SHOP Magazine cover illustrations

Next week London’s Kemistry Gallery will showcase a selection of the SHOP Magazine’s 2011 cover artwork commissioned from a host of illustrators including Adrian Johnson (a cover illustration by Johnson for a London issue shown above), Pietari Posti, The Heads Of State, Nathalie Lees, and Robert Hanson…

SHOP Magazine, art directed by Studio8, is the world’s leading shopping publication – publishing a whopping 3.8 million magazines in 78 editions across 28 countries.The week long exhibition in London will celebrate this year’s cover artwork across the title’s many editions. Here are a few of our favourite images:


by The Heads of State
for Singapore


by Adrian Johnson
for London


by Brett Ryder for Portugal


by Pietari Posti for Istanbul


by Nathalie Lees (for Copenhagen)

Limited edition prints of the illustrations are on sale at the show and via print-process.com (where you can see more of the work) and profits will go to Kids Company, a London-based charity which provides education and support for vulnerable inner-city children.

SHOP Magazine Cover Illustrations runs from 21-26 November at Kemistry Gallery, 43 Charlotte Road, London EC2A 3PD.

kemistrygallery.co.uk

CR in Print

Not getting Creative Review in print too? You’re missing out.

In print, Creative Review carries far richer, more in-depth articles than we run here on the blog. This month, for example, we have nine pages on Saul Bass, plus pieces on advertising art buyers, Haddon Sundblom, the illustrator who ensured that Coke will forever be linked with Santa Claus, Postmodernism, Brighton’s new football ground and much more. Plus, it’s our Photography Annual, which means an additional 85 pages of great images, making our November issue almost 200-pages long, the biggest issue of CR for 5 years.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

“Private housing sector forecast recovers strongly” – RIBA Future Trends Survey


Dezeen Wire:
The latest RIBA Future Trends Survey shows that the private housing sector is benefiting from all-time low interest rates but overall confidence about future workloads remains low.

A third of architects responding to the survey said they felt under-employed in October, with those in London most optimistic about growth and Scotland and Northern Ireland the least confident.

See past RIBA Future Trends Survey results here.

RIBA Future Trends Survey results for October 2011

The Royal Institute of British Architects (RIBA) Future Trends Survey for October 2011 shows little change in confidence about future workloads. Statistical analysis of the survey enables the RIBA to track regularly the two key indices of confidence within the profession: future workloads and staffing levels.

There was a slight rise in the RIBA Future Trends Workload Index which for October stood at -7, compared with -10 in September 2011. Practices in London remain the most optimistic about growth in workloads over the next three months, while Northern Ireland and Scotlandremain the least confident about future work. As in previous months, it is the smaller (one to 10 staff) and medium (11 to 50 staff) sized practices that are less confident.

The RIBA Future Trends Staffing Index also barely changed: down from -7 in September to -8 in October. No practice – of any size – predicts an increase in staffing in the next quarter. Overall staffing levels had on average declined by 7 per cent from October 2010, which tracks a   reduction of 12 per cent in actual work in progress compared with October 2010.

A third of those responding to the survey felt that they had personally been under-employed during October, a slightly higher percentage than in September 2011.

The public, commercial and community sectors forecasts also saw little or no change. On the other hand, the private housing sector forecast recovered quite strongly, moving from – 5 in September 2011 to +5 in October 2011.

Adrian Dobson, RIBA Director of Practice, said:

“Not unexpectedly, practices continue to describe a challenging and unpredictable state of play, with increased competition for falling levels of public sector work and continuing resistance by banks to lend for development projects. Faced with this uncertain outlook, they are reluctant to recruit new staff.

“But on a more positive note, the bespoke housing sector remains strong, buoyed by all-time low interest rates, and more specialised areas within healthcare and conservation also continue to perform well.”

Redesigning International Disaster Response, Part 2: The Challenges

In Part 1 we discussed the various organizations that take part in international disaster response, including the United Nations and the Red Cross. In this post, we’ll look at disaster response vs humanitarian aid, as well as the challenges that disaster response faces on the global stage.

disaster21.jpg

Distinguishing Disaster Response From Humanitarian Aid

By their very nature, the timelines for providing disaster assistance versus delivering humanitarian aid are quite different. Disasters themselves are usually over within a matter of hours, while the bulk of the aftermath is over within a number of days. Humanitarian crises, however, are often the result of a prolonged series of events that cross some sort of threshold definition and are thus thrust onto the world stage. The difference, succinctly put, is short-term suffering as opposed to long-term suffering. However, as we have seen in Haiti, New Orleans and any number of locales, disasters are often degenerate into full-blown humanitarian crises.

disaster22.jpg

The resources necessary to respond to one or the other are also quite different. For instance, the Urban Search and Rescue Task Force groups of the United States’s Federal Emergency Management Agency (FEMA) are self-reliant for up to 72 hours, the normal lifespan of a disaster. During the lifespan of a humanitarian crisis, the Task Force would soon discover itself without enough resources for the length of the event. Thus, it is important to accurately define the nature of the crisis before sending resources for response and relief, lest the rescuers find themselves in need of rescuing.

Challenges for the Future of International Disaster Response

disaster23.jpg

1. A Real Unified Response

When an international disaster occurs, the responders consist of urban search and rescue (USAR) teams, disaster medical assistance teams (DMATs), transportation crews, and logistics coordinators from all levels of local, government, international and non-governmental organizations. What is often overlooked, though, is that “the burden of dealing with a disaster is never felt more intensely than at the community level.” It is absolutely paramount that external responders can effectively interface with residents and government officials in the disaster area. This often means that local capacity must be developed and trained ahead of time in order to ease interaction in an emergency setting. In the United States, where protocols like the Incident Command System (ICS) and the National Incident Management System (NIMS) exist, cooperation is significantly smoother. On the international scale, however, language and political barriers make such cooperation and coordination more difficult.

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Workspace of the Week: Bright and in the basement

This week’s Workspace of the Week is Michelle.the.last.nameless’ basement office:

Yes, you read it correctly, this is a basement office. The light color carpet on the floor, the white wood furniture, and the pale blue (or maybe it’s lilac?) paint on the walls helps immensely to brighten this space and make it an inviting office. The five large canvas images add personality to the room without taking up space on the work surface. Camera bags, flashes, papers, and pens all have a place to live on the bookshelves. And, I love that even the trash can is out of the way, but conveniently located under the desk. In Michelle’s notes, she mentions that her husband’s desk is identical to hers, adjoins to the left side of her desk, and sits in the next corner of the room. It looks like a wonderful setup for a shared office. Thank you, Michelle.the.last.nameless for your inspiring submission to our Flickr pool.

Want to have your own workspace featured in Workspace of the Week? Submit a picture to the Unclutterer flickr pool. Check it out because we have a nice little community brewing there. Also, don’t forget that workspaces aren’t just desks. If you’re a cook, it’s a kitchen; if you’re a carpenter, it’s your workbench.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


The City in the Building by ADEPT and Luplau & Poulsen

The City in the Building by ADEPT and Luplau & Poulsen

Danish architects ADEPT and Luplau & Poulsen have won a competition to design harbour-side housing blocks in their hometown of Aarhus.

The City in the Building by ADEPT and Luplau & Poulsen

The proposed development, collectively titled the City in the Building, will include an assortment of uncomplicated brick buildings that surround a shared courtyard.

The City in the Building by ADEPT and Luplau & Poulsen

Shorter buildings located beside the water will accommodate apartments for families and senior citizens, while taller buildings behind will house students.

The City in the Building by ADEPT and Luplau & Poulsen

All residences are planned to be dual-aspect and every block will contain some sea-facing homes.

The City in the Building by ADEPT and Luplau & Poulsen

Greenhouses will be located on the roofs, beside solar panel arrays and rainwater collection units.

The project is due to complete in December 2013.

Other competition wins from ADEPT include a skyscraper of stacked cubessee all our stories about the architects here.

Here are some more words from ADEPT:


ADEPT and Luplau & Poulsen win 12,000 m2 residential project at Aarhus Harbour

Common greenhouses on the roof tops, adjacent terraces overlooking the bay of Aarhus, and a sheltered green courtyard – all in close proximity to downtown Aarhus. This is the essence of Brabrand Housing Association’s new residential complex that breaks with both the port’s massive scale, and present iconic building tendencies. The project is expected to be completed for inauguration in December 2013.

Wednesday November 2nd the Deputy Mayor Laura Hay revealed the winners of the competition at a reception at Aarhus City Hall. The winning team consists of the architects ADEPT and LUPLAU & POULSEN, turn-key contractor Dansk Boligbyg and NIRAS Consulting Engineers. The team has designed a project entitled The Port Dwellings – Housing for All at Harbour North, that consists of 238 public dwellings distributed between 83 apartments for families and +55 aged seniors, and 155 student-housing units.

The architects have taken the best aspects of the city’s existing block structure and reinterpreted it, providing a modern and sustainable expression on the waterfront in Aarhus Nordhavn. The simple building arrangement is complemented by shared greenhouses on the roof, varied building heights and sustainable initiatives that make the new dwellings robust and future-proof. The housing structure adapts to its context that, on the one hand, consists of large, industrial scale and on the other, a smaller and intimate scale with a lively maritime atmosphere.

“Placing the building volumes along the edge of the site proved to be highly appropriate for the location. It gathers the dwellings around a large green courtyard sheltered from the wind and creates the best sun and daylighting conditions for the apartments,” says Martin Laursen, partner of ADEPT. The development is being realized predominantly in brick, dropping in building height towards the water and the marina. As a consequence, the apartments furthest from the water, the youth homes share the extensive views. In addition, the building structure is subdivided into smaller buildings, marked by varying heights and subtle changes in façade expression. “The building’s division into smaller buildings relates to the human scale and creates affinities between the residents and the individual ‘town house’,” says Simon Lyager Poulsen, ADEPT’s project architect on the Port Dwellings.

The project differs from the bulk of existing and proposed port projects in that it does not attempt to be a major iconic building – an aspect of the scheme remarked upon positively by the developer and competition jury. Brabrand Housing Association has deliberately chosen to focus on a building that inserts itself in the port in a humble manner, challenging the large scale of the context by addressing the scale of inhabitants’ daily lives.

The family apartments are located in the lowest buildings, in close proximity to the water and the intimate scale of the marina. In this way children and parents have convenient access to activities at the waters edge, the forest and the inner courtyard. In addition, all roof surfaces are designed for shared-use amongst residents. The sunny roof surfaces are activated with greenhouses, common areas and living terraces with excellent views of the city, forest and bay. The remaining roofs are established as green surfaces both for collecting rain water and supporting solar panel arrays.

The settlement is a ‘zero-energy building,’ which, with it’s solar panels and greenhouses, takes more advanced steps toward meeting future energy requirements than those currently formulated by the municipality and the state government. Brabrand Housing Association expects the future settlement to meet the energy requirements of 2025 – an energy class yet to be formulated. At the same time the dwellings can be built within the allocated budget, which allows rents to be competitive.

Each apartment is lit from two sides and has private outdoor spaces overlooking the water and the common courtyard. The units range in size between 78m2 and 115 m2 and consist of 2, 3, 4 and 5 room apartments. Robust and flexible plan layouts ensure live-ability over the years, across generations and changing architectural trends. In these terms, the winning project offers both a robust, simple and coherent project as well as a varied and lively architecture.

Throughout the competition process, ADEPT and LUPLAU & POULSEN have enjoyed a close collaboration. LUPLAU & POULSEN has in recent years been responsible for several new Brabrand Housing Association projects. “We are delighted to continue the strong cooperation with Brabrand Housing Association,” says Jørn Lyager Poulsen, partner responsible for the housing project at LUPLAU & POULSEN. The three partners in ADEPT, who all come from Aarhus are, like LUPLAU & POULSEN, excited about the opportunity to build in their hometown and to contribute to the development of the waterfront in Aarhus.

Attic by Studio Chad Wright

Attic by Studio Chad Wright

American designer Chad Wright stretched the archetypal birdhouse shape to create penthouse nest boxes with varying heights.

Attic by Studio Chad Wright

A concrete base with a screw-in stake stabilises these slender wooden pillars on grass or hard-standing.

Attic by Studio Chad Wright

The birdhouses come in a selection of different colours, including tomato red, robin’s egg and cloud blue.

Attic by Studio Chad Wright

Here’s some more text from Studio Chad Wright:


Attic by Studio Chad Wright

Attic is a series of avian abodes recently designed by Studio Chad Wright. At 4’6″, 4’10″ and 6’0″, Attic provides homes of varying levels of status to a variety of birds. Shown here in colors robin’s egg, tomato and cloud, Attic features a molded concrete base with a screw-in lawn stake, thus accommodating tiled or lawn-covered landscapes.

Studio Chad Wright is the laboratory, factory and home of Chad Wright, an emerging independent American designer.

After working in several of the top design studios in San Francisco, Chad recently ventured out on his own and founded Studio Chad Wright in 2011, a studio that synthesizes ideas with objects, poeticism with relevance, product with person (or animal), and simplicity with joy.

(11) is seeking a Senior Industrial Designer in Boston, Massachusetts

coroflot-joboftheday.jpg

Senior Industrial Designer
(11)

Boston, Massachusetts

Now that they’ve had a week to recover from their extra-special 11/11/11 party, it’s back to business at (ELEVEN). They’re searching for an unparalleled industrial design professional to join us in our pursuit of excellence. This senior team member will be expected to lead projects, inspire the design staff and drive design excellence. The ideal candidate has a breadth of skill and a reputation for vision and innovation in the design world—he or she goes well beyond the obvious solutions. The designer also happens to have a proactive, positive attitude that influences every design touch-point that he or she creates.

» view

The best design jobs and portfolios hang out at Coroflot.

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Polish Cold War Neon

Photographer Ilona Karwinska ‘s new book Polish Cold War Neon (Mark Batty Publisher, £35) gathers together photographs taken over more than five years all over Poland, documenting what remains of a once extravagant plan to neonize the entire country during the 1960s, 70s and 80s…

The book features an excellent introduction by David Crowley who, regular readers may recall, wrote a feature on Karwinska’s neon photography project for our September 2007 issue (we’ve unlocked it for a few days only so non subscribers can read that piece here). Here’s an extract from the book’s introduction:

“The neon signs installed in Polish cities in the 1960s and 1970s were part of the international attempts to reconcile socialism and consumerism. Conferences in Czechoslovakia in 1957 and in the Soviet Union in 1958 set out to define a new kind of progressive advertising that would raise the tastes of consumers and rationalise their needs. Neon was given a key role in this new program. Illuminated images and words could denote a useful commodity or service (‘Save with PKO for your apartment’ or ‘Sewing Machines Here’). Permanent, fixed to buildings, and bespoke, neon was even claimed as a tool for navigating the rapidly changing city: a radiant ‘You are here’.”

There is much info about the design and manufacturing processes and even interviews with employees of some of Poland’s biggest neon manufacturers during the 60s and 70s. And then there is the sumptuous, full bleed photography by Karwinska… Here are some images:

 

markbattypublisher.com

polishneon.com

 

CR in Print

Not getting Creative Review in print too? You’re missing out.

In print, Creative Review carries far richer, more in-depth articles than we run here on the blog. This month, for example, we have nine pages on Saul Bass, plus pieces on advertising art buyers, Haddon Sundblom, the illustrator who ensured that Coke will forever be linked with Santa Claus, Postmodernism, Brighton’s new football ground and much more. Plus, it’s our Photography Annual, which means an additional 85 pages of great images, making our November issue almost 200-pages long, the biggest issue of CR for 5 years.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

Details Released for ShoP’s Atlantic Yards Residential Buildings, Will Include World’s Tallest Modular Tower

If you happened to have been reading this blog two years ago, or really most any design-interested blog, you might recall that a healthy chunk of 2009 was spent talking about Brooklyn’s Atlantic Yards, the massive project in that borough by developer Forest City Ratner, which included a new basketball stadium, housing, shops, etc. And what was not gold to report? To name just a few red letter stories, there was Frank Gehry‘s firing, the NY vs. Kansas City battle, and the constant stream of lawsuits, protests, books and even songs. It was all golden. But since last year, once the project started that slow process of actually being built, the national headlines went a bit quiet. However, as of yesterday, it came back to life, with the unveiling of the plans for the residential portion of the development. Designed by ShoP (which joined then-known-as Ellerbe Beckett in replacing Gehry), and in collaboration with Arup and XSite Modular, the series of towers are set to be built using prefabricated modular construction. The largest tower, coming in at 32 stories, will be the world’s tallest modular structure to date. Not only will that help speed up construction, which is thought to begin early next year, assuming the developers can get through another set of lawsuits, but building modular is believed to help save a considerable amount of money. In certain angles, we think the towers look somewhat attractive, but not everyone shares that opinion. Whatever the case, assuming Forest City manages to get them up, the buildings will at the very least have an interesting story behind their construction.

New Career Opportunities Daily: The best jobs in media.

“Cities are machines for innovation” – Financial Times


Dezeen Wire:
in his latest article for the Financial Times architecture critic Edwin Heathcote analyses how some cities have successfully reinvented themselves as hubs of creativity and commerce – Financial Times

Heathcote states that “the city stands out as an engine of progress and modernity,” using examples from urban centres such as San Francisco, Milan, Turin, Pittsburgh and London to demonstrate how intelligent state funding can encourage creative vitality and economic growth.