C58 Dressing Table by Florian Schmid

This dressing table by London designer Florian Schmid comprises a circular mirror with a two-legged table slicing halfway across it.

C58 Dressing Table by Florian Schmid

The C58 Dressing Table leaves the left-hand side of the mirror free to show the user’s full profile, while the flat surface extending to the right provides storage and display space for bottles and trinkets.

C58 Dressing Table by Florian Schmid

“Through the reflection of the object itself arises the illusion of a bigger and a three-legged table, which also looks like an artificial window,” adds Florian Schmid.

C58 Dressing Table by Florian Schmid

The proportions and composition are echoed in a matching European ash stool and trays for organising small items like jewellery.

C58 Dressing Table by Florian Schmid

Schmid moved to London in August 2012 and is now based at Okay Studio, close to the Dezeen offices in Stoke Newington. We hosted his stools made of fabric impregnated with concrete at Dezeen Platform in 2011.

C58 Dressing Table by Florian Schmid

He presented the C58 Dressing Table and C64 Tray as part of the [D3] Contest for young designers at imm cologne last month. Other pieces on show included fold-out furniture that looks like line drawings and tiles that help a stove disperse heat more rapidly. See all our coverage of design at imm cologne.

C58 Dressing Table by Florian Schmid

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“We’re a haberdashery for technology and education” – Technology Will Save Us

Bethany Koby and Daniel Hirshmann of Technology Will Save Us explain how their DIY technology kits and workshops help people “understand what goes into the stuff in our lives” in the penultimate movie filmed at our Designed in Hackney Day.

Technology Will Save Us Designed in Hackney Day movie

Technology Will Save Us design kits that contain all the parts and tools needed to build objects such as simple speakers or musical instruments. “A lot of the time it’s hard to navigate online resources in order to find all the things you need to make things with technology,” says Koby.

Technology Will Save Us Designed in Hackney Day movie

Other kits include conductive playdough and programmable bike lights, all sold both online and at small pop-up kiosks they call Haberdasheries for Technology. “These are shops within shops where we can give people information about our kits,” she says.

Technology Will Save Us Designed in Hackney Day movie

Created with designer Yuri Suzuki, their Radio Kit includes small circuits that fit together like a puzzle to form a working radio. “It contains PCB boards that you can piece together to create connections for a radio,” Koby says.

Technology Will Save Us Designed in Hackney Day movie

Hirshmann then describes the workshops run by the studio in the local area, which include teaching groups how to wire a plug, solder and create small circuits. “We’re interested in creating these workshop experiences where people can come in and join us as a community,” he says.

Technology Will Save Us Designed in Hackney Day movie

They also arrange “meetings with experts” where they ask people in the community about specific needs that could be solved using simple technologies. “We had a gentleman called Mr Lewis who couldn’t hear his doorbell and he wanted to see it,” says Hirshmann. The solution was to hook up LEDs from their musical instrument kit to his doorbell so they flashed when it rang. “The key thing to remember is that he was one member in a community that potentially had a similar need, it’s possible that this solution could help a lot of people,” he says.

Technology Will Save Us Designed in Hackney Day movie

The studio also organises technology demonstrations and live “teardowns” of products. “We get an expert to rip apart something that’s everyday in our lives, like a toaster, and explain what goes into this thing that makes it so good at making toast,” says Hirshmann. “It’s really fascinating to understand what goes into the stuff in our lives.”

Technology Will Save Us Designed in Hackney Day movie

To conclude, he demonstrates light glasses built from their Bright Eyes Kit, which are sunglasses with LED video screens instead of lenses.

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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“A soft side to architecture is coming to the fore” – We Made That

Holly Lewis and Oliver Goodall of Hackney studio We Made That have been exploring architecture’s “soft side” by planting flowers in the Olympic Park, as they explain in the final talk filmed at our Designed in Hackney Day last year.

In the movie, the We Made That founders look at why they’ve been working on “things you never get taught in [architecture] school,” with projects like Fantasticology, a group of landscape interventions in the London 2012 Olympic Park.

We Made That at Designed in Hackney Day

Movie image: wildflower meadows in the Olympic Park
Above: Fantasticology facts on benches in the Olympic Park

Working with architect Tomas Klassnik and artist Riitta Ikonen, they planted wildflower meadows in the footprints of the buildings that previously occupied the site.

“Essentially it becomes a floral memorial to some of those things that were there before, and are no longer,” says Lewis. “We just love the idea that there’s some recognition of that past. The majority of the flowers are annuals, so next year they’ll fade and self-seed, disperse and become less distinct.”

We Made That at Designed in Hackney Day

Above: site of wildflower meadows in the Olympic Park

Plaques engraved with unusual facts were also inserted into benches around the Olympic Park as part of the same project.

They collected the facts through workshops with local people, finding out that sharks, for example, go into a trance if they’re flipped over. “There was a kid in the park debating with his dad how you turn a shark upside down,” says Lewis. “I love that people can have that kind of interaction with their surroundings, and see something different in their surroundings than this spick and span park.”

We Made That at Designed in Hackney Day

Above: copies of The Unlimited Edition newspaper

The duo also worked on a neighbourhood newspaper, The Unlimited Edition, which reported on local news from the High Street 2012 route stretching from Aldgate to Stratford.

“We’re interested in engaging people with tactics for making change,” says Goodall. “If you say to someone, ‘we’re interested in talking about urbanism and policy’, they glaze over. But if you hand out a newspaper on the high street for free and talk about someone’s neighbourhood, they’re interested in having that conversation.”

We Made That at Designed in Hackney Day

Above: proposal for The Wild Kingdom play area in Newham

Finally, they discuss a project to build an outdoor play area in Newham, east London. “With this, there’s a number of engagement activities and planned workshops and what we call ‘slow build’,” says Goodall. “That’s an important aspect – not just delivering something, finishing it and walking away. It’s a longer term involvement with these projects.”

Goodall and Lewis founded We Made That in 2006 as an architecture and design studio working within the public realm.

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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“High streets are places of collision and conflict” – Jay Gort

Jay Gort from Hackney studio Gort Scott Architects argues that the beleaguered British high street is actually a thriving location of “collision and conflict” in this talk filmed by Dezeen at our Designed in Hackney Day last year.

Gort Scott at Designed in Hackney Day

Gort begins his presentation with an image by documentary photographer Mishka Henner showing onlookers at a gay pride parade in the English town of Oldham (above). “I’ve put this in here because I think it’s a really priceless photograph,” says Gort, who has worked with Henner on a number of projects.

“He uses the camera to strike up conversations with people, and to try and capture the places as well,” explains Gort. “That’s something that’s really important about our work, that whole idea of valuing what exists to start with.”

Gort Scott at Designed in Hackney Day

He goes on to show two drawings of London high streets (above and below) made by Fiona Scott, the architect with whom he founded Gort Scott Architects in 2007.

“I think these drawings start to show some of the amazing characterfulness and juxtapositions of different uses and building types that exist [on London’s high streets],” he says.

Gort Scott at Designed in Hackney Day

“A lot of people say the high street is dead,” he continues, “[but] nearly 60% of all London’s employment goes on near high streets, and there’s an amazing richness and vitality that is far from dead, actually. If you go down to Tooting, or up to Cricklewood, you’ll find a high street that isn’t about shopping – it’s about the representation of local communities in that area.”

The high street is a “physical device” where communities meet and where “collisions and conflicts happen”, he adds.

Gort Scott at Designed in Hackney Day

Introducing the Tottenham Public Room project (above) in north London, he says: “It’s a public space that can be used to try and encourage a trading of skills. Volunteers from the Tottenham area are trying to help a disenfranchised community, which was really splintered after the riots [in 2011].”

“We want to do buildings that have an impact, but we realise we have to operate a little bit by stealth in terms of getting into different areas,” he notes.

Gort Scott at Designed in Hackney Day

He goes on to introduce two very different forms of architecture that have inspired his practice, noting that he is most of all interested in atmosphere.

“Atmosphere is dictated by the structure, the scale, the light, the materiality, the orientation – where you’re placed within the city itself – and how all those things start to combine to have an impact on the kind of space,” he says, comparing a grand palace in Genoa (above) with a room of scaffolding props (below).

Gort Scott at Designed in Hackney Day

He finishes by introducing his firm’s most challenging project to date, a house on the Isle of Man (below). “Whereas Tottenham Public Room was going to be built for a temporary setting, this is going to hopefully last in a really harsh climate on the southern tip of the Isle of Man for a hundred, two hundred, three hundred years,” he says.

After experimenting with lots of different materials, the architects realised that the most successful buildings on the island were made out of traditional stone. “We thought, why not just build this thing out of stone [and] use a Welsh slate roof,” he says. “To just work with that palette of materials was really rewarding.”

Gort Scott at Designed in Hackney Day

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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Gingerbread House by Laura Dewe Mathews

Rounded shingles create wooden scales across the walls of this small house in Hackney that architect Laura Dewe Mathews has built for herself (+ slideshow).

Gingerbread House by Laura Dewe Matthews

Nicknamed the Gingerbread House by neighbours, the two-storey house sits behind the reconstructed wall of a former Victorian box factory and its tall windows overlap the mismatched brickwork.

Gingerbread House by Laura Dewe Matthews

“I and the planners were keen to retain something of the original building envelope,” Laura Dewe Mathews told Dezeen. “The pale grey/blue bricks were part of the workshop when I bought it and the clean London stock bricks were infills.”

Gingerbread House by Laura Dewe Matthews

The architect drew inspiration from decorative vernacular architecture in Russia to design the cedar-shingle facade, then added windows framed by thick galvanised steel surrounds.

Gingerbread House by Laura Dewe Matthews

“I was keen that the cladding somehow softened the sharp silhouette of the overall, stylised building form and thought the round ‘fancy butts’ might achieve this,” she said. “Contemporary architecture can often be perceived to be severe and alienating and I wanted to avoid that. I hope the balance of the sharp galvanised steel window reveals and cills versus the round singles manages to be more friendly.”

Gingerbread House by Laura Dewe Matthews

To avoid overlooking neighbouring houses, all windows had to be placed on the north-facing street elevation, so Dewe Mathews also added a large skylight to bring in natural light from above.

Gingerbread House by Laura Dewe Matthews

A double-height kitchen and dining room sits below this skylight on one side of the house and opens out to a small patio. The adjoining two-storey structure contains a living room on the ground floor, plus a bedroom, bathroom and small study upstairs.

Gingerbread House by Laura Dewe Matthews

Walls and ceilings are lined with timber panels, while a resin floor runs throughout the house.

Gingerbread House by Laura Dewe Matthews

The building was the winner of the AJ Small Projects Awards 2013. Also nominated was a wooden folly that cantilevers across a garden lake and a reed-covered tower that functions as a camera obscura.

Gingerbread House by Laura Dewe Matthews

Scale-like facades have featured in a few buildings over the last year, including a university building in Melbourne and an apartment block in alpine Slovenia.

Gingerbread House by Laura Dewe Matthews

Photography is by Chloe Dewe Mathews.

Gingerbread House by Laura Dewe Matthews

Above: the original site

Here’s a project description from Laura Dewe Mathews:


Box House / “Gingerbread House”

This is the first new build project by Laura Dewe Mathews. The motivation for the project was to create a domestic set of spaces with generous proportions and lots of natural light while working with a limited budget.

Gingerbread House by Laura Dewe Matthews

Above: ground floor plan – click above for larger image

The site was originally part of the garden of an early Victorian end of terrace house in Hackney. It was first built on in the 1880s, to provide Mr Alfred Chinn (the then resident of the end of terrace house) with space for his box factory, making wooden boxes for perfume and jewellery.

Gingerbread House by Laura Dewe Matthews

Above: first floor plan – click above for larger image

In discovering the history of the site, Laura Dewe Mathews was drawn to assemble yet another box inside the original envelope of the factory.

Gingerbread House by Laura Dewe Matthews

Above: cross section through kitchen and dining room

The one bed, new-build house was recently completed using a cross-laminated timber super structure, placed inside the existing perimeter brickwork walls and rising up out of them. The timber structure has been left exposed internally. Externally the palette of materials is limited to the original and infill brickwork, round “fancy-butt” western red cedar shingles and galvanised steel flashings, window frames and window reveals. The soft shape of the shingles contrasting with the crisp edges of the galvanized steel.

Gingerbread House by Laura Dewe Matthews

Above: cross section through living room and bedroom

The form of the proposal was a response to tricky site constraints, common for urban developments in already built up areas. The neighbours’ rights to sunlight, daylight and privacy needed to be respected. Consequently the only elevation that could have any windows was the north facing, pavement fronted elevation. The proposal counters this with large south facing roof-lights; added to this, light is brought into the main living spaces via a new private yard.

Gingerbread House by Laura Dewe Matthews

Above: front elevation

At 80msq the result is a small yet generously proportioned house. At ground floor level it retains the openness of the original workshop while feeling a sense of separation from the street immediately adjacent.

Gingerbread House by Laura Dewe Matthews

Above: side elevations

Structural engineer: Tall Engineers
Main contractor: J & C Meadows, now incorporated within IMS Building Solutions

Gingerbread House by Laura Dewe Matthews

Above: rear elevation

Sub contractor/suppliers:
KLH – cross laminated timber super structure
Stratum – resin flooring
Vincent timber – cedar shingle supplier
The Rooflight Company – roof light supplier
Roy Middleton – bespoke joinery including kitchen
MPM engineering – stainless steel to kitchen

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"There is no nature anymore" – Liam Young of Tomorrow’s Thoughts Today

Seed-dispersing robots and file-sharing drones are among proposals to fuse technology and the natural world by Liam Young of Tomorrow’s Thoughts Today, presented at our Designed in Hackney Day last summer (+ movie).

Unknown Fields

Above: Young’s Unknown Fields project with Kate Davies

In the movie, Liam Young looks back at his work with Tomorrow’s Thoughts Today, the studio he runs with Darryl Chen, and Unknown Fields, an experimental project with designer and writer Kate Davies. Young explains his work is influenced by the history of futurology and how the “diverse visions of yesterday’s tomorrows” can explore the consequences of emerging technologies.

Unknown Fields and Tomorrow's Thoughts Today

Above: deforestation reveals an ancient town in the rainforest

For one Unknown Fields project, Young travelled to the Amazon rainforest and discovered that an area we think of as an untouched wilderness was once a cultivated landscape.

Unknown Fields and Tomorrow's Thoughts Today

Above: “CO2 scrubbers” for the Amazon

“Instead of a jungle, what we actually find is a large garden,” he says, explaining how deforestation has revealed ditches in the rainforest floor left behind by an ancient village whose residents cultivated the local flora.

Unknown Fields and Tomorrow's Thoughts Today

Above: “migrating forests” for the Amazon

The studio then invented fantastical creatures that might find a home in the deforested areas of the Amazon, such as “CO2 scrubbers” that convert carbon dioxide to oxygen more efficiently than the trees that once stood there and “migrating forests” that can travel as the climate changes.

Unknown Fields and Tomorrow's Thoughts Today

Above: rat poison spread across the Galapagos Islands

He also visited the Galapagos Islands where he encountered “an absurd fight for an idealised nature”, with rat poison dumped from helicopters and an “eco sniper” killing goats that destroy the habitats of endangered turtles.

Unknown Fields and Tomorrow's Thoughts Today

Above: seed dispersal robot

Exploring this use of technology to maintain a “natural” environment, Young came up with a seed dispersal robot that floats like a plant spore in the wind, dropping native Galapagos seeds on the ground.

Unknown Fields and Tomorrow's Thoughts Today

Above: poison cloud robot

He also designed a machine that sprays poisonous clouds to kill invasive rodent populations, guided by a “Judas rodent” that herds the rats into packs before the poison is released.

Unknown Fields and Tomorrow's Thoughts Today

Above: “Judas rodent” to guide the poison cloud robot

In Australia, Young visited an enormous gold mine where he discovered that it takes 200 trucks of excavated rock to produce just one gold bar.

Unknown Fields and Tomorrow's Thoughts Today

Above: Kalgoorlie Super Pit in Western Australia

A 3D computer image of the mine is connected to real-time information about the price of gold, dictating how much is excavated each day.

Unknown Fields and Tomorrow's Thoughts Today

Above: computer image of Kalgoorlie Super Pit

He finishes with Electronic Countermeasures, a Tomorrow’s Thoughts Today project that saw a flock of flying robots create temporary file-sharing networks above the city.

Unknown Fields and Tomorrow's Thoughts Today

Above: a gold bar being weighed

“It’s kind of like an aerial Napster, he says. “They perform this balletic aerial choreography, drifting through the sky, part nomadic infrastructure and part nomadic swarm.”

Unknown Fields and Tomorrow's Thoughts Today

Above: Electronic Countermeasures

“What we’ve realised is that there’s no nature anymore – at least not in the sense that we culturally define it,” he concludes. “What there is, is technology. Engineered networks, augmented environments, invisible fields – infrastructure has exploded into bits, to roam the earth in an architecture of everywhere.”

Unknown Fields and Tomorrow's Thoughts Today

Above: Electronic Countermeasures

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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"We’re bringing cutting-edge research into the public sphere" – Loop.pH

Mathias Gmachl of Loop.pH explains how the London design studio’s large-scale lighting installations help people relate to cutting-edge research in molecular biology in our next Designed in Hackney Day movie.

loop.pH at Designed in Hackney Day

The studio aims to make science more accessible to people by creating environments in which they can experience the processes and structures first-hand, on an understandable scale. “We are trying to create artworks in the city that bring cutting-edge research in biology and in energy into the public sphere, into a park in the centre of the city, so people can actually relate to this research and get an understanding of what is about to happen to them.”

loop.pH at Designed in Hackney Day

Since 2003, Gmachl and Rachel Wingfield’s Hackney-based studio loop.pH has combined science and design for projects ranging from community enhancement schemes in Hackney to installations at London’s Kensington Palace (above and below).

loop.pH at Designed in Hackney Day

“The relationship with science is at the heart of what we do because we are very hungry researchers,” says Gmachl.

loop.pH at Designed in Hackney Day

“We’ve developed illuminated, self-supporting animated architectural textiles using an old textile technique, lace making, that’s brought up to an architectural scale then combined with parametric design software to create some very ephemeral light installations,” he says.

loop.pH at Designed in Hackney Day

Their research into metabolisms and energy flows began with a collaboration with British Nobel Prize-winning scientist John Walker, which led to large-scale interpretations of his molecular research and metabolic machines. “We took one of our textile techniques, based on taking a material and charging it up with energy, to create a molecular structure on a human scale,” he explains.

loop.pH at Designed in Hackney Day

Collaboration is also important to Loop.pH’s work and Gmachl describes how creating artworks with residents on an east London estate to transform a notorious drug spot into a useable space was about “planting seeds” in the community. “It’s not about telling people what to do, it’s about trying to help find the opportunities and develop the skills so they can be practised,” he says.

loop.pH at Designed in Hackney Day

“For a designer this is actually a difficult process, because designing is the thing that we consider ourselves to be best at and it’s the thing that we really want to do so to give up that level of control, to allow other people to design and to make the choices, is something that we have to learn to overcome.”

loop.pH at Designed in Hackney Day

Based in Stoke Newington, the Loop.pH studio is just around the corner from Dezeen’s offices. Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

loop.pH at Designed in Hackney Day

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney. See all our stories about designs by Loop.pH »

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"We use software programming controls as well as physical design" – Troika

Troika founding partner Eva Rucki explains the studio’s large-scale immersive light installations in this movie filmed by Dezeen at our Designed in Hackney Day.

Troika at Designed in Hackney Day

Above: one of Troika’s Trixotrope pieces when spinning and illuminated

Rucki, Conny Freyer and Sebastien Noel founded Troika in 2003 after graduating from the Royal College of Art and have set up a flexible workshop space under a large railway arch in Hackney, east London.

Troika at Designed in Hackney Day

Above: Trixotrope frame when still

The first of the studio’s installations she describes is Thixotropes, a series of rotating frames covered in LED strips. The light pieces hung in the atrium of London department store Selfridges for three months last year. “One of the most magic points for me in this installation is when the structure starts spinning and hits a point where it spins so fast that it becomes a solid volume,” says Rucki.

Troika at Designed in Hackney Day

Above: detail of the LED strips used on the Trixotrope pieces

Four different designs were suspended in two columns and alternated on and off so shoppers on all five floors of the store could experience the way the pieces looked at different speeds from various vantage points.

Troika at Designed in Hackney Day

Above: Trixotrope piece when spinning and illuminated

Rucki then describes Troika’s Light Rain project, first created for Thomas Heatherwick’s UK Pavilion at the 2010 Shanghai Expo then refined for crystal company Swarovski and displayed at the V&A museum as part of an exhibition of British design. “The way this device works is that you have a lens, a light and when the light comes closer to the lens and further apart and it has an animation written into the mechanism, which is a raindrop,” she says.

Troika at Designed in Hackney Day

Above: Trixotrope pieces spinning and illuminated while hung in the atrium of Selfridges

“It contrasts technology, which is perceived as something often artificial and man made, with something like an innate memory of nature you has as a kid watching raindrops on the ground,” she says.

Troika at Designed in Hackney Day

Above: The Weather Yesterday installation in Hoxton Square

Troika’s commission for Hoxton Square in east London was a light installation linked to yesterday’s weather forecast. “The slightly retro look wasn’t really a stylistic choice, but it’s based on the components the sign is built with: LED strips in modules of five,” Rucki says.

Troika at Designed in Hackney Day

Above: LED strips used for The Weather Yesterday installation

“Quite a lot of our work uses software programming controls as well as typical physical design,” she summarises at the end of the talk.

Troika at Designed in Hackney Day

Above: The Weather Yesterday assembled in Troika’s studio

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Troika at Designed in Hackney Day

Above: the back of The Weather Yesterday showing the wires and circuitry

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from HackneySee all our stories about design by Troika »

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Book Tower House by Platform 5 Architects

Walls of books fold around a wooden staircase in this renovation and extension to a north London home by Hackney studio Platform 5 Architects.

Book Tower House by Platform 5

“A key part of the brief was to house the client’s extensive collection of books,” Platform 5‘s Patrick Michell told Dezeen. “We proposed a double-height library wrapped around a stair.”

Book Tower House by Platform 5

The oak bookcases stagger up around the edge of the stairwell, finishing at a first-floor study space that cantilevers out over the room below. “The dramatic space was perfect for a small desk perched off the landing, with views to the floor below and out through the window,” said Michell.

Book Tower House by Platform 5

Platform 5 Architects also added an extension to the kitchen, doubling the size of the space to accommodate a new dining area with an exposed brick wall.

Book Tower House by Platform 5

“We used exposed brickwork in the extension to link the room with the garden by continuing the garden wall into the interior,” said Michell. “London stock brick is an essential part of the character of the city and it forms a beautiful backdrop to a domestic interior.”

Book Tower House by Platform 5

The zinc-clad extension gives the rear of the house a new elevation with a large glass door and L-shaped window seat.

Book Tower House by Platform 5

Wooden ceiling beams run along the length of the extension and create modular shelves along the top of the new brick wall.

Book Tower House by Platform 5

A kitchen island counter is made from exposed concrete, which the architects also used for the surface of the floor. “The robust finish sits comfortably with the muted tones and texture of the exposed brickwork and oak,” explained Michell.

Book Tower House by Platform 5

London-based Platform 5 Architects was founded in 2006 and is headed up by Michell and partner Peter Allen. Previous projects include a modest glass extension to a house in Dalston.

Book Tower House by Platform 5

Other residential extensions to complete recently include a dark brick extension near Lille and a rooftop addition in California.

Book Tower House by Platform 5

See more residential extensions on Dezeen »

Book Tower House by Platform 5

Photography is by Alan Williams.

Book Tower House by Platform 5

Here’s some more text from Platform 5:


The owners were keen to introduce contemporary interventions to create modern living spaces, while retaining and highlighting the Arts & Crafts influenced decorative aspects of the original house. A key element to the brief was the need to house an extensive book collection.

Book Tower House by Platform 5

A simple palette of oak, brick and concrete were used on the interior to link the different spaces and built in furniture was designed to create stage sets for domestic life.

Book Tower House by Platform 5

Above: ground floor plan

The main feature is a double height library built around a staircase at the heart of the house where oak panels and shelves lined with books create an intimate atmosphere. The stepped arrangement of the shelves mimics the stairs to give a sense of upward movement through the space, while at the top a small study has been incorporated into the landing; a peaceful area to work, overlooking the ground floor.

Book Tower House by Platform 5

Above: first floor plan

To the rear, a new kitchen side extension was built by resting a zinc-clad oak structure onto the party wall. Timber spars diffuse light from above, and create a series of niches against the wall. The existing rear elevation has been remodelled, with a large pivot door and a sitting area with slide-away corner glazing overlooking the garden.

Book Tower House by Platform 5

Above: long section – click above for larger image

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"A lot of what we do is about testing public space"– Suzanne O’Connell of The Decorators

Suzanne O’Connell of Hackney studio The Decorators introduces a temporary restaurant in a local market and a community event on top of a multi-storey car park in this movie filmed by Dezeen at our Designed in Hackney Day.

The Decorators

Above: Ridley’s Temporary Restaurant

O’Connell looked back at The Decorators’ work over the past year as part of the day’s Pecha Kucha talks, a presentation format where 20 slides are shown for 20 seconds each.

The Decorators

Above: the site of the temporary restaurant

“A lot of what we’ve done over the past year, because we’re a new practice, is about rehearsals and testing public space,” says O’Connell as she introduces a temporary restaurant in east London’s Ridley Road market. “It’s not just about designing the space, but about designing the programme for that space.”

The Decorators

Above: constructing the restaurant

Collaborating with London studio Atelier ChanChan, The Decorators set up a restaurant that encouraged visitors and locals to exchange raw ingredients for a cooked meal.

The Decorators

Above: section showing the restaurant’s moving table attached to a pulley

“We didn’t really have a brief, so we spent two or three months doing research on the market, speaking to the traders, our core collaborators, and trying to figure out what existed there,” says O’Connell.

The Decorators

“We wanted to find a mechanism where we could bring people together and bring an alternative economy to the market.”

The Decorators

The Decorators came up with a system where diners could look over the shopping list on the restaurant’s blackboard, purchase an ingredient from the market and swap it for their lunch, with enough left over for the restaurant to serve an evening meal.

The Decorators

“With the design, we wanted to highlight the process of what was happening,” says O’Connell, explaining that the studio came up with a table that could be winched up from the ground floor kitchen to the first floor dining room.

The Decorators

“We were playing with the normal etiquette of how you share a meal,” she says, “and we also played with the way the knives and forks were placed, and glasses, so it was a way of having a shared collective experience.”

The Decorators

Above: the first floor of the restaurant with the table seen on the floor below

The second project O’Connell introduces is a collaboration with Croydon Council and Kinnear Landscape Architects to make use of Croydon’s empty car parks before they’re eventually demolished.

The Decorators

Above: kitchen staff prepare plates on the ground floor

“On first investigation of Croydon, all the places seem quite empty,” she explains, “but on further investigation you see there’s actually a buzz of activity – you’ve got Croydon College, you’ve got Fairfield Halls, you’ve got the skaters; so the car park becomes a great opportunity to bring all these people into the public space together.”

The Decorators

Above: the table is winched up to the first floor dining room

The Decorators planned an event for the roof of the multi-storey car park to include a cook-out by a local barbecue chef, five-minute speeches from locals outlining their visions for the town, and a football game. “All of the teams are from various stakeholders and they’re playing for this future idea of what Croydon can be,” explains O’Connell.

The Decorators

Above: Croydon, south London

“This is an experiment, we don’t really know how it’s going to go, but we hope that the results from this event will inform the architectural interventions over the next year,” she concludes. The car park event took place in October last year.

The Decorators

Above: diagram for an open event on top of a multi-storey car park

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

The Decorators

Above: plan for a social space in Croydon

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

The post “A lot of what we do is about testing public
space”– Suzanne O’Connell of The Decorators
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