV200 London Taxi.

Taxi versions of the NV200 have already been unveiled in Tokyo and it has also been chosen as the exclusive New York City ‘Taxi of tomorrow’. The NV200 London Taxi joins an exciting global Nissan vision for the private hire industry.

Nissan has a respected place in the Capital’s taxi history – its 2.7-litre TD27 diesel engine was chosen for the iconic LTI FX4 ‘Fairway’ black cab, which introduced improved speed, reliability and efficiency to the London cabbie’s daily drive. The same engine also featured in the Fairway’s successor, the TX1.

The NV200 will build on this reputation.

Steve McNamara, General Secretary of the Licensed Taxi Drivers’ Association, said: “Nissan already has a great footing in the London taxi market – the 2.7-litre diesel that featured in some of the early taxis was one of the greatest engines ever put in a cab. From what I’ve seen of the NV200 London Taxi, it ticks all the right boxes. It’s important that it looks like a cab, is comfortable with good ingress and egress and is reliable. If the fuel consumption figures are as promised, it will be a big seller.”

Designed from the inside out for the well-being of passengers, drivers and even other road users, the NV200 London Taxi is more efficient and more environmentally considerate than current ‘black cab’ models, while delivering more comfort, space and convenience for occupants. A particular focus was also placed on providing for passengers with mobility issues.

Alan Norton, from Assist UK, said: “Assist UK is proud to be associated with Nissan in the development of an accessible taxi to meet the needs of all disabled people. We have had the opportunity to bring together experts from all fields of disability to work with designers to ensure the vehicle will work for all in their transport needs. The work is ongoing and future refinements are planned after the initial launch, as many ideas have been discussed and are currently undergoing development. We congratulate Nissan for its initiative and wish them every success with their project.”

Durable and reliable, the Nissan NV200 London Taxi is based on the company’s multi-purpose NV200 compact van – a vehicle which has won many awards including International Van Of The Year. Launched at end of 2009, the model has been introduced to 40 countries, selling over 100,000 units worldwide.

The Nissan NV200 London Taxi comfortably seats five adults – three on a rear bench with two on rear-facing, fold-down seats. The front passenger seat has been removed to create space for luggage.

A stand-out feature is the taxi’s sliding passenger doors, which were developed for easy open and close. They are also much safer for pedestrians, cyclists and other vehicles because they do not swing out to create a potential obstruction.

The diesel version of the Nissan NV200 London Taxi is expected to be competitively priced below the new TX4 – the London Taxi Company’s current model – and will be available through a designated ‘specialist’ Nissan dealer.

Nissan’s NV200 also delivers significantly improved running costs than alternative London cabs. The model’s frugal 1.5 dCi 89 HP EuroV, 6-speed manual drivetrain achieves 53.3mpg on a combined cycle meaning almost 50% fuel saving than the most efficient TX4 with its combined cycle figure of 35.3mpg.

Fuel costs account for around 10 percent of taxi driver overheads. Over the course of a year, NV200 London Taxi drivers would spend around 50% less – about £700 – on fuel than TX4 drivers.*

With a focus on improving air quality in the city, the NV200 London Taxi’s Euro V engine only emits up to 139g/km of CO2, compared with 209g/km from the ‘greenest’ TX4 model. As a relevant simulation, if all of London’s licensed taxis were replaced with the NV200 London Taxi, there would be a CO2 reduction across London of 37,970 metric tonnes each year – the equivalent of planting 10,000 acres, or two Congestion Charge zones, of trees every 12 months.

More importantly, the harmful NOx and PM (particulate) gases on which authorities are seeking particular improvement in ‘clean air’ legislation, would be reduced by an estimated 135 metric tonnes and 20 metric tonnes per year.

An all electric version could have an even bigger impact on London’s air quality. Having been the first car manufacturer to mass produce a 100% electric family car with its trail-blazing Nissan LEAF, Nissan could cement its place at the forefront of motoring technology with the introduction of an all-electric e-NV200 London Taxi. With running costs estimated to be around one fifth of a conventional, diesel-powered Hackney Carriage it is likely to be popular with drivers too.

Discussions with all the stakeholders will continue to try and make an e-NV200 a realistic proposition by increasing investment in charging infrastructure.

Subject to final testing, including a crash-test, the diesel-powered Nissan NV200 aims to receive full London Taxi certification later this year.

The extensive modifications to the standard NV200 ensure the model fully conforms to the regulations set in the TfL London Taxi Conditions of Fitness. These include being able to accommodate a wheelchair passenger and achieve a 25ft (7.6m) turning-circle – a legal requirement for all Hackney carriages, said to originate from the small roundabout in front of the famous Savoy Hotel on The Strand that taxis needed to round in one manoeuvre.

Boris Johnson, Mayor of London, said: “Improving air quality in London is one of the most important challenges I face as Mayor. Having taken the significant step of introducing the first age limit for taxis in London, I am absolutely delighted that manufacturers are stepping up to the plate and are responding to the challenge I set in my air quality strategy to reduce taxi emissions and improve efficiency. I look forward to when a fully competitive model comes to market.”

Andy Palmer, Executive Vice President of Nissan, said: “Nissan is proud to be delivering a 21st century vision for one of London’s most iconic vehicles. The ‘black cab’ is as much a part of the London landscape as Big Ben and, whilst there will always be a place for that familiar silhouette, the Nissan NV200 London Taxi focuses as much attention on its interior as the exterior – a better experience for drivers and passengers.”

He continued: “The design process for the NV200 London Taxi was exhaustive and will be further improved. In addition to ensuring drivers would be comfortable spending extended hours behind the wheel, we’ve had to consider every user for this vehicle – there are no specific customer profiles in the back of a London cab. Adults, children, business professionals, foreign visitors, disabled travellers – they’re all potential customers. We’ve even considered those who might never get inside the taxi but who will benefit from features such as the model’s lower CO2 emissions or the un-obstructing sliding doors.

“The Nissan NV200 is a global taxi, launching in the biggest and brightest cities in the world. Safe, comfortable, efficient and convenient – it’s a great step forward for providing a transport solution that is good for both its users and other city inhabitants.”

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The Royal Opera House launches competition to redesign entrances

Royal Opera House and ballerina photographed by Russ London

Dezeen Wire: the Royal Opera House in London has launched a competition to redesign the entrances and surrounding public spaces of its Covent Garden building, making it more accessible to the public.

London studios Amanda Levete Architects and Heatherwick Studio are among the seven firms invited to participate, alongside Diller Scofidio + RenfroStanton WilliamsJamie Fobert ArchitectsCaruso St John Architects and Witherford Watson Mann Architects.

The architect of the winning project will be announced in December and appointed to work on feasibility studies for the next phase of the project.

Here are the full details from the Royal Opera House:


The Royal Opera House (ROH) is running an invited architectural competition to ‘open up’ its public spaces to become more welcoming to visitors, provide an easily accessible insight into the work that goes on here and to improve the levels of comfort.

The aim is to make the physical entrances and street level public areas to the building more open and tantalising, and to find ways of developing existing space to assist making the work of the Royal Opera House and the associated creative processes more visible to the general public. In turn this will enhance the appeal of the Covent Garden building as a destination in itself. The Royal Opera House will be looking to reduce its use of energy and resources throughout the project as part of an ongoing strategy embedding ‘green thinking’ into all areas of ROH operations.

Tony Hall, Chief Executive of the Royal Opera House said “We are hugely excited about the ideas and inspiration the competition will generate. The Royal Opera House is looking for the team who, if we can raise the funds needed to fulfil our shared ambitions, will create the next evolution of our building. We are keen to investigate the possibilities of opening up the building even more to ensure that we have the very best facilities to welcome our loyal and existing audiences and to reach out to new ones.”

This feasibility study comes twelve years after Dixon Jones’ redevelopment of the Royal Opera House which dramatically improved backstage and technical facilities, front of house entertaining areas and included additional performance spaces. During this time, the building has become used more than ever both as a performance venue and for other activities, with more than 650,000 people coming into our building last year and a further 30,000 people coming into the building during the daytime as casual visitors.

The competition process will allow us to select an architect to carry out a feasibility study for the work. The competition will run from July to November 2012 and we will announce the selected architect in December 2012. This process is being funded completely by private supporters of the Royal Opera House.

On completion of the feasibility study, the funds necessary to move to the next phase of the project will also need to be entirely raised from private sources.

The Royal Opera House has been advised on the project by Ricky Burdett of the London School of Economics. Dixon Jones are advising on the competition and feasibility process and Sir Jeremy Dixon will sit on the final jury. The seven invited firms are: Amanda Levete Architects, Caruso St John Architects, Diller Scofidio and Renfro, Heatherwick Studio, Jamie Fobert Architects, Stanton Williams Architects, Witherford Watson Mann Architects.

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“Flames of fame for Olympic cauldron designer” – The Independent


Dezeen Wire:
London 2012 Olympic cauldron designer Thomas Heatherwick has revealed that he has been inundated with messages of support from people “moved by his spectacular creation”. Speaking to the Independent, Heatherwick also says he ignored advice to avoid having moving parts in the cauldron, which features around 1,000 moving components. “ ”It’s probably more complex than a Swiss watch,” Heatherwick says – read the article in the Independent.

See all our stories about the London 2012 Olympics | See all our stories about Thomas Heatherwick

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Laverstoke Mill by Thomas Heatherwick for Bombay Sapphire

Dezeen Wire: Thomas Heatherwick has designed a distillery and visitor centre for gin brand Bombay Sapphire at an abandoned mill in Hampshire, England.

Bombay Sapphire Home of Imagination

Construction has already begun on the renovation, which includes the addition of two curved greenhouses for growing the ten botanical herbs and spices that Bombay Sapphire use to flavour their spirits. Named Laverstoke Mill, the centre is due to open in autumn 2013.

Thomas Heatherwick has been in the news a lot this week, after his Olympic cauldron was unveiled at the opening ceremony of the games. See all our stories about the designer »

Here’s some information from Bombay Sapphire:


Bombay Sapphire Gin Unveils Plans for “Home of Imagination” in Hampshire, UK

Visionary designer Thomas Heatherwick to restore historic site into distillery and visitor center for iconic gin brand

Bombay Sapphire® gin, the world’s number one premium gin by value1, unveils plans for its distillery in Laverstoke Mill, Hampshire. The project is a multi-million pound restoration of the historic buildings which housed one of England’s most significant bank note paper making facilities. The design imagined for the site is headed by acclaimed London designer Thomas Heatherwick and his team at Heatherwick Studio. The site will be completely renovated from a derelict mill into a state of the art premium gin distillery and visitor centre encompassing the highest standards in design, functionality and sustainability.

The distillery will be built on a two hectare brown-field site, near the grounds of Laverstoke Park, just 60 miles from London. For 200 years, the site produced high quality paper for the bank notes of India and the British Empire. The site is steeped in natural beauty, astride the crystal clear River Test – and historically associated with producing the finest quality product through the care and skill of those who owned it and worked there. The newly renovated site will be the first opportunity the public has to discover the home of this iconic spirits brand.

The ambition for the project restores the buildings and grounds and its heritage while introducing a new structure that will complement the existing buildings as a showcase of the brand’s intrinsic quality that reflects the aspirations of the Bombay Sapphire brand. The highlight of the complex build is the glass house for Bombay Sapphire gin’s 10 botanicals. As a major feature of Laverstoke Mill, the glass house is a symbol of the brand’s careful, skillful and imaginative approach to gin making.

Heatherwick comments on the design: “As the particular flavours of Bombay Sapphire gin are derived from ten botanicals, the centrepiece of the site is a glass house, within which visitors will experience the specific horticultural specimens infused in the spirit. The glass house, influenced by Britain’s rich heritage of glass house structures, will be two separate structures providing both a humid environment for spices that originate from the tropics, as well as a dry temperate zone for Mediterranean plants. We are thrilled to have the chance to take this historic site, and turn it from its current derelict state into a new industrial facility with national significance.”

The 10 year relationship between the brand and Thomas Heatherwick started when he was crowned the inaugural winner of the Bombay Sapphire Prize – an international award for excellence and innovation in glass. Alongside high profile designers he joined the Bombay Sapphire Foundation, which encourages and rewards the very best in contemporary design and glass design in particular. In 2010, he was approached by the Bombay Sapphire team to design the brand home in Laverstoke.

Bombay Sapphire Global Category Director John Burke adds: “It’s a very exciting time for the Bombay Sapphire team, especially now that we’re seeing our plan for Laverstoke Mill come into fruition. With tradition, quality and craftsmanship at the heart of the site’s heritage, we can finally look forward to opening our doors to consumers worldwide and share with them the care, skill and imagination that is infused in the spirit we produce. Bombay Sapphire gin has experienced great success and growth over the last 10 years and with the opening of the brand’s home and consumer experience, we are very optimistic for next decade.”

In February 2012, planning permission to restore Laverstoke was granted and the build process is now underway and managed by Meller Ltd, with a goal the distillery will open its doors in autumn 2013.

Meller Managing Director, Graham Cartledge adds: “Meller is proud to be leading the development of Laverstoke Mill into a world class production facility and unique visitors centre. Our expert team looks forward to delivering this exceptional project in a way that fulfills Bombay Sapphire’s brand aspirations and also the technical requirements of restoring a site with such heritage, environmental consideration and unique design.”

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RIBA joins protest against Olympic marketing rules

RIBA join protest against Olympic marketing rules

Dezeen Wire: the Royal Institute of British Architects has joined the campaign to promote the architects and engineers who designed buildings for the London 2012 Olympic games but have been unable to promote their work because of a marketing agreement with the event organisers.

RIBA president Angela Brady, President of the Institute of Structural Engineers John Nolan and New London Architecture chair Peter Murray have today hung a banner down the facade of the RIBA headquarters in London listing all of those involved under the slogan “The Architects and Engineers who designed and built London 2012″.

The protest follows our story about how Murray wore a T-shirt listing the names to a Creative Industries Summit at Lancaster House earlier this week and attendees at today’s event can be seen wearing the same shirt.

Download a pdf of the design here so you can print your own.

See all our stories about the London 2012 Olympics »

Photography is by Jack Shaw.

Here’s a press release from the RIBA:


Team ‘Design GB’ stage ‘name drop’ event to promote the firms who built the Olympics

Today the RIBA staged a protest with the architects and engineers who built the Olympic buildings. Strict contractual rules have meant that they are not able to do any pro-active work to promote their role in London 2012. In an effort to encourage LOCOG to do more to promote, and to allow the architects and engineers to promote, their great work on the inspiring Olympic buildings, they did a literal “name drop” by unfurling a banner from RIBA’s central London HQ listing the names of all the design and engineering companies involved in the Olympics.

The banner was dropped by RIBA President, Angela Brady, President of the Institute of Structural Engineers, John Nolan and Peter Murray, Director of New London Architecture. Olympic architects and engineers surrounded the banner wearing T-shirts listing all the firms involved in designing the Games.

RIBA President Angela Brady, said today:

“Architects and engineers have delivered incredible buildings which are hosting the London 2012 Games right now. We are calling on LOCOG to be proud of our architectural and engineering achievements for the London 2012 Olympics and do everything they can to promote the buildings and all the designers involved. Time is of the essence and we want them to start doing it now, and very importantly, to let architects get out there and talk about their work now. Let’s shout about the great design and engineering talent that the UK has to offer and not miss this valuable opportunity to do so.”

President of the Institute of Structural Engineers said today:

“The London Olympics is an exemplar for building design throughout the world. It seems nonsensical in a time when so much of our industry is struggling that the opportunity to market ‘construction/design GB’ is being thrown away by short-sighted government policy.”

Peter Murray, Director of New London Architecture, said today:

“When the government called for businesses involved in the Olympics to promote themselves overseas to support the British economy it seems crazy that architects, consultants and other suppliers to the Olympics are gagged in this draconian way”.

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Boost for Finnish tourism as visitors head to World Design Capital Helsinki


Dezeen Wire:
Finland is attracting tourists at an unprecedented rate, boosted by Helsinki’s current status as the World Design Capital, in sharp contrast to the unexpected drop in visitor numbers London has experienced during its Olympic summer.

Overnight stays in Helsinki in the period from January to May grew by 3.5%, while the city of Lahti saw a huge 32.8% increase. Tourist numbers were also up in Espoo (22.3%) and Vantaa (4.5%). Significant growth in overnight stays last year means the cumulative growth is strong, according to World Design Capital coordinators.

Tourists are coming to Helsinki to visit World Design Capital exhibitions and sites such as the Kamppi Chapel of Silence and The Pavilion, designed by Aalto University Wood Studio students.

In the British capital however, tourists appear to have vanished from London’s shops, theatres, hotels, trains and buses, despite expectations of a huge influx of visitors during the London 2012 Olympics.

See all our stories about Finland »
See all our stories about the London 2012 Olympics »

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