Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Swedish designers Marcus Abrahamsson Kristoffer Fagerström have created this bench with a seat made of stacked pine batons for outdoor furniture brand Nola.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Called Pylon, the design features a folded metal base that branches to support the coloured slats.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Abrahamsson originally designed the bench in untreated pine for the cafe area at Konstfack University College, where he graduated in 2009.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

The project was exhibited at Stockholm Furniture Fair, took place 8-12 February 2011. See all our coverage of the event »

Here are some more details from Nola:


Pylon

Designed by Marcus Abrahamsson and Kristoffer Fagerström

This sleek seat is based on a traditional bench shape, which has been dramatically transformed into a strikingly futuristic design. Taking inspiration from the pylons towers that support power lines, the designers constructed the base of the bench from twin uprights that anchor the seat the floor. Two layers of thick pine slats are glued together to form the seat, which is gripped between the upper reaches of the base supports. Pylon is a perfect complement to high-design interiors and cutting-edge architecture, or any setting where design takes centre stage. A one-seater version is also available.


See also:

.

Bench by Raw Edges
for Bench 10
Bench by Richard Shed
for Bench 10
Kiwa bench by
Hyung Suk Cho

Shared Space III by Chris Kabel

Shared Space by Chris Kabel

Dutch designer Chris Kabel has created a circular bench made from one 10 metre-long wooden beam.

Shared Space by Chris Kabel

Kabel cut the long beam into trapezium-shaped pieces then fitted them back together to form a ring that retains the grain of the wood.

Shared Space by Chris Kabel

These pieces are held in place by a metal strap.

Shared Space by Chris Kabel

The bench is in use for an installation called Shared Space III in the communal space of the Witte de With Center for Contemporary Art and Tent in Rotterdam.

Shared Space by Chris Kabel

Here’s some more information from the designer:


What do you like most about the project?

That the bench really works. If you sit with three people or more in it, it automatically becomes a very intimate space where the outside world dissapears. You really feel embraced by the tree.

What was the original concept and how does it differ from the finished project?

For the Shared Space III I wanted to make a circular bench. I liked this shape because it creates two very different spaces. Facing outward of the circle you can be alone and anonymous. You can read a book or look at the passers by. But as soon as you step into the circle you become part of the atmosphere created by the people that are already in there. It’s a bit like sharing a bath in the sauna but then without the nakedness and the wetness… It also reminds me of my early school years where on mondays we would all sit with our little wooden chairs in a circle and talk about the things we did in the weekend.

Shared Space by Chris Kabel

And then I thought of how I would make it. Obviously, wood first came to mind but I wanted to do something unexpected with the wood. Normally to make a circular bench out of something straight, you cut it in shape and glue or screw it back together. This however destroys the continuity of the wood grain, which for me is the most characteristic feature of wood. So that gave me the idea of cutting the wood in small trapezium shaped pie pieces that, when put back togheter, would create a circle of three meters in diameter. The bench consists of a hundred of those pieces, held together by a metal strap (just like a wooden bathtub or a wooden barrel). It actually works in the same way as the stones in an arch in a wall. Another good thing is that you can disasemble the bench, load it on a pallet and tranport it very easily.

Shared Space by Chris Kabel

Did you have any difficulties during the design process or assembly?

Yes, it was very hard to find a piece of wood of this dimensions. To be true to the idea I really needed a wood beam of ten meters long. Also it needed to be dry enough to cut without cracking open or breaking too much. Because when wood is freshly cut it is very wet and when it starts to dry out, the outside dries out quicker than the inside and shrinks and thus cracks because the inside didn’t shrink yet. Luckily I found this kind of wood and also a fantastic woodworker who works a bit like a mad scientist, he invents his own machines and techniques. He is a specialist in impossible projects. He has also worked for the Chinese artist Ai Wei Wei, Ettore Sottsas and Ron Arad, which made me feel confident he knew what level of finish I desired.

Shared Space by Chris Kabel

Do you have any anecdotes/ funny stories that occurred during the design process?

First I wanted to make the bench in my own workshop out of a thinner but also 10m long wood plank attached to a metal frame, and with the wood pieces cut by waterjet and glued together completely in one piece. We almost started doing this when I realised myself the immense size this bench would have and how we would transport it. So I measured the doors of the building and found out that after being finished, the bench would never leave the building because the doors were too small. After this desillusion the answer to make the entire bench out of pieces cut one much wider and higher wood beam and later strapped together by a metal strap, proved much more natural and logical… So in the end I thank the architect of our building (which used to be a hat factory by the way, items that easily fit through any door) for not making the doors too big…

Shared Space by Chris Kabel

What would you like people to take away after seeing this project?

I hope that they will have shared something with a complete stranger in this wooden circle.

About the project itself:

What materials and techniques did you use?

Oregon pine beam of 10m/ 40cm /30cm, a little geometry, and a lot of cutting… the wood is finished with a matte transparent varnish

Shared Space by Chris Kabel

Where were the materials found?

The wood originally comes from Canada, where it has been lying in the river for a year to wash out the wood acids. Then it has been drying to the air for two years in the Netherlands.

How long will the space be occupied by your design?

A year or maybe longer

What do you expect the bench to look like after 6 months- a year?

The wood will become even better with age so I hope it will last a hundred times longer than that…


See also:

.

Seam Chair and Bench by
Chris Kabel
New work by
Chris Kabel
More furniture stories
on Dezeen