YouTube’s top trending videos of the year

YouTube Rewind compiles the most viewed, shared and talked about videos of the year. 2013’s global top ten includes three ads amongst a collection of content whose popularity may be mystifying to anyone other than teenage boys…

Trending videos are those that have been embedded in popular sites on the web and viewed by a significant number of people on both YouTube and external sites. Here’s a run-down, in reverse order, of the top ten trending worldwide plus a look at the top UK videos and the most popular music promos.

 

10, Mozart vs Skrillex. Epic Rap Battles of History Season 2 by ERB

Most of this two-minute video revolves around poo jokes and quips about Mozart’s dad issues – yet it’s had more than 42 million views since April. This will no doubt baffle adult audiences and anyone who has no idea who Skrillex is but the Epic Rap Battle series has enjoyed staggering success this year. The list of world leaders, celebrities and musicians that can be pitted against each other in spoof vocal battles is endless, big names rank highly in search results and, as viewers are encouraged to vote for a winner, there’s a high level of engagement – some videos in the series, such as Barack Obama vs Mitt Romney, have received more than half a million comments.

 

9, THE NFL : A Bad Lip Reading by BadLipReading

As 80 percent of YouTube’s audience is based outside the US, it seems surprising that a National Football League video is the ninth top trending worldwide – but this is one of a hugely popular series from BadLipReading that dubs ridiculous comments over films, TV shows and sporting clips. In the NFL video, athletes, coaches and managers appear to throw hissy fits demanding cake, spit in each others’ drinks and reveal details of one night stands.

 

8, Telekinetic Coffee Shop Surprise by CarrieNYC/ThinkModo

The first of three ads that have made the top ten this year, this video promoting a remake of horror film Carrie received more than 50 million views and global media attention. An elaborately staged prank featuring remote-controlled furniture, a fake wall and a stuntman, it shows customers in a New York coffee shop aghast as one customer (an actress) appears to throw another against a wall using telekinetic powers.

The video’s success is proof of the viral power of ‘prankvertising’, a tactic that has proved hugely successful for ThinkModo this year (the New York agency has also staged zombie invasions and a fake murder in the city). It’s a format, however, that should still be treated with caution to avoid a PR disaster.

 

7, YOLO (feat. Adam Levine & Kendrick Lamar) by thelonelyisland

Comedy group The Lonely Island has been making spoof pop videos since 2005. They’ve recruited an impressive line-up of stars from Justin Timberlake to Lady Gaga, and while the format is starting to feel a little tired, it’s still pleasing YouTube audiences – YOLO had more than 53 million views.

 

6, Volvo Trucks – The Epic Split feat. Van Damme by VolvoTrucks/Forsman Bodenfors

Jean-Claude Van Damme doing the splits. Between a pair of moving trucks. This video for Volvo Trucks, one of a series of stunt-based ads for the brand, needs little explanation and has been watched more than 59 million times in less than a month. Proof that sometimes, the simplest ideas are the best. (Read our blog post on the ad here).

 

5, Baby&Me by EvianBabies/BETC

In 2008, Evian’s first roller babies ad was crowned the most viewed online video of all time. Five years later, audiences are still enjoying watching babies jump and spin like adults thanks to CGI trickery. The latest instalment has had over 67 million views, and apps allowing users to view their dancing baby self have also proved successful.

 

4, Miley Cyrus – Wrecking Ball (Chatroulette Version) by SteveKardynal

Miley Cyrus’ controversial and wildly popular Wrecking Ball video has elicited all kinds of parodies this year – a quick Google search reveals covers from Radio 1 DJs and even hedgehogs. This video made by a user on chat site Chat Roulette was the most successful. The split screen device offers added humour, allowing viewers to watch other Chat Roulette users bemused and horrified reactions.

 

3, How Animals Eat Their Food by MisterEpicMann

Perhaps the most ridiculous video we’ve seen all year, this features two grown men eating at a table: one who sits quietly munching his dinner while the other re-enacts the eating habits of hogs, kangaroos, flamingos and elephants. It’s slapstick humour at its silliest but has been watched more than 88 million times and was the most trending overall in the UK.

 

2, Harlem Shake (original army edition) by kennethaakonsen

In 2012, it was Gangnam Style. In 2013, the most widely parodied dance online was the Harlem Shake. Office workers, chat show hosts, teens in their bedrooms and politicians have all had a go but the most watched spoof was made by a group of Norwegian soldiers. Presumably, this one topped the list for being the most bizarre: two men wriggle in sleeping bags, two more dance while buttoned inside the same shirt and another shuffles in skis.

1, Ylvis – The Fox (What Does the Fox Say?) by tvnorge

Norwegian DJ duo Ylvis’ What Does the Fox Say? is a spoof video made to promote the pair’s TV talk show. Much like last year’s top trending video, Gangnam Style, it features all the key ingredients of a viral song and music vid: limited (and therefore memorable) lyrics, an infuriatingly catchy tune and easy to copy dance routines. It also features grown men dressed up as foxes making animal noises, so should please toddlers and younger audiences as well as teens. As well as enjoying staggering success on YouTube – it’s had more than 279 million views – the song is now the highest-ranking chart entry by a Norwegian artist since a-ha released Take on Me in 1985.

 

Top trending videos in the UK

Only two videos from the global top ten appeared in the UK’s top trending – how animals eat their food was number one, followed by the harlem shake army video at number six.



Other videos featured include Tom Fletcher from pop band McFly’s Wedding Speech, which he composed out of lyrics from the band’s songs (a subtle plug for their re-union tour, perhaps?), two acts from Britain’s Got Talent, Will Smith and his son Jaden re-enacting a dance from the Fresh Prince of Bel Air on Graham Norton and a black and white cartoon sketch show by British comedy producer Thomas Ridgewell.

 

People are Awesome, which features a series of people doing jumps, dives and outrageous sporting stunts also made the UK top ten, as did Tom Daley’s video confession that he is in a same sex relationship, released last week. The tenth most popular was a Learn the Alphabet video featuring children’s cartoon character Peppa Pig, proof of the growing number of toddlers watching YouTube and its potential as an educational tool. You can see the full list and a video about it here.

 

Top trending music videos

Unsurprisingly, US acts featured heavily in the list of top trending music videos this year, but Swedish DJ Avicii and British producer Naughty Boy also featured, ranking eighth and tenth respectively. Korean rapper Psy topped the list for the second year running with his video Gentleman, which has had more than 599 million views, followed by Miley Cyrus’ Wrecking Ball (viewed 379 million times).

 

Katy Perry, Robin Thicke, Rihana and Selena Gomez videos also made the list, proving that scantily clad and/or beautiful females are still almost guaranteed to achieve viral success. The list is no surprise given the chart success of top ranking artists, but a real shame considering the wealth of great, original videos we’ve seen this year, particularly at the UK Music Video Awards.

So what can we learn from the top trending videos of this year? For brands, it demonstrates the power of the PR stunt (a subject we wrote about back in May). As audiences are swamped with channels, ads need to be ever more inventive to get our attention and prank or stunt-based spots are likely to be both widely shared on social media and widely written about by journalists. For relatively little expensive, advertisers can reach millions – particularly if the stunt or prank featured needs no translation.

Not one video on the list correlates to a major event in 2013 – last year, Felix Baumgartner’s freefall made number 10 and Obama and Romney’s rap battle ranked fith – and despite the success of animal memes and dog and cat gifs, no animal videos featured in the UK or global top ten. Dance crazes, pop music and silly spoofs, however, still dominate the internet.

On YouTube’s Rewind channel, you can watch a video summary and see lists from around the world, including the full music video and UK top ten lists. Google will also be posting a year in review video on Zeitgeist next week.

D&AD Awards 2014: the winners

 

A record seven Black Pencils were awarded at D&AD this year, several of them for social or public awareness projects. Here’s our comprehensive round-up of the winners

 

EdenSpiekermann’s Improving Safety and Comfort on Train Platforms project for NS Dutch Railways won Black in Digital Design. It uses a colour-coded LED strip running above a station platform to help guide passengers to the right part of the train. The strip includes information on the different class carriages, as well as where there are free seats available

Also in Digital Design, Finch won Black for The Most Powerful Arm campaign for charity Save our Sons

 

 

No surprise that Volvo Trucks The Epic Split from Forsman & Bodenfors is among the major winners – this time in the Online Branded Films category. The entrie campaign also won a Yellow Pencil


 

Martin Riddiford and Jim Reeves’ GravityLight powers a light source or other electrical device using the power of gravity. A bag filled with rocks or sand generates power as it slowly falls. It was one of two Black Pencils from the White Pencil category (confused?)


 

The other White Pencil Black Pencil was for the Terre des Hommes Sweetie campaign by LEMZ. The project reportedly helped identify over 1,000 online sexual predators


 

In Crafts for Advertising, Dentsu Tokyo won Black for Sound of Honda/ Ayrton Senna 1989 in which the driver’s record-breaking lap at the Suzuka circuit was recreated as a sound and light experience

 

WAX Partnership’s Calgary Society for Persons with Disabilities 2012 Annual Report won Black in Graphic Design. It is bound with a single, central staple in an attempt to convey the difficulties of living with a disability. This is somewhat painfully explained on the D&AD site thus: “Using the insight that ‘being handicapped is hard’ we decided to make the annual hard to read”. Hmmm

 

This year’s Yellow Pencils are:

The Mac Pro for Product Design

In Writing for Design, McCann Erickson Melbourne won for Phubbing: A Word is Born, for the Macquarie Dictionary

 

Serial award winners Bloomberg Businessweek chalked up another gong in Magazine & Newspaper Design for a series of covers

 

Another much-garlanded project, OgilvyOne Worldwide London’s BA Magic of Flying won two Pencils  in Integrated & Earned Media

 

And it’s no surprise to see Dove Real Beauty Sketches, by Ogilvy & Mather Brazil, picking up a Yellow in the same category

Ogilvy & Mather’s New York office won Yellow for IBM Datagrams, in Crafts for Design. which visualised stats about tennis matches to be shared on social media

In the same category, Stinkdigital won for Luxottica (Ray Ban) Social Visionaries,

As did hat-trick design for glow in the dark story book, Hide & Eek!

And Barcelona-based Mucho won for Nitsa 94/96: El Giro Electrónico. Here’s how they describe the project: “‘Nitsa 94/96: El giro electrónico’, is a documentary that chronicles the beginnings of Nitsa, an iconic nightclub in Barcelona. We were asked to design a limited edition poster to promote the film’s premiere. The visual idea is based on Nitsa’s famous revolving dance floor that the club once featured. In order to create 150 unique posters, we invented a wooden surface that allowed us to turn the paper in a silkscreen machine, printing on a different angle each time. The posters also have a fluorescent colour dot that refers to psychotropic drugs as well as to the proportions of vinyl records. “

 

A2/SW/HK won for the typefaces it created for The Independent Newspaper redesign (the newspaper itself did not pick up a pencil, however)

 

Outdor advertising/Ambient
A Yellow for La Voz del Interior, Life Signs by Ogilvy & Mather Buenos Aires in Outdoor Advertising.a road safety campaign from a Colombian newspaper using real crashed cars

 

Digital Design
Box, Bot & Dolly
“Box explores the synthesis of real and digital space through projection mapping on moving surfaces. The film documents a live performance, captured entirely on camera.”


 

Press Advertising
The Sunday Times – Rich List, Grey London

 

Book Design
Nineteen Eighty-Four, Type as Image

 

Film Advertising Crafts
Hennessy, The Man Who Couldn’t Slow Down, Droga5


 

Southern Comfort , Whatever’s Comfortable: Karate, Wieden+Kennedy New York


 

PETA “98% Human”, The Mill/BBDO


 

Daimler, Chicken, Jung von Matt


 

 

Mobile Marketing
Unicef, Food Photos Save Lives, Draftfcb New Zealand


 

 

Natalia Project, RBK Communication


 

Smart Communications, TXTBKS by DDB DM9JaymeSyfu


 

 

Direct

Colombian Ministry of Defence, You Are My Son by Lowe/SSP3


 

Amnesty International Trial by Timeline by Colenso BBDO


 

 

New Museum, Recalling 1993 by Droga5


 

 

Graphic Design
Royal Canadian Mint, Heart of the Arctic by Jam3


 

 

Amsterdam Sinfonietta posters by Studio Dumbar

 

Art On The Underground, Labyrinth by Mark Wallinger by Rose

 

Whitney Museum of American Art Identity by Experimental Jetset

 

Wayne McGregor | Random Dance, Mind and Movement by Magpie Studio

 

 

Digital Marketing
Delta Airlines, Delta Photon Shower by Wieden+Kennedy New York


 

Dove, Real Beauty Sketches by Ogilvy & Mather Brazil


Packaging Design
Nippon Design Center, Pierre Hermé Paris
“These three designs were created to package the Ispahan, a macaroon that is one of Pierre Hermé’s most well-known pastries. Using a study of hand-moulding, we designed the packages with smooth joint-free curves and a delicate white texture so that they wrap the Ispahan in a fluid, curvaceous body, as if it were made of dough pressed lightly by a single touch.”

Branding
Lidl, Dill – The Restaurant by INGO

“Lidl tried to convince Sweden about the quality in their products. Low price and quality just don’t go together. We built and opened a gourmet restaurant. The British two starred Guide Michelin Chef Michael Wignall was in charge of the cooking. What nobody knew was that ALL food that was used was bought at Lidl, down to the smallest grain of salt. The restaurant, named DILL was open during 3 weeks and fully booked from first day to last.”

 

Tama Art University, Tamabi by MR_DESIGN
“TAMABI is a nickname for the Tama Art University which is one of the top art schools in Japan. These official advertisements needed to incorporate the university’s slogan ‘MADE BY HANDS’ and principles : the avant-garde, the challenge, and creating something new. We focused on the hand-crafted. We produced many different visuals in a simple format and with a limited selection of motifs. This series consists of about 100 variations. A lot of variations represent the university’s slogan ‘MADE BY HANDS’ and principles. Also we tried to represent the spirit of art and design.”

 

Harvey Nichols, Sorry, I Spent It On Myself by adam&eveDDB

 

Writing for Advertising
350 Action, Climate Name Change, Barton F. Graf 9000


 

Art Direction
Mori Building , Tokyo City Symphony by SIX


 

 

Music Videos
Les Télécréateurs, Gesaffelstein Pursuit directed by Fleur & Manu (two Yellow Pencils)


 

 

Is Tropical, Dancing Anymore directed by Raphael Rodriguez (NSFW!)


 

 

Magazine & Newspaper Design
Series of Moscovskie Novosti newspapers

Crafts for Design
Yoshida Hideo Memorial Foundation, The Beautiful Black List by Dentsu Tokyo
“Celebrating its 50th anniversary, D&AD exhibited successive Black Pencil works together for the first time. We named these collectively as the ‘Black List’ and executed the exhibition’s total design. The main theme is that of the whale. We feel its ability to travel the world without boundaries is equal to D&AD’s unparalleled potential for new discovery.”

 

Further details (including two radio Yellow Pencils) and credits here

Stair Bears

A self-initiated project from creative agency DBLG creates a charming stop motion animation using 50 3D printed model bears

Natalie Greenwood, a producer at DBLG says “We often undertake studio projects as a platform to experiment and above all have fun. Fascinated by 3D printing we embarked on a project to explore the use of stop frame animation using 3D printing technology. Collaborating with our friends at animation studio Blue Zoo we set ourselves the goal of creating a two-second continuous loop using a bear originally designed for our Animal Planet rebrand [which we covered here]. After four weeks of continuous printing we created 50 3D printed bears walking up stairs each making a frame of our animation.”

Here’s the finished project

 

And some making-of shots

The Hilda Stories

Damien Florébert Cuypers has animated a series of shorts for furniture brand Herman Miller, in which 80-year-old Hilda Longinotti reflects on her 21-year tenure at design director George Nelson’s New York studio.

Nelson was design director at Herman Miller from 1947 until 1972 and worked with Ray and Charles Eames, Harry Bertoia and Richard Schultz on some of the brand’s most iconic designs. His studio also produced exhibition graphics and catalogues for the company.

 

Longinotti was hired as a receptionist at the firm after answering a job ad in the New York Times and stayed until 1974. In 1979, she was appointed as manager of design community programmes at Herman Miller and later became a liason for their A+D programme.

In four videos produced by Hello Design, Longinotti recounts her experiences of joining the studio, playing truant from the office when Nelson was on holiday and the inspiration for one of his best-known products, the Marshmallow Sofa.

She also recalls Andy Warhol’s work for Nelson before he was famous. “We were asked to do a restaurant and Nelson’s concept was a plexi glass ceiling with butterflies running across, backlit,” she says.

“One day, in walks Andy Warhol – didn’t have his white wig, was not famous at all. George gave him the concept…a week or so later in walks Andy with renderings in pastel colours of the most beautiful butterflies.” After three office moves, Longinotti looked for the artwork but discovered it had gone missing.

The films offer a charming insight into daily life at one of the world’s leading design practices, and Cuypers’ colourful and witty illustrations complement Longinotti’s reflections perfectly, bringing to life New York’s city scapes, the company’s products and its staff.

You can see more of Cuypers’ work, including some excellent illustrations for London and New York Fashion Weeks, on his website or see Herman Miller’s site for an interview with Longinotti.

Ten illustrated posters for The Double up for grabs

With the film opening in the UK today, we have ten copies of Empire Design‘s fantastic illustrated poster for The Double to give away (detail shown, above). Click through to see how you can win one…

Starring Jesse Eisenberg and Mia Wasikowska, the Double is based on Fyodor Dostoyevsky’s novel of the same name and follows the story of a rather awkward fellow (Eisenberg), driven to despair after his life is usurped by someone who looks exactly like him, but is his behavioural opposite.

In our post about the eye-catching new photographic posters created for the film, Empire say that the illustrated version (above) was inspired by one created for Alfred Hitchcock’s The 39 Steps which also features bold 3D type.

In keeping with the darkness and claustrophobic atmosphere of the photographic versions, the illustrated cityscape is lit solely by a spotlight shining on a lone protagonist. Empire art director John Calvert worked on the poster with illustrator Warren Holder – the full version is shown below.

And we have ten copies of the illustrated poster to give away, courtesy of StudioCanal.

To win one all you have to do is come up with a suitable title for a film of any genre starring a designer, or with design as its subject. Puns are more than welcomed. The Kern of the Screw, Dr Embargo, or even The Man With the Golden Swatch, for example, could easily be ones you might not want to use.

And, really, we know you can do much better.

So leave your film title suggestions in the comments below, along with your name and email address, and we’ll pick our top five and annouce the winners next week. The deadline for entries is 10am GMT on Monday April 7.

The Double is in UK cinemas today. See more of Empire’s work here.


An interview with Milton Glaser

At creative conference Offset in Dublin last month, audiences were treated to an exclusive video interview with Milton Glaser by author Steve Heller. Offset has now released the film online and you can watch it in full below.

The interview was filmed in New York where Glaser, now 85, lives and works. In it, he discusses his iconic I Heart NY logo, his love of making things and his thoughts on advertising and design today. He also reflects on the importance of collaboration and creating work with real social value – and expresses concern that contemporary advertising and design is more concerned with persuasion than communication.

It’s a thought-provoking piece and worth watching the whole 53 minutes…

Filmed & edited by Areaman Productions
Titles: Steve MacD
Music: Gerry Horan

Suspended

Filmmaker Andrew Telling has collaborated with artist Chloe Early on a mesmerising short to promote her forthcoming exhibition, Suspended.

Suspended opens at The Outsiders Gallery in London this week and features a series of paintings exploring weightlessness and gravity. “It’s also a contemporary response to religious renaissance paintings and questions what we worship, and how we experience ecstacy and wonder, in today’s society,” says Early.

In a striking alternative to a traditional documentary-style teaser, Telling uses colour, textures and movement to create a “meditative” piece capturing Early’s source material and creative process.

The film opens with hazy shots of aerial performer Tamzen Moulding suspended in mid-air, before cutting to close-ups of swirling paints and Early at work:

Early has previously worked with Moulding on a number of projects and conducts photoshoots with aerial artists to use as inspiration for her paintings.

Telling’s footage of the performer jumping on a trampoline was filmed at London’s Truman Brewery using a 20-foot-high scaffolding structure, which allowed him to capture a range of angles and backdrops.

The hazy opening scenes were created using a smoke machine, explains Telling: “as Tamzen would jump and go through various movements, it would turn to this haze for around 15 to 20 seconds, before it ended up looking like actual smoke. We did lots of takes to capture that moment in between but for me, it adds to the euphoric feeling you see in Chloe’s paintings,” he says.

Beautifully vivid shots of colliding paint were filmed in one take using no specialist rig or equipment, just a Pyrex roasting dish. “I think we did ten different colour scenarios, and whatever we had left after that, we just kept adding on top,” says Telling.

“[Using] a Pyrex dish meant we could light it below, but work with a small surface area for greater effect, which is why you see waves of colour from all different angles,” he adds.

“I was worried about treading common ground filming liquids, but I feel it works well as it incorporates Chloe’s colour palette whilst mirroring the movement from Tamzen,” he says.

Telling has worked on several promotional films for artists including HelloVon and Conor Harington, as well as brand films for Rapha, Kvadrat, Cos and Converse – you can read a feature on his work in our December 2013 issue.

He often works alone, single-handedly directing, filming, editing and composing an original score, but says Suspended is his most collaborative project yet.

“Working with a bigger team in production and post-production… allowed me to concentrate on the concept and the film’s narrative. When you see Chloe’s paintings in the flesh, there is so much depth and motion and you always see the figures in a wider context.

“The overall concept of the film, for me, is about this feeling of movement that you see [from] the documentary style shots of Chloe working in her studio to the more polished slow-mo ones of Tamzen and paints colliding. I felt the film needed to be [an] introspective view inside the paintings, [capturing] what is happening in the movement, and what it feels like and sounds like,” he adds.

Credits

Director/Editor – Andrew Telling

DOP – Thomas Wooton

Assistant – Alex Hyndman

Music – Lucinda Chua

Grade – Jon Leese-Pomfret

Titles – Christopher Thompson

0800 Fun: animated silliness from The Layzell Bros and W+K

The Layzell Bros have created a weird and wonderful series of animations for a new campaign promoting mobile network Three’s decision to give customers free access to 0800 numbers.

0800 fun was launched by Wieden + Kennedy last week. The agency set up a series of automated 0800 numbers including a compliments line, a singing dictionary, a time wasting service and a sympathy line, and asked Matt and Paul Layzell to illustrate recordings of calls made to each.

The amusing online videos feature a colourful range of creatures, including a ‘cool cucumber’, a glamorous pineapple, a cheerleading robot and a sand castle in need of cheering up:

Chris Palmer has also directed three TV spots for the campaign, the first of which aired on March 18:

CR readers might remember The Layzell Bros from our ‘animators to watch’ issue last April. Since graduating from Brighton and Kingston, they have produced surreal and silly animations for Fox, Adam Buxton, E4 and US band Crystal Antlers – you can see more of their work on the pair’s website, or view their moving image showreel at Blinkink.

 

Superman With a GoPro

In the April issue of CR we discuss the rapid rise of the GoPro camera and its many creative uses, but we didn’t realise that superheroes were among its fans… until now

 

 

The film was created by Corridor Digital using a drone.

More in this behind the scenes clip

Mind-boggling film from ATYP Studio

Design studio ATYP has created this striking studio project – a short film that messes with your sense of perception…

According to ATYP co-founder, Chris Angelkov, the piece was born out of a conceptual investigation into “the idea of matter vs mind”. “Which touches on themes involving the world and how we interpret it,” he continues. “What is real and what is perceived, the relationship between science and philosophy etc. It’s quite a far out starting point for a film that looks the way it does, but we focused down on a more tangible execution involving the relationship between reality and perception: how something as pure as a physics involving Newton’s three laws of motion can be altered by perception, infiltrating and affecting the course of events.”

To create it, the team at ATYP used the dynamics engine inside Maxons Cinema 4D to drive all the animation and events that happen within the film. “The chain of events that unfold are one constant simulation that we are observing, primarily from a single camera locked in proximity to the ‘atoms’,” Angelkov continues. “The simulation happens from top to bottom in our 3D software as objects fall to the ground, so we rotated the camera head through 90 degrees to make the atom appear to be travelling sideways. Yes there are a few occasions where we break out from this locked position but for the majority we chose to record this from a surreal, and physically impossible, viewpoint.

“This is because we wanted to experience the film from the atom’s point of view, in order to see what it experiences as it is invaded by the surrounding landscapes. It’s more claustrophobic and this adds a unexpected element to the film. Kind of like when you’re diving with a mask on and keep thinking that the next thing that comes into view might be a shark. It keeps one on one’s toes, and we liked that element of trapping you into the viewing experience.

“So… we dropped our ‘atom’ and set it off on a constant path, and to a certain extent, the film really made itself. There was quite a bit of chasing going on, as wind speeds and impact forces threw the spheres this way and that as we worked out where to position obstacles within the simulation. But after some careful and tedious arrangement we were able to hit go and the whole dynamic simulation was left to its own devices from that initial launch. We of course ‘painted’ and textured the environments as we imagined, but we used tessellated textures to cement the idea of synthesis and mathematic models. But their origins are organic and lie in microscopic photography of areas far too small for the human eye to read.” Mind-boggling, right?

Credits:
Design and direction: ATYP
Audio composition: Benji Merrison