International Home + Housewares Show 2012: Lodge, a Century of American Manufacturing

Coverage sponsored by the IHA

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Since 1896, Lodge has been making cast iron cookware and today it is the sole domestic manufacturer of cast iron cookware. Not only has Lodge been manufacturing cookware for over 100 years, it is also the oldest family-owned and operated cookware foundry in the United States. Based in South Pittsburg, Tennessee (population 3,300), Lodge has seen a recent revival—the versatility and even heating properties of cast iron cookware have made their signature skillets an essential in home and professional kitchens around the country.

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In the video below, Mark Kelly shares some insight on the history and more recent innovations from this historic company. Introduced in 2007, the Lodge Signature Series line showcases a pioneering method of riveting the stainless steel handles onto the cast iron skillet bodies. Although they look beautiful and maintain the high performing qualities of their signature cast iron skillets, I still prefer my traditional model.

BONUS: Don’t miss the awesome Foundry Tour video after the jump. Lodge walks viewers through the whole process from materials, slagging, sand molding, polishing, seasoning and packaging.

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Ask Unclutterer: Helping parents downsize

Reader Amanda submitted the following to Ask Unclutterer:

After over 40 years in their home, [my 73 year old parents] … have decided to sell and build a house in a nearby community where HOA fees will pay for things like taking care of the yards. I am delighted for them.

… my mother has already expressed:

A) Anxiety about having to clean out their house to get it ready to sell. This also includes having small repairs made and staging the home.

B) Excitement about this being a chance to go through the things that they’ve collected over 40 years and toss/donate/sell the things they no longer want. She sees this as a chance to dump the unwanted and move forward only with what they want, need, and enjoy.

Do you have advice and resources I could pass on to my mother? … Any help you can offer would be welcome! Thanks.

Question A is easy to answer because good real estate agents have contractors and stagers on their staffs who do exactly these types of projects or they have a short list of trusted professionals they recommend using. When we sold our house last year, our agent’s team patched small nail holes, replaced a broken latch on a window, brought in a professional cleaning crew, mulched our flower beds, and staged the whole house. If the agent your parents are considering working with doesn’t have quick access to these services, they may want to interview some more agents to find one who really knows what he/she is doing. Since your parents are planning to move in just six months, now is a great time to start working with an agent.

Question B is terrific news because it means your parents are already thinking about the uncluttering and moving process in a positive way, too. You can help your parents by researching names of local charities and what types of donations the charities accept and how to make donations (drop off times, days of weeks, locations) to those charities. You can research what types of trash your parents’ waste management service collects for those things that really do need to be purged, as well as the area’s hazardous waste policies for any chemicals you parents won’t want to move into their new space. You can set up a Craig’s List account for your folks, if they’re interested in selling items. You can also find out names of local professional organizers who are specifically trained to help move people over age 65 through the National Association of Senior Move Managers.

If your parents are interested, you can also help them to unclutter, drop off items at charities, and pack. Work out a schedule with them so each day a little work can be done, and so you’ll know when you’re welcome to lend a hand and when they would rather privately work. Most of all, be prepared to listen. Downsizing from a family home can be emotionally difficult — even if it is a welcome move — and the difficulty is often alleviated through the sharing of stories about the memories that were made in the home.

Thank you, Amanda, for submitting your question for our Ask Unclutterer column. Good luck to your family over the next six months. Also, be sure to check the comments for even more advice from our readers.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Beaumaris Dental by Demaine Partnership

Beaumaris Dental by Demaine Partnership

Australian architects Demaine Partnership have completed a marble-fronted dental surgery in Victoria.

Beaumaris Dental by Demaine Partnership

Large frameless windows wrap around the corners of the polished facade, which folds back towards a glazed entrance.

Beaumaris Dental by Demaine Partnership

Grooved recesses in the white-rendered rear walls divide the three-storey building into a row of blocks, pierced by a set of openings.

Beaumaris Dental by Demaine Partnership

An apartment is located above the clinic on the top floor.

Beaumaris Dental by Demaine Partnership

Other dental clinics from the Dezeen archive include one in Prague with illustrated walls and another in Austria with an interior coloured like toothpaste.

Beaumaris Dental by Demaine Partnership

Photography is by Peter Clarke.

Beaumaris Dental by Demaine Partnership

The text below is from the architects:


Beaumaris Dental

This project began when two dentists, who are also father and son, decided that they needed a new building for their growing dental practice – a building that would reflect the quality of their dentistry and modern equipment and a building that would serve their business well into the future.

Beaumaris Dental by Demaine Partnership

Our first task was to assist the clients realise the potential of the site and to understand the projected local urban development. This exploration led to the brief being for a three storey mixed use building that provides the ground level for their dental business, a second level for a commercial tenant and a third level as an apartment for the son to occupy.

Beaumaris Dental by Demaine Partnership

For the design of the building, we began by reflecting upon the aesthetic ideals of dentistry and the role of the dentist to sculpt and shape teeth. We took this as our starting point for the architecture.

Beaumaris Dental by Demaine Partnership

We developed the design to achieve a considered interplay of the qualities of translucency, reflection, depth, solidity, surface and composition with the aim of giving proper expression to the craft of dentistry. This attempt to evoke allusions to dentistry harks back to the tradition of buildings communicating the service or trade that occurs within.

Beaumaris Dental by Demaine Partnership

The street facade of this building is a smooth veneer of polished marble and glass. The pattern of the stone and the configuration of openings convey a homogenous surface.

Beaumaris Dental by Demaine Partnership

As the light changes those glazed surfaces that previously offered solidity via their reflections become deep punctures in the monolithic quality of the stone and, like an x-ray, it is the (uppermost) edges that appear most translucent.

Beaumaris Dental by Demaine Partnership

This facade folds in from the adjacent buildings to offer a forecourt and a modest expression of civic presence. The angled surfaces articulate the building as a cluster of elements and provide a sense of depth and movement via the manipulation of perspective sightlines.

Beaumaris Dental by Demaine Partnership

The rear facades employ sharp incisions to white rendered surfaces to dissolve transform an otherwise box-like form into a cluster of crisp, white elements. Deep window reveals provide requisite shading and an expression of mass.

Beaumaris Dental by Demaine Partnership

The interior spaces offer a picturesque circuit via the staircase and moments of vista. At the first floor large windows provide the strong visual connection with the street sought by tenants and the windows to the north are screened to respect the sensitivity of the residential interface.

Beaumaris Dental by Demaine Partnership

Throughout the apartment baroque-like concealed light sources suggest spatial extension; surfaces toy with reflection and the incised motif is again used to suggest mass.

Dezeen Watch Store: Deckster by N-Product

Dezeen Watch Store: Deckster, a watch strap designed to house an Apple iPod Nano and transform it into a touch-screen timepiece, is now available at Dezeen Watch Store.

Deckster is the first watch by Canadian design brand N-Product. Please note: iPod Nano is sold separately.

The aircraft-grade aluminium casing of the strap includes an eject function similar to a cassette or tape player to smoothly remove the iPod Nano.

The housing allows all functions of the Nano to still be accessible including the headphone jack and volume controls.

The watch strap is available in red or black leather, or black recycled bicycle tyre. You can order online or over the phone on +44 20 7503 7319.

Dezeen Watch Store is a carefully curated online store specialising in watches by named designers and boutique brands.

www.dezeenwatchstore.com

Arctic Motion

Tor Even Mathisen a pu réaliser ce time-lapse en Arctique afin d’illustrer le morceau “As We Float” du groupe The American Dollar. Avec des images splendides, autour d’une nature incroyable, le vidéo réalisée à l’aide du Canon 5D Mark II est à découvrir dans la suite.



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Lufthansa Business Class Seat and Cabinby PearsonLloyd

Lufthansa Business Class Seat and Cabin by PearsonLloyd

Designed in Hackney: the new business class seat and cabin designed by Hackney studio PearsonLloyd  for German airline Lufthansa was launched this week.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

All passengers face forwards and pairs of seats are positioned in a v-shape, with the diagonal intended to give a little sense of privacy and allow for a 1.9 metre flat bed.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

The seat-backs of each pair are wrapped by a screen lined with brown synthetic leather.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

The back of this shell houses entertainment and storage for those behind, plus foot rests divided by a central fin.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

Tray tables, lifejackets and storage are located in the central console, which has recesses in the sides to allow more room for shoulders when lying down.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

The materials and colour palette were selected to create a more domestic atmosphere than Lufthansa’s usual industrial look.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

Their studio is based on Drysdale Street, just north of Old Street.

Lufthansa Business Class Seat and Cabin by PearsonLloyd
 
See more work by PearsonLloyd on Dezeen here and more transport design here.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

Check out all the stories in our Designed in Hackney feature here.

Lufthansa Business Class Seat and Cabin by PearsonLloyd

Photographs are by Jens Goerlich.

Here are some more details from PearsonLloyd:


Lufthansa’s new Business Class Seat and Cabin designed by PearsonLloyd, developed in conjunction with Lufthansa and B/E Aerospace who engineered and are manufacturing the seat

The new Business Class Seat and Cabin for Lufthansa’s Boeing 747-8 fleet, designed by PearsonLloyd, was launched this week.

PearsonLloyd won the project after extensive investigation of cabin space and passenger ergonomics, which resulted in this compelling and elegant design solution. The resulting design provides a lie-flat bed of 1.98metres, and gives the highest possible value and comfort to the passenger, in terms of seat space, functionality and overall cabin environment.

The’ V’ layout of the seat is pivotal to the design. This seat configuration allows all passengers to face forward, but with increased privacy. The layout also allows a maximised bed length and seat width. The cabin feels more spacious due to increased corridor space and half height monuments offer increased site lines. Space gains allow passengers and crew to pass each other in the aisles more easily and calmly navigate around the cabin. The design has the added benefit of providing passengers who are travelling together with better privacy and communication, whilst at the same time ensuring that passengers travelling alone have an appropriate degree of separation.

All amenities are configured to ensure complete satisfaction, from the frequent traveller on demanding business trips, to the new, or occasional traveller. Each passenger seat pair is contained within an elegantly formed outer shell. The shell provides a housing for stowage and services such as the in-flight entertainment system, but also produces a controlled, calm and private environment without closing the passenger off from the cabin environment altogether. The harmonious, wave-like outer shell provides protection and privacy and is detailed with a unique silver shroud. Internally, the shell is lined with the introduction of a soft synthetic leather, introducing for the first time the hazel colour, a development of the Lufthansa yellow. When the seat is in the bed mode this becomes the more prominent material, creating a softer and more domestic environment.

The iconic wave-like shell is maintained across the fleet, although the angle of the seats adapt to the craft. In this way, a coherent seat design is offered to the passenger whilst maintaining functional efficiency in terms of component count, head count and cabin design.

The centre console contains the tray table, personal stowage and life vest, among other amenities. The tray table is maximized in size to cater for both dining and working. It’s bi-fold design enables the passenger to decide on his needs and use it partially folded, or fully unfolded. The seat passenger control unit is situated inbetween the leather arm cap and cocktail tray and is at hand for both seat and bed modes. It has a carefully designed graphic, which is intuitive to use, such as the tactile button for taxi, takeoff and landing, which allows passengers to easily return to take off and landing position without looking at the control unit.

Privacy and space are provided by the shell’s profile and cut-aways. The feet are shielded in the ottoman area via a central fin which simply divides the passengers. Shoulder space used when sleeping, is facilitated by a recess in the console and this is added to by the aisle side armrest that can be lowered and docked flush into the end bay. to provide uninhibited movement whilst sleeping and maximizing bed width.

The location of functional components underneath the armrest ensures that they are only visible when the passenger needs to access them. Ergonomics was integral to this design from the outset. Passenger contact surfaces have been tailored to be soft and friendly whilst hard surfaces have been fine-tuned in terms of material and design, to be hardwearing without becoming worn or dirty. The seats have almost infinite adjustability from upright to bed positions and have an adjustable lumbar. It also has an adjustable air cushion system by Lantal (except on the 747-8i). The colour and materials are intended to evoke a sense of well-being and calm, deliberately moving away from the more technical colours and materials traditionally associated with Lufthansa.

The materials not only promote a dynamic yet calm aesthetic but belie a very logical and durable build. The colours and materials, like the design itself, are designed to be able to stand the test of time across the lifespan of the product and in a sense be timeless. Across the fleet there is maximum commonality among all parts, improving in-flight service and minimizing repair, spare parts and maintenance. These features not only benefit the total cost of ownership, but both crew and ultimately passengers as well. Every effort has been made to ensure this seat is great to use for all, provides superior comfort and amenities, upholding the very high standards that Lufthansa brings to all of its many offerings.

Key:

Blue = designers
Red = architects
Yellow = brands

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

SyFy – DreamMachines

SyFy propose une nouvelle émission appelée “DreamMachines”. Présentée par les frères Parker, cette émission cherchera à construire des machines que nous pensions seulement réalisables dans nos rêves. La vidéo de présentation a été conçu par OneSize. A découvrir dans la suite.



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How to get e.m-bed.de/d

In a new web-based video by rapper Yung Jake the process of viewing, blogging and tweeting about a new video by Yung Jake becomes the focus of the video itself. The self-referential e.m-bed.de/d is a quick-fire deconstruction of the social media game…

Multi-window browser-takeover pieces have been around for a while – Chris Milk’s Wilderness Downtown project for Arcade Fire is perhaps the most well known recent example – but Jake’s efforts hold a mirror up to the countless processes and actions that go into turning something into that holy grail of digital states: viral.

The fact that this very post is caught up in all that makes the video (can you even call it a video?) all the more apposite in terms of commenting on how we view, like, and share things on the internet.

The best way to experience e.m-bed.de/d is to click on e.m-bed.de/d/vid.html, let the coding do the work, and try and keep up with the references. It works best in Chrome or Firefox, apparently. Thanks to Marcus Leis Allion (@_MLA) for the tweet.

Jake’s Datamoshing video from May last year is worth a look, too. Again it references all the strange glitchy stuff that goes into making a strange glitchy video – “You don’t have bad internet,” he sings, “I’m just datamoshing…”.



See yungjake.com.

 

CR in Print

Thanks for visiting the CR website, but if you are not also reading CR in print you’re missing out. Our April issue has a cover by Neville Brody and a fantastic ten-page feature on Fuse, Brody’s publication that did so much to foster typographic experimentation in the 90s and beyond. We also have features on charity advertising and new Pentagram partner Marina Willer. Rick Poynor reviews the Electric Information Age and Adrian Shaughnessy meets the CEO of controversial crowdsourcing site 99designs. All this plus the most beautiful train tickets you ever saw and a wonderful behind-the-scenes look at Thunderbirds in our Monograph supplement

The best way to make sure you receive CR in print every month is to subscribe – you will also save money and receive our award-winning Monograph booklet every month. You can do so here.

Core77 Design Awards 2012: Meet the Jury, Tasos Calantzis – Social Impact

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What are the ultimate goals when designing for social impact? We spoke to industrial designer Tasos Calantzis who leads our Social Impact jury about the team he’s assembled in Pretoria, South Africa. A former contributor to Core77, Tasos is CEO of design consultancy Terrestrial, and was behind Fabrication Africa which manufactured 21st century African products that created employment for South Africans, and Arivi, which creates safe and efficient energy products for low income homes in emerging markets.

Tell us a bit about your jury and why you chose these individuals.

Tasos Calantzis: I was looking for a group that would constantly find new angles to question from. The people I chose are exactly that—intellectually curious, imaginative, rigorous and experienced. So Allon is my start-up guru, McLean is my innovation guy and Seelan is my NGO/design management expert. They all run organizations and they share a passion for creating anew. This is an awesomely power-packed team!

What qualities will you be considering when evaluating each entry?

I expect entries to be well-informed, either through personal experience, working with users or deep research. They should be appropriate by considering their environments and users respectfully. They should be simple and practical—borrowing here and inventing there. The ideas must be able to grow to a larger impact and create a self-sustaining cycle. Those are the components of a great entry.

What are you most excited about discovering while judging the entries?

I believe that people have an amazing capacity to improve life on our planet despite the suffering in our world. I love seeing how visionary people with big hearts seek to bring lasting change. I’m excited to see the ways in which the entrants are carrying that light.

Where do you see the future of this field heading?

Well I believe that social impact interventions should seek to change the fundamentals so that people are able to solve their own problems. Design is a great approach to doing that on a small and large scale. Of course, funders set the rules to a large extent and I’ve seen some large foundations embracing design principles and benefiting. I hope that this is part of a move to smarter funding. I hope that the shift we’re seeing in the business domain; where creativity, experimentation and holistic thinking are becoming acceptable, will be more prevalent in the social impact sphere. I have no doubt that such a shift will raise the success rate enormously.

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Dezeen Mail #95

Check out the latest issue of Dezeen Mail for all the latest jobs, competitions, comments and stories, including a fire station that looks like a church, a church that looks like a cave and an apartment that looks like a cellSubscribe here.