A Sinch solution for Headphone Cord Chaos

Sinch_Magnetic-Field.png

We were excited to receive a neat little package from the folks at frog today previewing Sinch, a new magnetic solution for the madness of headphone cord chaos. A survey on any given day in New York City’s subways reveals two main schools of thought when coming to storage of those pesky in-ear headphones: the wrapper and the stuffer. Wrappers carefully coil their headphone wires around their mobile devices only to return to a mess of tangles. Stuffers typically bury headphones in sidepockets and backpockets—I’ve witnessed innumerable stuffers fishing out headphones and unwittingly dredging up pens, packs of gum, jewelry and change from the dark depths of their bags.

frog has created a simple and straightforward design—an elastic band with a stretch-able hole to attach to the base plug and a set of magnets that keep the tangle of cords manageable and neat. The nice thing about Sinch is that you can feed all your wrapper urges by using your device as the core of the cord management system—when the headphones are plugged in, the cords are wrapped around the device and secured into place with the magnetized ends of the Sinch.

sinch-wrappeda.JPG

For all those stuffers, you can unplug your headphones from your mobile device after wrapping and stuff your bundled headphones into the dark place of your liking.

sinch-wrapped.JPG

My only concern is that as a user with a thicker L-shaped base plug, the elastic hole on the Sinch bulges, taking away from the sleek aesthetic of the overall design. Check out the jump for more product pics!

(more…)


Bare Essentials

Un beau projet réalisé conjointement par Dennis de Groot et Nalden en réduisant les personnages les plus connus avec des formes géométriques simples et des couleurs facilement distinctes. Cette série intitulée “Bare Essentials” permet d’explorer les détails et propose 50 illustrations.



BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection

BE_finalselection





















Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook

Ben Wilson’s “Pocket Rocket 2” at V&A’s Power of Making Exhibition

London-based industrial designer Ben Wilson of the Wilson Brothers is at least as passionate about contemporary bicycle design as we are, between his collaborations with the likes of Brooks and Rapha and his art projects such as the “4H.”

BenWilson-PocketRocket2-0.jpg

His latest work, the “Pocket Rocket 2″—a collaboration with goldleaf specialists Melliard’s—falls somewhere between the two disciplines: it’s a sort of miniature cycle with handpainted details and 20” wheels. While the stylized goldleaf mimics lugs, they’re actually painted over the fillet-brazed joins.

For PR2 we collaborated with Melliard’s modern pinstriping and lettering to create a paint scheme inspired by traditional bicycle lugs. Butting up to the hand fillet brazed steel frame, they hand applied 23 carat gold (machine turned) leaf accents to emphasize the honest workmanship that went into building the bicycle. We used 20” wheels with 2 speed kick back SA brakes and to top it off, a one off hand tooled Wilson/roofer special Brooks saddle!

BenWilson-PocketRocket2-6-7.jpg

Other features of the “ongoing investigation for the ultimate urban bicycle” include a pursuit-style top tube, fully integrated (i.e. brazed-on) seatpost and saddle, and integrated cockpit, which means that the geometry is completely fixed… though it still looks a bit more comfortable (and conventional) than, say, Joey Ruiter’s take on the very same “ongoing investigation.”

BenWilson-PocketRocket2-5.jpg

BenWilson-PocketRocket2-2.jpg

More detail & process photos after the jump…

(more…)


DesigNYC 2011 Exhibition+Party

dNYC_GreenHousefreshside.jpgThe Greenhouse Project In East New York, Brooklyn. Rendering by Abruzzo-Bodziak Architects

Join desigNYC for their annual exhibition celebrating the results of collaborations between urban advocacy groups and design. The organization works to harness the power of the creative community to affect a better urban experience, imagining a better future for our cities.

As this year’s city-wide design programming reflects (most notably the New Museum Festival of Ideas for a New City, this week’s Urban Week Festival, the Municipal Arts Society’s Annual Summit on Livability and Archtober Architecture and Design Month New York City) there is an urgent call for organizations like desigNYC to help heighten public perception, understanding and participation in the making of our city. desigNYC’s method: connect civic-minded designers with extraordinary nonprofits, community groups and city agencies serving the public good. desigNYC does it with people in mind and with hands-on, long-term projects, on the ground. Not too much talking, lots of doing. Not too much glamour, but real, deep, collaborative changes.

desigNYC’s annual exhibition+party celebrates the results to date of these passionate collaborations. This second round of desigNYC projects connected eight extraordinary organizations with over 20 talented design professionals who are leaders in the fields of architectural, landscape, interior, experience and communications design. The projects are creating solutions affecting a range of social and environmental issues impacting the city, including sustainable development and education, neighborhood revitalization, social justice, health and urban farming, environmental activism, etc. What is particularly amazing about these pilot projects is how scalable most of them are, Greenhouse pop-up farms, a Boat Box on Brooklyn waterfronts and Main Street urban interventions. They have true potential to influence New York City neighborhoods and inspire city organizations searching for smart, cost-effective solutions for social and urban revitalization. Check out the full list of projects after the jump and celebrate design action at the opening on Wednesday and learn how to get more involved.

desigNYC 2011 Exhibition
Wednesday, September 14th
6PM – 8:30PM
GD Cucine
227 West 17th Street
New York City

On view through October 1st

(more…)


Why are the Back to the Future Kicks Called Nike MAGs?

0nikemags001.jpg

The sneakerworld is abuzz with news of the 2011 Nike MAG, modeled after the self-lacing kicks Michael J. Fox wore in Back to the Future 2. Only 1,500 pairs are being made, sold exclusively through eBay, with the net proceeds going to The Michael J. Fox Foundation for Parkinson’s Research.

0nikemags002.jpg

The MAGs are physically modeled after the ones in the movie, though sadly, they lack the cool self-lacing feature; there are rumors that a Nike exec has hinted that it’ll be available in 2015, but it’s not clear whether he was joking or not, as that was the year the movie took place.

0nikemags003.jpg

Why, you ask, are they called the MAGs? The original technician who worked on the sneakers actually seen in the movie gave the story to Sneaker News:

(more…)


BFI Master Film Store by Edward Cullinan

BFI Master Film Store by Edward Cullinan

London studio Edward Cullinan Architects have completed a concrete and steel bunker to store the British Film Institute‘s entire film collection.

BFI Master FIlm Store by Edward Cullinan Architects

Located in Warwickshire, England, the BFI Master Film Store can archive up to 460,000 film canisters inside vaults with sub-zero temperatures and specified humidity levels.

BFI Master FIlm Store by Edward Cullinan Architects

These 36 vaults are externally clad in precast concrete panels to maintain a stable thermal mass.

BFI Master FIlm Store by Edward Cullinan Architects

At the front of the building is an entrance block wrapped in corrugated stainless steel panels, which features a steeply pitched sedum roof.

BFI Master FIlm Store by Edward Cullinan Architects

This block provides workshops, a meeting room and staff facilities, as well as airtight lobbies leading to the storage vaults.

BFI Master FIlm Store by Edward Cullinan Architects

We have recently published a number of bunker-like buildings on Dezeen – see all the stories here.

BFI Master FIlm Store by Edward Cullinan Architects

Photography is by Edmund Sumner.

BFI Master FIlm Store by Edward Cullinan Architects

Here are some more details about the project from Edward Cullinan Architects:


This autumn, the British Film Institute (BFI) has reached a major milestone in its long history of preserving the nation’s film heritage. The pioneering new building is ready to house the BFI’s entire master collection of acetate and nitrate film in closely controlled environmental conditions ideal for the long term protection of this priceless and vulnerable material.

BFI Master FIlm Store by Edward Cullinan Architects

The Project has been realised through the Screen Heritage UK (SHUK) programme, a nationwide initiative funded by the Department of Culture, Media and Sport. One of its key objectives is to prevent the deterioration and loss of the nation’s films so that they can be made accessible now and in the future. The BFI cares for the most significant film collection in the world. It represents the history of the moving image in Britain from pre-cinema through to the present day. The collection has been stored over two sites; the new building consolidates the collection into an existing site in Warwickshire.

BFI Master FIlm Store by Edward Cullinan Architects

The building is designed by Edward Cullinan Architects who led a detailed feasibility study which concluded that the BFI’s existing archive buildings could not be suitably upgraded, and that a new ‘sub-zero’ storage facility large enough to house all master acetate and nitrate material should be constructed at the earliest opportunity.

BFI Master FIlm Store by Edward Cullinan Architects

The final technical solution is the result of intense research and collaboration between the architect, engineers, film experts and the BFI to define the best method for storing such a large collection of film sustainably for the next 50 years and beyond.

At just under 3000m², the new vaults will store up to 460,000 canisters of film in conditions of -5°C at 35% relative humidity, while the construction enables the building to sustain these conditions in an energy efficient way.

BFI Master FIlm Store by Edward Cullinan Architects

Pre-cast concrete panels provide the thermal mass required to limit temperature fluctuations. Although the building form is quite simple, consisting of 30 identical cellular vaults for nitrate and 6 vaults for acetate film, the specification requires extremely low air leakage rate and must withstand intense heat in the unlikely event of a nitrate film fire. Rigorous analysis, detailing, quality control and testing has been carried out to ensure the building will provide the sub–zero temperature, low humidity and fire prevention that the film requires for its preservation.

The building is the first of its kind to store large quantities of film in such cold and dry conditions; it will also achieve a BREEAM Rating of ‘Excellent’ for its sustainable features.

BFI Master FIlm Store by Edward Cullinan Architects

Click to enlarge image

Project Data

Design Team Appointed: July 2009
Construction period commenced: October 2010
Construction Cost: £9million
Cost per m2: £3,000
Planning approved: June 2010
Building occupied: September 2011
Practical Completion Date: December 2011

BFI Master FIlm Store by Edward Cullinan Architects

Click to enlarge image

Credits

Client: BFI
Architect: Edward Cullinan Architects
Structural Engineer: Curtins Consulting
Services Engineer: Couch Perry & Wilkes
Project Manager: Buro Four
Quantity surveyor: W H Stephens
CDM Coordinator: Arcadis
Main contractor: Gilbert Ash NI

See also:

.

EDF Archives Centre
by LAN Architecture
A shop in a church
by Merkx + Girod
The Rothschild Foundation
by Stephen Marshall

CLOG magazine launches


Dezeen Wire:
the first issue of new design magazine CLOG is out now and features an interview with architect Bjarke Ingels, plus critical analysis of his Copenhagen firm BIG with over 40 contributions. The magazine is published three times a year and explores architectural issues in depth with insight from practicing professionals.

Anrealage Fall/Winter 2011

An emerging fashion designer’s 8-bit-inspired latest collection and store

by Adele Chan

8bitfashion-1.jpg 8bitfashion-2.jpg

Where most go for increasingly hi-def effects, experimental Japanese designer Kunihiko Morinaga took a deliberately different direction with his label Anrealage, designing the Fall/Winter 2011 line around the concept of low-resolution graphics. Titled “Low” in reference to the throwback patterns, the collection includes skirt suits, coats, dresses, tights and court shoes printed with colorful square blocks, meant to resemble pixelated florals and paisleys. The resulting mosaic-like imagery attracts the eye, giving the illusion that moving further away or squinting might pull the designs into focus. The heels of the shoes are particularly striking—cleverly sculptured to look like miniature, offset blocks—reminiscent of Lego bricks.

8bitfashion-shoes.jpg

An extension of the collection, the motif makes for a strong interior decor scheme in the brand’s Harajuku store as well. Entering the space is like falling back into a classic video game from the 1980s (minus the fire breathing plants and teleportation tubes). From the chairs and display table to carpet design and even hanging light bulbs, every piece of furniture appears to be rendered in a few pixels per inch.

8bitfashion-store.jpg

Can’t make it to Japan? Get a taste with the Low Pixel print tights ¥5,775 (US$74) online.


“Postmodern, but not especially proud of it” -The New York Times


Dezeen Wire:
ahead of the opening of Postmodernism: Style and Subversion 1970-1990 at the Victoria & Albert Museum next week, design critic Alice Rawsthorn describes the hype and controversy that surrounded the movement and its influence on subsequent designers  – The New York Times

See a previous article discussing the definition of postmodernism by The Observer’s architecture critic Rowan Moore here.

London 2012 Paralympic Games Campaign

McCann Worldgroup has released a new poster campaign to promote ticket sales for the London 2012 Paralympic Games, featuring striking illustration by HelloVon.

Starring a number of Paraylmpic stars, including sprinter Oscar Pistorius (above), the posters have an energy and excitement that has so far been somewhat lacking from the main Olympics 2012 ads.

Credits:
Creative directors: Simon Butler, Geoff Smith
Copywriter: Chloe Grindle
Art director: Michael Thomason
Illustrator: HelloVon

 

CR in Print

Thanks for reading the CR website, but if you are not also getting the printed magazine, we think you’re missing out. This month’s issue has a superb feature on the Sainsbury’s Own Label packaging of the 60s and 70s, a profile of new Japanese creative supergroup Party and our pick of this year’s top graduates. Read all about it here.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.