Reckless Kelly and Wings win Grammy packaging awards

A lunar-themed design for Texas band Reckless Kelly’s album Long Night Moon was named Best Record Package at the 56th Grammy Awards last night, beating sleeve designs for David Bowie, Jay-Z and Metallica.

The packaging for Long Night Moon was designed by sisters Sarah and Shauna Dodds, founders of Austin-based Backstage Design Studios. It comes with a UV light which can be used to reveal hidden codes printed in glow-in-the-dark invisible ink, and a 12-panel poster insert featuring a lunar map surrounded by moons, each representing the moon phase on the night of a significant date in the making of the album or the band’s history.

Stars dotted around the artwork represent various constellations, while moons on the back cover depict lunar phases on the date each track was written. Hidden codes include the chords used in each track and a story made up of selected lyrics from each song. Backstage Design Studios also received a Grammy nomination for their circus-themed packaging for Reckless Kelly’s previous album, Good Luck & True Love – you can see images and read more about the making of Long Night Moon on the studio’s website.

Also nominated was Brian Grunert and Annie Stoll‘s design for New York band Geneseo’s album, Automatic Music Can be Fun, created with band members Zac Decamp and Mike Browne. As well as some striking black and white imagery, the fold-out packaging features lyrics printed underneath scratch-off material. Certain words from each track were left uncovered, making a poem, and Decamp and Browne created a bonus track out of the uncovered words. To download the track, users had to scratch to reveal clues hidden in the packaging:

Fellow nominee Brian Roettinger also concealed lyrics under scratch-off material in packaging for Jay-Z’s album, Magna Carta…Holy Grail. The album is housed in a transparent slip case which contains three four page spreads and a 28-page photo booklet featuring images of the artist. The artwork was unveiled at Salisbury Cathedral in July last year, where the album was placed in a glass case alongside the real Magna Carta. A bold marketing move from Jay-Z – and a puzzling one from the Cathedral.

Jonathan Barnbrook’s artwork for Bowie album The Next Day received a nomination, too – you can read about the concept for the album’s design here and view more images of the packaging on Virus Fonts’ website (packaging uses Virus’ Doctrine typeface).

The final nomination was Bruce Duckworth, Sarah Moffat, Brian Steele & David Turner’s black, white and red design for the sound track to Metallica’s Through the Never tour film. The cover symbol uses the lightning bolt ‘M’ from the band’s original logo, drawn by lead singer James Hetfield:

TurnerDuckworth also designed the identity for Metallica’s previous album, Death Magnetic, and the promotional material for the Through the Never Tour.

Best Boxed/Special Limited Edition Package

Two out of the Grammy’s 78 awards categories celebrate music packaging – the second, for the best boxed or special limited edition package, was awarded to Simon Earith and James Musgrave for their deluxe edition of Wings’ 1976 album Wings Over America.

It’s certainly packed full of content, with an 80-page book of drawings by artist Humphrey Ocean, a 60-page photographic journal documenting the ’76 tour, a 136-page replica tour book and a 112-page book featuring editorial by David Fricke. See each item in detail in an unboxing video here:

Also nominated was Ross Stirling’s deluxe edition of Mumford & Sons album, The Road to Red Rocks, which comes in a gold foil-embossed case housing a 96-page book with interviews and footage from the show:

Charles Dooher and Scott Sandler’s artwork for the deluxe box set of Rolling Stones album, The Brussels Affair, which includes a watch, a lithograph signed by Mr Jagger and a book containing rare and unseen images from the 1973 tour:

A box set for Mayer Hawthorne album How Do You Do, featuring 12 7″ vinyls in individual photographic sleeves and accompanying plastic display sheet:

And my favourite, art director Masaki Koike’s design for The Smith Tapes – a limited edition collection unheard interviews with musicians, artists and cultural figures from the 1970s which was funded through a Kickstarter campaign. Each disc is housed in an individual case with a retro graphic cover and the box set comes with a cassette-shaped USB stick and exclusive print:

You can see more images on Koike‘s website or read more about the project at thesmithtapes.com

While each of the winning designs are very different, there are some similarities: winners and nominees in the Best Record Package category all feature either an interactive element or monochrome cover design. Koike’s work for the Smith Tapes is the most visually striking in the deluxe and limited edition category, but the Wings box set isn’t a particularly surprising winner given the wealth of content and behind the scenes footage included in the sold out package.

To see last year’s winning designs or the full list of Grammy categories, click here.

Fibers of Light

The Herba lamp, designed for the Bertolucci brand, is actually 5 lights in 1, and takes inspiration from natural fiber geometries derived from biomimetic observation. Raw copper tubes are contrasted with matte white acrylic on which LED light is projected to create an evenly diffused glow perfect for reading or ambience.

Designer: Atelier Marko Brajovic


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(Fibers of Light was originally posted on Yanko Design)

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Emotional Intelligence

What if your gadgets knew how you were feeling? The Rapport project aspires to achieve just that! It’s all about facial expression. You look at it, it looks back at you and suggests some music. It understand whether you like it or dislike the tunes, and depending on your face, it either cranks it up or changes the music! Similarly, it communicates its own “feelings” with familiar expressions. Watch it in action —>

Designers: Joe Smith, Yeawon Choi, Yifei Chai, Yuchang Chow


Yanko Design
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(Emotional Intelligence was originally posted on Yanko Design)

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Vertical Glass House by Atelier FCJZ has glass floors instead of windows

Glass floors allow residents to look down from a dining table into a toilet inside this windowless concrete house in Shanghai by Chinese firm Atelier FCJZ (+ slideshow).

Vertical Glass House by Atelier FCJZ

Yung Ho Chang of Atelier FCJZ originally designed the Vertical Glass House as an urban housing prototype for a competition in 1991. Twenty-two years later, the studio was able to realise the project as part of the West Bund Biennale of Architecture and Contemporary Art.

Vertical Glass House by Atelier FCJZ

The building now functions as a guesthouse for visiting artists and architects. Closely based on the original design, the four-storey house has a glass roof and glass floors between each level, meaning that residents can look all the way up from the basement to the sky.

Vertical Glass House by Atelier FCJZ

According to project architect Lu Bai, the house is a 90-degree rotation of the typical glass houses completed during the Modernist period, placing more of an emphasis on spirituality and materials.

Vertical Glass House by Atelier FCJZ

“With enclosed walls and transparent floors as well as roof, the house opens to the sky and the earth, positions the inhabitant right in the middle, and creates a place for meditation,” he explained.

Vertical Glass House by Atelier FCJZ

A single steel column extends up through the exact centre of the building. Together with a series of criss-crossing joists, it dissects the floors into quarters that each accommodate different activities.

Vertical Glass House by Atelier FCJZ

On each floor, one of these quarters is taken up by a steel staircase that spirals down to the basement from a double-height second floor.

Vertical Glass House by Atelier FCJZ

The house’s austere concrete walls were cast against wooden formwork, which was left rough on the outside and sanded on the inside to give a contrast in texture between the facade and the interior walls.

Vertical Glass House by Atelier FCJZ

Each glass floor slots into a pair of narrow horizontal openings in the walls and the architects have added lighting along these junctions to create stripes of light on the building’s facades after dark.

Vertical Glass House by Atelier FCJZ

The overall footprint of the house is just 40 square metres.

Vertical Glass House by Atelier FCJZ

Here’s a project description from Atelier FCJZ:


Vertical Glass House

Vertical Glass House was designed by Yung Ho Chang as an entry to the annual Shinkenchiku Residential Design Competition organised by the Japan Architect magazine in 1991. Chang received an Honorable Mention award for the project. Twenty-two years later in 2013, the West Bund Biennale of Architecture and Contemporary Art in Shanghai decided to build it as one of its permanent pavilions.

Vertical Glass House by Atelier FCJZ
Basement plan

Vertical Glass House is a urban housing prototype and discusses the notion of transparency in verticality while serving as a critic of Modernist transparency in horizontality or a glass house that always opens to landscape and provides no privacy. While turning the classic glass house 90 degrees, Vertical Glass House is on one hand spiritual: with enclosed walls and transparent floors as well as roof, the house opens to the sky and the earth, positions the inhabitant right in the middle, and creates a place for meditation. On the other hand, Vertical Glass House is material: vertical transparency visually connects all the utilities, ductworks, furniture pieces on different levels, as well as the staircase, into a system of domesticity and provides another reading of the modern theory of “architecture as living machine”.

Vertical Glass House by Atelier FCJZ
Ground floor plan

The structure erected in Shanghai in 2013 was closely based on the 22-years old design scheme by Chang and developed by the Atelier FCJZ. With a footprint of less than 40 square meters, the four-storey residence is enclosed with solid concrete walls leaving little visual connection to its immediate surrounding. The walls were cast in rough wooden formwork on the exterior and smooth boards on the interior to give a contrast in texture in surface from the inside out. Within the concrete enclosure, a singular steel post is at the centre with steel beams divide the space in quarters and frame each domestic activity along with the concrete walls.

Vertical Glass House by Atelier FCJZ
First floor plan

All the floor slabs for the Vertical Glass House, which consists of 7cm thick composite tempered glass slabs, cantilevers beyond the concrete shell through the horizontal slivers on the facade. The perimeter of each glass slab is lit from within the house; therefore, light transmits through the glass at night to give a sense of mystic for the pedestrians passing by. All the furniture were designed specifically for the rooms inside the Vertical Glass House to be true to the original design concept and keep a cohere appearance with its structures and stairs. Air conditioning was added to the house.

Vertical Glass House by Atelier FCJZ
Cross section

The Vertical Glass House will be operated by the West Bund Biennale as a one-room guest house for visiting artists and architects while serving as an architectural exhibition.

Vertical Glass House by Atelier FCJZ
Original drawings

Office: Atelier FCJZ
Principal Architect: Yung Ho Chang
Project Architect: Lu Bai
Project Team: Li Xiang Ting, Cai Feng

Vertical Glass House by Atelier FCJZ
Original drawings

Location: Xuhui District Longteng Road, Shanghai, China
Client: West Bund
Building Area: 170 m2 Structural
Type: Housing/Exhibition

Vertical Glass House by Atelier FCJZ
Original drawings

 

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glass floors instead of windows
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Valentine’s Day Giveaway: Win a Biology-Inspired Scarf, Bow Tie, or Necktie by Cerebella Design

Designer Ariele Faber has carved an innovative path in the field of pattern design. Her brainchild, Cerebella Design, brings to life the beautiful details of specimens as viewed under the microscope that are often invisible to the naked eye—until now. Each of the items you see here were inspired by biological samples that made their way from the science lab to the art studio. This Valentine’s Day get a chance to WIN neckwear of your choice by simply answering the question below!

To WIN a Cerebella Design for you (or your Valentine), simply answer this question:

So far Cerebella has developed nine unique patterns, including Pollen, Obelia, Moon Jellyfish, Tapeworm, Starfish Eggs, Pseudoscorpion, Frog Skin, Whale Skin, and Trachea. Tell us what should come next!

Contest Rules

  • Standard Contest Rules Apply
  • Contest Closes on 29th Jan midnight PST

More About Cerebella Design

  • Cerebella Design recently launched a biology-inspired neckwear line and currently has a bank of nine unique patterns that exhibit specimens in a wide array of color combinations.
  • Patterns are applied to bow ties, neckties, and scarves, each individually crafted in the USA.
  • The process uses cutting-edge photomicroscopy imaging techniques and digital textile design technology.
  • Cerebella promotes science education through art by introducing this innovative design process to students in K-12 schools
  • All products are currently available for purchase at http://www.cerebelladesign.com.

You can follow Cerebella Design on Facebook, Twitter, and Pinterest, and/or sign up for the monthly newsletter to get the latest updates and contest information!


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(Valentine’s Day Giveaway: Win a Biology-Inspired Scarf, Bow Tie, or Necktie by Cerebella Design was originally posted on Yanko Design)

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Kulle day bed by Stefanie Schissler features a bobbly surface

Cologne 2014: this day bed by young designer Stefanie Schissler is intentionally lumpy to encourage users to snuggle into it.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The Kulle day bed by Stefanie Schissler has an undulating surface caused by the different sized pieces of upholstery foam concealed beneath its stretchy boiled-wool surface.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The German designer wanted to create a piece of furniture for relaxation that invites the user to lay down through its appearance.

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

“The look is something new, which is arising curiosity in people,” Schissler told Dezeen. “It is designed to arise the urge to touch and feel it.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

The small cubes of leftover foam used have different densities and heights so the squashiness varies across the surface. “Every bobble feels different,” Schissler explained. “You can feel them but in a very gentle and pleasant way. A lot of people describe it as a massage for the body.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

She added that the piece is not really meant for sitting on but as a landscape for relaxation. “The bobbles at the back are slightly higher so that you can lean your head on them to read a book, but in general the daybed is a piece that is not made to sit on, but to really lie in it, feel it and simply relax.”

Kulle lumpy day bed with boiled-wool bobbles by Stefanie Schissler

Schissler graduates this year from Hochschule für Gestaltung Schwäbisch Gmünd in Germany, but developed this project during an exchange semester at Lund University in Sweden.

She presented the day bed as part of as part of the [D3] Design Talents exhibition at imm cologne earlier this month.

The post Kulle day bed by Stefanie Schissler
features a bobbly surface
appeared first on Dezeen.

Duncan Hellmers’ Nixie-Tube-Based Blub Clock

0blubkickst-001.jpg

In this age of digital displays, it’s hard not to appreciate the old-school aesthetic of a nixie tube. To individually bend ten different digits out of cold cathode neon tubes, then stuff all of them together in a little glass dome, is perhaps needlessly labor-intensive but provides a clearly legible readout with an Edison-bulb vibe.

NixieFix1.jpg

Sydney-based Duncan Hellmers is of the same mind. “[Nixie tubes] fit in well with today’s aesthetic trends but still retain that sense of nostalgia and sentimentality,” he writes. “I’d seen quite a few tube clock designs online, but couldn’t find one whose character matched what I was after, so I decided to design my own.”

(more…)

Present Time

Bloesem Living | Present Time Home Accessories
 
Present Time made me very happy with their new home and kitchen collection for the coming season. An amazing range of new things that will definitely make you smile.. tableware in pretty colors, accessories to brighten up your home office, frames in different sizes and the cutest vases & candlesticks. The new cushions stole my heart though.. triangle, aztec and dotties prints which are too good to be true! xo Christine – House of C
 
Bloesem Living | Present Time Home Accessories
 
Bloesem Living | Present Time Home Accessories
 
Bloesem Living | Present Time Home Accessories
 
Bloesem Living | Present Time Home Accessories
 
Bloesem Living | Present Time Home Accessories
 
 

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